Thank you very much, Stefano!
This is very helpful and shall be, like Urs said, added to the Wiki.
Best
Jan-Peter
Am 29.01.2018 um 21:36 schrieb Stefano Troncaro:
Hello again everyone!
In a recent thread I was asked to write a little bit depicting how I
would have liked to learn about using t
Hi,
I am not going to bump this too many more times, but is anyone
interested in being a mentor for GSoC for our project.
As a sample, you might be asked for your advice on a question such as:
> What do we do about \partial 1/3 and other fractions that we can only
approximate with powers of 2 ??
On Tue, 30 Jan 2018, David Kastrup wrote:
> > as closely as possible I don't want to substitute quarter-tone symbols. Is
> > there a simple way to insert arrows in place of accidentals? Playback is
> > not an issue.
>
> Quarter notes wouldn't work anyway since you'd not be able to
> distinguish a q
Hi Stefano,
I really appreciate your work on this. Thanks so much.
All the best,
Craig
On 30 January 2018 at 08:52, Henning Hraban Ramm
wrote:
> Hi Stéfano,
> I don’t know if I’ll ever use this, but your tutorial/intro is "just
> right"!
>
> Greetlings, Hraban
> ---
> fiëé visuëlle
> Henning
Hi Michael,
It probably would have been helpful if you had provided an example (so that
we can see how exactly the arrows are supposed to look like).
But in the end all boils down to the possibility of replacing a standard
accidental by an arbitrary markup. There's a snippet demonstrating how thi
Michael Taylor writes:
> I am transcribing sketches in which small pitch adjustments are notated
> using up & down arrows. As my aim is to reproduce the composer's notation
> as closely as possible I don't want to substitute quarter-tone symbols. Is
> there a simple way to insert arrows in place
Hi Stéfano,
I don’t know if I’ll ever use this, but your tutorial/intro is "just right"!
Greetlings, Hraban
---
fiëé visuëlle
Henning Hraban Ramm
http://www.fiee.net
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https://lists.gnu.org/mailman/l
I am transcribing sketches in which small pitch adjustments are notated
using up & down arrows. As my aim is to reproduce the composer's notation
as closely as possible I don't want to substitute quarter-tone symbols. Is
there a simple way to insert arrows in place of accidentals? Playback is
not a
On 1/29/2018 3:36 PM, Stefano Troncaro wrote:
Hello again everyone!
In a recent thread I was asked to write a little bit depicting how I
would have liked to learn about using the Edition Engraver. I share it
here so that others can give their insights. Hopefully we can make a
"quick start gui
Hey Stéfano,
this is totally awesome! As far as I can tell your text has exactly the amount
of verbosity that is needed to introduce people to this kind of tool.
I will have very few and minor clarifications to ask for, and I suggest we put
it on the GitHub Wiki page.
Thank you very much
Urs
Hello again everyone!
In a recent thread I was asked to write a little bit depicting how I would
have liked to learn about using the Edition Engraver. I share it here so
that others can give their insights. Hopefully we can make a "quick start
guide" kind of thing to help future users.
I'll say i
On Mon, Jan 29, 2018 at 09:51:59AM -0700, Torsten Hämmerle wrote:
> In 2.18.2, you can set \override Rest.staff-position = #0 to force the rests
> back, or use a development version.
Thanks, the override works !
--strk;
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Hi! FYI, the release tarball for 2.19.81 is 404.
http://download.linuxaudio.org/lilypond/sources/v2.19/lilypond-2.19.81.tar.gz
Thank you!
-G
--
http://cecinestpasunefromage.wordpress.com/
in your fear, seek only peace
in your fear, seek only lov
Many thanks to all responses patiently describing how lilypond is doing.
I have to accept that lilypond way and I think to understand it now and
will internalize it.
Thanks and regards!
Am 29.01.2018 um 18:22 schrieb David Kastrup:
bb writes:
There was such a lot of information in all th
bb writes:
> There was such a lot of information in all the responses, thanks.
>
> http://lilypond.org/doc/v2.19/Documentation/learning/bar-lines-and-bar-checks.en.html
> Bar lines
> Bar checks
> I have read this and I think to understand.
>
> \cadenzaOn does not set or check barlines and opens f
On 29.01.2018 18:13, bb wrote:
I already understand THAT lilypond is checking the bar lines I set
myself and give me a message if wrong/critical. But I do not
understand why lilypond is setting the same wrong/critical bar line
WITHOUT giving me a message. As lilypond obviously checks bar length
BB-3 wrote
> Sorry, needed some time to realize that I expect to much from lilypond
> to check automatically set bar lines and such "impossible cases" of
> 17/16 itself.
That's exactly the point: but it isn't a case of "17/16", it's just a case
of a quaver note starting at 16/16 (the notehead st
On 29.01.2018 17:00, bb wrote:
Sorry, needed some time to realize that I expect too much from
lilypond to check automatically set bar lines and such "impossible
cases" of 17/16 itself.
There are situations where one might want notes crossing a bar line,
e.g. mensural layout solutions.
LilyPon
Thank you!
I already understand THAT lilypond is checking the bar lines I set
myself and give me a message if wrong/critical. But I do not understand
why lilypond is setting the same wrong/critical bar line WITHOUT giving
me a message. As lilypond obviously checks bar length, why not telling
On 1/29/18, 8:29 AM, "bb" wrote:
Nonsense!
I do not want lilypond to do it my way. But I want lilypond to throw an
error message, a warning or a remark that lilypond is breaking basic
rules and help me to improve my limited understanding of music!
If you add bar checks
Hi Sandro,
Indeed, Phil's query regarding your LilyPond version is the pivotal
question. For two reasons:
First reason
NullVoice has been introduced in Version 2.18 (as far as I know)
Second reason
Current development version 2.19.80 (and before) won't have the problem
Stripping down your case
On Mon 29 Jan 2018 at 15:31:42 (-), Phil Holmes wrote:
> - Original Message - From: "Sandro Santilli"
> To: "Lilypond users"
> Sent: Monday, January 29, 2018 10:09 AM
> Subject: aligning lyrics to hidden notes
>
>
> >I've been trying for some time now to align lyrics
> >to an hidden
On Mon, Jan 29, 2018 at 03:31:42PM -, Phil Holmes wrote:
> 1. Are you really using LilyPond 2.10.33? If so it's staggeringly out of
> date and you should upgrade to the latest stable or development version.
Uhm, it looks like no, I'm using GNU LilyPond 2.18.2
You mean that the \version speci
Yes I read the answers.
For bar checks I have to set bars myself and lilypond tells me if wrong.
o. k.
Sorry, needed some time to realize that I expect to much from lilypond
to check automatically set bar lines and such "impossible cases" of
17/16 itself.
Thanks.
Am 29.01.2018 um 16:48
- Original Message -
From: "bb"
To:
Sent: Monday, January 29, 2018 3:29 PM
Subject: Re: turning a blind eye to dotted note
Nonsense!
I do not want lilypond to do it my way. But I want lilypond to throw an
error message, a warning or a remark that lilypond is breaking basic
rules a
- Original Message -
From: "Sandro Santilli"
To: "Lilypond users"
Sent: Monday, January 29, 2018 10:09 AM
Subject: aligning lyrics to hidden notes
I've been trying for some time now to align lyrics
to an hidden melody but when I try that all the rests
end up attached to the bottom li
Nonsense!
I do not want lilypond to do it my way. But I want lilypond to throw an
error message, a warning or a remark that lilypond is breaking basic
rules and help me to improve my limited understanding of music!
Am 29.01.2018 um 15:54 schrieb David Wright:
On Mon 29 Jan 2018 at 15:16:53
On Mon 29 Jan 2018 at 09:03:46 (+0100), Urs Liska wrote:
> Hi all,
>
> I'm trying to figure out the best setting for page margins for mixed
> text/music documents. The task is to automatically set the margins
> in LilyPond depending on a LaTeX document where full-page scores are
> included.
>
> W
Hi Urs,
On 01/29/2018 02:27 PM, Urs Liska wrote:
[...]
I want to have a score start with a defined position of the first staff
symbol to match the type area of a surrounding text document. [...]
#'((basic-distance . 16)
(minimum-distance . 0)
(padding . 0)
(stretchability
I've been trying for some time now to align lyrics
to an hidden melody but when I try that all the rests
end up attached to the bottom line of the pentagram,
which looks like a bug in lilypond itself, can anyone
see if that's the case (a bug) or I'm doing something
wrong ?
Here's the .ly file:
htt
On Mon, 29 Jan 2018 09:03:46 +0100, Urs Liska wrote:
Hi all,
I'm trying to figure out the best setting for page margins for mixed
text/music documents. The task is to automatically set the margins in
LilyPond depending on a LaTeX document where full-page scores are
included.
We have the horizon
On Mon 29 Jan 2018 at 15:16:53 (+0100), bb wrote:
> There was such a lot of information in all the responses, thanks.
>
> http://lilypond.org/doc/v2.19/Documentation/learning/bar-lines-and-bar-checks.en.html
> Bar lines
> Bar checks
> I have read this and I think to understand.
>
> \cadenzaOn doe
- Original Message -
From: "bb"
To:
Sent: Monday, January 29, 2018 2:16 PM
Subject: Re: turning a blind eye to dotted note
The point in the example is, that there is one 16th to much in the bar,
not one missing. If I count, I get 17/16 in the bar! And I wonder that
lilypond is setin
There was such a lot of information in all the responses, thanks.
http://lilypond.org/doc/v2.19/Documentation/learning/bar-lines-and-bar-checks.en.html
Bar lines
Bar checks
I have read this and I think to understand.
\cadenzaOn does not set or check barlines and opens freedom to the user,
nice,
Hey Torsten (and Alexander),
thanks, this is the fix. And now that I think of it this is actually
logical naming ...
Urs
Am 29.01.2018 um 14:46 schrieb Torsten Hämmerle:
Urs Liska-3 wrote
What is the correct way to force the first system to be at an absolute
position on the staff, i.e. in
Urs Liska-3 wrote
> What is the correct way to force the first system to be at an absolute
> position on the staff, i.e. in the example the center line exactly 16
> staff spaces below the page border?
Hi Urs,
I may be mistaken, but a minimum-distance of 0 seems to be the cause (event
with stret
Ehm, now also with the second image.
Am 29.01.2018 um 14:27 schrieb Urs Liska:
Hi,
I nearly went nuts trying to figure out what I did wrong with
converting staffsize to staffspace to mm to points to bigpoints and
not getting anywhere with my score.
I want to have a score start with a defi
Hi,
I nearly went nuts trying to figure out what I did wrong with converting
staffsize to staffspace to mm to points to bigpoints and not getting
anywhere with my score.
I want to have a score start with a defined position of the first staff
symbol to match the type area of a surrounding tex
David Kastrup wrote
> Seriously? It's pretty much standard fare [...]
Yes, David, no kidding!
I couldn't believe it either...
Incidentally, a few months ago someone asked me whether I knew how to do
this in MuseScore.
My first thought was: well, MuseScore is a non-commercial, non-professional
sof
Torsten Hämmerle writes:
> Hi Bernhard,
>
> a cadenza is rhythmically free, no checks, no limits, no rules. So a
> combination of \cadenzaOn and | doesn't make any sense.
>
> Apart from this - in addition to all the other replies - I'd like to
> point out that LilyPond's behaviour (allow note dur
Hi Bernhard,
a cadenza is rhythmically free, no checks, no limits, no rules. So a
combination of \cadenzaOn and | doesn't make any sense.
Apart from this - in addition to all the other replies - I'd like to point
out that LilyPond's behaviour (allow note durations to stretch out into the
next bar
Am 29.01.2018 um 11:46 schrieb Blöchl Bernhard:
I always thought bar check is preset on???
Example
(http://lilypond.org/doc/v2.18/Documentation/notation/displaying-rhythms.html
-> Bar checks)
I don't see anything about bar checks on that page. The documentation is
here:
http://lilypond.org
I always thought bar check is preset on???
Example
(http://lilypond.org/doc/v2.18/Documentation/notation/displaying-rhythms.html
-> Bar checks)
\version "2.19.80"
\cadenzaOn
mus = \relative {
g'1 | e1 | c2. c' | g4 c g e | c4 r r2 |
}
<<
\new Voice \mus
If i try this with g'1 e1 c2
2018-01-29 11:21 GMT+01:00 Blöchl Bernhard :
> Thanks! Usually I take care of the notes in mesures and count correctly,
> that was an error by chance I overlooked. So I did not now that lilypond
> behaviour. I was awaiting an error message or at least a warning.
Use bar-cheks then.
Cheers,
Ha
Am 29.01.2018 um 11:21 schrieb Blöchl Bernhard:
Thanks! Usually I take care of the notes in mesures and count
correctly, that was an error by chance I overlooked. So I did not now
that lilypond behaviour. I was awaiting an error message or at least a
warning.
No, as Malte said you'll get t
Thanks. I am not a lilypond power user. That was an error by chance, I
awaited an error message or a warning.
Actually learned Completion_heads_engraver!
Regards
Am 29.01.2018 10:56, schrieb Malte Meyn:
Am 29.01.2018 um 10:53 schrieb Blöchl Bernhard:
In my limited knowledge of music I think th
Thanks! Usually I take care of the notes in mesures and count correctly,
that was an error by chance I overlooked. So I did not now that
lilypond behaviour. I was awaiting an error message or at least a
warning.
Regards
Am 29.01.2018 10:56, schrieb Urs Liska:
Am 29.01.2018 um 10:53 schrieb
Am 29.01.2018 um 10:53 schrieb Blöchl Bernhard:
In my limited knowledge of music I think that bar is wrong because of
the dotted 8th note?
Regards
%\version "2.19.80"
\version "2.18.20"
mus = \relative c'' {
d4 cis8 c8 b8. ais8 a gis
}
<<
\new Voice \mus
LilyPond does the right
Am 29.01.2018 um 10:53 schrieb Blöchl Bernhard:
In my limited knowledge of music I think that bar is wrong because of
the dotted 8th note?
Regards
%\version "2.19.80"
\version "2.18.20"
mus = \relative c'' {
d4 cis8 c8 b8. ais8 a gis
}
<<
\new Voice \mus
Indeed, it is, and the
In my limited knowledge of music I think that bar is wrong because of
the dotted 8th note?
Regards
%\version "2.19.80"
\version "2.18.20"
mus = \relative c'' {
d4 cis8 c8 b8. ais8 a gis
}
<<
\new Voice \mus
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Am 29.01.2018 09:53, schrieb Éric:
Hi,
Thomas Morley-2 wrote
Though, you're right in so far as TabStaff is usually regarded as a
notation where already is shown what to _do_.
Thus, fingerings, stroke-finger, string-numbers are superfluous.
I think a tablature is a notation showing where_to_g
Thank you for your help!
As you supposed \new TabVoice can handle this construct. I experimented
a bit and found that one can define even one finger for a chord. That is
important for Banjo played clawhammer style there single strings are hit
and the chords are brushed with the back of the fin
mosea chen writes:
> As the "The requested URL
> /lilypond/binaries/mingw/lilypond-2.19.81-1.mingw.exe was not found on this
> server.", where else can i get it?
There are currently problems with the upload getting sorted out. Just
wait a day or so.
--
David Kastrup
_
Éric writes:
> Thomas Morley-2 wrote
>> Though, you're right in so far as TabStaff is usually regarded as a
>> notation where already is shown what to _do_.
>> Thus, fingerings, stroke-finger, string-numbers are superfluous.
>
> I think a tablature is a notation showing where_to_go but not
> how_
Hi,
Thomas Morley-2 wrote
> Though, you're right in so far as TabStaff is usually regarded as a
> notation where already is shown what to _do_.
> Thus, fingerings, stroke-finger, string-numbers are superfluous.
I think a tablature is a notation showing where_to_go but not how_to_do_it.
So finger
Until this is sorted out, binaries can be downloaded from
http://lilypond.org/downloads/binaries/
--
Phil Holmes
- Original Message -
From: Phil Holmes
To: mosea chen ; lilypond-user@gnu.org
Sent: Monday, January 29, 2018 8:29 AM
Subject: Re: where to download the "2.19.81"
Lilypond.org is now using a new server. The downloads used to be copied from
the old server to the linuxaudio.org server, but it looks like that is not yet
working. Please watch this space for updates.
--
Phil Holmes
- Original Message -
From: mosea chen
To: lilypond-user@gnu
Hi all,
I'm trying to figure out the best setting for page margins for mixed
text/music documents. The task is to automatically set the margins in
LilyPond depending on a LaTeX document where full-page scores are included.
We have the horizontal margins more or less fixed, by default LilyPond
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