Re: score transposition problem

Am 13.04.2011 06:15, schrieb Tom Cloyd: I have a simple problem which I've never before faced, and I'm hoping there exists a simple solution about which someone can tell me. I play and write music for classic guitar, so I use "\clef "treble_8"" in my scores (classic guitar sounds an octave low

Re: How can I get good layout and good midi without writing everything twice?

On Wed, 13 Apr 2011, Marc Hohl wrote: Or, if you are using the latest development version, you can use \articulate in your \midi { } block. don't you forget \include "articulate.ly" ? or is that not necessary anymore in the latest development version ? \score { \myMusic \layout { } }

Re: How can I get good layout and good midi without writing everything twice?

Am 13.04.2011 01:55, schrieb Michael Ellis: On Tue, Apr 12, 2011 at 12:38 PM, Helge Hafting > wrote: What I need, is to get the midi output for \appoggiatura{e16 fis} e16 but the layout for e16\prall Hi Helge, You could use tags. Or, if yo

Re: getting repeats to play in midi

Hi, 2011/4/13 Tom Cloyd : > I want to have a PDF score with simple repeats, and a midi file in which all > repeats are taken. This is revision of a program file which has been working > perfectly, except that the midi evidence no repeats. I'm achieving all > engraved repeats using the \repeat volt

getting repeats to play in midi

I want to have a PDF score with simple repeats, and a midi file in which all repeats are taken. This is revision of a program file which has been working perfectly, except that the midi evidence no repeats. I'm achieving all engraved repeats using the/\repeat volta 2{ music}/ convention. I'm

Re: Overture to Lilypond converter

Dear Alberto, It's great. I am promoting lilypond to my Chinese friends. Normally they have tons of files in ove format. They do not want to change to lilypond or other GUI programs based on lilypond. Your program should be helpful. benluo On Tue, Apr 12, 2011 at 1:31 AM, Alberto Vignani wrote:

Stacked markup problem

I'm having an issue with stacking markup text in the correct order. The example input follows. %%% \version "2.12.3" \new DrumStaff \new DrumVoice \drummode { \stemUp sn4:16_"L"_"R" ~ sn4->_"L"_"R" sn4:16_"R"_"L" ~ sn4->_"R"_"L" } %%

score transposition problem

I have a simple problem which I've never before faced, and I'm hoping there exists a simple solution about which someone can tell me. I play and write music for classic guitar, so I use "\clef "treble_8"" in my scores (classic guitar sounds an octave lower than the music notation). I want to

Re: [tablatures] Re: dampened symbol in tablature when using fonts other than Feta

On 4/12/11 3:28 PM, "Federico Bruni" wrote: > Il giorno dom, 10/04/2011 alle 11.53 +0200, Federico Bruni ha scritto: >> I use a different font for TabStaff: >> >> \override TabStaff.TabNoteHead #'font-name = #"Nimbus Sans L Bold" >> >> But when a score contains \deadNote I'm forced to commen

Re: dampened symbol in tablature when using fonts other than Feta

Il giorno dom, 10/04/2011 alle 11.53 +0200, Federico Bruni ha scritto: > I use a different font for TabStaff: > > \override TabStaff.TabNoteHead #'font-name = #"Nimbus Sans L Bold" > > But when a score contains \deadNote I'm forced to comment the line above > and switch back to Feta, otherwise li

Re: Your address goes wrong, so I have to reply this way

2011/4/11 胡海鹏 - Hu Haipeng > > Thanks. The example is quite large, so I'm sending the paper block, not so > complicated: > > \paper { >   left-margin = 40\mm >   right-margin = 10\mm >   two-sided = ##t >   inner-margin = 40\mm >   outer-margin = 10\mm >   print-first-page-number = ##t > } > > Mu

Re: [tablatures] Re: dampened symbol in tablature when using fonts other than Feta

Il giorno mar, 12/04/2011 alle 15.38 -0600, Carl Sorensen ha scritto: > How about redefining \deadNote so it contains > > \once \override TabStaff.TabNoteHead #'font-name = #"Feta" Thanks. However, I'm not sure if I know how to redefine existing commands. The following code is not working, becau

Re: How can I get good layout and good midi without writing everything twice?

On Tue, Apr 12, 2011 at 12:38 PM, Helge Hafting wrote: > What I need, is to get the midi output for > \appoggiatura{e16 fis} e16 > but the layout for > e16\prall > Hi Helge, You could use tags. The following produced the desired results for me even though LilyPond (2.13.54) issued a warning: "

Re: [tablatures] Re: dampened symbol in tablature when using fonts other than Feta

On 4/12/11 4:21 PM, "Federico Bruni" wrote: > Il giorno mar, 12/04/2011 alle 15.38 -0600, Carl Sorensen ha scritto: >> How about redefining \deadNote so it contains >> >> \once \override TabStaff.TabNoteHead #'font-name = #"Feta" > > Thanks. > However, I'm not sure if I know how to redefine

Re: Lilypond with Cubase/DAW for Musical

Nils Hammerfest writes: > How is integration possible at all with the GPL? By using mere aggregation. Possibly "integration" is not the best chosen word. Jan. > On Tue, 12 Apr 2011 20:01:06 +0200 > Jan Nieuwenhuizen wrote: > >> JCHarris Music writes: >> >> > I have been looking at LilyPond,

Re: Lilypond with Cubase/DAW for Musical

How is integration possible at all with the GPL? On Tue, 12 Apr 2011 20:01:06 +0200 Jan Nieuwenhuizen wrote: > JCHarris Music writes: > > > I have been looking at LilyPond, which produces marvelous looking > > output > > Nicest would be to integrate LilyPond with Cubase, somehow. You could >

Re: Lilypond with Cubase/DAW for Musical

How is integration possible at all with the GPL? On Tue, 12 Apr 2011 20:01:06 +0200 Jan Nieuwenhuizen wrote: > JCHarris Music writes: > > > I have been looking at LilyPond, which produces marvelous looking > > output > > Nicest would be to integrate LilyPond with Cubase, somehow. You could >

Re: Lilypond with Cubase/DAW for Musical

JCHarris Music writes: > I have been looking at LilyPond, which produces marvelous looking > output Nicest would be to integrate LilyPond with Cubase, somehow. You could always do a feature-request with Cubase or ask on a Cubase forum. I'm currently working on LilyPond integration with FL Studi

How can I get good layout and good midi without writing everything twice?

I know that a simple melody is easy, just use layout{} and \midi{} to get both. It is not always that easy though. I am typing some traditional folk music into lilypond. In the original manuscript, grace notes is used to specify how some pralls are to be played. After a few of these constructs

Re: Is pagination quadratic?

Am 2011-04-12 um 11:47 schrieb Mark Austin: Is it possible to switch of pagination completely, and rely on manual breaks? To put this in context, I'm compling a book of folk tunes. These tend to be 2-4 (very rarely more) lines long. I'd like them in alphabetical order, but with individual tunes n

Re: Forced Tie between non-equal notes?

"bruys ." writes: > Dear Nils, > > A Google search for ''ties Lilypond enharmonic" shows that this topic > has come up a number of times in the past. > Even though ties between enharmonic notes are sometimes used by > composers, and that an example is given in Gardner Read's book, the > answer s

Re: Forced Tie between non-equal notes?

P.S. Sorry, the closing brace '}' was missing. > > > \version "2.12.3" > % enharmonic ties > > \score { > { ces''2 ~ ces''2 > ces''2( b'2) > << > { ces''2( ces''2) > } > \\ > { s2. >\once \override Stem #'transparent = ##t >\once \override Not

Re: Overture to Lilypond converter

Thank you for making this! I have a bunch of Overture files and a non-working Overture application and have been lamenting the fact some of my older pieces were lost. On Mon, Apr 11, 2011 at 1:31 PM, Alberto Vignani < alberto.vign...@fastwebnet.it> wrote: > Hello all, > > I have made available th

Re: status of release (was: status of mutopia project)

Dear Keith, Thank you, your reply is appreciated. It seems like there a bit of a hole in the documentation with respect to the Scheme interface, but no doubt a difficult one to fill. Apart from knowing what an S-expression is, and what cons means, I don't know much Scheme. One day, I'll have to t

Re: Is pagination quadratic?

- Original Message - From: "Mark Austin" To: Sent: Tuesday, April 12, 2011 10:47 AM Subject: Re: Is pagination quadratic? On 11 April 2011 18:13, Valentin Villenave wrote: On Sat, Apr 9, 2011 at 7:49 PM, Victor Eijkhout wrote: So now I have this exercise study that generates close

Re: Forced Tie between non-equal notes?

Dear Nils, A Google search for ''ties Lilypond enharmonic" shows that this topic has come up a number of times in the past. Even though ties between enharmonic notes are sometimes used by composers, and that an example is given in Gardner Read's book, the answer seems to be that, for Lilypond, a t

Re: Is pagination quadratic?

On 11 April 2011 18:13, Valentin Villenave wrote: > On Sat, Apr 9, 2011 at 7:49 PM, Victor Eijkhout wrote: >> So now I have this exercise study that generates close to 2000 scales like >> "\relative c { a b c d e f g a g f e d c b a}". And "finding the ideal >> number of pages" takes an ungodly

Re: Lilypond with Cubase/DAW for Musical

- Original Message - From: "JCHarris Music" To: Sent: Tuesday, April 12, 2011 9:08 AM Subject: Lilypond with Cubase/DAW for Musical Hi, I am working a large piece with voice, dialogue, etc. (a 'musical'). I have been using Cubase to mock up the various music bits. Surprisingly, I

Re: Multiple Stanzas

Michael You should be able to adapt the following to do what you want. Trevor \score { << \new Staff { \new Voice = "melody" { \relative c'' { a4 a a a b4 b b b a4 a a a } } } \new Lyrics \lyricsto "melody" { Com -- mon sec -- ti

Lilypond with Cubase/DAW for Musical

Hi, I am working a large piece with voice, dialogue, etc. (a 'musical'). I have been using Cubase to mock up the various music bits. Surprisingly, I have found the latest scoring functions to be not half bad at all. Unfortunately, it still has some serious shortcomings in terms of adding lyri