On Jan 4, 2011, at 6:52 AM, Tim McNamara wrote:
>
> On Jan 3, 2011, at 11:44 PM, James Bailey wrote:
>
>> On Jan 4, 2011, at 1:23 AM, Tim McNamara wrote:
>>
>>>
>>> On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
>>>
I don't know if this is what you were looking for, but this compiled
On Jan 4, 2011, at 6:52 AM, Tim McNamara wrote:
>
> On Jan 3, 2011, at 11:44 PM, James Bailey wrote:
>
>> On Jan 4, 2011, at 1:23 AM, Tim McNamara wrote:
>>
>>>
>>> On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
>>>
I don't know if this is what you were looking for, but this compiled
On Jan 3, 2011, at 11:44 PM, James Bailey wrote:
> On Jan 4, 2011, at 1:23 AM, Tim McNamara wrote:
>
>>
>> On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
>>
>>> I don't know if this is what you were looking for, but this compiled just
>>> fine for me on my osx 10.6.5 on an intel iMac:
>>
>
On Jan 4, 2011, at 1:23 AM, Tim McNamara wrote:
>
> On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
>
>> I don't know if this is what you were looking for, but this compiled just
>> fine for me on my osx 10.6.5 on an intel iMac:
>
> Hmm, well doesn't seem to be a bug. That was my main quest
Thanks. However, I said that I know this. My situation is, printing a rehearsal
mark \mark \default, and then use the altered tempo marks. I learnt from the
list that there can't be two \mark at the same time. So this is not fit my
requirement.
Regards
Haipeeng
> -原始邮件-
> 发件人: "Sh
Hello,
I know how to write q=ca120, by reassigning rehearsal mark. But in my
situation, there's a rehearsal 5 and I'd like to add "Adagio (q=ca50)". How to
do that?
Regards
Haipeng
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Hello all,
This is another perplexing thing. I am trying to figure out how to
shift the ottava indications directly over their corresponding chords.
There does not seem to be an obvious solution. So here is the miminmal
example. The end result should have 8va loco. 8va. loco. read in a
single l
Thanks Graham, I did use python to generate the first set of files
and, being fairly expert with it, python is always my weapon of
choice. The limitation I see in this case is trying to support a
minimal input format for contributors to use. I was able to make it
work for the Greentree files becau
On Mon, Jan 03, 2011 at 05:41:48PM -0500, Michael Ellis wrote:
> Thanks, Carl. I probably should have included some background
> information. If I had only one piece of music to worry about, I'd do
> it exactly as you suggest. Problem is I've got 404 Bach Chorales on
> the Solfege Resources site
On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
> I don't know if this is what you were looking for, but this compiled just
> fine for me on my osx 10.6.5 on an intel iMac:
Hmm, well doesn't seem to be a bug. That was my main question. Thanks, guys!
__
On Dec 28, 2010, at 11:53 AM, Xavier Scheuer wrote:
> Hi!
>
> This has been reported on the French user mailing list.
>
> In the following code the c-natural is not printed if there is a clef
> change in the middle of the measure.
>
> \relative c' {
> \clef bass cis2 c
> \clef tenor cis2 \cl
On 04/01/11 09:30, Helge Kruse wrote:
Am 03.01.2011 23:15, schrieb Helge Kruse:
Am 03.01.2011 19:56, schrieb Phil Holmes:
If you go to the page above, and look for "Advanced tasks" you'll
find a
link in the section indented with "Note:"
I got it. Thanks,
Is there any good place where to g
On Mon, 2011-01-03 at 23:30 +0100, Helge Kruse wrote:
> Am 03.01.2011 23:15, schrieb Helge Kruse:
> > Am 03.01.2011 19:56, schrieb Phil Holmes:
> >> If you go to the page above, and look for "Advanced tasks" you'll find a
> >> link in the section indented with "Note:"
> >>
> >
> > I got it. Thanks,
On Mon, Jan 3, 2011 at 5:41 PM, Michael Ellis wrote:
> 2. Make it easy to improve who wanted a to change the formatting
> by only requiring them to modify the "common.ly"
>
Meant to say:
2. Make it easy for myself or users to improve the formatting ...
_
Thanks, Carl. I probably should have included some background
information. If I had only one piece of music to worry about, I'd do
it exactly as you suggest. Problem is I've got 404 Bach Chorales on
the Solfege Resources site and expect to eventually have hundreds or
even thousands more from oth
On Mon, Jan 3, 2011 at 4:30 PM, Helge Kruse wrote:
> Am 03.01.2011 23:15, schrieb Helge Kruse:
>>
>> Am 03.01.2011 19:56, schrieb Phil Holmes:
>>>
>>> If you go to the page above, and look for "Advanced tasks" you'll find a
>>> link in the section indented with "Note:"
>>>
>>
>> I got it. Thanks,
Am 03.01.2011 23:15, schrieb Helge Kruse:
Am 03.01.2011 19:56, schrieb Phil Holmes:
If you go to the page above, and look for "Advanced tasks" you'll find a
link in the section indented with "Note:"
I got it. Thanks,
Is there any good place where to get help to run this in VirtualBox? I
th
Am 03.01.2011 19:56, schrieb Phil Holmes:
If you go to the page above, and look for "Advanced tasks" you'll find a
link in the section indented with "Note:"
I got it. Thanks,
Helge
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On 1/3/11 1:01 PM, "Michael Ellis" wrote:
> I'm trying to develop an include file with Scheme functions that will
> allow notation files to contain nothing more than a header block and
> music for one or more voices.
Personally, I think you're going about this exactly backwards. Rather than
I'm trying to develop an include file with Scheme functions that will
allow notation files to contain nothing more than a header block and
music for one or more voices. Below is what I've got so far. What
I'm finding is that I can easily define a music function that appends
voices to a list and
- Original Message -
From: "Helge Kruse"
To:
Sent: Monday, January 03, 2011 6:35 PM
Subject: Re: testing lilydev
Am 03.01.2011 07:38, schrieb Graham Percival:
We think that we've finished creating our Ubuntu LilyPond
Developer Remix (lilydev; formerly know as lilybuntu). It would
Am 03.01.2011 07:38, schrieb Graham Percival:
We think that we've finished creating our Ubuntu LilyPond
Developer Remix (lilydev; formerly know as lilybuntu). It would
be helpful if more people could test the latest version. Begin
here:
http://lilypond.org/help-us.html
and look under "advanc
Mike, Graham, Henning,
Thanks again, it's all good discussion. For the time being, I've altered
the home page on the solfege-resources site to offer two choices of License,
namely Free Art license in addition to CC BY-NC-AS. I've also added a
couple paragraphs explaining my understanding of U.S.
On Jan 3, 2011, at 4:15 PM, Tim McNamara wrote:
>
> On Jan 3, 2011, at 1:09 AM, -Eluze wrote:
>
>>
>>
>> Tim McNamara wrote:
>>>
>>>
>>>
>>> #(ly:set-option 'delete-intermediate-files #t)
>>>
>>> \paper {
>>> indent = 0.0
>>> ragged-last = ##f
>>>
>>> \header {
>>> title = "Lilypond
On Jan 3, 2011, at 1:09 AM, -Eluze wrote:
>
>
> Tim McNamara wrote:
>>
>>
>>
>> #(ly:set-option 'delete-intermediate-files #t)
>>
>> \paper {
>>indent = 0.0
>>ragged-last = ##f
>>
>> \header {
>> title = "Lilypond Test"
>> composer = "McNamara"
>> meter = "Swing Ballad"
>> }
>>
On Mon, Jan 03, 2011 at 02:16:44AM -0800, Mike Blackstock wrote:
>Just to clarify: anything is copyrightable of course
That is false.
> - there's no laws
>that I'm aware of that
>prevent people from asserting a copyright; question is, can it/has it a
>chance of standing up?
You a
Just to clarify: anything is copyrightable of course - there's no laws that
I'm aware of that
prevent people from asserting a copyright; question is, can it/has it a
chance of standing up?
M.
On Mon, Jan 3, 2011 at 2:09 AM, Mike Blackstock
wrote:
> Interesting.
>
> I spent an hour or so doing va
Interesting.
I spent an hour or so doing various searches looking for court decisions and
came up blank; I'm wondering if we're making a "mountain out of a
mole-hill"? Can somebody find an instance of a music publisher suing
somebody over such things? Like I say I couldn't find any with my average
Just a minor remark:
At least in German laws, there can't be a copyright on mere
"industrial art" like typesetting or music engraving, independent from
the effort. (I.e. "Sweat of the brow" from UK and Canadian
jurisdiction isn't valid in Germany.)
That means, there is no copyright on the l
Tobias Braun braun-oberkochen.de> writes:
>
> I've been experimenting with the \partcombine command, which looks like it's
> made to do exactly what I want.
Tobias,
\partcombine is primarily for orchestral scores, with two instruments sharing a
staff. Lilypond tries to determine when the two
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