Carl Sorensen-3 wrote:
>
> plasmacarwash yahoo.com> writes:
>
>>
>> Francisco,
>> However, I'm not advanced to run Python. I only know how to save an .ly
>> document from jEdit.
>> Will jEdit help me with Python?
>>
>
> Save the file ran.py from Francisco's message. I saved it in the same
plasmacarwash yahoo.com> writes:
>
> Francisco,
> However, I'm not advanced to run Python. I only know how to save an .ly
> document from jEdit.
> Will jEdit help me with Python?
>
Save the file ran.py from Francisco's message. I saved it in the same folder
where my Lilypond source files (.ly
Carl Sorensen-3 wrote:
>
> plasmacarwash yahoo.com> writes:
>
>>
>> Carl,
>>
>> The 'simple test' worked eloquently but, they are ascending. I will
>> experiment with commas and dbl. commas.
>
> Since the test doesn't have a \relative in it, the notes are absolute. It
> doesn't matter whe
plasmacarwash yahoo.com> writes:
>
> Carl,
>
> The 'simple test' worked eloquently but, they are ascending. I will
> experiment with commas and dbl. commas.
Since the test doesn't have a \relative in it, the notes are absolute. It
doesn't matter whether they are ascending or descending. The
Valentin Villenave wrote:
>
> 2007/6/1, plasmacarwash <[EMAIL PROTECTED]>:
>
> Maybe you should post a fragment of your file (if not the whole code,
> as it seems to be pretty short) here. Besides, if you're using jEdit,
> installing (in "Plugin manager") LilyPondTool would help you; not only
Roland Goretzki wrote:
>
> Hello list, hello Jay,
>
> You wrote:
>> I'm a newbie and I'd like to create a blithe score of quarter notes
>> purely
>> for practice from middle c up an octave and half to g.
>> I'm learning guitar and need copious amounts of notes.
>> When I attempted to do it man
Carl Sorensen-3 wrote:
>
> plasmacarwash yahoo.com> writes:
>
>>
>>
>> Hey people,
>>
>> I'm a newbie and I'd like to create a blithe score of quarter notes
>> purely
>> for practice from middle c up an octave and half to g.
>> I'm learning guitar and need copious amounts of notes.
>> When
Francisco Vila wrote:
>
> El Thu, 31 de May de 2007, a las 09:33:43PM -0700, plasmacarwash dijo:
>> Did I mention I was a newbie?
>
> Let me know if this is of any value. It's a simple python script and its
> outcome.
>
> --
> Francisco Vila Doncel. Badajoz (Spain)
> http://www.paconet.org
>
Thanks Mats - that works a treat.
Mats Bengtsson wrote:
The expressivo marks and all other articulations are typeset as symbols
in the font with musical symbols that's included with LilyPond, see
Appendix C.4 "The Feta font" for a full list
(the espressivo symbol is called script.espr).
This
Hi Mats,
There shouldn't be any need for the extra-offset property in this
situation. What I always use is
\override Staff.VoltaBracket #'minimum-space = #8
Replace the 8 by whatever suitable value, the default value is 5.
Hmmm... I've never tried #'minimum-space.
Thanks for the hint!
Kiere
Hi Mats,
This isn't entirely correct! [...]
What Kieren said is true if you use \once \override
Thanks for clarifying -- of course I *meant* using "\once", but it's
good that you've made it explicit.
Kieren.
___
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lil
Quoting Kieren MacMillan <[EMAIL PROTECTED]>:
Hi Tao,
Now, where would I have to put the commands inline?
Directly before the \repeat volta or inside?
Because I don't want to change the whole file.
In Lilypond, (nearly) every tweak has to be placed *immediately*
before the item you're twea
There shouldn't be any need for the extra-offset property in this
situation. What I always use is
\override Staff.VoltaBracket #'minimum-space = #8
Replace the 8 by whatever suitable value, the default value is 5.
/Mats
Quoting Kieren MacMillan <[EMAIL PROTECTED]>:
Hello Tao:
The bracket
See http://lists.gnu.org/archive/html/bug-lilypond/2007-04/msg00055.html
/Mats
Quoting Helge Kruse <[EMAIL PROTECTED]>:
Hello,
I have a score, that begins without upbeat. After some measures (in
the example four) a second part begins. The second part has an
upbeat. Therefor the last measu
Hello,
I have a score, that begins without upbeat. After some measures (in the
example four) a second part begins. The second part has an upbeat. Therefor
the last measure of the first part has less notes (3/4). The second part has
also a volta repeat.
Lilypond produces this as expected incl
Hi Tao,
Now, where would I have to put the commands inline?
Directly before the \repeat volta or inside?
Because I don't want to change the whole file.
In Lilypond, (nearly) every tweak has to be placed *immediately*
before the item you're tweaking. In this case, it means just before
the \
Thanks for the help.
Now, where would I have to put the commands inline?
Directly before the \repeat volta or inside?
Because I don't want to change the whole file.
regards,
Tao
Original-Nachricht
Datum: Sat, 2 Jun 2007 09:23:53 -0400
Von: Kieren MacMillan <[EMAIL PROTECTED]>
Hi Tao:
I tried to implement your example but nothing happened.
Hmmm... the code below outputs two scores, one without the fix and
one with (for my own sake, I simply put the fix in the Score context,
but it would certainly work "in-line" as well).
Seems to work for me! =)
Best regards
Thanks for the fast reply.
I tried to implement your example but nothing happened.
Anyway, that's the code:
\repeat volta 2
{
16 8 16 4 |
16 8 16 4 |
16 8 16 8 16 |
16 8 16 4 |
r16 g8 a16 b fis'8 e16 |
d16( cis8) fis,16 a( g8) dis16 |
fis16(
Hello Tao:
The bracket from the first ending is placed vertically higher than
the bracket from the second ending, to not collide with the notes
in that bar.
[...]
Does anyone have a solution for me?
Without you having posted your code, we can't see the problem
ourselves. Regardless, I've
I still couldn't solve my problem with the volta bracket.
The bracket from the first ending is placed vertically higher than the bracket
from the second ending, to not collide with the notes in that bar.
Now I want to adjust the second bracket to the same height.
I tried with overriding VoltaBrac
On 4/19/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Bax wrote:
> Michael gmail.com> writes:
>
>
>
>> I've got two chords, the and the . I want ties between the
>> respective c's and the a's, and a slur between the e and the d. The ties
>> appear but the slur is missing.
>>
> [...]
>
>> \v
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