On Sat, 13 Mar 2004 07:50:59 +
David Bobroff <[EMAIL PROTECTED]> wrote:
> In the following Lily code, with or without the spacer \grace in "two",
> the grace is placed before the time change. Workaround?
When I encountered this problem, I used another
\time 4/4
\partial 32 s32 \grace{c8}
No
The following lines copied from lilyponddefs.tex should do it:
% the feta characters
\input feta20
\global\font\fetasixteen = feta16
\gdef\fetafont{\fetasixteen}
\gdef\fetachar#1{\hbox{\fetasixteen#1}}
/Mats
Graham Percival wrote:
How does one use feta characters inside LaTeX (as part of
lilyp
This will probably be out of date by the time it reaches the Lily list,
but as of 3/13/04, Matthias has updated lilypond-unstable to 2.1.30.
Stan
On Mar 13, 2004, at 8:21 PM, Kieren Richard MacMillan wrote:
Matthias Neeracher has updated lilypond-unstable to 2.1.28 for Fink.
Thanks!
Kieren.
_
Well, I haven't seen a single mail on the list that has not been
delayed by at least 2 days, I hope you have not had to review
everyone of them.
/Mats
David R. Linn wrote:
We (the project leaders and I) have made a number of changes to the Lilypond
mailing list configurations over the last few
...and the MIDI problems with it. Many thanks to Mr Neerarcher for
making lily possible for us distant cousins of the UNIX. Without him,
I'd be buying Sibelius, forcing poor students like me to eat rice for
months. :) I hope to see .29 soon, since it has promised 'MIDI changes'
(whatever that m
[EMAIL PROTECTED] writes:
> As long as I was just altering values in the right column I was fine.
> When I tried to put in new names that would be useful to me I ran into
> trouble. It seems these things are predefined (in drumpitch-init.ly?).
> Since I need four congas and five temple blocks, h
Matthias Neeracher has updated lilypond-unstable to 2.1.28 for Fink.
Thanks!
Kieren.
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Hi,
On Sat, Mar 06, 2004 at 10:58:20PM -0800, chip wrote:
> I am trying to get a measure like this -
> 8thRest 8thNote 8thNote 8thNote 4Note triplet8thNotes
> using this code
> r8 a' csharp'' e'' csharp''4 \times 4/3 {gsharp''8[ gsharp'' gsharp'']}
Use \times 2/3. \times $n/$m means "$m in the ti
Hi at all,
since about two days I use lilypond version 2.1.28, and I'm very happy
with it. :)
Nevertheless I can't figure out how to determine the textheigt of page
layout (In the past, with version 1.6.6 it was no problem with setting
the textheight in the paper-block).
It seems, that it is now
Hi group,
System: Lily 2.0.1, Cygwin
The Lily manual gives one of the uses of the Completion_heads_engraver as
debugging complex scores.
However other very powerful uses are:
1 Constructing "barred" Lily files from midi input (midi2ly), and
2 Producing Lily files using pre-barline notation as in
On Saturday 06 March 2004 17:40, Hans Forbrich wrote:
> I am have (re)started discussions with a local professional
> print/binding shop around professionally publishing some
> Lilypond-based work. In part, I'd like to set something up around
> Tex-based small-run business here (here being St. Alb
Jan Nieuwenhuizen writes:
> It works for me (TM). You should investigate which
step fails, set
export XEDITOR='echo emacsclient --no-wait +%l:%c
%f'
run xdvi and shift-click. Over here, it echoes
emacsclient --no-wait +5:8
/var/fred/cvs/savannah/lilypond/lilypond/pc.ly
Then, just c
[EMAIL PROTECTED] writes:
> Is \midge{#midge syntax} a possibility? The developers should talk
> to each other. I have never seen or heard of two projects so
> complementary, since midge is midi only. daveA
I myself am focusing on notation. You're welcome to implement
something yourself, though
On Thursday 11 March 2004 10:37, David Raleigh Arnold wrote:
> On Sunday 07 March 2004 01:58, chip wrote:
> > I am trying to get a measure like this -
> > 8thRest 8thNote 8thNote 8thNote 4Note triplet8thNotes
> > using this code
>
> r8 a' csharp'' e'' = 2 beats
>
> csharp''4 = 1 beat
>
> \times
Hello list, hello Benjamin,
at this time I can only answer the first question.
You wrote:
> I am using Lilypond 2.1.28 on Mac OS X 10.3.2. I can't manually set
I'm not quite shure, wether You are using an older lilypond-file.
If You are using 2.1.28, You have to convert older files with
convert
[Little bit offtopic]
On Sat, Mar 13, 2004 at 09:40:07AM -0500, David Raleigh Arnold wrote:
> [...] How could fp or pf mean the same thing on guitar
> or piano as it does on arci or winds?
I'v even seen a piano sheet with a crescendo on a single half note chord,
at tempo allegretto.
Technically,
[EMAIL PROTECTED] writes:
> I'm having trouble with \set tupletSpannerDuration. Am I doing
> something wrong or have I found a bug? I need to make numerous changes
> to tupletSpannerDuration during a piece. After doing \set, when I need
> to change it, should I do \unset and then \set to the new
Hello,
I have noticed recently that lilypond produces "empty" midi-tracks
sometimes. I have already tested several *.ly files I had written
some time ago (with version 2.0.1, they did produce correct midi-
files then), they do not work anymore (for midi)!
I have tried some examples from the doc
Using \rest does disable automatic shifting, doesn't it?
E.g. you only have to write b8\rest instead of r8
Bert
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On Tuesday 09 March 2004 15:38, Will Oram wrote:
> As described in a previous e-mail, I have a helluva large cadenza
> printed for solo violin. It is unmeasured, and it probably has a
> length only calculatable using 32nd notes. If I want to start tutti
> playing back up after the cadenza, what do
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Hello list, hello Chip,
You wrote:
> I am trying to get a measure like this -
> 8thRest 8thNote 8thNote 8thNote 4Note triplet8thNotes
> using this code
> r8 a' csharp'' e'' csharp''4 \times 4/3 {gsharp''8[ gsharp'' gsharp'']}
>
> but it fails a bar check, and I don't understand why. Below is the
Hello list, hello Zbynek,
You wrote:
> Is way to define linebreak (or pagebreak) in files with \score sections?
> Breaks are on other place at score and on other place at part.
AFAIK You can give the linebreaks in the global section, par example:
global = \notes {
\key c \major \time 2/4
s2
chip <[EMAIL PROTECTED]> writes:
> I am trying to get a measure like this -
> 8thRest 8thNote 8thNote 8thNote 4Note triplet8thNotes
> using this code
> r8 a' csharp'' e'' csharp''4 \times 4/3 {gsharp''8[ gsharp'' gsharp'']}
>
> but it fails a bar check, and I don't understand why.
1/8 + 1/8 + 1/8
EXCLUSIVELY ON CD-ROM
The 2004 edition of The American Medical Directory & Physicians Guide has
just been completed.
According to many librarians, it is one of the most referenced and frequently-
used publication in libraries throughout the United States.
It is also used by most healthcare pro
> I didn't mean that it had to be implemented, only that if it is
> implemented it has to be the number of the first bar in the line. We
> agree on that, but I was trying to convince the original poster, who
> presumably did not agree.
I think I was the original poster, and I certainly do agree.
I'd like you guys' input on a couple of difficulties I'm having with my first
jazz lead sheet. The source code is included below. First, however, my
questions:
1. While rendering, Lilypond reports: "programming error: round filled box
vertical extent smaller than blot; decreasing blot (Conti
\lyricsto was introduced in version 2.1.11, so you don't have it.
For the bar line, just move the \bar command from the lyrics to
the music part.
/Mats
[EMAIL PROTECTED] wrote:
Hi,
I am learning lyrics but with version:
Version: 2.1.0-2
Does that support the /lyricsto command?
Here is what
It's easy to make a script that runs lilypond and then removes all the
files that are not necessary and renames .midi to mid. I have attached
one example. To run lilypond as a filter, use 'lilypond -', example:
cat file.ly | lilypond - > file.pdf
/Mats
GoochRules! wrote:
Greetings,
Is there a
On Saturday 06 March 2004 15:41, David Bobroff wrote:
> I'm trying to understand percussion. I found the example in the
> manual for defining your own drum list, but I'm not sure it tells me
> everything I need to know. For example, I need to accomodate five
> temple blocks and four congas. In t
On Friday 12 March 2004 23:57, Edward Sanford Sutton, III wrote:
> On Friday March 12 2004 12:01, David Raleigh Arnold wrote:
> > On Friday 12 March 2004 10:20, Mats Bengtsson wrote:
> > > David Raleigh Arnold wrote:
[snip--difficult to tell what's off list now, with the delay]
Mozart used fp a l
This is my third attempt to reach the mailing list. I apologize if you all
get three copies of this email:
I'd like you guys' input on a couple of difficulties I'm having with my first
jazz lead sheet. The source code is included below. First, however, my
questions:
1. While rendering, Lil
>> Don't talk nonsense! The notation fp is common in lots of music
>> should be performed similarly to fz and sfz (exactly how it should
>> be performed depends on when the music was written and may also
>> vary from composer to composer.
>
>I went to HDM, and it says "loud, followed by soft". I h
I think I've isolated what the problem is. I tried the suggestions
using Staff.minimumVerticalExtent and Lyrics.minimumVerticalExtent and
they were not working in the context of my score. I could get them to
work in a small test file, though. When I looked again at my output for
my score I saw t
Note that Matthias Neeracher has updated lilypond-unstable to 2.1.28
for Fink.
Stan
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> Here is the file.
Command not understood: ignoring end of message.
No command found in message
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Thank you for your email and I'm sorry I missed you! I will be out of the office on
maternity leave until April 19, 2004. Your email has been forwarded to Ruthie Seaburg
([EMAIL PROTECTED] or 785-4959 x301) and it will be directed to the appropriate staff
person.
Thank you and God Bless.
Alexi
Is this a macos/fink packaging bug?
From: Wouter Broersma <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED]
Message-Id: <[EMAIL PROTECTED]>
X-Mailer: Apple Mail (2.553)
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[EMAIL PROTECTED] writes:
> I went to HDM, and it says "loud, followed by soft". I have only
> seen it at the beginning of a repeated section, before the first note,
> where the sense I gave it is perfectly clear. You may have seen
> it often in the sense of sfz, but I have not. Clearly sfz is
>
David Raleigh Arnold wrote:
On Saturday 06 March 2004 02:53, Edward Sanford Sutton, III wrote:
Is there a preferred way to have two different dynamics in a
section of music to indicate that it is played at one level the first
time and at the next level the second time?
fp is common, and I
On Friday 12 March 2004 10:20, Mats Bengtsson wrote:
> David Raleigh Arnold wrote:
> > On Friday 12 March 2004 01:48, Edward Sanford Sutton, III wrote:
> >>On Wednesday March 10 2004 12:23, David Raleigh Arnold wrote:
> >>>On Saturday 06 March 2004 02:53, Edward Sanford Sutton, III wrote:
> I
Hello,
to have my lyrics to be closer to their staff I use \set
Staff.minimumVerticalExtent = #'(-3 . 6)
But when there is an ottava clef (G_8), the lyrics can not be moved up
enough. Which else property should I use?
Thanks,
Bert
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Just a test, I ansered a question two times, and somehow no message arrived.
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Roland Goretzki wrote:
Hello list, hello Zbynek,
You wrote:
Is way to define linebreak (or pagebreak) in files with \score sections?
Breaks are on other place at score and on other place at part.
AFAIK You can give the linebreaks in the global section, par example:
global = \notes {
\k
On Monday 08 March 2004 05:27, Mats Bengtsson wrote:
> David Raleigh Arnold wrote:
> > On Thursday 04 March 2004 05:14, Mats Bengtsson wrote:
> >>The question is what is the correct typesetting practice.
> >>As a musician, how can I know if the ottava applies only to
> >>the upper voice or to the f
Mats Bengtsson writes:
> Still, for serious emailers who want to reach the mailing list it's
> important to get some response about why the email was rejected and
> how they can get around it (this should also be documented at
> http://lilypond.org/web/about/ or
Done.
> http://mail.gnu.org/mailm
On Wed, 10 Mar 2004 22:41:07 -0100
"Milan M. Horák" <[EMAIL PROTECTED]> wrote:
> "ritt."
By the way, what is "ritt." indicating? Do you mean "rit."? Ritenuto, ritardando?
--
donald_j_axel(at)get2net.dk -- http://d-axel.dk/
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On Sat, 06 Mar 2004 19:46:50 +
David Bobroff <[EMAIL PROTECTED]> wrote:
> The manual warns about starting a piece with grace notes if there is
> more than one staff. I have to do this. I've got time changes occuring
> at the same time I have grace notes at the beginnings of measures.
> Sure
Did you set the minimumVerticalExtent property of both the
Staff context and the Lyrics context?
I have answered several similar questions earlier, check the
mailing list archives.
/Mats
David Bobroff wrote:
I'd like to move some lyrics much closer to the staff than they are
now. I've searched
The \voiceOne, \voiceTwo, ... commands (which implicitly are applied
to the voices if you use the <<{...} \\ {...} >> construct) set the
staff-position property of MultiMeasureRest differently for the two
voices. So, if you want them to coincide, just do
\property Voice.MultiMeasureRest \revert #*s
I tried sending this earlier and I didn't see it in the digest, so here it is
again, just in case:
I'd like you guys' input on a couple of difficulties I'm having with my first
jazz lead sheet. The source code is included below. First, however, my
questions:
1. While rendering, Lilypond rep
In the following Lily code, with or without the spacer \grace in "two",
the grace is placed before the time change. Workaround?
-David
\version "2.1.30"
meter = \notes \context Voice {
\time 3/4 s2.
\time 4/4
}
one = \notes \context Staff {
c2.
\grace {c8}
c1
}
two = \not
Just rerun setup.exe and make sure to follow the instructions at
http://lilypond.org/web/download/windows.html on how to select
the lilypond package.
/Mats
Edwin Spector wrote:
Hello,
I just ran through the installation of Cygwin/Lilypond. I downloaded the test.ly
file, but it does not appear
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