[EMAIL PROTECTED] writes: > I went to HDM, and it says "loud, followed by soft". I have only > seen it at the beginning of a repeated section, before the first note, > where the sense I gave it is perfectly clear. You may have seen > it often in the sense of sfz, but I have not. Clearly sfz is > preferable anyway?
I have never seen fp as meaning "f forte for 1st repeat, p for 2nd repeat" (that is denoted with f-p). fp is a type of accent/dynamic, and fp is different from sfz (sf = sforzato): fp dynamic is loud start followed with subito piano. (attack) ^ . . | dyn . ......... time -> where sfz dynamic is more like (attack) . ^ . | . dyn . . time -> on horn, sfz often also involves a different attack of the tongue. (perhaps for string players bowing technique is different.) Details vary with era where the composition originates, though. I can imagine that you find the distinction unimportant, since the dynamic of a note once struck cannot be altered on a piano or guitar. For wind/string players the difference is essential. -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen _______________________________________________ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user