Kieren Richard MacMillan wrote:
Hello, Paul:
How do your inner definitions help this? Example?
Consider the 'A' section from my "Upside-Down Rag" (slightly
simplified for this example), which is of the form abac:
If I was not clear my question was what your idea had to do with
separating ti
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Hi Alberto,
If what you want is to have the paper output folded and the midi output
unfolded, then you can use separate score blocks within the one file for
each purpose.
For example use something like:
\score { \notes
\context ChoirStaff = All <<
\Soprano
I need to revise my statement. I was able to add an extender to a note
with a rest after it, as long as I didn't use the addlyrics mode.
There doesn't appear to be a way to do this in addlyrics mode.
Carl
On Jan 15, 2004, at 10:16 AM, Carl Youngblood wrote:
On Jan 10, 2004, at 4:50 PM, Nick
On Jan 10, 2004, at 4:50 PM, Nick Busigin wrote:
There are situations in my lyrics when I want to put something like
an extender, but not really. I just want to put a line after a word
to show that I want it held for the full value of the note. Sort of
a gentle reminder. However, extensions, do
Hello, Han-Wen:
yep, fixed in CVS.
Excellent. (Did you just change property-init.ly, or something in the
app? Or, asked a more proactive way, how can I access CVS to see where
you made your changes?)
Thanks,
Kieren.
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Pedro Kroger wrote:
* Paul Scott ([EMAIL PROTECTED]) wrote:
Again, Feri's deb installs a working version,
Could you try the new version in my website? (2.1.9-2)
Up and running! Thanks. What did you change?
Paul
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On Tue, 13 Jan 2004 22:31:09 +0100 (MET)
Alexander Deubelbeiss <[EMAIL PROTECTED]> wrote:
> On Tue, 13 Jan 2004 10:14:24 -0500 (EST), Nick Busigin wrote:
> > While we are on the topic of examples, my wife and I would be interested
> > in contributing a complete lead sheet example. However, we don'
On Wed, 14 Jan 2004, Nick Busigin wrote:
> I upgraded one of my computers to run lilypond version 2.1.6 last night
> and ran into a problem with the generated PDF files. Most of the text
> disappears. I get the following message after exiting the xpdf viewer:
>
> Error: This document uses Ty
* Paul Scott ([EMAIL PROTECTED]) wrote:
> >Could you try the new version in my website? (2.1.9-2)
> >
> Up and running! Thanks. What did you change?
guess what, pentium optimizations, like Jan suggested!
Pedro
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* Jan Nieuwenhuizen ([EMAIL PROTECTED]) wrote:
> lilypond-bin was not complied using special pentium-foo gcc
> optimisations, I hope?
err it was! I had optimisation flags in my .bashrc and forgot
about them. Needless to say, compiling lily without the pentium
optimisation flags solved the pro
On Thursday 15 January 2004 11:18, Kieren Richard MacMillan wrote:
> Hello, Alberto:
> > if we write repetitions on the music (and if the composer wrote
> > them) it means we want to repeat them. Why to add a new command to
> > unfold them?
>
> It's really just a short hand for editing purposes
Ex
On Thursday 15 January 2004 17.58, Kieren Richard MacMillan wrote:
> Paul:
> > I think as a programmer I agree with David that the macro/definitions
> > are easier to find done the regular way.
>
> I would certainly hope that, if my proposal were adopted, it would not
> eliminate the existing syste
Hello, Alberto:
if we write repetitions on the music (and if the composer wrote them)
it means we want to repeat them. Why to add a new command to unfold
them?
It's really just a short hand for editing purposes, at least as I've
used it so far.
For example, when defining line breaks, rather tha
On Thursday 15 January 2004 11:54, Mats Bengtsson wrote:
> One main reason not to include the repetitions by default is that
> the MIDI generation in LilyPond is mainly intended for "proof
> reading" a score. The ambition has never been to make a fullfledged
> sequencer with professional MIDI outpu
Paul Scott writes:
> [EMAIL PROTECTED]:~/music/pima$ lilypond-bin --version
> Illegal instruction
You should check the md5sum of your lilypond-bins. lilypond-bin was
not complied using special pentium-foo gcc optimisations, I hope?
If that does not help, try reinstalling all library packages th
On Thursday 15 January 2004 14:49, Kieren Richard MacMillan wrote:
> Hello, Mats:
> > Amazing how often one and the same question pops up several times
> > during the same week. Did you see the following mail (with
> > followups)?
> > http://mail.gnu.org/archive/html/lilypond-user/2004-01/msg00338.
Amazing how often one and the same question pops up several times
during the same week. Did you see the following mail (with followups)?
http://mail.gnu.org/archive/html/lilypond-user/2004-01/msg00338.html
/Mats
Nick Busigin wrote:
I am wondering if there is a utility to reformat a \note{} block
On Thu, 15 Jan 2004, Kieren Richard MacMillan wrote:
> > Amazing how often one and the same question pops up several times
> > during the same week. Did you see the following mail (with followups)?
> > http://mail.gnu.org/archive/html/lilypond-user/2004-01/msg00338.html
>
> Actually, if you read
On Thursday 15 January 2004 20.55, Alberto Manuel Brandão Simões wrote:
> In the other hand, to unfold them makes the paper output to be unfolded
> too :(
>
There is a dirty trick:
1. Put your notes in their own file (say notes.ly, which puts all the notes of
your score into the variable YourNote
[EMAIL PROTECTED] writes:
> making sure those weird
> "doublings" (e.g., staff-edge bar lines, clefs, and time signatures)
> are weeded out, etc.
fixed in CVS.
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen
___
One main reason not to include the repetitions by default is that
the MIDI generation in LilyPond is mainly intended for "proof reading"
a score. The ambition has never been to make a fullfledged sequencer
with professional MIDI output.
/Mats
Alberto Manuel Brandão Simões wrote:
Hi
I found
http
On Thu, 15 Jan 2004, Suzanne E. Blatt wrote:
> Now it runs, BUT ! my lyrics are stuck on the quarter beat of my 4/4 bars. ...
... please remove the
\property Voice.autoBeaming = ##f
statement. Apparently something has changed here in
LilyPond-2.x
If this works and if you are at the
There's actually a dirty trick to typeset the full title in several
consecutive \score{...} sections in the same file.
Just include the following text markup on some note in the first score
^"\\gdef\\mustmakelilypondtitle{}"
However, it triggers a LaTeX error that I'm not competent enough to
solve,
[EMAIL PROTECTED] writes:
> > I can't remember I changed anything in that, except for the
> > combination with ledgers.
>
> No, it's the same as it's always been (at least since I joined, ca
> v1.8) -- I've *always* found the first accidental too close (esp.
> naturals).
Oh, ok. I suppose the
hi kieren,
> a. Cue notes are "presentation" information, really (mostly!?), as they
> would exist in a part but not necessarily in a score -- how best to
> include them?
> b. Certain tweaks might be dependent upon layout (e.g., line breaks
> might affect placement, voice combinations would affect
Han-Wen:
making sure those weird "doublings" [...] are weeded out, etc.
fixed in CVS.
Just in case I forgot to say it, thanks!
Kieren.
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Paul:
I think as a programmer I agree with David that the macro/definitions
are easier to find done the regular way.
I would certainly hope that, if my proposal were adopted, it would not
eliminate the existing system or preclude its use, but rather augment
it for those of us who would prefer th
Hello, sb:
"Different Editions from one score" in the manual.
I quickly saw it a while ago, but thanks for pointing me back to it --
I think with a combination of that mechanism and some fancy
block-separation footwork, I can have all the abstraction and
flexibility I could need or imagine!
I'
In the other hand, to unfold them makes the paper output to be unfolded
too :(
But, as it is at the moment, I think lilypond can only win having midi
output :)
Alb
On Thu, 2004-01-15 at 16:54, Mats Bengtsson wrote:
> One main reason not to include the repetitions by default is that
> the MIDI ge
Hello, Mats:
Amazing how often one and the same question pops up several times
during the same week. Did you see the following mail (with followups)?
http://mail.gnu.org/archive/html/lilypond-user/2004-01/msg00338.html
Actually, if you read closely, I believe Nick is asking something
slightly dif
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Hi Matt,
You misunderstood what I asked for, probably because I didn't phrase my
question as well as I should have. I am interested in re-formatting my
lilypond source (.ly) files, not the output.
Nick
On Thu, 15 Jan 2004, Mats Bengtsson wrote:
> Amazing how
You can always do
\header{
title = "\\newpage The Title"
}
to add a page break before the new title. If your score spans more than
a single page per player, you probably want to run the resulting PS file
through psselect to rearrange the page order afterwards.
/Mats
Alberto Simoes wrote:
Hi a
* Paul Scott ([EMAIL PROTECTED]) wrote:
> Again, Feri's deb installs a working version,
Could you try the new version in my website? (2.1.9-2)
Pedro
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On Thursday 15 January 2004 02.11, Ferenc Wagner wrote:
> Binary packages of LilyPond 2.1.9 for Debian Woody are available at
>
> http://afavant.elte.hu/~wferi/lilypond
>
> The previous 2.1.6 conditions apply with respect to the
> geometry LaTeX package.
>
> Does anybody find announcements like thi
[EMAIL PROTECTED] writes:
> [ Mac OS X 10.2.8; Lilypond 2.1.7-3 (via Fink) ]
>
> Hello, all --
>
> Turns out \oneVoice (the pre-defined property) looks like this in
> property-init.ly:
>
> % dynamic ly:dir? text script, articulation script ly:dir?
> oneVoice = #(context-spec-music (make-vo
Kieren Richard MacMillan wrote:
Hello, Paul:
If I was not clear my question was what your idea had to do
with separating time information (in global) from the notes
in other sections. You didn't mention time signature in your hew
example.
The mention of time signatures in my original post was
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
2.1.9 introduces the following:
fixed in CVS.
Thanks for another amazing example of the power of open source.
My classic example is when the maintainer of the Linux Documentation
Project changed the whole site because I mentioned some
Hello, Paul:
If I was not clear my question was what your idea had to do
with separating time information (in global) from the notes
in other sections. You didn't mention time signature in your hew
example.
The mention of time signatures in my original post was just as one
example of many possi
[ Mac OS X 10.2.8; Lilypond 2.1.7-3 (via Fink) ]
Hello, all --
Turns out \oneVoice (the pre-defined property) looks like this in
property-init.ly:
% dynamic ly:dir? text script, articulation script ly:dir?
oneVoice = #(context-spec-music (make-voice-props-revert) 'Voice)
Does that mean t
Hello, Han-Wen:
I think in both respects 2.1 looks better than 2.0.
I would agree -- that is, while neither is "optimal" (to my eye), 2.1
errs more pleasingly than 2.0... ;-)
If you like you can experiment a little for yourself,
the property that was changed is
beamed-extreme-minimum-free-len
[EMAIL PROTECTED] writes:
> 2.1.9 introduces the following:
fixed in CVS.
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen
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* Ferenc Wagner ([EMAIL PROTECTED]) wrote:
> Does anybody find announcements like this actually useful?
> Isn't apt-get update or similar enough? Shall I continue
> spamming the list?
should we send the announcements to the info-lilypond list instead?
Pedro
Hi
I found
http://lilypond.org/doc/v2.0/input/test/out-www/lily-429032051.ly,
the example for unfolding repeats, and it works (great!)
My question is: if we write repetitions on the music (and if the
composer wrote them) it means we want to repeat them. Why to add a new
command to unfold them? Wou
Hello, Paul:
How do your inner definitions help this? Example?
Consider the 'A' section from my "Upside-Down Rag" (slightly simplified
for this example), which is of the form abac:
rh = \notes \relative c'
{
e16 g,8 e'16 g,8 e'16 a,~
a4~ a16 ( -.)
~ 8
4~ 8 fs16( f)
e1
Hello, David:
In your example, you are illustrating an editing task. It would be
quicker to copy the notes, even if there were a lot more of them.
My example was a straight repetition, certainly, but in concept I was
imagining uses far beyond that... Imagine, for just one example, if the
set we
Hello.
I just rebuilt my NoteEdit and Lilypond 2.0.2 on SUSE 9 after having some problems
getting it running. Now it runs, BUT ! my lyrics are stuck on the quarter beat of my
4/4 bars. I have eigth notes which are not getting their lyric attached to them
properly. I haven't found anything in
On Mon, 12 Jan 2004 22:06:30 -0500
Kieren Richard MacMillan <[EMAIL PROTECTED]> wrote:
> However, for my own learning curve -- especially when I'm a newbie in
> some field -- I find it useful to see "real-world" examples, which
> almost by definition will include tens (if not hundreds) of
> tip
Alberto Manuel Brandão Simões <[EMAIL PROTECTED]> writes:
> This is what I'm trying to do (I have two score blocks) but the title
> appears only one time.
Ah, right. You might have to have the score blocks in separate files
(and \include the music file itself).
--
Arvid
On Thu, 2004-01-15 at 11:21, Arvid Grøtting wrote:
> Alberto Simoes <[EMAIL PROTECTED]> writes:
>
> > Hi all.
> > For typesetting four hand music I would like to repeat the title info on
> > primo and second staves. Is this possible (and how) with lilypond?
>
> I'm just guessing here, and I'm not
Alberto Simoes <[EMAIL PROTECTED]> writes:
> Hi all.
> For typesetting four hand music I would like to repeat the title info on
> primo and second staves. Is this possible (and how) with lilypond?
I'm just guessing here, and I'm not a piano player at all, but
wouldn't it be reasonable to view the
Hi all.
For typesetting four hand music I would like to repeat the title info on
primo and second staves. Is this possible (and how) with lilypond?
Other nice thing could be to add a \newpage before it, but I still can't
find the right place where this command works
Thanks.
Alberto
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