Phil Holmes writes:
> There are currently two problems (alignment discussion notwithstanding and
> which I'm not ignoring, but would prefer to park temporarily) with my
> proposed incipit code. 1) If indent is not set explicitly in the \layout
> block, it throws an error; 2) If instrumentName
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc:
Sent: Thursday, July 03, 2014 3:57 PM
Subject: Re: Incipits
I don't really have an idea where the scale of ly:grob-layout is
actually coming from, but it would appear like the compensation fo
"Phil Holmes" writes:
> I resent it with the correct image, but it does not appear to have
> arrived. Here it is again.
Oh, it did, but we sent our mails more or less simultaneously. Won't be
able to react before next week since my father is turning 80 today.
--
David Kastrup
___
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc:
Sent: Thursday, July 03, 2014 7:08 PM
Subject: Re: Line spacing ( was Re: Incipits )
"Phil Holmes" writes:
David,
Thanks for the info: I'm working on understanding it. It
"Phil Holmes" writes:
> David,
>
> Thanks for the info: I'm working on understanding it. It threw up
> another oddity: if markup slightly exceeds the end of the line, the
> note spacing goes haywire.
>
> Example (one extra a in the upper score):
>
> \score {
> \relative c'' { d1 ^"a
- Original Message -
From: "Phil Holmes"
To: "David Kastrup"
Cc:
Sent: Thursday, July 03, 2014 4:54 PM
Subject: Line spacing ( was Re: Incipits )
David,
Thanks for the info: I'm working on understanding it. It threw up another
oddity: if markup slight
David,
Thanks for the info: I'm working on understanding it. It threw up another
oddity: if markup slightly exceeds the end of the line, the note spacing
goes haywire.
Example (one extra a in the upper score):
\score {
\relative c'' { d1 ^"" d d d
\
"Phil Holmes" writes:
> As I said earlier, I'm working on the incipit snippet to make it fit
> as a Lilypond command. I've spent a lng time trying to work out
> how the spacing of the incipit (its length and placing) is related to
> the indent of the main music. In summary, it doesn't work.
2008/2/11, Nicolas Sceaux <[EMAIL PROTECTED]>:
> > - If I'm reading this correctly, this is all a grand hack to add a
> > little staff to an instrument name. I don't see the essential
> > difference between this and
> >
> > \set instrumentName = \markup { \score { .. } the-real-name }
> >
> > ex
Le 11 févr. 08 à 02:07, Han-Wen Nienhuys a écrit :
[...]
- If I'm reading this correctly, this is all a grand hack to add a
little staff to an instrument name. I don't see the essential
difference between this and
\set instrumentName = \markup { \score { .. } the-real-name }
except that
Till:
> Juergen Reuter schrieb:
> > as far as I understand, all problems with incipits boil down to the
> > following two major issues:
> >
> > (1) horizontal spacing, and
I did not focus on that, it is an ancient notation issue, it is not
specific to incipits.
> > (2) the system start delim
Juergen Reuter schrieb:
Hi all,
as far as I understand, all problems with incipits boil down to the
following two major issues:
(1) horizontal spacing, and
(2) the system start delimiter.
Karl's solution unfortunately leaves horizontal space between the
incipit and the actual score;
On Mon, 11 Feb 2008, Robert Memering wrote:
Am Montag, 11. Februar 2008 16:36 schrieb Juergen Reuter:
IIRC, the spacing engine maintains a variable that keeps track of shortest
available duration in a peace in computes the ideal distance of larger
note values in a logarithmic scale based on t
Robert Memering schrieb:
Am Montag, 11. Februar 2008 16:36 schrieb Juergen Reuter:
IIRC, the spacing engine maintains a variable that keeps track of shortest
available duration in a peace in computes the ideal distance of larger
note values in a logarithmic scale based on the shortest durat
Am Montag, 11. Februar 2008 16:36 schrieb Juergen Reuter:
> IIRC, the spacing engine maintains a variable that keeps track of shortest
> available duration in a peace in computes the ideal distance of larger
> note values in a logarithmic scale based on the shortest duration. Maybe
> this computat
Hi all,
as far as I understand, all problems with incipits boil down to the
following two major issues:
(1) horizontal spacing, and
(2) the system start delimiter.
Karl's solution unfortunately leaves horizontal space between the incipit
and the actual score; hence it does *not* solve i
Han-Wen:
> Sorry for looking at this so late.
>
> General comments:
>
> - you're adding an enormous bunch of code to the instrument name
> engraver. That's a bad idea. If this idea merits an engraver, it
> should be a separate one.
...
> - If I'm reading this correctly, this is all a grand hack t
Sorry for looking at this so late.
General comments:
- you're adding an enormous bunch of code to the instrument name
engraver. That's a bad idea. If this idea merits an engraver, it
should be a separate one.
- the rootSystem stuff should not be necessary; if they're nowhere
else, grobs are alwa
Le 8 févr. 08 à 22:37, Nicolas Sceaux a écrit :
Here is draft patch: the Instrument_name engraver is used to create an
Incipit grob before the first line when an incipit has been specified.
There are several problems in it:
- how can I access the paper object from the engraver? I need a scaled
Le 3 févr. 08 à 22:08, Nicolas Sceaux a écrit :
Le 3 févr. 08 à 21:07, Till Rettig a écrit :
Whow, this is really great. I guess from that base it is somehow
simple to have also
changing of notehead/flags etc styles possible -- and not to
forget: for most socres
of renaissance music the li
Nicolas Sceaux schrieb:
Le 3 févr. 08 à 21:07, Till Rettig a écrit :
Whow, this is really great. I guess from that base it is somehow
simple to have also
changing of notehead/flags etc styles possible -- and not to forget:
for most socres
of renaissance music the ligature-engraver will have
Mats Bengtsson schrieb:
Robert Memering wrote:
I think the most important drawback in the instrument name
approach is that the horizontal spacing is very awkward,
e.g. long rests (several longae) or ligatures plus single
notes have unwanted space in between. If only one could
"turn off" spa
Robert Memering wrote:
I think the most important drawback in the instrument name
approach is that the horizontal spacing is very awkward,
e.g. long rests (several longae) or ligatures plus single
notes have unwanted space in between. If only one could
"turn off" spacing, the instrument name i
Am Sonntag, 3. Februar 2008 22:08 schrieb Nicolas Sceaux:
> But there are some flaws in the instrument name hack appraoch. The notes
> are not aligned (which may or may not be a problem), and the alignment
> of the incipit with the staff is manually tuned (hence the use of two
> \incipit and \vocal
Le 3 févr. 08 à 21:07, Till Rettig a écrit :
Whow, this is really great. I guess from that base it is somehow
simple to have also
changing of notehead/flags etc styles possible -- and not to forget:
for most socres
of renaissance music the ligature-engraver will have to be added to
the scor
Whow, this is really great. I guess from that base it is somehow simple
to have also
changing of notehead/flags etc styles possible -- and not to forget: for
most socres
of renaissance music the ligature-engraver will have to be added to the
score and
the ligature bracket engraver removed (which
Nicolas Sceaux <[EMAIL PROTECTED]> writes:
> Grr, I just wanted to simply print two different clefs at the
> beginning of a score, and now I found myself trying to implement
> full featured incipits, damnit!
>
> I have something, based on the instrument name hack, which gives
> the following resul
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