to quit participating it.
Best regards,
Giancarlo Niccolai.
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Alle 00:57, lunedì 14 marzo 2005, Giancarlo Niccolai ha scritto:
> Alle 08:26, domenica 13 marzo 2005, Szabó Árpád Zoltán ha scritto:
> > - Original Message -
> > From: "Joshua KooOOoOOo" <[EMAIL PROTECTED]>
> >
> > > Possibles of disad
Sorry, last mail was fired too early;
I said, I found the address of the lute-tab by mail by luck:
[EMAIL PROTECTED]
and the relative web server.
Bests,
Giancarlo Niccolai
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r
(windows, konqueror, mozilla, you name it).
Bests,
Giancarlo Niccolai.
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Alle 00:51, lunedì 21 febbraio 2005, hai scritto:
> On 20-Feb-05, at 12:35 PM, Giancarlo Niccolai wrote:
> > Alle 21:23, domenica 20 febbraio 2005, Han-Wen Nienhuys ha scritto:
> >> [EMAIL PROTECTED] writes:
> >>> Lilypond has an easy way to put the "stopped
Alle 21:23, domenica 20 febbraio 2005, Han-Wen Nienhuys ha scritto:
> [EMAIL PROTECTED] writes:
> > Hello,
> >
> > Lilypond has an easy way to put the "stopped" articulation above the
> > note; however, this is actually used in orchestral music. Guitar music
> > (both electric and classical music,
Hello,
Lilypond has an easy way to put the "stopped" articulation above the note;
however, this is actually used in orchestral music. Guitar music (both
electric and classical music, i.e. from late'800 up to date) marks the
"stopped" note with an X note head (identical to the rythm staff X note
Alle 15:54, lunedì 27 dicembre 2004, Werner LEMBERG ha scritto:
> > Is there any disadvantage to using #'tag for large-scale works?
> > (speed reduction, or some complex formatting things not being
> > processed through #'tag)
>
> AFAIK, no.
>
> > It occurred to me that #'tag can be useful in extra
Alle 01:41, venerdì 26 novembre 2004, Han-Wen Nienhuys ha scritto:
> [EMAIL PROTECTED] writes:
> No, I disagree. We have a system for dealing with style changes, and
> those are context properties. It's better to use only one system of
> layout overrides. If you want it file wide, you can do
>
> \
Alle 15:26, giovedì 25 novembre 2004, hai scritto:
> On Wed, 2004-11-24 at 17:17, Han-Wen Nienhuys wrote:
> > Hi,
> >
> > good to see people picking this up. Can you check out the support that
> > is present for german note names, and mimick that pattern for italian?
>
> I've identified two places
Alle 01:32, giovedì 25 novembre 2004, Han-Wen Nienhuys ha scritto:
> [EMAIL PROTECTED] writes:
> > For this reason I went for just a "change" of the names. In fact it is
> > theoretically possible to use the german system with italian names (I
> > suppose this can be done write down german ancient
Alle 01:17, giovedì 25 novembre 2004, Han-Wen Nienhuys ha scritto:
> [EMAIL PROTECTED] writes:
> > Hello; this is a first try for the support of internationalized chord
> > names for "popular music"; actually this is quite a *vital* feature for
> > italian (and I suppose european) users, so somethi
=
RCS file: /cvsroot/lilypond/lilypond/ly/italiano.ly,v
retrieving revision 1.35
diff -r1.35 italiano.ly
12a13
> % additions for italian chord names: Giancarlo Niccolai <>
88c89
<
---
> chordnamesItaliano = #'#("DO" "RE" "MI" "FA&q
Alle 19:35, mercoledì 24 novembre 2004, Giancarlo Niccolai ha scritto:
> Hello;
> ./out/macros.texi:89: Unknown command `ifdocbook'.
> ./out/macros.texi:106: Unmatched [EMAIL PROTECTED]'.
> ./out/macros.texi:115: warning: macro `internalsref' previously defined.
>
Hello;
I am trying to compile my first try with lily, but when the make system
reaches the info making point I have got a long sequence of errors:
make[2]: Leaving directory `/home/gian/Progetti/lilypond/stepmake/stepmake'
make[1]: Leaving directory `/home/gian/Progetti/lilypond/stepmake'
make[1
Hello;
I am trying to compile my first try with lily, but when the make system
reaches the info making point I have got a long sequence of errors:
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Alle 04:17, domenica 21 novembre 2004, Carl Sorensen ha scritto:
> In working on this, I discovered another way to handle different fret
> diagrams for the same chord. ChordNames ignores the octave of the
> Chord, but chordmode keeps the octave. That means that we can access
> different fret dia
t;
> What do you think?
>
Makes sense; also because the freet diagram line and the chord name line ARE
two different contexts; I.e. you expect to have both "D" name and the diagram
on two different invisible logical staffs.
Bests,
Giancarlo Niccolai
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helps,
Yes; I'll try as soon as I can (uhm, quite busy the next few days, including
tomorrow, so it may be in a week or so).
Tnx.
Giancarlo Niccolai.
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so, classic guitar music has often whole staccato phrases, so as there is a
Tremolo grouping, a stopped and a staccato grouping (at least) would be
useful.
Opinions?
Bests,
Giancarlo Niccolai.
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Alle 16:51, sabato 20 novembre 2004, hai scritto:
> On Sat, 2004-11-20 at 05:25, Giancarlo Niccolai wrote:
> The code you'll need to work with is likely found in
> lily/tab-note-heads-engraver.cc.
There will also the need for some specific notation that is rendered only in
TabConte
a great addition for electric guitar music.
IN case, I may try to see if I can lend a hand...
Bests,
Giancarlo Niccolai
http://www.niccolai.ws
http://www.haste.ws
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