hi,
gr8 writeup dude ...would like to add something !!!!
about the software....(the hardware thing u said was greek and latin 4
me...and gr8 u had the guts to cut the wires of your system :0)
when i did the voiceless bgms for some(Alaipayuthey,Tenali,Rhythm(was
just 2 good!!!),Padiyaapa ,Minsara Kanavu) 
the basic funda as u said was to find a dvd ripper to convert it to a
audio format ...more specifically i converted the dvd vobs to ac3
files (which can store all the channels of the movie and the software
i used is now in the dumps..)....and then use an ac3 to mp3
converter(i used a software called headac3h...i think!!!) by choosing
which channels i wanted to downmix(either surround or front
channels)....the downmixing was a trial and error thing...
and i used the resources from this site to get me going...
http://www.doom9.org/

its been sometime since this site was updated but nevertheless it has
 good stuff about this thing...

hope i helped !!!
:)

thnaks and regards,
prashanth
--- In [email protected], just me! <[EMAIL PROTECTED]> wrote:
>
> GREAT STUFF! thanks alot but those who use software can u guys pls
tell us wat softwares u use?
> 
> Thulasi Ram <[EMAIL PROTECTED]> wrote:                              
knowledge showcased! brilliant!!
> 
> appreaciate ur effort to share this to us Wasim!
> 
> 
> On Feb 19, 2008 7:49 PM, kaissiom <[EMAIL PROTECTED]> wrote:
>                                      Voiceless BGMs - Explained!
> 
> I'm not much of any expert on this topic, as I happened to
accidentally or unintentionally discover the process of ripping
voiceless BGMs.  There may be members on this group who have expertise
in this area who may be able to shed some more light on this topic. 
Following article is my limited understanding of this subject, please
correct me if I am wrong.
>   
> First, some definitions:
> * For the sake of discussion L refers to Left and R refers to Right
(speakers)
> 
> Mono: Single channel (no difference in L or R speaker, both
reproduce one sound)
>   L speaker = R speaker = One sound from both.
> [Note]: Rahman has been very disappointed that 'Kabhi Na Kabhi' was
recorded in stereo, but released in Mono.
> 
> Stereo: Two or more channels (generally two channel, separate
recording/reproduction of sound, L and R)
>   L speaker: recorded/reproduced separately
> + R speaker: recorded/reproduced separately
> = 3 different sounds possible: L sound + Shared L/R sound + R sound
> [Note]: Think of it as a Venn diagram: Both L and R speakers
reproduce same sound most of the time, but will also have variations
of their own.  Quite evident in 'Daud' - Title track, the entire track
has variations in Left and Right channel.
>   
> Stereo Surround: 5.1 or higher (5 channels plus 1 LFE;
Dolby-Digital,dts)
> L Front speaker: recorded/reproduced separately
> +R Front speaker: recorded/reproduced separately
> +C Center speaker: recorded/reproduced separately
>   +L Rear speaker: recorded/reproduced separately
> +R Rear speaker: recorded/reproduced separately
> +LFE Low-Frequency Effects(sub-woofer)
> = Surround Sound experience.
> [Note]: Most, but not all, DVD-Videos have 5.1 surround sound.  And
also the rare, but dying, DVD-Audio format falls in this category.
>   
> There's no limitation on the number of channels, I find some English
movies with 7.1 surround sound , you can also buy a 10.1 sound
systems, if you can find source to utilize those channels.
> 
> Almost all Media formats can reproduce mono and stereo, but not
surround:
>   Cassette tapes: Stereo and Mono
> CD: Stereo and Mono
> VCD: Stereo and Mono
> DVD: Surround, Stereo and Mono
> 
> How does this relate to voiceless BGMs?
> Voiceless BGMs are only possible from surround sound, given that
they were recorded and reproduce as surround.  So, that leaves us with
DVD-Audio, which I won't get into, and DVD-Video, by which we mean
regular DVD movies.
>   
> How are BGMs recorded on DVDs?
> I don't know exactly, but that's up to the composer and the sound
engineer.  But in order to qualify as surround sound, they have to
record different sounds for different channels. For example they may
record actors' voices for the CENTER channel and the background score
for the two-REAR speakers and a combination of both voices and score
on the two-FRONT speakers  (this is hypothetical, simple and
straightforward example):
>   L/R Front speakers: Combination/layers of both voices and
background score
> CENTER speaker: Only voices
> L/R Rear speakers: Only background score
> 
> You can imagine watching a movie and an extra sound effect from
back, or someone yelling from behind you or a car whooshing by.  And
remember, they can try many different combinations with 5 different
channels.
>   
> How to extract voiceless BGMs?
> Simply put, you have to tap into the  channels that only contain the
'Background Score'.   In the simple example given above, it would be
the 'L/R Rear Speaker/Channel'.
>   
> How do kaissiom and AJ extract voiceless BGMs?
> Well, I can't speak for AJ, but I know he uses some software.  And
as far as I'm concerned, I can write a longer post than this one
trying to explain how I accidentally did it.  My method is not all
software- it's combination of hardware and software.   I was fixing my
computer and my home-theater system set-up, such that I can play the
music from my computer on my surround sound system.  This required
additional cables, adapters, etc.. but I accidentally cut one wire and
attached it in the wrong place somewhere on the soundcard and
amplifier.  And when I played a movie on my computer, all I could hear
was voices, no BGM.  When I switched some wires.. I got BGM, no
voices... hence, voiceless BGMs.  I still have to switch these
wires... every time I have to extract voiceless BGMs  ;-)
>   
> How can one extract voiceless BGMs?
> -[Software]- Easiest way to do it: Find a DVD-ripping software that
not only rips audio from DVD, but rips audio as separate channels. 
Once you have all the audio in different channels, keep the channel
with BGM, discard the rest. 
>   -[Hardware]- Complicated way of doing it: Cut some wires from the
surround sound system and record it from the amplifier - this is how I
do it.  It takes me about 5 to 6 hours to do a movie because I perform
additional editing using software to enhance the quality.  I use
hardware(amplifier/soundcard) to extract the audio and then use
software(SoundForge) to enhance it.
>   
> Are there any caveats?
> As with everything... Yes.  
> -[Source] The movie has to be recorded in surround sound. Older
movies (Roja, Bombay, etc.), and surprisingly some newer movies are
not recorded in surround sound... therefore, NO VOICELESS BGMs are
possible - Ever.  
>   -[Media] Even if the movie was recorded in surround sound.  You
have to get hold of the DVD with 5.1 surround sound.  VCD or a tape
will not work.  Some Indian DVDs just have the '5.1 Dolby Digital'
stamp for the 'coolness' factor, and are not true surround sound.  I
have had this experience with Zubeidaa.  In other words, there are
some fake surround sound DVD out there, and they will not work - NO
VOICELESS BGMs.
>   - [Application] Finally, the application used to extract the BGMs
should support surround sound.
> 
> What is 'Sync sound'?
> Some movies, mostly newer ones are recorded in sync sound.  Lagaan,
Swades, RDB are all sync sound.  Sync sound means actors' dialogues 
are recorded live while shooting the movie, actors do not have to go
in for a 'lip sync' or 'dubbing' session after the movie.  BMGs are
added to the original dialogues.  Usually, when movies are recorded in
sync sound, we end up having crisp/clean surround sound... Voices are
separte, BGM is separate  as quite evident in Lagaan/Swades BGMs. 
When movie is not done in Sync sound, BGMs tend to be messy.  Saathiya
was done in Sync sound, where as disappointgly, Guru was not.  When
dubbing is done at the same time as BGMs are added, they tend to be
layered together and we don't get the crisp clean voiceless BGMs.  
Extracting BGMs from Rajni movies is ever difficult, regardless of
whether it's done in sync or not.  The extra 'Rajni Effects' or the
'swoosh-whoosh' sound every time the superstar moves a finger... is
added on top of the BGMs.
>   
> Having said that, recent media reports suggested that Hrithik and
Ash were in studios doing some voice recordings/dubbing... at around
the same time reports of 'Rahman finishing up the BGM for Jodha Akbar'
were cropping up.  I really hope JA is done in Sync sound, otherwise
the BGM could be tainted.
>   
> Sorry for the long/dry post.  Vithur and others have expressed great
interest in this subject and I somehow come across as someone who is
hiding something.  How can a blind person (me) lead someone on a path?
When I myself found the path accidentally and seem to be walking on it
unknowingly.
>   
> But there! The unguarded 'secret' is out, the knowledge does not
just rest with me anymore.  I feel like a great burden has been lifted
off my shoulders, although I have touched on and explained this topics
in various bits and pieces over time.
> 
> Hopefully, I have cleared up some doubts here, and raised new ones..
As always, please feel free to contact me if you have any questions or
corrections.
> 
> I too believe that it will be a loss to Rahman fans, if we do not
collect all the available voiceless BGMs out there.  Therefore it is
important to first establish how many such true surround sound DVDs
exist out there.  Once we establish that, we can see which ones have
been extracted and which ones are pending.  Then, we can go from there.
>   
> 
> Regards,
> Rahmaniac.
> 
>  
>      
>                
>               
> 
> 
> 
>  
>      
>                                
> 
>        
> ---------------------------------
> Looking for last minute shopping deals?  Find them fast with Yahoo!
Search.
>


Reply via email to