Here's the link to the translation by John Dack:

https://reaktorplayer.wordpress.com/2014/08/23/michel-chions-guide-to-sound-objects-pierre-schaeffer-and-musical-research-pdf/

--
Marc

On Fri, 4 Dec 2015 11:38, Iain Mott wrote :
> John Dack made an English translation of the guide which is
> excellent. It's probably available online somewhere, but if not, you
> could email him:
> 
> http://www.mdx.ac.uk/about-us/our-people/staff-directory/dack-john
> 
> 
> Em 21-11-2015 13:11, Marc Lavallée escreveu:
> > Thanks Ero for the reference. The contribution of Michel Chion is
> > major to understand a world where large part of sounds are coming
> > from loudspeakers. His acousmatic music is also excellent.
> >
> > A bilingual glossary is available from his web site:
> > http://michelchion.com/texts
> > Also a free eBook edition of his "Guide des objets sonores" (in
> > French only), which is an ambitious study about the "Traité des
> > objets musicaux" of Pierre Scheaffer.
> >
> > --
> > Marc
> >
> > Le Sat, 21 Nov 2015 12:32:55 +0200,
> > Eero Aro <eero....@dlc.fi> a écrit :
> >
> >> Dave Malham wrote:
> >>> Not quite sure how we got from defining acousmatic music to film
> >>> sound
> >> I mentioned that the word is used with cinema sound. It's not just
> >> music that
> >> can be acousmatic, it's sound as such.
> >>
> >> Michel Chion has developed a number of conceptions that were needed
> >> to be able to discuss cinema sound. Such words didn't exist.
> >>
> >> Acousmatic is one of them. There's others: acousmêtre,
> >> audio-vision, synchresis, etc. These have nothing to do with
> >> technical things.
> >>
> >> https://en.wikipedia.org/wiki/Michel_Chion
> >>
> >> Eero
> >> _______________________________________________
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