John Dack made an English translation of the guide which is excellent.
It's probably available online somewhere, but if not, you could email him:
http://www.mdx.ac.uk/about-us/our-people/staff-directory/dack-john
Em 21-11-2015 13:11, Marc Lavallée escreveu:
Thanks Ero for the reference. The contribution of Michel Chion is major
to understand a world where large part of sounds are coming from
loudspeakers. His acousmatic music is also excellent.
A bilingual glossary is available from his web site:
http://michelchion.com/texts
Also a free eBook edition of his "Guide des objets sonores" (in French
only), which is an ambitious study about the "Traité des objets
musicaux" of Pierre Scheaffer.
--
Marc
Le Sat, 21 Nov 2015 12:32:55 +0200,
Eero Aro <eero....@dlc.fi> a écrit :
Dave Malham wrote:
Not quite sure how we got from defining acousmatic music to film
sound
I mentioned that the word is used with cinema sound. It's not just
music that
can be acousmatic, it's sound as such.
Michel Chion has developed a number of conceptions that were needed
to be able to discuss cinema sound. Such words didn't exist.
Acousmatic is one of them. There's others: acousmêtre, audio-vision,
synchresis, etc. These have nothing to do with technical things.
https://en.wikipedia.org/wiki/Michel_Chion
Eero
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