On 04/01/2011 01:55 PM, Richard Dobson wrote:
On 01/04/2011 10:37, Svein Berge wrote:
...
of the development. Since this plugin in practice requires the use of a
soundfield-type microphone, which is not really a mass-market product,
I hope composers are not entirely disregarded in this, which seems to me
to be an unnecessarily limited assumption. They will likely be producing
(DAW-permitting!) a B-Format stream synthetically; i.e. the stream comes
directly from the host, not from a microphone. Indeed I will likely be
doing this soon myself, as one obvious thing to do with LHC collision
data is to sonify in surround.
iiuc, it doesn't make sense to use harpex for sonification. harpex'
strong point is to sharpen first-order natural recordings and thus
increase the versatility of a tetrahedral microphone.
to get sharp localisation for panned monophonic events, just use higher
order ambisonics.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarves.net
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