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s one to your shortlist
once it's out:
http://en-de.sennheiser.com/vrmic-creatorsprogram
a little gnome whispered in my ear that it's quite nice. no news on
final price and release date yet, but hey...
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at the sides, and possibly excellent in the back. Not a good
starting point.
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On 14.07.2016 19:06, len moskowitz wrote:
Did you know that Rycote's Baby Ball Gag works fine with TetraMic, as
well as their industry standard modular system.
fwiw, from recent personal experience, i have nothing but praise for the
baby ball gag.
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ps://b-com.com/en/news/bcom-2-booths-ibc-exhibition
year, saw those guys being featured in the "future zone" at IBC in
amsterdam a few weeks ago. nice :)
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On 10/12/2016 01:31 PM, Jens Ahrens wrote:
Levitation as well as haptic feedback and audible sound will
be achieved using high-intensity ultrasound.
I am utterly fascinated. But from a safe distance. ;)
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Tel. +49 177 7937487
roll]... an omni microphone. So yeah, we've got W, so
we're ambisonic :)
They probably got inspired by the other loads of bollocks that get
attached to VR camera rigs to enable them to be marketed as A/V
solutions. Nokia and others do it, so it must work, right?
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let's ease off on those guys, they are among the few who actually
post specs and a concept that might even work, because people have been
testing it since the 70s :-D Neat packaging.
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Meiste
seems to have fallen off the web...
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On 10/31/2016 12:07 AM, Fons Adriaensen wrote:
On Sun, Oct 30, 2016 at 11:40:50PM +0100, Jörn Nettingsmeier wrote:
Also, I think things get even funnier when you consider you don't
have three pairs of omnis, for a differential receiver along each
spatial axis, but rather a tetrahedron of
cts-live-install-joeco/
Played with it at a trade show, my impression was a very good one. Not
cheap though.
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On 06/27/2017 01:52 PM, Augustine Leudar wrote:> Ive been the> computer
with multchannel soundcard route and it is not an experience Id> like to
repeat. Must be bomb/cleaner/child/adult proof,
Can I ask what went wrong?
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out is enough) and an appropriate
Dante converter. Should be cheaper, if you have the Mac lying around,
and no less robust if the hardware is otherwise ok.
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home from https://vdt-icsa.de,
Jörn
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as a config file where you can set JACK as
default, that would be even simpler.
All of the above should work in Linux and OS X, not sure how to do it in
windows (but I'm sure it can be done).
All best,
Jörn
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eople were
producing sound by heating surfaces with an extremely good heat
conductivity (so its thermal cycles can be at audio frequencies).
Problem there is 100% k2, as it's effectively a half-wave rectifier...
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On 01/20/2018 01:12 PM, Jörn Nettingsmeier wrote:
On 01/19/2018 08:04 PM, Gary Gallagher wrote:
Wave field synthesis wall paper? How small does an an audio pixel have to
be?
The question is more like "how big can you make it?". An audio "pixel"
of a square milli
at fooling myself, it might just happen :-D
All best,
Jörn
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__
On 03/27/2018 10:18 PM, Fons Adriaensen wrote:
On Tue, Mar 27, 2018 at 09:08:54PM +0200, Jörn Nettingsmeier wrote:
Sweet! A resounding "me too" to Stefan's question about the matrix, since
you're one channel short :)
Looking at the geometry, I guess you sacrifi
probably be made a little friendlier.
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?
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an "seven or so". That's the number of SM58s I use on a
good day, and I'm very much intrigued if slightly scared thinking of
your usecase :-D
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e.
Re: spatial resolution, would anyone even bother with FOA mics for
capturing directional impulse responses?
Me :)
Better the Soundfield in your hand than two Eigenmikes in the bush :)
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Meist
e yet.
Will be glad to compare notes, but won't start working on it before
January...
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_
n comparison to the Tm, the ST450
uses a lot more power due to external preamp and capsule heating.
Best,
Jörn
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coincident.
IIRC the Super CMIT mentioned by Chris earlier uses just this algorithm
by Christof.
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coefficients before attempting to decode.
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ich has been through Fons' brain optimizer or measuring a few
IRs, I'd choose measuring any day :-D
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le contain the code to
read the preset files (which are just binary OSC).
Thanks for the clarification, and apologies for the misinformation.
Best,
Jörn
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forwarded on behalf of michael chapman.
Subject: Aliki on Mac
From:"Michael Chapman"
Date:Wed, April 20, 2011 10:59 am
To: sursound@music.vt.edu
Cc: velo...@hotmail.fr
--
To use a particular soundcard I w
forwarded on behalf of michael chapman.
Subject: FFTW3F and ALIKI
From:"Michael Chapman"
Date:Wed, April 20, 2011 11:04 am
To: sursound@music.vt.edu
Cc: velo...@hotmail.fr
--
I have a new Mandriva 2011
sorry, i misread michael's request - this issue had been solved already.
for the record, michael sorted it out by recompiling with the
"--enable-float" option.
On 04/27/2011 12:19 PM, Jörn Nettingsmeier wrote:
> forwarded on behalf of michael chapman.
>
> I have a new M
a
dedicated old-school hardware box might actually realize its potential
for userfriendliness.
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Meister für Veranstaltungstechnik (Bühne/Studio)
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dgy"
realm. then again, most ambisonics fans will be, too. have to :)
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On 04/30/2011 02:12 AM, Ronald C.F. Antony wrote:
> On 29 Apr 2011, at 19:15, Jörn Nettingsmeier wrote:
>
>> but you are right, we are still heavily in the DIY + "slightly
>> kludgy" realm. then again, most ambisonics fans will be, too. have
>> to :)
>
>
"export".
all that DAW manufacturers need to learn is that marketing and sales
should have no say in how wide the busses can be - if you leave that to
the techies, the answer is "arbitrarily wide".
next very simple lesson is that panners should be plugins, and they
should be the
pains to
make it work in mono.
today, you have a director or composer, he demands something, you've got
to deliver. s/he certainly doesn't want to discuss how what you're
failing to deliver is still "good enough".
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Lort
7;ll reply:
but the sense of space and envelopment. well, yeah. if the aim is to get
the sound all over the place, that's certainly the way to go.
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t cost anything at all, and will make
your efforts future-proof. if you then feel you have to render it on
only 4 speakers, that will be no problem. but if you get the chance to
use a more luxurious outfit, your material will be able to exploit it.
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Jörn Nettingsmeie
On 05/02/2011 12:09 AM, Richard Dobson wrote:
> On 01/05/2011 20:29, Jörn Nettingsmeier wrote:
>> ..
>>
>> the point is: if you want to produce in tenth order and have the means
>> to do it, your customer can still enjoy it on his/her 2nd order rig.
>
> Fine. I a
On 05/02/2011 11:50 AM, Marc Lavallée wrote:
> Mon, 02 May 2011 06:59:40 +0200,
> Jörn Nettingsmeier wrote :
>
>> not native, but here's a very simple one that has been shoehorned
>> into a third-order workstation:
>> http://cec.concordia.ca/econtact/11_3/nettin
On 05/02/2011 11:20 AM, Richard Dobson wrote:
> On 02/05/2011 05:59, Jörn Nettingsmeier wrote:
>> On 05/02/2011 12:09 AM, Richard Dobson wrote:
> ...
>>
>> what is all this talk about "smallest acceptable"?
>
> Well, if I put together a proposal for an e
ame seems to be a bit different, although i
don't quite understand why.
Maybe the decoder is different?
Don't get me wrong, but sometimes it is productive to pull someone's
leg... O:-)
well pulled, but no, the decoder was identical.
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evident joys and
advantages, does become kind of awkward. at the age of 35, i'm happy to
have moved on :)
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_
ge (a warehouse about 10m high
and about 40x20m). we found that for maximum dance and rocknroll
"oomph", we preferred a sub-cardioid decode rather than a strictly
"correct" one, but that's a question of taste and economics...
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it, but it might be worthwhile.
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rder spots). he was able to comfortably locate all instruments
except the double bass (which was at 180°). i encouraged him to turn
around a bit, and reported stable localisation after the initial
"homing-in" process, too.
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the whole point of it.
the audiophiles will readily embrace the endless new ways for tweaking
and tuning (as will the sales guys).
whole new publications will spring up like dandelions ("the 100 best
ambisonic layouts for home use", "rouse your spouse - minimally
intrusive
to join us on irc for conference-related
chitchat and real-time feedback. at the end of each session, you will
get the chance to ask questions to the presenter, which will be relayed
to the crowd in maynooth by a local chat operator.
best,
jörn
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d i know that richard lee has recommended the KEF eggs
more than once, which are coax iiuc. they'd certainly be my HOA dream
setup for home use...
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Meister für Veranstaltungstechnik (Bühne/Studio)
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but" is to clear if they will suit my
needs for ambisonic.
can't comment on this, but at 150,- you're not quite in the pro or
semi-pro range for studio monitors, hence it might make more sense to
look at reasonable consumer offerings and maybe profit from a kit deal.
--
Jörn Nett
On 05/03/2011 09:29 AM, Aaron Heller wrote:
2011/5/2 Jörn Nettingsmeier:
those "slightly more speakers than necessary" cases are a bit tricky...
first order over a 24 hemisphere is horrible,
At the 2008 demo I wrote about, other that the anomaly at the exact
center, I thought
e the overall system phase response and align it with some
delay.
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On 05/12/2011 07:55 PM, Marc Lavallée wrote:
Le 12 mai 2011 13:46:56, Jörn Nettingsmeier a écrit :
On 05/11/2011 03:42 AM, Marc Lavallée wrote:
I like this idea of a full-sphere bass setup. There would be 3 (small)
subs on the floor (front-left, front-right, rear-center) and one on the
ceiling
d 32 of them in Southampton, they
are quite good for the size.
what kind of setup was that, and where? ambisonic?
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azed at the perfectly smooth behaviour - no phasing, and pretty stable
timbre when moving.
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On 05/12/2011 11:13 PM, David Worrall wrote:
On 13/05/2011, at 3:35 AM, Jörn Nettingsmeier wrote:
ah well, bad choice of words. "below expectations" would have been
better. the IEM cube (24 speaker hemisphere)
I looked at the photo here: http://iem.at/services/studios/cube And I
f
time, while all other factors (specifically
the W) remained constant? that would be cause for alarm.
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if so, i'd welcome a private reply.
thanks in advance,
jörn
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On 05/19/2011 02:57 PM, Jörn Nettingsmeier wrote:
if so, i'd welcome a private reply.
thanks in advance,
got one, thanks to you know who you are :)
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lot of them), or
b) provide some means to select and optimize a generic set of HRTFs.
iiuc, smyth is doing a).
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http:/
://www.tu-berlin.de/?id=ssr
there's also a wealth of papers out there describing its workings and
applications in listening tests and other studies.
best,
jörn
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e stuff depends quite heavily on fons adriaensen's software, so
mac users will have to grind some code and start their X11 for maximum
enjoyment.
have fun,
jörn
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Hi *!
I just had the pleasure to present at AmbiSym2011 in Lexington via
Skype, which was weird but fun.
In case anyone's interested, the paper and slides are available at
http://stackingdwarves.net/public_stuff/linux_audio/ambisonic_symposium_2011/
Best,
Jörn
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On 06/03/2011 04:48 AM, George Kierstein wrote:
Hi, I am looking for any useful papers and code that might be of use in
implementing an ambisonic delay plugin!
can you give more details?
what is the effect you're after? something like a ping-pong delay, but
all over the place?
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ou won't go far if you take a too
subtle approach :)
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echo effect in connection
with a panner, say fons' AMB plugins and any old LADSPA delay/echo. then
you would have to write a small function generator that does interesting
things with the azimuth and elevation, or if it's a fixed tape
composition, just automate the panner parameters.
a
full b-format as an input. in that case, swap "panner" for "rotator,
tilter, tumbler".
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all i've done so far was create a few artificial reflections for soloist
microphones (using ardour busses, panning, eq and delay, very fussy and
not really feasible in day-to-day work.)
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ck out netjack, it works better than jacktrip in that
it doesn't cheat with synchronization. but it's also a lot more hairy to
set up.
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ingle-speaker source.
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fit lengthwise, unless you're
using at least awg 22.
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currently shopping for a new surround microphone.
Attached is a README that goes with the audio files.
Enjoy,
Jörn
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-
different (and strictly
speaking incorrect) way, which may have a pleasant effect. then again,
it may not.
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igher order microphones work in principle, but are nowhere near as
pleasant as simpler stereo microphones. in addition to coloration
problems, they suffer from noise problems due to the high gains required.
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On 07/09/2011 11:49 PM, dw wrote:
On 09/07/2011 22:28, Jörn Nettingsmeier wrote:
ps. I am sure M Gerzon knew that ambisonics (low order) has theoretical
sweet spot the size of a pea, but it still sounds good to some people,
His fans are still as self-righteous as ever.
i could imagine way
at is possible.
as long as they don't force cable and green felt marker discussions on
me, i'm happy to see them happy. :)
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e order goes up, the area of correct reproduction expands, so that
it ultimately approaches the KH surface from the inside.
if you're in a hurry, there are slides as well, which are a lot more
compact:
http://stackingdwarves.net/public_stuff/linux_audio/tmt10/TMT2010_J%c3%b6rn_Nettingsm
On 07/10/2011 06:14 PM, Marc Lavallée wrote:
Jörn Nettingsmeier a écrit :
and don't mind around 10% THD in the low frequencies (which is not as
bad as it sounds, but also not as good as manger make it sound),
oops, this is bogus. THD means "total harmonic distortion", so it
ty
transducers.
there is a nice diploma thesis by peter plessas from iem graz that gives
a good overview of the design problems:
http://iem.at/projekte/acoustics/awt/mikrofon/project_view
don't be put off by the german abstract, the actual thesis is in english.
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Lo
On 07/11/2011 12:39 AM, Stefan Schreiber wrote:
With all these efforts, why is actually nobody just marketing a
headphone solution with head-tracking?
smyth research makes one (called the realizer), or there's the
beyerdynamic headzone.
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masters.com/research/HowPlayersListen.pdf
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On 07/12/2011 05:39 PM, Stefan Schreiber wrote:
Jörn Nettingsmeier wrote:
there is an AES paper by simon goodwin that deals with this layout:
www.codemasters.com/research/3D_sound_for_3D_games.pdf
the rationale is that you can deliver a pre-decoded stream over the
eight channels of a hdmi
f distance, but that is due to distance cues
which are more or less independent of ambisonics (any good recording
method can do it).
what you definitely won't get (with any order less than "ridiculously
high") are sources closer than the ring of speakers.
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Lortz
nd to distance cues properly, with the
exception of some bumblebee-in-your-ear tricks or depth effects mediated
by visuals. the former are often limited to very specific content, and
for the latter, if you have visuals, then like it or not, mono is
totally adequate and the brain
eight^2 + half_distance^2) * 2)
when a listening room first reflection is strong and early, it will
dominate your sense of distance. in that sense, larger rigs have the
potential to be less intrusive wrt distance perception.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 79374
sorry, itchy trigger finger...
On 07/26/2011 10:14 AM, Jörn Nettingsmeier wrote:
as mentioned before, the floor reflection is a very strong distance cue
at close range under semi-anechoic conditions (i.e. if you want to gauge
the distance of that sabre-toothed tiger or the potential mating
lways been that in the presence of HF cues, you can
get away with sloppy LF cues (as in, drive all your subs in mono for
maximum ooomph, but the kick sound of the kick drum will make sure it's
localised properly). maybe i was wrong. or maybe their band-limited
noise is just too artificial...
ohms. i won't make a fool of myself here by giving precise numbers after
a day of mixing and three bottles of beer, but it's easy to see that 0.3
compared to 4 ohms is a significant fraction.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Verans
wn tests were all on 3rd order rigs, but i've done it on a
hexagon at home, and it was ok.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarves.net
_
-system/galileo-system-speaker-cable/
this is funny.
> reviewed here
http://www.avguide.com/review/synergistic-research-galileo-cable-and-interconnect-tas-210
this is sad.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Stu
On 07/28/2011 05:25 AM, Jörn Nettingsmeier wrote:
On 07/28/2011 12:35 AM, Paul Doornbusch wrote:
The shock, and potentially the most snake-oil, could be from the
$40,000 for these Galileo speaker cables (poor old Galileo probably
does not even get any royalties from them using his esteemed name
tations, posters,
workshops or product presentations via the congress webpage:
http://www.icsa2011.org
Contact address: icsa-2011-t...@tonmeister.de
best regards,
jörn
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühn
impressive.
particularly, the sound source visualisation was lots of fun.
of course it's not the ultra-high-end classical higher-order main
microphone many of us are waiting for, but then that's not what it's
designed to be.
good luck with your product!
--
Jörn Nettingsmeier
Lortzing
hat outputs b-format (basically all the
soundfields except the sps200), you can get away with non-ganged gains.
with an a-format mic such as the tetramic, the danger of uncorrectable
errors is very high.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für V
istracting until
i can get a replacement, i took the box and put it in the rear (which is
clearly directional encoding).
john anthony andrews, i 0wnz y0u !
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister
On 09/24/2011 02:48 PM, Daniel Courville wrote:
Does somebody know in what year SoundField caps production started at MBHO?
i wonder: it's clearly evident that the capsules on the sps200 are made
by haun, but do they also manufacture the capsules for the other
soundfields?
--
ember!
Best regards,
Jörn
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarves.net
___
Sursound mailing list
Sursound@music.vt.edu
for free download,
but i need to convince the organisation team and find suitable bandwidth
(we're talking massive amounts of data...).
in any case, this will happen after the conference.
gruß,
jörn
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meiste
to collapse the wavefunction of my
pillow into something soft and comfortable...
btw, between yawns, i've always assumed a clap of some kind would start
with a clearly defined positive flank, and i can't remember seeing
anything else, but that's anecdotal evidence at best.
--
J
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