I think you'll find schematics very hard to obtain, but if you contact
Peter Schillebeeckx at Soundfield (now TSL) -
http://www.tslproducts.com/contact/ - he's a very helpful man.
Chris Woolf
On 24-Nov-15 23:28, Rudy Chalupa wrote:
Hello everyone! I'm new to this list, but no
side of each mic to the source. Or was the
engine noise so LF that it wound its way into everything anyway?
Mind you, I don't suppose the spatial image from this array was terribly
attractive;}
Chris Woolf
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round our heads.
So are measured HRTFs consistent over time? Or do we re-calibrate
ourselves on a continuous basis?
If the latter is true, then I can see that a generic HRTF could work if
we were given some method (and time for) calibration.
Chris Woolf
On 25-Jan-16 11:45, Bo-Erik Sandholm
"I would like to (shamelessly) promote two studies...
Nothing shameful about answering a question very usefully! Thank you.
Chris Woolf
On 25-Jan-16 16:45, Brian FG Katz wrote:
Dear list,
On the topic of creating a reduced set of HRTFs from a large database and on
learning non-indiv
-off work officially.
Rycote will always provide alternative lyres if you are unsure what
version you need - they are pretty good that way.
Chris Woolf
On 08-Feb-16 13:03, Steven Boardman wrote:
Anyone know what compatible Rycote parts can be used with a Soundfield
ST350 / ST450.
I have quite a fe
vable
way one could produce such a component for the minimal quantity ever
likely to be sold. The SLAs This is the pain of extreme short-run
engineering.
Chris Woolf
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https://www
Apologies - that email got truncated...
Try again.
On 09-Feb-16 16:29, Chris wrote:
On 09-Feb-16 01:52, Steven Boardman wrote:
Thanks John.
Yes it is at a ridiculous price,
... This from the depths of Stroud
The base bar, "filler strip" and underneath gubbins is all stand
is not intended as a sales pitch -- our
goal is to build awareness, so if you know anyone who you think might be
interested please pass it along. You can find more info and social media
links below. Thanks a lot!
Best wishes,
Chris
Bela tech details:
Bela is an open-source platform for high-pe
tside world.
Chris Woolf
On 14-Apr-16 11:04, Jörn Nettingsmeier wrote:
On 04/13/2016 04:25 PM, Marc Lavallee wrote:
I'm looking at this product here:
http://www.invensense.com/products/analog/ics-40300-3/
Thanks for posting it, that's the first time I see actual plots of a
MEMS
The plot is very similar to the ST Microelectronics one described in
www.st.com/st-web-ui/static/active/en/resource/.../DM00103199.pdf
That puts the peak down to Helmholtz resonance in the chamber air cavity.
Chris Woolf
On 14-Apr-16 11:04, Jörn Nettingsmeier wrote:
On 04/13/2016 04:25 PM
> Btw, good to see you guys at Mikroforum the other week!
Doh! I should have worn dark glasses;}
Chris
On 14-Apr-16 13:02, Jörn Nettingsmeier wrote:
On 04/14/2016 01:09 PM, Chris wrote:
And there's quite a lot more useful and well described material here
too. http://www.edn.com/Pdf
as much as I do...
You could run your recorder off a similar (but maybe more professionally
connectored) supply, and still use the recorder as the P48 supply.
It does slightly depend on what you are recording on, of course.
Chris Woolf
On 23-Jul-16 03:12, Halasz, Andrew wrote:
Is anyone
difference.
Perhaps Mr Moskowitz can translate for us;}
Chris Woolf
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rails.
Chris Woolf
On 24-Jul-16 06:31, Richard Lee wrote:
The Tetramic spec declares 3.5mA x 4 capsules (=15mA) @48V - that's
720mW
But to power through the PPac it's 9-12V @<10mA - that's 90- 120mW - a
big difference.
The P48V current consumption is pessimistic. Powerin
Excellent points - thank you.
Chris Woolf
On 24-Jul-16 12:54, Fons Adriaensen wrote:
On Sun, Jul 24, 2016 at 10:49:47AM +0100, Chris wrote:
But does that mean that the impedance converters of the capsules are
running on the 9V supply?
If so, does the max SPL suffer, as it does on most
e material
available) that the NON-cognoscenti recognised that they were in a space
that wasn't the same as the physical room.
Chris Woolf
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Or four Sounddevices 788T's? they lock together just fine, apparently.
96k only though
Why on earth would one want anything higher than (or even as high as) 96k?
Chris Woolf
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e to avoid filling Apple's
coffers.
Chris Woolf
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hape memory brings them back to what
they should be very quickly.
Actually, you can take the entire INV7 mount and hurl it a concrete wall,
and it will survive, which shows that modern plastics can beat metal hands
down - but do take the mic out first....
a host of demonstrations of state-of-the-art technology.
Confirmed speakers so far include wildlife recordist Chris Watson, composer and
sound artist Nick Ryan, musician and inventor Tim Exile and dubbing mixer
Martyn Harries. We are currently seeking proposals for contributions to the
technology fair
g solution
i've completely overlooked !?
Many thanks,
Chris
Chris Timpson
*Director*
EarFilms
T: +44 (0)7888 695770
E: ch...@earfilms.com
www.earfilms.com
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Thanks for all the thoughts guys - i'm going to go back through the thread
and do some further research on all the suggestions :)
Best
Chris
On 22 February 2016 at 08:52, Dave Malham wrote:
> Hi,
> More thoughts - if you are only concerned with all the players starting
> at
in DSD, without any PCM conversion.
It simply sounds better than any PCM I have heard. I would be curios to hear
b-format done entirely in DSD. Thanks in advance. Chris Boozer
On Thursday, April 21, 2016 9:45 AM, Aaron Heller wrote:
On Thu, Apr 21, 2016 at 12:14 AM, Trond Lossius
ly to be a good
market - but it make take a few more months.
Chris Woolf
On 21/01/2017 07:49, Bob Burton wrote:
The introduction was done at a press event at NAMM.
Yet neither Rode nor Freedman exhibited at NAMM.
Curious.
On Fri, Jan 20, 2017 at 8:16 PM, Gary Gallagher
wrote:
The propagand
if the product really works, but it can't be
dismissed out of hand now.
Chris Woolf
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https
I'd be very interested to know the argument behind that.
Although bass response is affected by size in speakers I don't know of
any reason for that in microphones.
Chris Woolf
On 13/04/2018 18:58, Fernando Lopez-Lezcano wrote:
On 04/13/2018 10:23 AM, Jack Reynolds wrote:
Tha
Grace Design M108 with a Dante card?
Not cheap but mic amps that behave very nicely.
Chris Woolf
On 09/08/2018 14:45, Len Moskowitz wrote:
Does anyone know of an 8 (or more than 8) channel mic pre that
operates over Dante networks?
All leads appreciated!
Len Moskowitz (mosko...@core
ieter Shillebeeckx and have given him freedom and budget to develop stuff. I
suspect the NT-SF1 will be a lot more intersting as well as inexpensive.
Chris Woolf
On 10/08/2018 19:37, Søren Bendixen wrote:
Hi
I´m in the same situation, want to record nature (and other things) in
ambisonics. and I ha
On 11/08/2018 10:59, Axel Drioli wrote:
... I use
a prototype made by Reynolds Microphones. ... This mic has much lower
self-noise than any other ambi mic you find around.
But is that done using large diaphragm capsules? With the inevitable
consequences in terms of coincidence?
Chris
On 11/08/2018 18:16, jack reynolds wrote:
I use 14mm electrets, so you can still get them pretty close together. They
naturally have a lower noise floor and wide dynamic range.
Thanks for the clarification - I'd only seen your large diaphragm mics.
14mm capsules sounds fine.
Chris
ure of 3 or 5%).
Chris Woolf (ex editor of Microphone Data)
On 18/08/2018 08:41, Bo-Erik Sandholm wrote:
According to the document linked to below that relates self noise values to
real world applications 110 SNR cannot be related to the commonly used
reference sound level.
110 dBA SNR would be
del, to avoid making reverse
engineering too easy... and therefore losing the mass market that their
product has to be based on.
None of this appeals to the artisan in most of us, but the reality of it
cannot be ignored either.
Chris Woolf
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On 15/09/2018 16:12, hacklava wrote:
On Sat, 15 Sep 2018 14:52:03 +0100
Chris Woolf wrote:
How open these sort of products can be in terms of internal architecture
and calibration is another (commercial) problem. At least some secrecy
is essential to their business model, to avoid making
e of doing this.
Chris Woolf
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can sound pretty good. The Schoeps
SuperCMIT produces excellent sound quality with gentle processing help,
and only starts to show faint artefacts when things are pushed very hard
indeed.
Chris Woolf
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dollars.http://cgi.ebay.com/KEF-Hts1001-2-Bookshelf-Speaker-w-Wall-Bracket-Each-/130516799735?pt=Speakers_Subwoofers&hash=item1e636850f7
Chris Boozer
>
>From: Gerard Lardner
>To: sursound@music.vt.edu
>Sent: Tuesday, May 10, 2011 4:03 PM
>Sub
anks
Chris Pike
http://www.bbc.co.uk/
This e-mail (and any attachments) is confidential and may contain personal
views which are not the views of the BBC unless specifically stated.
If you have received it in error, please delete it from your system.
Do not use, copy or disclose the information in
rested.
https://careers.bbc.co.uk/fe/tpl_bbc01.asp?newms=jj&id=39432&aid=15716
Many thanks,
Chris
_
Chris Baume
BBC Research & Development
mobile: 07313331 / 07872412880
email: chris.ba...@bbc.co.uk
web: http://www.bbc.co.uk/rd
___
http://www.youtube.com/watch?v=VCzi75bhOcI
I thought this was fun. Hope you enjoy it.
Chris Pike
Research Engineer - Audio Team
BBC Research & Development
5th Floor, Dock House, MediaCityUK, Salford, M50 2LH
E: chris.p...@bbc.co.uk
M: 07714 956931
T: external: 0303 040
cool new audio playback format,that seems to vbe a combination of ambisonic
principals and object based rendering.
Link:
http://www.dolby.com/uploadedFiles/Assets/US/Doc/Professional/Dolby-Atmos-Next-Generation-Audio-for-Cinema.pdf
(sent via Shareaholic)
Chris Boozer
-- next
nts/super_hivision_olympics_
pq
http://www.bbc.co.uk/showsandtours/shows/events/super_hivision
_olympics_pq>
I'm not sure where or when the Bradford tickets are being released, but
if you're interested let me know.
Chris
____
Chris Baume
BBC Re
. Here are a couple of informative
links.
http://www.srslabs.com/landing.aspx?id=2459
http://www.srslabs.com/landing.aspx?id=2492
http://www.srslabs.com/landing.aspx?id=2493
http://www.srslabs.com/landing.aspx?id=2495
http://www.3daa.org/
Chris Boozer
-- next part --
An
.
Chris Pike
http://www.bbc.co.uk/
This e-mail (and any attachments) is confidential and may contain personal
views which are not the views of the BBC unless specifically stated.
If you have received it in error, please delete it from your system.
Do not use, copy or disclose
On 27 Apr 2013, at 17:00, sursound-requ...@music.vt.edu wrote:
> Hi, Chris,
>
> Is anyone able to share the PPTs or audio/video of this upcoming quite
> valuable conference?
> Thanks a lot in advance.
>
> Best regards,
> Junfeng
>
for mda
play back. mda is ambisonics object oriented pcm + x,y,z spatial info.it is
also backwards compatible with stereo an multi channeel audio so uhj over
stereo could still be useful.
Chris Boozer
>
> From: Martin Leese
>To: sursound@music.vt.e
tilted conversation. A target figure ~has~
to be <10ms to avoid disturbing speech, and for most people/environments
must be <<5ms. I find it laughable that "low latency" frequently seems
to mean 30-50ms.
Chris Woolf
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e? And I
can't imaging that there is any spectrum clear in the 30-400MHz region.
Chris Woolf
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remain happy for long.
Which also means that the statement "the RF issue of range, carrier
frequency, channel width is quite separate from the deliverable audio
path" must be very carefully qualified - it is only correct in very
specific circumstances.
Chris Woolf
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ppose that either are compromised.
Chris Woolf
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cting
round objects.
Chris Woolf
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heric
nitrogen atoms - just needs a few million dollars (payable directly to
me) to commercialise the concept;}
Chris Woolf
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I heartily agree.
Facebook is at best a terrible nuisance, and I do everything I can to
avoid being mired in it.
Chris Woolf
On 02/01/2022 09:13, Fons Adriaensen wrote:
On Sun, Jan 02, 2022 at 06:19:03AM +0200, Sampo Syreeni wrote:
Hi. How about if you all also join the Facebook-group
A friend asked me about this mic. Have to admit I have never heard of
it, or of the company.
Does anyone on the list have any knowledge, thoughts or comments?
Chris Woolf
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He may well do!
But I was intrigued by the use of 3D printing for what are always going
to be very low sales numbers, and how efficient the electrostatic
screening was likely to be. I also wondered about the pop screening
efficiency too.
Chris Woolf
On 25/03/2022 12:55, Tim Cowlishaw
Thank you, sir, for some helpful answers. My apologies for my ignorance
of your work;}
I'll continue some of the conversation off list...
Chris
On 25/03/2022 13:17, Jack Reynolds wrote:
Hi Chris,
The 3D printing does have several advantages from a design point of view. I can
early
managed a bit of unintentional promo on his behalf! Good to hear how
many of you are using his kit and how favourable so many reactions are.
I'm not in the world of making recordings nowadays but I do feel a
little more up-to-date - such are the benefits of this list.
Chris Woolf
Michael Williams is undoubtedly an oddity in our audio world, but he is
a great experimenter and his ideas are all grounded in solid science.
I've known him for a great many years and he's never come up with
hogwash or snake-oil in all that time.
Chris Woolf
On 05/12/2022 1
Does anyone have a current email address for Dave Malham, please?
I have someone who wants to contact him about an old article in
Microphone Data.
Chris Woolf
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thick collar, or a heavy
scarf - all objects that should wreck the accuracy of a static HTRF -
have only the most limited of effects on positional accuracy.
So how much precision is really needed for an HRTF? And how inaccurate
can it be for our normal correction ability to deal with it?
Chris
Such a good point. Thank you.
I'm too rooted in the film and TV world, where a visual anchor
invariably exists.
Chris Woolf
On 01/01/2023 09:21, Bo-Erik Sandholm wrote:
The problem for us with ambisonics is in most cases we do not have
any visual reference to confirm or adjus
isual cue, which can subsequently be dropped, because our
neural correction system retains the re-calibration until something else
occurs to convince our brain that it needs to correct again. No idea how
you might experiment with that
Chris Woolf
On 15/02/2023 13:43, Sampo Syreeni wrote:
would need rather more than just that.
This is just coffee-time thoughts - I'm not planning to go flying any
time soon;}
Chris Woolf
On 08/03/2023 13:23, t.mich...@posteo.de wrote:
Hi Panos!
First of all: Welcome!
Second: YES you are definitely in the right place.
Third: If you hav
Ta - looks interesting - there's always someone who's been there before;}
Chris Woolf
On 08/03/2023 16:21, Marc Lavallée wrote:
The article is freely available here:
https://ntrs.nasa.gov/citations/20080042307
Marc
Le 2023-03-08 à 11 h 15, Picinali, Lorenzo a écrit :
Hello Ch
looks like srs labs has an improved version of ambisonics. I wonder what the
list thinks of there tech. Link:
http://hometheater.about.com/od/hometheateraudiobasics/a/Srs-Circle-Cinema-3d-Audio-Basics.htm
(sent via Shareaholic)
Chris Boozer
seems like a blatant rip off to me of ambisonics to me.
Chris Boozer
- Original Message
> From: Dave Malham
> To: Surround Sound discussion group
> Sent: Tue, February 15, 2011 5:46:18 AM
> Subject: Re: [Sursound] SRS Circle Cinema 3D Audio - Overview of SRS Circle
>
I agree with you. Hopefully it is as you have surmised.
Chris Boozer
- Original Message
> From: Ronald C.F. Antony
> To: Surround Sound discussion group
> Sent: Wed, February 16, 2011 10:08:55 PM
> Subject: Re: [Sursound] SRS Circle Cinema 3D Audio - Overview of SRS Cir
ics into mono/stereo
(upgradeable to surround)
All using pro tools 9. :(
If Pro Tools isn't an option, what do you recommend that will work with a
digi 002? (until I can upgrade and remove digidesign rubbish from my life
all together)
Thanks in advance.
Chris Cody
-- next pa
yboard (unlike some other
sites) to slow things down.
If the right person is on here, let me know and I'll hook you up.
Cheers,
Chris
On Thu, Mar 3, 2011 at 4:00 AM, wrote:
> Send Sursound mailing list submissions to
> sursound@music.vt.edu
>
> To subscribe or unsubscribe vi
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