[Sursound] BEAST FEaST 2019 Call for Works and Talks

BEAST FEaST 2019: ▶︎▶︎fast-forward▶︎◀︎rewind◀︎◀︎ Thursday 2 – Saturday 4 May 2019 The University of Birmingham, UK Since its inception, electronic music has been wedded to notions of modernity and futurity. Composers like Edgar Varese and Iannis Xenakis styled themselves as musician-scientists,

[Sursound] OT: Studio Technician Job

Hi All, We have an opening for a Studio Technician position here in Birmingham, offering the chance to work with a great community of artists and researchers, fantastic facilities and 100 loudspeaker sound systems! Please disseminate far and wide: https://atsv7.wcn.co.uk/search_engine/jobs.cgi

[Sursound] OT De-Interleaver

Hi All, Some time ago I made a little OSX app called De-Interleaver, which (you guessed it) de-/interleaved mono sound files to and from multichannel ones. I did this because there wasn’t much around that did it at the time. Time passed, various people submitted bug reports and feature requests

[Sursound] OT: Opportunities for Study and Funding at the University of Birmingham / BEAST

with any questions: s.d.wil...@bham.ac.uk Best, Scott __ Dr. Scott Wilson Reader in Electronic Music Director of BEAST and the Electroacoustic Studios Music Department Bramall Music Building University of Birmingham Edgbaston, Birmingham B15 2TT United Kingdom +44 (0

[Sursound] OT: BEAST FEaST 2017 Call for Works/Installations/Talks

lations/> Best, Scott ______ Dr. Scott Wilson Reader in Electronic Music Director of BEAST and the Electroacoustic Studios Music Department Bramall Music Building University of Birmingham Edgbaston, Birmingham B15 2TT United Kingdom +44 (0)121 414 5767 Home: h

[Sursound] OT - Job listing at the University of Birmingham

Best wishes, Scott __ Dr. Scott Wilson Reader in Electronic Music Director of BEAST and the Electroacoustic Studios Music Department Bramall Music Building University of Birmingham Edgbaston, Birmingham B15 2TT United Kingdom +44 (0)121 414 5767 Home: http://scottwil

[Sursound] BEAST FEaST 2016: Real/Unreal 28-30 APRIL

__ Dr. Scott Wilson Reader in Electronic Music Director of BEAST and the Electroacoustic Studios Music Department Bramall Music Building University of Birmingham Edgbaston, Birmingham B15 2TT United Kingdom +44 (0)121 414 5767 Home: http://scottwilson.ca Music Dept: http://www.birmingham.ac.uk

[Sursound] OT: Masters Scholarships available at the University of Birmingham

://www.beast.bham.ac.uk/ Postgraduate Programmes and Applications: http://www.birmingham.ac.uk/schools/lcahm/departments/music/postgraduate/index.aspx Please contact me off-list if you have any questions. Best, Scott __ Dr. Scott Wilson Reader in Electronic Music Director of BEAST and the

Re: [Sursound] OT: Opportunities for Study and Funding at the University of Birmingham / BEAST

Actually I’m enjoying this discussion, and considering opening up a new research area in ‘asthmatic composition’. ;-) S. > On 21 Nov 2015, at 10:23, Jörn Nettingsmeier > wrote: > > On 11/21/2015 11:15 AM, Dave Malham wrote: >> Not quite sure how we got from defining acousmatic music to film s

[Sursound] OT: Opportunities for Study and Funding at the University of Birmingham / BEAST

t; Best, Scott __ Dr. Scott Wilson Reader in Electronic Music Director of BEAST and the Electroacoustic Studios Music Department Bramall Music Building University of Birmingham Edgbaston, Birmingham B15 2TT United Kingdom +44 (0)121 414 5767 Home: http://scottwil

Re: [Sursound] BEAST FEaST 2016 Call for Works/Talks

website!!): http://www.beast.bham.ac.uk/beast-feast-2016-call-for-workstalks/ Thanks, Scott > On 1 Sep 2015, at 18:02, Scott Wilson wrote: > > BEAST FEaST 2016 – Real/Unreal > > Thursday 28 – Friday 30 April 2016 > The University of Birmingham, UK > > CALL FOR WORKS /

[Sursound] BEAST FEaST 2016 Call for Works/Talks

BEAST FEaST 2016 – Real/Unreal Thursday 28 – Friday 30 April 2016 The University of Birmingham, UK CALL FOR WORKS / TALKS BEAST invites you to three days of music, meeting, and ideas. As part of this event, we invite submissions in the form of musical works and presentations. These may include

[Sursound] OT: PhD/Masters Opportunities at the University of Birmingham

, Scott __ Dr. Scott Wilson Reader in Electronic Music Director of BEAST and the Electroacoustic Studios Music Department Bramall Music Building University of Birmingham Edgbaston, Birmingham B15 2TT United Kingdom +44 (0)121 414 5767 Home: http://scottwilson.ca Music Dept

[Sursound] BEAST FEaST 2015: Call for Works and Papers

We invite submissions to the following call for works and papers. Apologies for the inevitable cross-postings! -- BEAST FEaST 2015 Music - Space - Architecture - Place Thursday 30 April – Saturday 2 M

[Sursound] OT: Studio Technician Job

facilities for electronic music, and to contribute to the administration of the Electroacoustic Music Studios and sound recording facilities. See the available Job Description for full details of expertise and responsibilities. Informal enquiries should be directed to Dr. Scott Wilson: s.d.wil

[Sursound] OT: Lecturer in Music (Electronic Music Composition)

to accept some administrative responsibility. Informal enquiries should be directed to Dr. Scott Wilson: s.d.wil...@bham.ac.uk Closing date: 30th May 2014 Reference: 51260 To download the details and submit an electronic application online visit: www.hr.bham.ac.uk

[Sursound] OT: New Studios / Scholarship Opportunities

.ac.uk/International/students/finance/scholarships/index.aspx On top of that we have various departmental scholarships and assistantships. Best wishes and happy holidays, Scott ______ Dr. Scott Wilson Reader in Music (Composition and Live Electroacoustic Music) Music Department Br

Re: [Sursound] Giving Precedence to Ambisonics

On 1 Jul 2013, at 08:21, Paul Hodges wrote: > --On 30 June 2013 21:47 -0700 Robert Greene wrote: > >> and audio is still uncertain which mike >> technique really reproduces the live sound. > > But you see, how ever many times it gets said (and it does), the > discussions continue to ignore

Re: [Sursound] Giving Precedence to Ambisonics

On 1 Jul 2013, at 08:12, Jörn Nettingsmeier wrote: > On 07/01/2013 06:47 AM, Robert Greene wrote: >> Embarrassing that after a century and more of recording. >> there are NO comprehensive demo discs of what really happens >> to controlled known acoustic sources. Really makes audio >> look like a

Re: [Sursound] Beamforming with HOA

ve no formal connection, and I'm not sure how BEAST is an example of any of the applications listed in the image. (Security? Surveillance?) You can see it at left here: http://visisonics.com/modules/mod_ppc_simple_spotlight/img/banner1.jpg Can you tell me where this came from? Be

[Sursound] [ot] PhD Scholarships at the University of Birmingham

://www.birmingham.ac.uk/schools/calgs/scholarships/drfunding.aspx The deadline for applications for the scholarships is July 16th. You will need to have applied to the programme as well. Best, Scott __ Dr. Scott Wilson Senior Lecturer in Music (Composition and Live

[Sursound] [ot] Birmingham Fellowships

ld be welcome, as we're about to be given a kebyar set!) Best, Scott Wilson __ Dr. Scott Wilson Senior Lecturer in Music (Composition and Live Electroacoustic Music) Head of Postgraduate Studies, Research School of Languages, Cultures, Art History, and Music Uni

[Sursound] OT - New MA at the University of Birmingham

Pathway with Performance http://www.birmingham.ac.uk/students/courses/postgraduate/taught/music/music.aspx ______ Dr. Scott Wilson Senior Lecturer in Music (Composition and Live Electroacoustic Music) Head of Postgraduate Studies, Research School of Languages, Cultures, Art Hi

Re: [Sursound] Can anyone help with my dissertation please? (Robert Greene)

On 5 Apr 2012, at 12:44, Jörn Nettingsmeier wrote: > On 04/04/2012 10:09 AM, Scott Wilson wrote: >> >>> why do people still fall for the BEAST? >>> >>> jörn (with apologies to the birmingham crew ;) >> >> Ahem... > > ;-D I figured it wa

Re: [Sursound] Can anyone help with my dissertation please? (Robert Greene)

ers a *lot* more than the latter. But I think the real question is why do people still fall for ambisonics? ducking for cover... ;-) S. __ Dr. Scott Wilson Senior Lecturer in Music (Composition and Live Electroacoustic Music) Head of Postgraduate Studies, Research Schoo

[Sursound] Reminder: Birmingham Fellows

Hi all, On behalf of Jonty... __ Dear Friends and Colleagues, This is just a reminder about Birmingham's new programme for post-doctoral fellowships. These are five year posts, aimed at attracting world leading researchers, with the idea that fellows who meet their agreed performance targ

Re: [Sursound] OT Carla Rees

, at 16:10, Scott Wilson wrote: > Dear All, > > Some of you know my friend Carla Rees, who is a wonderful flutist based in > London. Carla has been a staunch advocate of contemporary and electroacoustic > music, having commissioned and premiered many pieces with her ensemble > rar

[Sursound] OT Carla Rees

Dear All, Some of you know my friend Carla Rees, who is a wonderful flutist based in London. Carla has been a staunch advocate of contemporary and electroacoustic music, having commissioned and premiered many pieces with her ensemble rarescale over the years. (http://www.rarescale.org.uk/) Unfo

Re: [Sursound] Distance perception

On 27 Jul 2011, at 18:33, Fons Adriaensen wrote: > On Wed, Jul 27, 2011 at 01:19:50PM -0400, Marc Lavallée wrote: > >> In your earlier post you mentioned that you can't explain why you like >> virtual speakers better than using real speakers. Can you describe some >> perceived differences? For e

[Sursound] Birmingham Fellows

e/fellows/areas/twentieth-century-music.aspx The first deadline will be 17.00 on Thursday, 1 September 2011, but the call will remain open until all the posts are filled. (Apologies for cross-posting) Best, Scott ______ Dr. Scott Wilson Senior Lecturer in Music (Compo

Re: [Sursound] 3DAA | Audio Alliance

ary of their very best work, >> to be ripped off and re-used at the consumer's convenience? >> > Good point, and would say that Hollywod didn't think about this. (If they > have been asked...) The also don't care about 'representing natural recordings proper