*Computer Music Journal*, *19*(4), 58–70.
https://doi.org/10.2307/3680991
Joseph Anderson | Research Scientist
DXARTS
University of Washington
Raitt Hall 207, Box 353414
Seattle, WA 98195
http://www.dxarts.washington.edu
Affiliate Assistant Professor, Composition
University of Washin
Thanks for this Aaron!!
(BTW, I have a difficult enough time staying on the ground, as it is!!)
My best,
Jo
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www.dxarts.washington.edu
Subscribe to our events list <ht
ee or its equivalent in a discipline or field related to the
proposed doctoral work.
Applications are made by following the instructions found here:
- https://dxarts.washington.edu/graduate-admissions
The upcoming application deadline is *8 February 2023*.
*Dr Joseph Anderson | Research Sc
t.net/> also includes a UHJ "decoder"
(FOA to UHJ), which is a nice option for stereo. (The Nimbus recordings
<https://www.wyastone.co.uk/all-labels/nimbus.html> are published in UHJ
stereo.)
My best,
Jo
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
Univer
Thanks Marc.
It looks like all the pages that were previously hosted at
https://www.ece.ucdavis.edu/cipic have now been removed. Attempting to
access any of these pages now returns:
This site is no longer available.
My best,
Jo
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
n advance!
My best,
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www.dxarts.washington.edu
Subscribe to our events list <https://dxarts.washington.edu/mailing-list>
to receive email updates about lectures, performa
like:
[ UHJ stereo source ] --> UHJ encoder --> quad decoder --> [ quad
loudspeaker array ]
My best,
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www.dxarts.washington.edu
Subscribe to our events list &
Hello All,
Apologies for cross-postings...
If you're in Seattle, a great chance to hear HOA work made with the Ambisonic
Toolkit <https://www.ambisonictoolkit.net/>.
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3
, it's nice to see a practical implementation of the Blumlein Shuffler!
My best,
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www.dxarts.washington.edu
Subscribe to our events list <https://dxarts.washington.edu/mailin
Hello Justin,
The Reaper (JSFX) plugins are FOA for now.
My best,
Jo
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www.dxarts.washington.edu
Subscribe to our events list <https://dxarts.washington.edu/mailing-l
s/adt.quark#adt>)
And... thanks for your continued interest in and support of our work with
the Ambisonic Toolkit <http://www.ambisonictoolkit.net/>.
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www.dxarts.wash
point
Things I don't know yet:
- noise floor
- spatial performance
Given I have access to a variety of higher price point options, I expect
I'll likely think of it as a quick "point and shoot" option
My best,
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box
easurement position is recorded with
both an omnidirectional microphone and a B-format microphone.
Stewart and Sandler have done a nice job here....
My best,
Jo
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www
Apologies for cross-postings (deadline upcoming!)
In particular, see the interest in works for ambisonics. Field-recording
and soundscape works are welcome.
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http
ont, HOA is coming to the SuperCollider
<https://supercollider.github.io/> version of the Ambisonic Toolkit (ATK)
<http://www.ambisonictoolkit.net/>. We're planning to use 1.5m as our
standard for reference radius, though, users may change this as desired.
My best,
Jo
*Dr Joseph Anderson | Research Sc
Hi Ralf,
You could also try using the Ambisonic Toolkit
<http://www.ambisonictoolkit.net/>
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www.dxarts.washington.edu
Subscribe to our events list
Apologies for cross-postings
*Ambisonics & the Ambisonic Toolkit, theory and artistic practice.*
1st – 5th October at 10:00 a.m. to 4:00 p.m.
Location: Notam studios in Oslo
- http://notam02.no/web/workshops-for-advanced-users-part-5-
ambisonics-with-joseph-anderson-2/?lan
Thanks for this Aaron!
It does look like an easy "point and shoot" device, which can probably
sound much improved with some correction applied.
My best,
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-36
chontis Politis's
<https://www.researchgate.net/profile/Archontis_Politis> code is well
written. We do view his work as a reference.
Or is there a simple way to send a output stream of bformat sound from
> SuperCollider to an external instance of the SOFA capable decoder written
>
-Development_of_a_3D_Ambisonic_Reverb_with_Spatial_Warping_and_Variable_Scattering
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www.dxarts.washington.edu
Subscribe to our events list <https://dxarts.washington.edu/mailing-l
lkit/atk-kernels/releases
More details can be found here:
http://www.ambisonictoolkit.net/releases/2016/11/08/atk-sc3-3.8.0.html
And here:
https://github.com/ambisonictoolkit/atk-sc3#list-of-changes
My best,
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Wa
element of the camera design.
I don't see McCauley's slides in the AES library. Perhaps they'll be made
available at some point
My best,
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www.dxarts.wa
e and compatible with
> ARKAMYS VR-Play.
And... here's the HOW TO BUILD A LESS THAN 99$ AMBISONIC MICROPHONE ? –
EPISODE 1 page:
https://www.arkamys.com/ambisonic-microphone-ep01/
Interesting.
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Wash
bition
*Dr Joseph Anderson | Research Scientist*
DXARTS, Box 353414
University of Washington
Seattle, WA 98195-3680
http://www.dxarts.washington.edu
Subscribe to our events list <https://dxarts.washington.edu/mailing-list>
to receive email updates about lectures, performances, exhibiti
Hi Ross,
While not usable with the DAWs you've mentioned, the Ambisonic Toolkit
<http://www.ambisonictoolkit.net/> provides (1st-order) decoding, as well
as a suite of useful production tools.
Good luck with your project.
*Dr Joseph Anderson | Research Scientist*
DXARTS,
dioImmersion uses high quality microphones to record the surrounding
> audio scene. Thanks to advance cloud post-processing techniques it is
> possible to filter and separate individual sound sources from the audio mix.
*Joseph Anderson*
*http://www.ambisonictoolkit.net/ <http://www.
Hello Eero,
I could say something about the competing voices (on W) inside my head...
and the difficulty in deciding which to regard as an appropriate guide.
But, this isn't a suitable forum for such discussions. ;-)
My best,
*Joseph Anderson*
*http://www.ambisonictoolkit.net/
Hi Peter,
Who? What?
(UW Cherry Blossoms <https://twitter.com/uwcherryblossom> are now in their
full glory outside my office window Hope Spring in Derbyshire has
sprung!)
My best,
Jo
*Joseph Anderson*
*http://www.ambisonictoolkit.net/ <http://www.ambisonictoolkit.net/>*
, I should write a paper detailing _exactly_ what we do... )
My best,
Jo
*Joseph Anderson*
*http://www.ambisonictoolkit.net/ <http://www.ambisonictoolkit.net/>*
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<https://mail.music.vt.edu/mailman/priv
ion cues are not present.
No pinnae + No body = 2D
You'll need to remember, this is only the final rendering (decoding).
B-format soundfields are 3D, the ATK's Duda Model decoder, just doesn't
reproduce elevation cues. You can rotate the soundfield with VR-head
tracking a
ence!
My kind regards,
*Joseph Anderson*
*http://www.ambisonictoolkit.net/ <http://www.ambisonictoolkit.net/>*
On Sun, Jan 24, 2016 at 5:24 PM, Marc Lavallée wrote:
> On Mon, 25 Jan 2016 01:04:30 +,
> Stefan Schreiber wrote :
>
> > >ATK provides HRTF d
rt>.
The plan is to make this code available as part of the ATK
<http://doc.sccode.org/Guides/Intro-to-the-ATK.html> documentation.
*Joseph Anderson*
*http://www.ambisonictoolkit.net/ <http://www.ambisonictoolkit.net/>*
On Fri, Dec 11, 2015 at 5:36 AM, Peter Lennox wrote:
>
linear phase or
otherwise phase matched.)
I'm not aware of anything published on tinted decoders, except for what Furse
describes this in his patent <http://www.google.com/patents/US20120014527>.
*Joseph Anderson*
*http://www.ambisonictoolkit.net/ <http://www.ambisonictoolkit.net/&g
asking', but with a
frequency dependence. I won't go into the exact details of implementing a
signal flow to generate this effect, but the ATK
<http://www.ambisonictoolkit.net/wiki/tiki-index.php> includes all the
parts needed to do so.
My kind regards,
*Joseph Anderson*
*http:/
hown in the video below, has lead to the creation of a
> "soundfield" type microphone, with four sub-cardioid, planar magnetic
> drivers in a tetrahedral arrangement. All these outstanding microphones,
> mono (including first planar cardioid!), stereo and Tetrahedral, shall be
Hello Len,
Xavier Bonjour, Co-founder & CEO 3D Sound Labs, has commented on B-format /
HOA in his post to sursound, here
<https://www.mail-archive.com/sursound@music.vt.edu/msg06535.html>.
My best,
Jo
*Joseph Anderson*
*http://www.ambisonictoolkit.net/ <http://www.ambison
Ambisonic Studio | Comparative
Surround Recording, 2007. [Online]. Available:
http://www.radio.uqam.ca/ambisonic/comparative_recording.html
[Accessed: 26-Jul-2011].
Hope this helps,
~~~~~~~~
Joseph Anderson
j.ander...@am
x27;T what I'd do, though...
~~~~~~~~
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.ambisonictoolkit.net
On 24 Feb 2015, at 1:25 pm, Fons Adriaensen wrote:
>
Varchausky, "Resonances, Turbulences and Explosions" (2011/14) for
Ambisonic soundtrack. Michael McCrea, projection.
Joseph Anderson, "Mpingo" (2003) for Ambisonic soundtrack. Joseph Anderson,
projection.
___
dxarts-eve...@u.washington.ed
Hello Eero,
I take the noise profile from each individual A-format channel...
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.ambisonictoolkit.net
On 6 Aug
r you want any image distortion to
happen... de-noising is about throwing (or suppressing) stuff away.
My best,
~~~~
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.
be),
make sure your re-encoding matrix is correctly scaled, so you get the correct
balance of W vs X,Y,Z on re-encoding.
Hope this helps!
My best,
~~~~
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.
nd regards,
~~~~~~~~
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.ambisonictoolkit.net
On 13 Jul 2014, at 12:04 pm, Matthew Palmer wrote:
> Did someone compile a list using this information?
>
>
//www.reaper.fm/
Hope this helps!
My kind regards,
~~~~~~~~
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.ambisonictoolkit.net
On 9 Jun 2014, at 1:05 am, &l
We've had some good results with Trifield in a concert situation... giving a
stable centre with a wide image.
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.ambisonictoolki
Hello All,
Wanted to let everyone know about a new position at DXARTS / University of
Washington (Seattle).
Detailed description here (and below):
http://ap.washington.edu/ahr/academic-jobs/position/nn0378/
My best,
Joseph
My best,
~~~~~~~~
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.ambisonictoolkit.net
On 16 Jan 2014, at 3:14 am, Junfeng Li wrote:
> David,
>
> The URL for the conferencee
Hello Alexis,
Sounds like a fun project. What is the hardware you're hacking?
My best,
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.ambisonictoolki
nd signal processing, you also get delay lines and multipliers
(gain adjustment) to compensate for differences in loudspeaker distances.
Hope this helps!!
My best,
~~~~~~~~
Joseph Anderson
j.ander...@am
Hi Dave,
It is also worth mentioning that a number of the newer mastering tools on the
market do processing in the M/S domain... which we can expect wouldn't play
nice with UHJ.
My best,
Joseph Anderson
j.
My best,
~~~~~~~~
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.ambisonictoolkit.net
On 22 Nov 2013, at 6:38 am, John Leonard wrote:
> I've been trying these out and
the middle of a trans-Atlantic move.
The good news, is that the the sursound list server is ok, and my posts are
getting through. (Even if this one is OT and mindless!)
My best,
Jo
~~~~~~~~
Joseph Anderson
j.ander...@ambisonict
chool of Technology,
>> Faculty of Arts, Design and Technology
>> University of Derby, UK
>> e: p.len...@derby.ac.uk
>> t: 01332 593155
>>
>> From: Sursound [sursound-boun...@music.vt.edu] On Behalf
Joseph Anderson
j.ander...@ambisonictoolkit.net
http://www.ambisonictoolkit.net
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aries%3EAmbisonic%20Toolkit
My best,
~~
Joseph Anderson
Artist: http://joseph-anderson.org
Ambisonic Toolkit: http://ambisonictoolkit.net
On 19 Jul 2013, at 4:02 pm, Hector Centeno wrote:
> Thank you very much Fons!
>
>
> On Fri, Jul 19, 2013
best
> Dave
>
>
> On 20 January 2013 11:58, Joseph Anderson wrote:
>> Hi Dave,
>>
>> I'll throw in...
>>
>>
>> On 20 Jan 2013, at 9:02 am, Dave Malham wrote:
>>
>>> The biggest limitation to
>>> the whole thing is
d give us at least a good second order microphone.
It'll be great to see 'native' HOA mics on the market
My best,
Jo
~~
Joseph Anderson
Artist: http://joseph-anderson.org
Ambisonic Toolkit: http://ambisonictoolkit.net
-
p pages here:
http://www.ambisonictoolkit.net/Help/Browse.html#Libraries%3EAmbisonic%20Toolkit
And introductory page here:
http://www.ambisonictoolkit.net/Help/Guides/Intro-to-the-ATK.html
My best,
~~
Joseph Anderson
Artist: http://joseph-anderson.org
Ambisoni
Hello Augustine,
The Game of Life Foundation has a package for SuperCollider:
http://gameoflife.nl/en
https://github.com/GameOfLife/WFSCollider/downloads
https://github.com/GameOfLife/WFSCollider-Class-Library
My best,
~~
Joseph Anderson
Artist: http
Hello Sampo,
On 28 Sep 2012, at 4:01 am, Sampo Syreeni wrote:
> On 2012-09-27, Joseph Anderson wrote:
>
>> Our goal is to have a complete system conveniently encompassing the tasks of
>> encoding, processing, and finally decoding for artists and composers
>> in
s
a tremendous amount of flexibility--as does Ambisonics, so we feel they're a
good match.
At the moment we haven't implemented HOA features, but there are plans to begin
with this aspect from January.
My kind regards,
~~
Joseph Anderson
Artist: http://jo
http://www.jobs.ac.uk/job/AFC490/phd-studentship-development-of-microphone-array-with-tangential-pressure-gradient-sensors/
Joseph Anderson
http://joseph-anderson.org
s of
> the delivery venue or device
My best,
~~~~~~~~
Joseph Anderson
j.l.ander...@phonecoop.coop
On 27 Jul 2012, at 1:24 am, chris boozer wrote:
> encoding of timing and
très difficile
On 11 Jun 2012, at 5:22 pm, Dave Hunt wrote:
> Hi,
>
> Shame. How are those poor adult webcam girls supposed to feed their children ?
>
> Ciao,
>
> Dave
>
>> Date: Mon, 11 Jun 2012 12:40:24 +0100
>> From: Bruce Wiggins
>>
>> I have removed the content on that page, by the w
Hello Augustine,
If you're up for using SuperCollider, the Ambisonic Toolkit
(http://www.ambisonictoolkit.net/) includes an encoder suitable for your
application.
The code you'd use would look something like this:
//
// microphone
Hello Moritz,
If you're up for getting into SuperCollider, we've just released the Ambisonic
Toolkit as an SC3 library: www.ambisonictoolkit.net/
We've included three different sets of binaural decoders, using two measured
sets (IRCAM Listen, UC Davis CIPIC) and a synthetic head set.
On 4
On 4 Apr 2012, at 6:29 am, Jörn Nettingsmeier wrote:
> that is a phenomenon i haven't been able to figure out either :)
> why do people still fall for the BEAST?
>
> jörn (with apologies to the birmingham crew ;)
Doh! Not sure I really want to enter the melee here!
For me, I came to Ambisonic
Thanks for the Confirmation Dave!
On 9 Dec 2011, at 5:23 pm, Dave Malham wrote:
> Don't worry - they arrived!
>
> On 09/12/2011 16:34, Joseph Anderson wrote:
>> Hi All,
>>
>> That's strange, I just got an out of office message after forwarding
Hi All,
That's strange, I just got an out of office message after forwarding two
abstracts for the 25th AES UK Conference / 4th International Symposium on
Ambisonics and Spherical Acoustics.
Sent the abstracts to papers.ukconfere...@aes-uk.org as per instructions on
this page: http://www.aes-u
Hello Marinos,
Doesn't the "label" (presumably a label?) have any preferences or advice?
If they are interested in online releases of surround sound works, I'd have
thought they might have some ideas.
If you've done your work in B-format, you could make several versions available:
--quad
--5.1
Hello All,
Any hints on when the proceedings for Kentucky will be published?
A visit to http://www.vis.uky.edu/ambisonics2011/proceedings.php returns:
> To Be Determined
My best,
Joseph Anderson
___
Sursound mailing list
Sursound@music.vt.edu
ht
Hello Richard,
I was going to pipe up with very similar comments of my own... particularly as
my creative work often uses close mic material recorded with the Soundfield mic.
I've recently compared some of these close mic materials I've recorded with the
Soundfield and then transcoded to binaur
I suppose, another approach would be to take an active, parametric approach to
decoding for the Eigenmike--upsampling to 3rd order HOA (i.e., using a
technique like HARPEX) in the regions the mic isn't truely 3rd-order.
j
On 10 Jul 2011, at 11:02 am, Fons Adriaensen wrote:
> OTOH, high order
Hello Justin,
On 29 Jun 2011, at 12:44 pm, Justin Bennett wrote:
> as I also have 2 DPA 4060-BM's and access to 2 more, I was interested in the
> idea too..
>
> I have two practical questions / comments
>
> Theoretically the mics have to be at the surface of a sphere, but
> practically, the
Hello Dave,
Not so strange a question... more a fun question!
I'd suggest using the Blumlein Difference Technique. (I'm speaking off the top
of my head here, so you'll have to experiment with the below suggestions...)
1st, set the omnis up in the 'standard' Soundfield mic tetrahedral arrangemen
Hello Jan,
Great to see you've got an update here. (And the new page design!)
-
BTW--I'm finding a dead link for your Linux Audio conference paper. This works:
http://www.sonicarchitecture.de/en/index_artikel.html
But the link for the paper a 404 Not Found error.
My best,
Jo
On 6 Jun 2
act me off list if you'd like to be in touch about the full 3D b-format
version.
My best,
J Anderson
On 3 Jun 2011, at 12:39 pm, George Kierstein wrote:
> P.S. That salad bowl effect sounds amazing. Is it online anywhere ?
>
> Thanks!
>
> On Fri, Jun 3, 20
Hello George,
Sean Costello has put up a page on his blog showing networks we have used to
make 1st-order ambisonic reverb:
http://valhalladsp.wordpress.com/2009/10/11/a-reverb-paper-of-mine-just-got-published-online/
The full paper can be found here:
J. Anderson, S. Costello "Adapting Artifi
n-- good to see you in Leicester! Hope LAC2011 goes well.]
~~~~
Joseph Anderson
27 Hungate, Pickering, North Yorkshire, YO18 7DL, UK
_
Hello Jörn,
Website?
Joseph Anderson
27 Hungate, Pickering, North Yorkshire, YO18 7DL, UK
On 14 Apr 2011, at 5:55 pm, Jörn Nettingsmeier wrote:
> hi *!
>
>
carpets or rugs down. Reducing reflections can
make a big difference.
My best,
Jo
~~~~~~~~
Joseph Anderson
27 Hungate, Pickering, North Yorkshire, YO18 7DL, UK
On 24 Mar 2011, at
Excellent news Fons. Congrats!!
j
~~~
Dr Joseph Anderson
Lecturer in Music
School of Arts and New Media
University of Hull, Scarborough Campus,
Scarborough, North Yorkshire, YO11 3AZ, UK
T: +44.(0)1723.357341 T: +44.(0)1723.357370 F: +44
--so that different parts are
delayed differently.
I usually throw in a rotation (...tilt, tumble...) or two to liven things up.
Easy to do w/ Csound, MaxMSP, Pd, SuperCollider, Bidule, etc
My best,
~~~
Dr Joseph Anderson
Lectur
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