Hi Dave,

It is also worth mentioning that a number of the newer mastering tools on the 
market do processing in the M/S domain... which we can expect wouldn't play 
nice with UHJ.

My best,

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Joseph Anderson

j.ander...@ambisonictoolkit.net
http://www.ambisonictoolkit.net
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



On 10 Dec 2013, at 2:33 am, Dave Malham <dave.mal...@york.ac.uk> wrote:

> About the only way it can be totally screwed up is if the two channels are
> treated unequally, either in the amplitude or frequency domains. So, if
> this is badly screwed up then it has to be equalised differently on the two
> channels, or they've decided to rebalance the channels because of some
> perceived imbalance - unless, of course, they've completely re-done it from
> multitrack masters. If that's the case, it would be unlikely for the studio
> to know owt about UHJ so anything could have happened :-( Anyone know if
> this was the case for this?
> 
>     Dave
> 
> 
> On 9 December 2013 07:22, Bearcat M. Şándor <bear...@feline-soul.com> wrote:
> 
>> According to wikipedia "It is a full digital production and both the LP and
>> CD releases was encoded using the two-channel Ambisonic UHJ format."
>> 
>> Does that mean that all CDs of this album will be encoded in UHJ or can
>> that be lost in the mastering somehow?
>> 
>> Thanks,
>> 
>> 
>> --
>> Bearcat M. Şándor
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> 
> 
> 
> -- 
> 
> As of 1st October 2012, I have retired from the University.
> 
> These are my own views and may or may not be shared by the University
> 
> Dave Malham
> Honorary Fellow, Department of Music
> The University of York
> York YO10 5DD
> UK
> 
> 'Ambisonics - Component Imaging for Audio'
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