us, but I simply can't find it. Maybe I'm just plain stupid,
that's another possibility, but I'm not willing to accept that yet :-)
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Hi,
I'm trying to download the install file for windows, but I keep getting the
error message "Internet explorer cannot display the web page".
I am using win xp pro, internet explorer 7.
Any ideas?
Thanks,
Peter
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arsalMark #'self-alignment-X = #left
\mark "refrein"
\refrein
}
\score {
<<
\akkoorden
\noten
>>
\layout {}
}
%<<<<<<<<<<<< end here
The result is like this:<>
Notice the staircasi
to be me :-)
Cheers,
Peter.
I'm trying to `save' snippets of chords in variables, like I do
with plain notes, and then combine them in score. The problem I
have is that each separate part of chords appears on a new line,
as shown in the attached picture.
(Mac OSX 10.3.9
.g. the measure numbers) are too close to the
staff, and collides with the notes.
- Using the form S1*n \coda does not put the coda sign at the end of
the nth measure, but right at the beginning. Bug?
I've included the 'master' file for your amusement
On 27-apr-04, at 22:51, Peter wrote:
I'm just starting with Lilypond,
Oh, I forgot... lilypond (GNU LilyPond) 2.1.37
on Mac OSX 10.3.3
Cheers,
Peter.
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>>>>> "Bertalan" == Bertalan Fodor (LilyPondTool)
>>>>> writes:
Tim Reeves wrote: Peter Chubb wrote:
Lilypond uses a separate volume channel, rather
than velocity, to control MIDI dynamics. There's a perl script
Hi Haipeng,
I'll take a look later today. Thanks for the bug report.
Peter C
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>>>>> "Peter" == Peter Crighton writes:
Peter> Hello all, I’m in the process of creating sheets that only
Peter> contain lyrics and correctly aligned chords. (This belongs to
Peter> other sheets with music in them, otherwise LilyPond probably
Peter> wouldn’t
> "Guy" == Guy Stalnaker writes:
Guy> Phil, That was what I found :-) But unless I'm mistaken, one must
Guy> use those directives for *every* time signature change. Thus if I
You can do it once for each time signature you're going to use.
\version "2.18.2"
\score {
<<
% Beam 4/4 at cro
> "Michael" == Michael Ellis writes:
>>
>>
>> Well, in this case you don't have any conflicting music in the two
>> Voice contexts (because the \structure isn't a printed music
>> voice). So you can simply leave out the \voiceXXX commands and
>> you're ready.
What's more, is there a reas
Greetings,
I would like to input portions of my score in absolute.
How do I turn off \relative?
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Use 'S' instead of a rest. It will leave a blank area.
(Sorry -- I have to top post from my phone. )
Peter Wannemacher
--Original Message--
From: worshipgeek
Sender: lilypond-user-bounces+peter=mainegeek2go@gnu.org
To: lilypond-user@gnu.org
Subject: N.C. symbol in chord
> "Br" == Br Samuel Springuel writes:
Br> 1) Some notes that don't collide (to my eye), are getting shifted
Br> as if they did. When the same pair of notes are set as a chord,
Br> there is no shift. Clearly there's a difference between what
Br> lilypond considers a collision between notes
> "Br" == Br Samuel Springuel writes:
Br> On 2014-12-21 12:20 AM, pe...@chubb.wattle.id.au wrote:
>> As both cases have the same stem direction one has to be shifted.
>> Usually if you want two voices you either give them separate
>> staves, or give one the \voiceOne and the other the \voiceT
x27;d do it as
\relative c' {
\partial 8 d8
\repeat volta 2 { d4 d8 d }
\alternative { { d4. d8 } { d2 } }
d8 d8 d8 d8 d2
}
Peter C
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worthwile to
learn to work with it or that I have to look for another notation program
to reach my goal. (until now I worked with Sibelius, but that program can
not do this job.)
Thank you.
Peter
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https
>>
\layout {
\context {
\FretBoards
stringTunings = #guitar-tuning
}
}
}
Peter C
> "David" == David Sumbler writes:
David> What I should like to know is 1) how can I use drum and other
David> untuned percussion sounds? 2) I notice that fluidr3_gm has
David> dozens - probably hundreds - of extra sounds and instruments
David> beyond the standard 128. How can I access the
e
}
}
}
\include "piece1"
\include "piece2"
...
---
This creates a bunch of Midi files and a single PDF file.
Peter C
spacing events in
it. Otherwise, dynamics are per-voice.
Peter C
ake the default editor point to something else.
Peter C
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Sandro> I'm producing lead sheets with lyrics, melody and chords
Sandro> and would like to extract from them som blank sheets with
Sandro> just lyrics and chords so that players can take their notes
Sandro> (for solos or arrangements).
You could always just put an empty stave in parallel with
;4 e'' f''}
partB={c' c' c' c' c' c' \stemUp c' c' }
\partCombine \partA \partB
Peter Wannemacher
eat
volta 2 to play the tune twice.
Peter C
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\time 4/4
\key c \major
g a b c |
c1
}
alto = \relative c'' {
c4 d c e
}
tenor = \relative c' {
c4 b a g |
}
bass = \relative c {
c4 g e c
}
\score {
\new Staff {
\tune
<<
\new Voice { \voiceOne \alto }
\new Voice { \voiceTwo \tenor }
\new St
> I would like to change the trill speed in the midi output. I tried to
> change the "#(define..." like in the following code but without success.
> Any suggestion?
> \version "2.19.81"
> \include "articulate.ly"
> #(define ac:maxTwiddleTime (ly:make-moment 1/240))
> \score {
> \articulate {\ti
>>>>> "peter" == peter writes:
>> I would like to change the trill speed in the midi output. I tried
>> to change the "#(define..." like in the following code but without
>> success. Any suggestion?
peter> When I was writing the trill c
> "J" == J Martin Rushton writes:
J> to set a composition which starts with a single instrument before
J> bringing in the whole ensemble. I don't want to break it up into
J> multiple scores because I want the midi to play through as a single
J> performance.
Something like this? I think it
\new Staff \relative c'' {
\key bes \major \time 4/4
bes4 f g g |
f es d8( c) bes4
}
}
by something like
\halveDurations { music ... }
It'd be fairly easy to write a music function that does this, but I
wanted to ask first if there was on
Thank you so simple
On 26 October 2017 14:55:40 BST, Pierre Perol-Schneider
wrote:
>Hi Peter,
>
>\override Beam.breakable = ##t
>
>should solve your problem.
>See :
>http://lilypond.org/doc/v2.19/Documentation/notation/writing-rhythms
>
>Cheers,
>Pierre
\tag #'music { f8 f4 f8 f4 f | r8 f4. f2 | \times 2/3 {f4 f r4} r8 f8.
f |
\times 4/5 {f4 f f f f } }
\tag #'countingrhythm { \repeat unfold 16 { f8 } \repeat unfold 8 { f4
} }
}
<<
\new RhythmicStaff
\keepWithTag #'music \notation
\new Dev
Griff,
The f#16 at the start of the second passage is not a partial: remove this
command and it's OK. Looks like with \partial the d# is (incorrectly?)
carried over from the previous uncompleted bar.
Peter
Bugzilla from [EMAIL PROTECTED] wrote:
>
> I have cut down the
fis'8.( g16) a( fis g b) dis,( e fis c)
b8.\trill( a16
e16 e''( d) b( c) a( fis) dis'( e) b g e e,8.
}
}
\book {
\score {
\allemande
\header {piece = \markup {ALLEMANDE \tiny {"(" \note #"4" #1
"= 72)"
Dear Sies!
When I, according to instruction (to activate lilypond)put the "welcome to
lilypond" on the desktop and drop it on the lilypond-icon i only get an
errormessage. Greetings from Peter Helner
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lil
I would like to set two short movements of a piece on the same page, but with
different line-widths (one movement's lines set at 18cm, the other's left to
vary with the text). What is the easiest way to implement this, within a single
score? Can I apply a unique
\paper { }
block to each individ
Kieren MacMillan sympatico.ca> writes:
>
> Hope this helps!
> Kieren.
>
Indeed! Thanks much. Now I just need to figure out how to straightforwardly
adjust staff sizes between the different movements.
Set Global-Staff-Size
does a nice job adjusting everything at once, but it seems this comm
Kieren MacMillan sympatico.ca> writes:
>
> As for "straightforwardly"... Does anyone know why it is that "layout-
> set-staff-size does not change the distance between the staff
> lines"?? It's quite a pain to try to figure out the correct magstep
> adjustment for every different score and/o
Peter Kaplan gmail.com> writes:
> So, is there a lilypond slashcommand to
> render the little diverging arrows (point-
> ing "northeast" and "southeast") that appear
> at the end of a staff that's about to be
> divisi beginning in the next sy
Kieren MacMillan sympatico.ca> writes:
> >> So, is there a lilypond slashcommand to
> >> render the little diverging arrows that appear
> >> at the end of a staff that's about to be
> >> divisi beginning in the next system?
> You might start with the following:
> arrow = \markup { \fontsiz
Francisco Vila gmail.com> writes:
> Here goes another (uglier) starting point:
>
> arrows = \markup { \postscript #psarrows }
>
> { c'1-\arrows }
>
> % end
Thanks, Francisco! Unfortunately when I try to implement this code, lilypond
fails to recognize \postscript. I'm in v.2.10.33-1, so I
probably have to define
the snippets you want for each mode with no key sig, then transpose.
So:
majorTriad={ \key c \major c e g}
minorTriad={\key c \minor c es g}
Lydian={\key c \major c e gis bes]
Then transpose.
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
htt
d line (as does the lyric
extender). Is this a bug in the lyric hyphen?
Sadly coding isn't my thing, but I'm willing to help test and document any
solution.
Thanks.
Peter
%%% EXAMPLE OF LYRIC HYPHEN AND LINE BREAK
\version "2.11.49"
\paper {
ragged-right = ##t
ops, which talk to ...
-- a robostix that controls fifteen solenoids, an air pressure
modulator, a fake tongue and some fake lips to operate the reed.
The clarinet itself is an unmodified Yamaha student model, albeit with
a plastic reed.
--
Dr Peter Chubb http://www.gelato.unsw.edu.au
\newSpacingSection s2
HTH.
Peter
On 20 Jun 2008, at 01:01, Steven Weber wrote:
I’m writing some harp glissandos, where the first several notes of the
gliss are written out for accidentals, then the rest of the measure is
just the wavy gliss line to the next note. I’ve got it looking right,
except
peter
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#'text = #tuplet-number::calc-fraction-text
\autoBeamOff
g16 \times 2/3 { a8.. b c } | d2
}
There's plenty to read up about this topic in the manual.
Peter
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letNumber to show the note
length as well as the ratio. What this does do is calculate the tuplet
durations, the ratios, and draw the music.
Of course, depending what you're writing, it might be easier to set up some
re-usable patterns.
Hope this helps.
Peter
%%%
\version "2.1
ut why the "\once
override " line inserted in the makeTuplet function is ignored. Maybe
it should be possible to add a \note to the 'numerator and 'denominator
elements in this block, but I just can't work it out. Can anyone help solve
this? Cheers.
Peter
\version &q
rom the current context, but I don't know
how.
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http://www.ertos.nicta.com.au ERTOS within National ICT Australia
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> "Thermo" == Thermo <[EMAIL PROTECTED]> writes:
Thermo> I have a one page lyrics, melody and chords lilypond format
Thermo> file.
Thermo> Now I would like to add a flute melody over the same chords on
Thermo> a new page, then add a guitar melody over the same chord
Thermo> structure. So it
s work I've done in scheme) so there're probably
major improvements that can be made.
articulate.tar.bz2
Description: Binary data
--
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http://www.ertos.nicta.com.au ERTOS within National ICT Au
>>>>> "Trevor" == Trevor Daniels <[EMAIL PROTECTED]> writes:
Trevor> Hi Peter
Trevor> Just tried your articulate.ly. Looks really promising! A
Trevor> couple of early comments. It may be obvious, but \articulate
Trevor> should only be used in a
seen this on different set-ups?
Thanks.
Peter
%% tested input file
\relative c'' {
\clef treble
\time 3/4
g2. a4. b c8. d e d c4. b a2. g
}
%% ends
http://www.nabble.com/file/p1613/test-2.11.54.jpg
http://www.nabble.com/file/p1613/test-2.11.55-2.jpg
; {
\times 2/3 { 2 1~ } \break
1 \break
1~ \break
\once \override NoteColumn #'X-offset = #1.25
1
}
\layout {
ragged-right = ##t
indent = 0\cm
\context {
\Voice
tupletFullLength = ##t
}
}
%%
Starting point -
On 12/08 18:11:15, Nicholas Wastell wrote:
[ in response to Graham ]
> If you don't like the rtfm questions, don't answer them. There are,
> fortunately, some folks on the list with an ounce of patience and
> good manners.
Hm. Gee, that was subtle. :)
Valentin (quite reaso
e
distance from your titles to the music. More in Notation Reference 4.1.2.
Peter
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Hello,
How can I get the chords (left hand) for Accordion music below the righthand
musical notes?
Is this possible?
Regards
Peter
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e break, but my knowledge of scheme doesn't reach to that. More
practically, I'd suggest you lay out your score and then tweak any
individual chords where the ties don't look right.
Peter
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iple as setting up global dynamics. More in the
snippets list.
Example attached.
Peter
http://www.nabble.com/file/p19033904/ties.ly ties.ly
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Sent from the Gnu - Lilypond - User maili
way I can change this?
>
>
> ___
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>
>
Don't know anything about emacs, but are you enclosing your full file path
in inverted commas? -
"/Users/yourName/Documents/Thi
> "Carl" == Carl Peterson <[EMAIL PROTECTED]> writes:
Carl> I'm working on a hymnal, and I have some questions
Carl> about some things I need to do for it, layout-wise.
Carl> 1) How can I number the hymns (i.e., number each score). I can't
Carl> use strict page numbering, since multiple hymns
ever it appears (try setting
currentBarNumber to -1 at any point in the score).
Peter
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ut.
I've reported this a couple of times to the bugs list, but been
ignored.
Try this:
\score {
\transpose c' bes
<<
\relative c' { c1 }
\relative c' { \transposition bes d1 }
>>
\midi{}
}
You s
27;lilypond-mode is loaded). Please test before
andersvi> including anywhere.
You should use shell-quote-argument, which is already in (x)emacs.
Peter C
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ong with
it. Tricky part is that a Midi sequencer has no soul .. so there's no
possibility for rubato
Peter C
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x27;t been able to see
how to fix it, but if you have just one or two cases you could
substitute sopranosoloDynamics = { s4 s2.^\< s4*2/3 s s\! }
Peter
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org/cgibin/piece-info.cgi?id=645 I
To transpose the score, put the \transpose directive before the
\unfoldRepeats directive in each \score{} block.
And as was said in a different message, you need to convert the source
to a more recent Lily.
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Dr Peter Chubb http://www.gelat
Hi all,
I've run into an interesting problem - it's strange enough that I'm
starting to suspect it might be an actual bug (though the odds are
still probably in favour of me misunderstanding something).
Here's a two-bar illustration of the problem - first, with an empty
bar and then acciaccatura
Hi David,
On 02/11 07:45:18, David Bobroff wrote:
> I only glanced at your PDF output but I suspect you've hit a known
> issue and there is a workaround. See:
>
> http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Special-rhythmic-concerns#Grace-notes
>
> Scroll down to "Known issues and
went askew.
On 02/11 08:03:45, David Bobroff wrote:
> Peter Wright wrote:
[ snip ]
>> Note my last example specifically, where there are no other staves to
>> synchronise - and it still goes wrong:
>>
>> http://flooble.net/~pete/lilypond/leading-grace-note-still-bad-doh.ly
S and XPDF's output.
Federico> # failed print output from kpdf
Federico> http://casagrau.org/~donfede/lily/lily_print_bad.ps
There's a permissions error on this one.
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http://www.er
Hi all,
I have a sneaky suspicion I'm approaching this problem in completely
the wrong way, and I'd appreciate any suggestions on how to do it
in a way that works.
I'm trying to typeset a choral piece which starts out with just a
tenor line and a bass line. No problem. Then the tenor line and ba
t files without any "include"
commands. Thanks for any help.
Peter Newton
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__
ectory,
and the process continued to work.
Peter Newton
Peter Newton wrote:
>
> I am a new user of Lilypond. I am trying to follow the instructions for
> creating a score and parts found in the Templates section of the user
> manual on page 327 (or page 336 of the PDF version, going b
to or
associatedVoice.
A4 -- des2 --
te,4 fi -- del2 -- es,
The output looks OK. Why does Lily care about associated voice, if
all lyrics have explicit durations?
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http://www.ertos.nicta.c
file:
http://dharma.dyndns.info/music/la_rossignol-anon.ly
(this lilypond tekstfile Is already edited by hand al lot)
noteedit file:
http://dharma.dyndns.info/music/la_rossignol-anon.not
pdf sheet:
http://dharma.dyndns.info/music/la_rossignol-anon.pdf
With kind regards
= cGuitarXCBVoiceB \GuitarXCBVoiceB
\context Voice = cGuitarXCBVoiceC \GuitarXCBVoiceC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
}
%%\layout { ragged-right= ##t }
\paper {
linewidth = 170.000 \mm
textheight = 250.000 \mm
}
~End
The pdf file:
http://dharma.dyndns.info/music/test.pdf
With kind regards,
Peter
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ing between 2.8.x and 2.10, but I have been using
> this for guitar pieces which I have set.
Yes this works!
Wel I have have here te lilypond.pdf documenteation from the lylipondsite,
which is about version 2.11.26. I did nit found newer documentation.
Thanks a lot!
Kind Regards,
ed SCM_T, expecting '='
\override TextSpanner #'bound-details #'left
#'text = "II "
error: errors found, ignoring music expression
I got this from the lilypond.pdf documentation from the lilypond site, but
.
Kind regards,
Peter
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est.ly:71:53: error: syntax error, unexpected SCM_TOKEN, expecting '='
\override TextSpanner #'bound-details #'left
#'text = "II "
test.ly:83:8: error: errors found, ignoring music expression
ied it with this:
\override TextScript #'outside-staff-priority = ##f
fis2-1^\markup{ \italic II } g-2
An this works!
P.
I still have a lot of problems with other things, trying find relief in
working with denemo but this software is crashing too often. And i don't
know if this wo
are very hard to use for my
purpose.
Kind Regards and many thanks for your advice!
Peter
PS: Exuses for my bad English.
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Dear readers,
Tried already many things from the documantation from this, every time i run
stuck. Then i start al over and try again.
I want to have two bars for guitar 1 and guitar 2, each guitar has 3 voices.
It must also produce an good simultanius midi.
What is the best setup for this?
Kin
Valentin Villenave in
<[EMAIL PROTECTED]> :
> I don't exactly know what you need, but here's my advice: install the
> jEdit editor on your computer, open it, go to "plugin manager" and
> install the LilyPondTool plugin. Once you've installed it, create a
> new (empty) .ly file, save it, and the Li
Valentin Villenave in
<[EMAIL PROTECTED]> :
>> Yesterday i've been working all day on that tool.
>> The syntaxes i have already in .vimrc.
>
> You have to configure LilyPondTool for better results:
> in jEdit, go to "Plugin>Plugin Options>LilyPondTool>General" and
> change the path to LilyPond bi
Valentin Villenave in
<[EMAIL PROTECTED]> :
> % Created on Tue Jul 17 11:40:46 CEST 2007
I used this one and get confused again.
~~ start snippit
staffClassicalGuitar = \new Staff {
\time 4/4
\set Staff.instrumentName="Guitar 1"
\set Staff.midiInstrument="acoustic guita
Valentin Villenave in
<[EMAIL PROTECTED]> :
> That's because ...
Okay, many thanks for all your answers!
I'm getting used to the lilypondtool (it still has some errors), its a nice
and very helpful tool.
Kind regards,
Peter
--
mail
Peter Terpstra in <[EMAIL PROTECTED]> :
> warning: can't find property type-check for `noAutoBeaming'
> (translation-type?). perhaps a typing error?
"\set Voice.noAutoBeaming = ##t" should be "\set Voice.noAutoBeaming = ##f"
"\set
Mats Bengtsson in <[EMAIL PROTECTED]> :
> Since NoteEdit generates LilyPond code corresponding to
> an old version of LilyPond, you have to upgrade the syntax
> using convert-ly (see the manual for details about using
> convert-ly).
That does not help, but thanks for your answer.
P.
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Valentin Villenave in
<[EMAIL PROTECTED]> :
> https://canorus.berlios.de/
>
> It's in active development and one of its goals is to be fully
> compatible with LilyPond.
Interesting ...
P.
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many clashing note columns
b a4 g | fis2
g | \break % 5
test.ly:104:17: warning: ignoring too many clashing note columns
b a4 g |
fis2 g | \break % 5
test.ly:104:10: warning: ignoring too many clashing note columns
b
a4 g
any clashing note columns
b
a4 g | fis2 g | \break % 5
test.ly:116:16: warning: ignoring too many clashing note columns
\stemUp
e'2. fis4 | g2 a | % 3
Layout output to `test.ps'...
Converting to `test.pdf'...
~~~End
Kind Regards,
Peter
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Peter Terpstra in <[EMAIL PROTECTED]> :
> [ cut : errors ]
*All* the errors are solved by copying the notes in a modern setup!!
That was easy :-P
Peter
PS: does anyone know how to prevent lilypond from making a .ps file?, i only
want the midi and the pdf.
Kind Regards,
Peter
-
Valentin Villenave in
<[EMAIL PROTECTED]> :
> There was a discussion about that a few months ago; maybe we should
> talk about it again...
Thanks to an emailed answer i have the `-ddelete-intermediate-files' option.
This option is now used by default.
> http://lists.gnu.org/archive/html/lilypond
tax error, unexpected NOTENAME_PITCH
c2\startTextSpan b c\stopTextSpan a
Layout output to `tmp.ps'...
Converting to `tmp.pdf'...
error: failed files: "tmp.ly"
~~End
Why???
And how do i solve this?
Kind Regards,
Peter
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Martial in <[EMAIL PROTECTED]> :
> the syntaxe changed in 2.11..
Ah, and wher do i find the documentation for the stable 2.10. ?
Or is there a stable version of 2.11 coming soon?
Thanks you very much for your answer!
P.
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Dear Readers,
\header {
title = "Old dance"
subtitle = \markup \tiny \italic { \right-align { "From \"Jane Pickerings
lute book\" " } }
}
But the tekst stays in the center, what could be a solution?
Kind Regards,
Pete
Tao Cumplido in <[EMAIL PROTECTED]> :
> you just have to add an empty string which will be on the left edge of the
> page.
Thank you very much!
P.
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