Yes - just remove or comment out the second \partial 16 instruction.
Barlines, repeats, and accidentals all look right. Remember, a repeat mark
is not a barline. Here's the new snippet code.
#(set-default-paper-size "letter")
#(set-global-staff-size 19)
\header {
title = "Sharp now present"
enteredby = "GLM"
}
\version "2.11.46" % necessary for upgrading to future LilyPond versions.
allemande = \relative c {
\clef bass
\key e \minor
\time 4/4
\repeat volta 1 {
\partial 16 b'16
\appoggiatura {e,,16[ g']} b8 c16( b) a( g fis e) e( dis e
fis) b,8( c16 a)
b8.( dis16) fis( a) g fis g( b e) ais, b8.
}
\break
\repeat volta 1 {
%\partial 16
fis16
\acciaccatura a,8 fis'8.( g16) a( fis g b) dis,( e fis c)
b8.\trill( a16
e16 e''( d) b( c) a( fis) dis'( e) b g e e,8.
}
}
\book {
\score {
\allemande
\header {piece = \markup {ALLEMANDE \tiny {"(" \note #"4" #1
"= 72)"}}}
}
}
Bugzilla from [EMAIL PROTECTED] wrote:
>
>
> Thanks for replying, Peter. I'm not sure what you mean about that note not
> being a partial - it does need to go in a bar by itself, it being a pickup
> to
> the 2nd half of the piece.
>
> Did you typeset the source? It should resemble a cut-down version of the
> piece, which starts with a b16 pickup, followed by several 4/4 bars, then
> a
> 3-3/4 beat bar that repeats one time back to the top (including pickup).
> 2nd
> time through, after the 3-3/4 beat bar, you take the pickup to the 2nd
> half of
> the piece, which is the fis16 we are talking about. At the bottom of the
> piece
> there is another 3-3/4 beat bar that repeats back to the fis16 pickup one
> time.
>
> I agree something seems incorrect - the dis after the fis pickup in the
> 2nd
> half of the piece should have a # next to it. I can force it with ! but
> I'd
> like to see it work without doing that.
>
> Perhaps I should report this to the bug mailing list.
>
> Griff
>
>
>
> _______________________________________________
> lilypond-user mailing list
> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
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