http://lilypond.1069038.n5.nabble.com/Pseudo-handwritten-font-tt142117.html#a147230
Does it help?
-Harm
Hi Harm,
it does indeed! Thanks a lot! I should have searched the archives more
thoroughly, I guess.
Best,
Robert
___
lilypond-user
Hi Mark,
Check the user guide for a command called called \laissezVibrer - that's what
you're looking for.
Best,
Robert
-
Von meinem Fliewatüüt gesendet.
On 3 Sep 2013, at 17:20, "Mark Stephen Mrotek" wrote:
> Hello!
>
> In the attached snippet I want to
tually, \shape seems to be the command of your choice, and it looks
rather intuitive.
Best,
Robert
-
Von meinem Fliewatüüt gesendet.
On 3 Sep 2013, at 19:03, "Mark Stephen Mrotek" wrote:
> Robert:
>
> Thank you for your reply and the suggestion. I tried \laissezVibrer.
ly to bes4 (but keeping
the printed bes4., and lengthend the following a8 accordingly.
this'll correct the (failing) barchecks of your example. I can't know,
however if the layout still is what you look for. also, the midi output
will use the internal notelengths.
best,
Robert
I can't access it either (on Mac 10.7 / Safari). No message, just a
blank page ...
Am 10/13/13 1:50 PM, schrieb Phil Holmes:
Is anyone else having difficulties accessing lilypond.org? If I try
from a browser from any one of 3 machines here (Windows Vista, 7 and
Ubuntu), browsers Chrome, Fire
} >> >>
thank you also for your solutions. I shall try them out - at first
glance and playing around a bit, I'm not sure if I can use them without
doing a lot of re-coding in my old scores. I guess I'll rather revert
back to 2.16 instead of doing that ...
thanks again &am
re thing: there's a difference in spacing between *hiding* and
*removing* something ... make sure you use the right one.
Best,
Robert
Am 29/11/13 19:24, schrieb Marcos Press:
Try here:
http://lilypond.org/doc/v2.17/Documentation/notation/visibility-of-objects.html
2013/1
ou'll have to keep the chords twice, but this shouldn't be a problem if
you write one and then copy/paste/edit the other one.
You see, Lilypond can't know that the slash chord should not be played as such
by the banjo ...
Best, Robert
__
Hi Davide,
If you have a single tempo for the whole \layout block, you could leave the
\tempo "Allegro" in the printed score and write
\midi{ \tempo 4= 120}
That should work as well.
Best, Robert
__
In religion, faith is a virtue. In science, faith is a vice.
-- Jerry Coy
Hi T,
I don't have an answer to what's the problem with the = syntax, but there's an
alternative command listed on
http://www.lilypond.org/doc/v2.18/Documentation/notation/changing-multiple-pitches
Hth,
Robert
__
Religion is an insult to human dignity. With or without it
If you're producing a jazz lead sheet (as the "swing" indicates), you're wrong.
\tempo "Swing" 4=125
Merely indicates that the *style* is Swing while the tempo is 125. You could
also write
\tempo "Swing" 4=200
Which would indicate that this is a swing piece of tempo 200.
Jazz tempo indicatio
g.
>
> I never saw a jazz lead sheet with swing written followed by the metronome
> mark between brackets. If it's the policy, I can adopt it. But I'm curious to
> see some examples of it.
>
> Anton Curl
>
>> On 20/03/2015 14:36, Robert Schmaus wrote:
>> I
t tricky,
in particular it
keeps the stem lengths in the normal-font size. And I'd like to simply scale
everything down as is.
Thanks for your help!
Best, Robert
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as wrong about the remove command, because it's so intuitive
that it *should* work there ... Maybe it was that mix of typos and
misunderstandings that kept it from doing anything.
Thanks again,
Cheers, Robert
__
Truth does not change according to our ability to stomach it.
-- Flanner
w: I found a way to do it by naming staffs and then setting
\with { alignAboveContext = #"main" } for this Staff but that's not what
I mean ...
Does anyone know how to?
Cheers,
Robert
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obvious, at least once you see it,
elegant and actually a readable sentence.
Thanks a lot!!
Ceers, Robert
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r = #20 }
\score { \new Staff { \repeat unfold 500 { d'' } } }
}
}
but this doesn't seem to work. Am I missing something?
Cheers,
Robert
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closer to the e. So the position seems to be adjusted for the extra
space that the accidental of the upper note requires.
Anyway, looks like it shouldn't be that way.
Cheers,
Robert
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In addition to the suggested way with tags (which surely works, but
which I find overly complicated), a simpler way would be to simply place
the Staffs in variables and comment out the ones you don't want to have
in the next engraving. Like this:
violinStaff = \new Staff \with { instrumentName = "
ding at the time, of how variables
> work :-)
>
> I do already use variables as:
>
> violinMusic = { a b c d }
>
> violinVoice = \new Voice {
> % voice setup stuff %
> \violinMusic
> }
>
> Chris
>
>> On 8 July 2015 at 09:58, Robert Schmaus wro
er block.
You can find it in the notation reference (of version 2.18) section 4.1.6.
Maybe that's what you're looking for ...
Best, Robert
__
Truth does not change according to our ability to stomach it.
-- Flannery O'Connor
> On 17 Jul 2015, at 09:11, Michael Hend
Two ideas:
(1) You could notate verse 1 followed by a repeated verse 2&3 with the extra
measure and then add a D.C. for the 4th verse.
(2) you could use a \repeat volta and \alternatives structure with the ending
of verses 1&4 under the first volta bracket and the ending of verses 2&3 under
t
Am 21/07/15 um 20:16 schrieb Brother Gabriel-Marie:
> I started asking questions on Music Stack Exchange and they were giving
> me such a hard time that I was getting a bit discouraged.
> http://music.stackexchange.com/questions/34199/lilypond-incorrectly-displaying-natural-signs-in-b-major/34206
Seriously?
You've asked the exact same thing on stack exchange! Did you actually ignore
all the helpful comments from users there? A couple of days ago, you complained
on this list how SE users give you a hard time - like suggesting to get a at
least rudimentary understanding of musical notatio
-- Flannery O'Connor
> On 24 Jul 2015, at 12:24, Malte Meyn wrote:
>
>
>
>> Am 24.07.2015 um 09:47 schrieb Robert Schmaus:
>> So, here's how you get rid of your accitentals: Just pray them away.
> You might possibly be right in general but there’s no need to b
(2.18), no customisations or anything, so I
guess that's available for all platforms.
Are you referring to *that* list of languages as well? Maybe you use
an old version of Frescobaldi.
Best,
Robert
Am 25/07/15 um 18:03 schrieb Avner Dorman:
> Does anyone have experience Hyphenating Ge
tached screenshot.
Best regards,
Robert
Best regards, Robert
be the only one who will use this transcription. I would
have liked it to be perfect and that is why I posted my question on the
LilyPond mailing-list.
The expert solutions that were proposed didn’t work in my score, no idea why
not.
Best regards.
Robert
> On 21 Dec 2019, at 17:38, Ro
ore-definition + the relevant system, i.c. the last of the sore,
containing bb 54-58. ?
I’ll try to make a relevant test-file.
It will take some time, just before Christmas.
Anyway, thanks for your offer to help me.
Best regards,
Robert
> On 22 Dec 2019, at 12:51, Thomas Morley wrote:
>
. a16 g8.
fis16 g2~ | g8. g16 fis8. e16 fis2}>>
}
HTH
Best regards,
Robert Blackstone
> On 31 Dec 2019, at 07:09, Mark Stephen Mrotek wrote:
>
> Hello to All
>
> Please provide some suggestions/alternatives for the positioning of the first
> note of the
Hello!
I have a question that bothers me. Can I put a label in a markup
function/add-toc-item! ? I'll explain:
I have scores, that obviously use a \header {} block. I use a custom
scoreTitleMarkup, that obviously manages each piece's title markup and
also calls add-toc-item! that puts an item
Timing.measureLength = #(ly:make-moment 1/2) and that works but it
spoils the result by inserting three empty bars which I do not know how to get
rid of. (The law of preservation of misery in full action.)
Thanks in advance for any advice.
Best regards,
Robert Blackstone
myself a set of templates for various types of music. Usually they
work for me.
Another habit is to never use “relative” and always add the duration of a note.
Anyway, I will try to make an MWE with my tools for you to find my errors
and\or clumsiness.
Thanks in advance.
Best regards,
Robert
David.
Best regards,
Robert Blackstone
> On 23 Feb 2020, at 11:31, Pierre Perol-Schneider
> wrote:
>
> Hi Robert,
>
> Le dim. 23 févr. 2020 à 10:45, Robert Blackstone <mailto:blackstone.rob...@gmail.com>> a écrit :
> [...]
> Many thanks for your help. Three d
regards,
Robert Blackstone
> On 23 Feb 2020, at 11:31, Pierre Perol-Schneider
> wrote:
>
> Hi Robert,
>
> Le dim. 23 févr. 2020 à 10:45, Robert Blackstone <mailto:blackstone.rob...@gmail.com>> a écrit :
> [...]
> Many thanks for your help. Three differ
shift = #x” or “_\markup {\line {\concat {
\dynamic f }\italic { rit. } }}”
In TeXShop it is also very easy to find the beginning and end of slurs.
If you’re interested I can send you privately my score of
Telemann-SSGb-13-Die_vergessene_Phyllis.
Best regards,
Robert Blackstone
> On 8
would appreciated, and feel free to throw in a few slanderous comments.
Robert Bell
and paste it into TeXShop.
It needs a few tricks to get correct barnumbers.
I can send you an example of one of my —_ly.tex scores if you like.
Best regards,
Robert Blackstone
PS.I don’t understand your question: "What's your DX?” I have no idea what a DX
is?
> On 7 Apr 2
Hi,
I'm helping my partner create a book of interval exercises, and I'm
getting very inconsistent vertical spacing coming from lilypond-book,
here is an example:
https://files.robehickman.com/problem.pdf
Weird thing is that this is very inconsistent between pages, and I
have verified there is no
\expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{05/lily-bdd1bc6c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
\expandafter\postLilyPondExample
\fi
}
On Thu, 21 May 2020 at 19:56, David Wright wrote:
>
> On Thu 21 May 2020 at 18:40:53 (+0100), Robert Hickman
piece. No problems until bar 46 - and after bar 49 unti the
end (bar 55 )
I’ve no idea what could have caused this.
And I’ll be very grateful for any suggestion.
Best regards,
Robert Blackstone
ainly not a MWE but it works for me and it shows the problem. It also shows that its origin does not ly in the previous bars.Thanks again for your interest.
Horizontal-spacing-problem_ly.tex
Description: Binary data
Best regards,RobertOn 3 Jun 2020, at 14:14, Valentin Villenave <valen...@vil
ingle-digit", adding \time 3/2.
That did not work because of "\set Staff.timeSignatureFraction = 4/4" at the
beginning.
Hence my question.
Thanks in advance for any advice.
Best regards.
Robert Blackstone
console I sometimes have the impression that I am punished for
that.
Fortunately, things usually go well.
Thanks again.
Best regards,
Robert Blackstone
\time 3/2
\override Staff.TimeSignature.style = #'single-digit”
still started without a TimeSignature.
I have no idea what the cause may be.
But I will not yet give up.
Best regards,
Robert Blackstone
> On 4 Oct 2020, at 13:15, Robert Blackstone wrote:
>
es and I want to keep the code maintainable.
Best regards
Robert Kubosz
Thank you, it works perfectly! :-)
foo's varname
#(set! `,bar 3) %I want here to override the foo variable with use of bar
#(display foo) %---> the expected by me output is 3
How can I do this?
Robert
Aaron, thank you!
This is something I was looking for.
On 19.02.2021 21:42, Aaron Hill wrote:
On 2021-02-19 12:21 pm, Robert Kubosz wrote:
Hello
The default way to override an existing variable in scheme is:
#(define foo 2)
#(set! foo 3)
#(display foo) %--> output is 3
I want to overr
score.
Does any of you know another way to force a line break?
I’m using TeXShop on my Mac. Usually "\break" works perfectly.
Thanks in advance for any advice.
Best regards,
Robert Blackstone
Just a test if I can send this to the list now.
Hi Pablo,
I think, you can just place a
\set fontSize = #-1
in the layout block to get this for all markups.
Best,
Robert
> On 25. Mar 2021, at 08:12, Pablo Cordal wrote:
>
> Hi everyone,
>
> Is there any way to set the default size for all markups in a staff? I h
indeed any other style) in the instruction,
all of your markups will follow …
Best,
Robert
> On 25. Mar 2021, at 10:02, Pablo Cordal wrote:
>
> Hi Robert. I just tried that option and there's a problem: the size of the
> notes is reduced too. I need to reduce only th
That’s what I thought too at first. Doesn’t work in my Lilypond (2.20)
installation though ...
> On 25. Mar 2021, at 20:48, Valentin Petzel wrote:
>
> If you’re talking about regular markup in the Staff, you can simply put an
> \override TextScript.font-size = ...
> into the \with block of your
Aha, I see now what I did wrong .. I used \set instead of \override ...
> On 25. Mar 2021, at 21:20, Valentin Petzel wrote:
>
> Okay, can you check if this works on your installation?
>
> Am Donnerstag, 25. März 2021, 21:00:13 CET schrieb Robert Schmaus:
>> That’s what I
}
}
5%
Can any of you see what is wrong here and what must be changed to make it work?
BTW, I always work with TeXshop -3 61’LilyPond app \version "2.19.58.1"
Thanks in advance for any help.
Thanks in advance
Best regards
Robert Blackstone
Jacques Menu writes:
> Hello folks,
>
> What would be the plural of ‘figured bass’, if that applies, to denote several
> occurrences of the figures in a score, the same way has there can be several
> harmonies? Maybe ‘figured bass figures’?
>
> In the example below, there 5 such occurrences:
>
>
<mailto:imj-muz...@bluewin.ch>
Sent: Friday, June 18, 2021 1:00 AM
To: Robert Gaebler<mailto:bob.gaeb...@outlook.com>
Cc: Jacques Menu<mailto:imj-muz...@bluewin.ch>;
lilypond-user@gnu.org<mailto:lilypond-user@gnu.org>
Subject: Re: Terminology question
Hello Robert,
'fi
but it's not what was meant in the present context.
-David
Robert Gaebler writes:
> Jacques,
>
> Thanks… happy to advise. I would call \ff a dynamic.
> “Dynamics” is an interesting word, described as “plural in form,
> singular or plural in construction” in Merriam-Webster. The
I am working on a couple of pieces where I am using a non-ragged right edge
for the systems. However I would like to end each of the three or four themes
in a piece with a ragged right edge on the last system of a theme.
I understand to set ragged-right = ##f to get an even (all aligned) right
attached to this email.
Thanks in advance!
Robert
\version "2.22.1"
% The question that bothers me and this example is about sounds: How do I copy a variable by value?
%%% file1.ly
% I keep my music organized in variables and files, like below.
trumpet-first = {c' d' e
at's the reason.
> The other way is to use ly:music-deep-copy and it's not like this isn't
mentioned in the "LilyPond — Extending" guide of LilyPond
You know, David, I just got lost. I wish I had more time to work with my
project.
Many many thanks!
Robert
sob., 16 paź
gain
in the end? Or does anyone see what’s the problem here?
I’m using Lily 2.20 on a Mac OS 11.6 and I use Frescobaldi 3.1.3 as editor.
Thanks very much!
Robert
Quick Update: The exception did indeed disappear after entering some more
music. Header is also no problem anymore …
I just hope, it stays like this when I get to the end of the music …
> On 17. Nov 2021, at 13:37, Robert Schmaus wrote:
>
> Dear Ponderers,
>
> I was just a
,
Robert
#(define (size-notehead grob) 2)
\relative c' {
\override NoteHead.font-size = #size-notehead
c d e
}
Thank you very much Valentin! 🙂 It works perfectly although as you said it
looks extrange. I will add it to lilypond snippets in case someone has the same
problem in the future.
Robert
De: Valentin Petzel
Enviado: Martes, 01 de Marzo de 2022 20:34
Para
this behaviour? Find attached a
Tiny.ly as well.
Robert
#(define staff-line-layout-callback
(lambda (p) 0.33
))
\new Staff \with {
staffLineLayoutFunction = #staff-line-layout-callback
} \relative c' {
c4 cis d dis e eis f fis g gis a ais b bis c
}
treble. In the traditional notation, only three noteheads fit between this
height (f g a). In this new notation, 4 noteheads should fit because the
vertical distance between notes is 1/3 instead of 1/2.
I hope I made things clearer,
Robert
De: Valentin Petz
ually NoteHead.Y-offset to decimals, but
then I have the problem that the note position should be different depending on
the clef...
Robert
De: Valentin Petzel
Enviado: Miércoles, 02 de Marzo de 2022 19:16
Para: lilypond-user@gnu.org; Robert Mengual
Asunt
ed setting a different StaffSpacing but I was unsuccessful
as well.
Thanks in advance,
Robert
understand float numbers are tedious, but I don't think there is need for
much precision here. I mean, in my case even though I want 2/3 distance between
notes I could specify 0.7 and everything should work.
Robert
De: Jean Abou Samra
Enviado: domingo, 13 de mar
Hi Martin,
Use a rest in the ChordNames context, I think.
Best,
Robert
> On 8. Apr 2022, at 10:37, Martin Tarenskeen wrote:
>
>
> Hi,
>
> I am creating a little leadsheet.
> How do I enter a "N.C." (No Chord) in chordmode for the ChordNames context?
>
> thanks,
>
> MT
>
Try C8*5.
Best,
Robert
> On 31 Oct 2018, at 09:00, Gianmaria Lari wrote:
>
> The following code...
>
> \version "2.19.82"
> \new ChordNames \chordmode { c8~c2 }
>
> displays C C. How can I make it display a single C chor
ixed” style and occasionally
the “bracket” -style but again I have no idea how I can make “\new Dynamics =
"pedal" \pedal” do it.
Thanks in advance for any advice.
Best regards,
Robert Blackstone
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lilypond-
Hi Kieren,
Many thanks for your advice.
This is a new LilyPond-terrain for me and It will certainly take me some time
to implement it.
Best regards,
Robert Blackstone
On 2 Nov 2018, at 14:24 , Kieren MacMillan
wrote:
> Hi Robert,
>
>> For my pianoscores I use a "dyna
surreptitiously
changing the "time" of the last 2 bars from 4/2 to 6/2 and add a hidden whole
note to the end of the penultimate bar and to the beginnig of te final bar but
nothing changes.
Has anybody a suggestion or advice?
Thanks in advance.
Best regards,
Robert
texample.
But I will definitely save it in my collection of LilyPond testfiles
Thanks again.
Best regards,
Robert Blackstone
On 4 Feb 2019, at 09:23 , Malte Meyn wrote:
>
>
> Am 04.02.19 um 08:59 schrieb Robert Blackstone:
>> Hi All,
>> I have been transcribing a piano p
ilyPond website, one
has to be familiar with items such as "Score.Barline" and operations such as
"break.visibility".
Thanks again.
Best regards,
Robert Blackstone
On 4 Feb 2019, at 09:52 , Lukas-Fabian Moser wrote:
> \version "2.19.82"
>
> \new
thing should somehow also be possible for a chord but I
could not find out how. Hence the subject title of my question.
I will have a go with the extensive and complicated thing you forwarded. (But
not today. )
Best regards,
Robert
On 4 Feb 2019, at 10:07 , Andrew Bernard wrote:
> You as
which contain lots of remarks, only
sometimes there are notes in the staff.
Uncomment the Annotation to see what I mean.
Regards Robert
\version "2.19.82"
<<
\new ChordNames \chordmode {
\override ChordNames.ChordName #'extra-offset = #'(0 . -3
fset = #'(0 . -1)
\alias ChordNames
}
\context {
\ChordNames
\accepts "ChordsOnStaff"
}
}
<<
\new ChordNames \chordmode {
c1 \context ChordsOnStaff {
c1 c1
}
c1
}
\new Voice \relative c' {
c2 e2
s1\p^"Text"
s1\f
ode {
c1 | \chordsDown dis1:m |
ees1/g \chordsUp
f1
}
{ s2-"Text" a' | s1^"Text" | e'''4 e'''4_"Text" c'2 | a'1}
>>
Greetings and thank you a lot,
Robert
Am 07.02.2019 um 15:42 schrieb Valentin Ville
Wow Harm,
that is great! I will use this versatile aproach, thank you very much!
greetings,
Robert
Am 08.02.2019 um 00:40 schrieb Thomas Morley:
\version "2.19.82"
gotoCtx =
#(define-music-function (strg)(string?)
#{
\change Staff = #strg
#(if (string=? strg "staff")
ere...
}
\score {
\header {
piece = "No. 2: Minuet in G major"
}
% Music here...
}
The problem is that the opus number is shown for every score block.
How can I make Lilypond only show it once?
Thanks in advance,
Robert White
.
Best regards,
Robert Blackstone
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Hi Karlin, Carl and Michael,
Thanks for your prompt reassuring response.
I will now first test LilyPond on my other rather old and slow Mac, running on
High Sierra.
If that works I will upgrade mij MacBook.
Thanks again.
Best regards,
Robert Blackstone
On 2 Mar 2019, at 19:13 , Karlin
, but after a few minutes it produced an impeccable pdf.
What surprised me was that the processing time on this extremely slow iMac was
about the same as on my MacBook.
Best regards,
Robert Blackstone
On 2 Mar 2019, at 21:45 , Mark Probert wrote:
>
> Hi, Robert.
>
>>
>
Hi Martin,
The easiest way I can think of is \stemUp for the “main notes”. But maybe this
is undesirable in the context of your score.
Best regards,
Robert Blackstone
> On 18 Mar 2019, at 08:02 , Martin Tarenskeen wrote:
>
>
> Hi,
>
> the following example:
>
Nice font though ... does anyone know which one this is?
> On 22 Mar 2019, at 04:30, Guy Stalnaker wrote:
>
> Wow! None of the dozen or so I did looked anything like that!
>
> --
>
> “Happiness is the meaning and the purpose of life, the whole aim and end of
> human existence.”
>
> ― Aris
with this?
Thanks in advance
Robert
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
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Thanks Rick, your idea is closest to what I wanted. Definetely I will
adapt this in my scores! :-)
Brian, Kieren -- thank you for your responses.
On 29.04.2019 16:17, Rick Kimpel wrote:
> >I have a piece of music where measures have 4/4 time and 5/4
>
> Robert,
> Do you inte
Hello!
I have a markup function and inside this function I need to know how much
free space is left on page. (The space left parameter displayed with
annotate-spacing = ##t). Can anyone tell me how to get this parameter in
markup function?
--
Sent from: http://lilypond.1069038.n5.nabble.com/Use
Hmm, maybe I will introduce you to the problem I am now tackling and why
I need to know the available free space in markup command.
I'm modifying the book template shared by Nicolas Sceaux. Now I'm
working on table of contents. The table of contents looks beautiful on
one condition: sections don't
Thanks for your response, Andrew. I really hoped that somehow I could create
the snaking columns in my book just using lilypond. It was the very last
thing I needed to create a nice book and to finish my typesetting work.
I know LaTeX, I wrote some things in it. I will check out lyluatex.
--
Sen
to be some error further down the line
which prevents it.
BTW, I do not use Frescobaldi and so do not use its score wizzard.
HTH
Best regards,
Robert Blackstone
> On 15 Jun 2019, at 23:20 , Mia Heaton wrote:
>
> So i'm trying to write out some music, and everything is spac
italic "dim."} d''8^\markup{\italic "long"} s8} >> |
R1*3/4 |
}
Best regards,
Robert Blackstone
> On 23 Jun 2019, at 21:59 , Evan Driscoll wrote:
>
> So first, thanks again for the people who replied to my las
the piece I’ve been working on it happens 4 times. (See screenshots)
I have carefully checked the note durations in each bar and there seems to be
nothing wrong with any of them.
What can I do to avoid or remedy this?
I’ll be very grateful for any advice.
Best regards,
Robert Blackstone
g and/or some
line breaks.
The remaining one has resisted my efforts till now.
Best regards,
Robert Blackstone
> On 4 Jul 2019, at 13:58 , Ben <mailto:soundsfromso...@gmail.com>> wrote:
>
> On 7/4/2019 7:45 AM, Robert Blackstone wrote:
>> Dear all,
>>
>> Pre
and/or displacing line
breaks.)
Anyway, thanks again for your interest in my problem.
Best regards,
Robert Blackstone
> On 5 Jul 2019, at 10:22 , Andrew Bernard wrote:
>
> Hi Robert, I know this is like computer phone support asking you if the modem
> is plugged in and tur
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