Error 404 on attachments

I'm getting Error 404 whenever I click on the URL for an attachment. Am I doing something wrong? An example is: http://lists.gnu.org/archive/html/lilypond-user/attachments/20130513/318d5cfd/attachment.png Happens on both Firefox and IE9. Regards, Peter mailto:lilyp...@ptoy

Re: How to get multiple text spanners at the same height?

hile I'll try Nick's and Thomas's ideas out. Thanks both. Regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Error 404 on attachments

30513/318d5cfd/attachment.png was not found on this server. Apache/2.2.14 Server at lists.gnu.org Port 80 Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Wednesday, May 15, 2013, 12:44:17 PM, you wrote: 2013/5/15 Peter Toye I'm getting Error 404

Re: Error 404 on attachments

Federico, We're at cross-purposes here. I'm referring to messages in the mailing list, and I think you're referring to messages in the GNU archive. The message from the mailing list is below. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com -

Re: How to get multiple text spanners at the same height?

Thomas, That's fantastic now I've tried it. Thanks a lot. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Monday, May 13, 2013, 2:23:58 AM, you wrote: > Send lilypond-user mailing list submissions to > lilypond-user@gnu.org &

Re: String Results of Changing Pitches

On 2015-08-09 15:37, Thomas Morley wrote: Not sure whether Frescobaldi has a feature which fits your needs better To transpose in Frescobaldi use Tools->Pitch->Transpose. Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org

Re: sharping naturals

But with a piece with only a few exceptionds to the given key it may be worth while to use this method... Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Ensemble full score annotations and parts

ified textspanners for the annotations, so this will not work in your case. To change the basic structure as little as possible I would then use a Dynamics (context) instead of the Devnull context. (Just a personal testimony from a user.) Best

question about putting music expressions in sequence

t Voice = "down" \relative c' { d e f g } >> } Not only does the second set of lyrics generate an error message, but also the notes to the second verse are not typeset at all, and an extra (empty) pair of staves is generated. Is there a way to make this work? (I rea

Re: question about putting music expressions in sequence

yPond 2.18.2, as included in the current Ubuntu distribution. Could you double-check that you really can't reproduce the output? Thanks, -- Peter Phil Holmes wrote: > > - Original Message - > From: "Peter Selinger" > To: > Sent: Saturday, August 22, 201

Re: question about putting music expressions in sequence

that it is the version described in the documentation: http://www.lilypond.org/website/manuals.html But I had forgotten that there is also an "unstable" release. Great, thanks again for your help! I'll report back in case I run into any more problems. -- Peter David Kastrup wrote: &

vertical spacing of rests

ffect would be to make notes behave as with \voiceOne and rests behave as with \oneVoice? Thanks, -- Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: vertical spacing of rests

-position are not included in the index of the Notation Manual (though they do appear in the index of the Learning Manual). I had to search the whole document to find these properties in Appendix A.17. Would it make sense to include them in the index? -- Peter Klaus Blum wrote: > > Peter

Re: vertical spacing of rests

ather than just making it invisible? -- Peter Peter Selinger wrote: > > Thanks for your replies. That's awesome. I think I will also define a > command \hideRests, so that I don't have to manually convert all the > rests to spacer rests - this might be handy if I late

Re: vertical spacing of rests

Klaus, your code snippet does not work correctly if some of the rests are dotted (see attached for the output). It's a bit of a mystery to me why this happens. -- Peter % \version "2.19.25" centerRests = { \override Rest.staff-positi

Re: vertical spacing of rests

s to 0, all rests except the first one in the list should be disabled completely, and preferably turned into spacers so that there will be no dots associated with them. But I don't know enough about internals to know how to do that. -- Peter rests4.pdf Description: PDF document, versio

Re: vertical spacing of rests

| c2. a4 | R1*3 } } >> % See rests5.pdf for the output. If you all agree that this patch works correctly, hopefully someone with commit privileges can merge it into git? Thanks, -- Peter --- definition.ily-orig 2015-08-23 16:16:13.42899

Re: vertical spacing of rests

nes "(if (not (null? ... #f))". I'm also attaching the patched file definition.ly as a whole, for ease of reference. -- Peter Thomas Morley wrote: > > 2015-08-23 21:21 GMT+02:00 Peter Selinger : > > Thomas Morley wrote: > >> > >> Anyway, if

Re: vertical spacing of rests

I tried this on the two test cases, and there seems to be no difference between the behavior of empty-stencil and #f (i.e., it doesn't work). -- Peter Paul Morris wrote: > > > On Aug 23, 2015, at 4:29 PM, Peter Selinger wr= > ote: > >=20 > > - (ly:grob-s

Re: vertical spacing of rests

s) -'measure-count) 1) 1 0))) +'measure-count) 1) 2 0))) (merge-to-offset rests offset) (curr-rests '()) (rests '())) It turns out the code was alr

Re: vertical spacing of rests

Trevor Daniels wrote: > > selin...@mathstat.dal.ca (Peter Selinger) writes: > > > this is a true newbie question. I am trying to engrave two polyphonic > > voices on a single staff. Since the two voices have all their rests in > > common, I only want to typeset each

Re: vertical spacing of rests

s internally inconsistent. Even if we take for granted that odd voiced-position shifts are probably not very common, it is still concerning that there is one behavior for shifts <= 2, a different behavior for shifts > 2, and finally that the beh

Re: how to define rehersal marks globally?

vid's suggestion to use that as a Devnull. But if you are starting on a new score I think it's a better solution to create the rehearsal marks and other common stuff as an own variable, at least it's what I'd prefer. Best Peter ___ l

Re: OT: Beauty of programming languages

ges, but it would be interesting to know more about stuff like editor usage and if LilyPond is used for original compositions or for engraving existing compositions. Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mail

Re: OT: Beauty of programming languages

ally, but here's a short description in response: I'm 44 and a composer and developer. If I'm not mistaken I started using LilyPond and Frescobaldi in the autumn 2012. Apart from my small contribution to Das Trunkne Lied my wor

Re: OT: Beauty of programming languages

sure many contain errors. They also reflect my modest progress with LilyPond. There aren't many ly files but just ask should you want them. regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailma

Re: shapeII (openlilylib) with v2.19.25

ould be updated with a version switch. >> > Done. I included the new file in the issue. Is anything preventing that fix from being included into openLilyLib? Or should I go ahead and create a pull request for it? For now I have updated my local copy of the file and the fix seems to be w

Re: shapeII (openlilylib) with v2.19.25

2015-10-13 19:19 GMT+02:00 Simon Albrecht : > On 13.10.2015 02:06, Peter Crighton wrote: > >> 2015-09-08 0:23 GMT+02:00 Simon Albrecht > simon.albre...@mail.de>>: >> >> >> >> Am 07.09.2015 um 22:52 schrieb Urs Liska: >> >> >>

Re: shapeII (openlilylib) with v2.19.25

l > the modified lines. If it were two commits (one "work" and one > "clean-up") it would be much more obvious. Sure, thanks, I’ll keep that in mind! This time I only copied what was already there without thinking about that, sorry. -- Peter Crighton | Musician &

Re: Remove empty staves but one.

nly-at-the-beginning-of-a-score-td52152.html <http://lilypond.1069038.n5.nabble.com/override-VerticalAxisGroup-remove-empty-works-only-at-the-beginning-of-a-score-td52152.html> Thanks again David and the Lilypond community, Peter > Le 2015 Nov 1 à 19:08, David Kastrup a écrit :

Re: Remove empty staves but one.

That works for me and is simpler than the solution that I posted previously. I also need to cancel the effect of the command later on. I assumed I just had to add : \revert Staff.VerticalAxisGroup.remove-empty But this doesn't seem to have any effect. Thanks again, Peter > Le 2015

slashes and percent

ote and 3 slashes, I like to have no % note, but 4 slashes Can You please help me? Thanks, all the best, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: slashes and percent

used if note/melody is free, but rhythm is given, often for rhythm intro ( piano or/and bass part(s) ) Thanks or help, all the best, Peter Am Sonntag, den 08.11.2015, 23:43 +0100 schrieb Simon Albrecht: > Hello Peter, > > On 08.11.2015 22:54, Peter Berlau wrote: > > Hello, > &g

Re: slashes and percent

ition of the percent and slash sign are not touched by transposition... Thats, what i looking for, but without the first note printed out. i can do this with percent, but not with the slash... and don't not know, why... ;) Thanks for Help, all the best, Peter Am Montag, den 09.11.2015, 00:30 +0

Re: slashes and percent

.instrumentName = #"bs" >> } \version "2.18.2" %%% Am Montag, den 09.11.2015, 21:42 +0100 schrieb Simon Albrecht: > On 09.11.2015 21:38, Peter Berlau wrote: > > Hello Simon, hello All! > > > > > > a part of my problem is solv

Re: slashes and percent

Hello Simon, that was exactly what I'm looking for! Cool, thank You so much! all the best, Peter Am Montag, den 09.11.2015, 22:46 +0100 schrieb Simon Albrecht: > Hello Peter, > > now the problem is clear. That’s what the Pitch_squash_engraver, used in > the example from the N

Re: slashes and percent

Hi Jacques, works also fine, thanks a lot! All the best, Peter Am Montag, den 09.11.2015, 23:01 +0100 schrieb Jacques Menu: > Hello folks, > > How about: > > \relative c'' { > \override Staff.NoteHead.style = #'slash > \hide Staff.Stem > \repeat

Re: slashes and percent

Hi David, wow, that's easy to use, many thanks! all the best, Peter Am Montag, den 09.11.2015, 14:30 -0800 schrieb Flaming Hakama by Elaine: [..] > > > % Macro to print single slash > rs = { > \once \override Rest #'stencil = > #ly:percent-repeat-item-int

Can I vary the system width for 1 system only

Staffs % generates 2 invisible staffs s1 s1 \startStaff for this i have to add on same place in the \chords also 2 s1 s1 to adjust chords to the remaining bars I think this is pretty ugly and there will be a much better solution... Thanks for advice,

Re: Can I vary the system width for 1 system only

Hi Robin, many thanks! II will "heavy use" this solution. :) all the best, Peter Am 13.11.2015 um 22:34 schrieb Robin Bannister: Peter Berlau wrote: I found a ugly solution with \stopStaffs % generates 2 invisible staffs s1 s1 \startStaff for this i have to add on same pl

Install problem

then drop it on the shortcut. I've done that and nothing happens. Any suggestions? Thanks! Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Fwd: Slash chords

horizontal line? So it would look something like this (without the enormous spaces, of course): C — E I tried altering the values of the snippet, but couldn’t come up with something useful. -- Peter Crighton | Musician & Music Engraver based in Mainz, Germany http://www.petercrighton.de ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Introducing "LilyPond HTML Live Score"

BY-SA) available on this repo : > > https://gitlab.com/sigmate/transcription-pools-vibes-solo > > Looking forward to hear your feedback! Very cool! I don’t quite have a use for it at the moment, but I very well might soon. Starred the GitLab project, so I keep an eye on it …

Re: Better slashed graces

On 2015-11-30 18:01, tisimst wrote: I know that beamed grace notes don't /need/ a slash, so maybe there could be a hook to turn it on or off? There already is \slashedGrace. But it doesn't work for multiple notes. Best Peter ___ lil

Position of rests in cue notes

Ponders... regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re Position of rests in cue notes (Peter Gentry)

##t s1*6/8*4 } d8\p r8 r8 d8 | % 2 es8 r8 r8 es8 | % 3 c8 r8 r8 c8 | % 4 } regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Fwd: Re: Re Position of rests in cue notes (Peter Gentry)

Hello Jacques Yes it would. I was quickly clipping out a tiny example (without reading glasses). Old fogie trouble - but you get the gist. On 25/12/2015 15:22, Jacques Menu wrote: > Hello Peter, "Wouldn’t {\set Score.skipBars = ##t s2*6 } be more explicit and less c

Ragged right on last 2 bars.

at unfold 12 {a'4 b c d}\break r 2 \bar "|." } } Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Ragged right on last 2 bars.

Thomas Morley wrote: > Use > ragged-last = ##t > instead Thank you kindly, so simple :) Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Overriding tie-configuration & \shape breaks custom Scheme function since 2.19.24

. Any ideas what causes this and how to fix it? Thanks, Peter \version "2.19.33" bgr = #(define-music-function (parser location music) (ly:music?) (music-map (lambda (mus) (if (or (music-is-of-type? mus 'rest-event) (m

Re: Overriding tie-configuration & \shape breaks custom Scheme function since 2.19.24

Thank you, works perfectly! -- Peter Crighton | Musician & Music Engraver based in Mainz, Germany http://www.petercrighton.de 2016-01-10 9:44 GMT+01:00 Malte Meyn : > > > Am 10.01.2016 um 02:50 schrieb Peter Crighton: >> (if (or (music-is-of-ty

Fret Diagrams

4 f f2 | } } >> \layout { \context { \Score \remove "Bar_number_engraver" } } regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE: Fret Diagrams

[mailto:thomasmorle...@gmail.com] >Sent: Sunday, January 31, 2016 7:14 PM >To: Peter Gentry >Cc: lilypond-user >Subject: Re: Fret Diagrams > >Hi Peter, > >2016-01-31 19:29 GMT+01:00 Peter Gentry : >> This may be trivial but searches of themanuals etc have not >born

More ponderings on Chordmode

markup{\musicglyph #"scripts.segno"} g8. f16 ees8. bes16 ees8. f16 | g4 g ees2 | g4 g bes aes8. aes16 | g4 f f2 | } } >> \layout {} \midi {} } regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE: More ponderings on Chordmode

Hello Colin Yes the melody notes on the staff play as a "guitar" but the chords sound as the default piano. >-Original Message- >From: Colin Campbell [mailto:c...@shaw.ca] >Sent: Saturday, February 06, 2016 1:02 AM >To: Peter Gentry; lilypond-user@gnu.org >Sub

RE: More ponderings on Chordmode

Thanks Chris I guessed most of the format but the # Escaped me. To # or not to # that is the question. >Date: Fri, 5 Feb 2016 14:33:22 -0600 >From: "Christopher R. Maden" >To: lilypond-user@gnu.org >On 02/05/2016 02:31 PM, Peter Gentry wrote: >> I cannot

RE: More ponderings on Chordmode

is the question. >Date: Fri, 5 Feb 2016 14:33:22 -0600 >From: "Christopher R. Maden" >To: lilypond-user@gnu.org >On 02/05/2016 02:31 PM, Peter Gentry wrote: >> I cannot discover a means to have the chords sound as a >guitar in this >> example everything

Re: More ponderings on Chordmode

scripts.segno"} g8. f16 ees8. bes16 ees8. f16 | g4 g ees2 | g4 g bes aes8. aes16 | g4 f f2 | } } >> \layout {} \midi {} }regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE: More ponderings on Chordmode

>-Original Message- >From: David Kastrup [mailto:d...@gnu.org] >Sent: Saturday, February 06, 2016 10:50 AM >To: Peter Gentry >Cc: lilypond-user@gnu.org; 'Christopher R. Maden' >Subject: Re: More ponderings on Chordmode > >"Peter Gentry" wri

RE: More ponderings on Chordmode

>-Original Message- >From: lilyp...@andis59.se [mailto:lilyp...@andis59.se] >Sent: Saturday, February 06, 2016 11:24 AM >To: Peter Gentry; lilypond-user@gnu.org >Subject: Re: More ponderings on Chord // Anders wrote >I'm just using the in Windows built in synthesiz

RE: More ponderings on Chordmode

>-Original Message- >From: Steve Downes [mailto:st...@kingswayelec.co.uk] >Sent: Saturday, February 06, 2016 11:48 AM >To: lilyp...@andis59.se >Cc: Peter Gentry; lilypond-user@gnu.org >Subject: Re: More ponderings on Chordmode > >It may or may not be relevant

Resolution of the ponering on Chordmode

s16 ees8. f16 | g4 g ees2 | g4 g bes aes8. aes16 | g4 f f2 | } } >> \layout {} \midi {} I would never have thought of adding the midiInstrument to the FretBoards. regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Arbitrary number of arguments in Scheme function?

} { \improvisationOn 8 8 8 \tieFixSlash 8~ 8 8 8 8 | 8 8 8 \tieFixSlash 8(~ 8 8 8 8) | } -- Peter Crighton | Musician & Music Engraver based in Mainz, Germany http://www.petercrighton.de ___ lilypond-user mailing list lilypond-user@gnu.org https://lists

Re: Arbitrary number of arguments in Scheme function?

2016-02-17 14:02 GMT+01:00 David Kastrup : > That requires a change in the parser. If you put up a respective > request, I'll take a look whether I can implement it in one of the next > versions. How and where do I do that? -- Peter Crighton | Musician & Music Engraver based

Re:help needed with project notation strategy

gives better results. A certain amount of editing will still be required for trills , triplets etc. regards Peter Gentry ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Install on linux

ypond folder and move that to .local/share or /usr/share? Thanks, Peter //= // Peter O'Doherty // http://www.peterodoherty.net // m...@peterodoherty.net //= ___ lilypond-user mailing lis

Re: Install on linux

Thanks a lot. Sorted now using sudo sh lilypond... On 21-02-16 13:13, Peter O'Doherty wrote: Hi, When I install lilypond on Ubuntu (following the instructions on the website i.e. cd PATH-TO-DOWNLOAD-DIRECTORY sh lilypond-2.18.2-OS-TYPE.sh ) it installs two folders in my home dire

Re: Install on linux

On 22-02-16 04:05, David Wright wrote: On Sun 21 Feb 2016 at 22:12:51 (+0100), Malte Meyn wrote: Am 21.02.2016 um 22:02 schrieb David Wright: On Sun 21 Feb 2016 at 19:10:29 (+0100), Peter O'Doherty wrote: Thanks a lot. Sorted now using sudo sh lilypond... I can't help wonderin

Spam u don't like

How did potential malware links get into the list, it hasn't happend before? If its not spam then the poster should be less cryptic or he won't get anyone interested. regards Peter Gentry ___ lilypond-user mailing list lilypond-us

Position title

there a way to solve this? Most kind regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Position title

between the key and the time and it also does not change the space above the title. Kind Regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Position title

Kieren MacMillan wrote: >> Does this also work in version version "2.18.2”? > > I believe so. (I don’t have that version to check against.) Apologies, than my guess is a hard to find printer setting that adds top-margin above the one of lilyponds. __

Re: Position title

David Wright wrote: > run it through TeX to produce a PDF file and print it. I don't have. > This will give you some idea of where the printer/printer driver is > placing what. > > (If you don't have TeX, I can send you the letter size PDF.) Yes, thank you so much. > If you're unhappy with th

Re: Position title

tisimst wrote: > Can you post your (compilable) source file and resulting PDF so we can see > exactly what's going on? Thank you kindly. The pdf looks okay, extra top-margin is added after printing, i see it clearly now here. example sourcefile: \version "2.18.2" date = #(strftime "%A %d %B %

Fonts

Hi all, What is the current situation with alternative fonts in lilypond? By which I mean the font for all notational elements, not just text. I notice that Abraham Lee did work on this but the site is currently down: https://fonts.openlilylib.org/ Many thanks, Peter

Slashed grace notes

Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Fonts

Hi all, What is the current situation with alternative fonts in lilypond? By which I mean the font for all notational elements, not just text. I notice that Abraham Lee did work on this but the site is currently down: https://fonts.openlilylib.org/ Many thanks, Peter

Slashed grace notes

Hi, Is it possible to notate a grace note group, with a slash and a slur? Thanks, Peter //= // Peter O'Doherty // http://www.peterodoherty.net // m...@peterodoherty.net // skype: peter_o_do

Slashed grace notes

Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Slashed grace notes

On 26-03-16 14:16, Malte Meyn wrote: Am 26.03.2016 um 14:03 schrieb Peter O'Doherty: Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter Yes, see http://lsr.di.unimi.it/LSR/Item?id=721 P.S.: This was your third email with this content.

Re: naturalize pitches

it preferable to change the source directly instead of using function calls. Best Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: naturalize pitches

ions (internal or usermade) to manipulate the output. This is only a transposing instrument situation so it should be doable. Yes, not much to think about in that case. But I hope a made my point clearer!? :) Best Peter ___ lilypond-user mailing list l

change lyric placement depending with \RemoveEmptyStaffContext

I'm have a vocal score which uses bass clef almost exclusively during the verses. I'd like to keep the lyrics below the staff when the treble clef is hidden, and between staves (above bass clef) when it appears. Any suggestions for how to do thi

Re: chord names in piano staff

chordmode { ...} upper = \relative { ... } lower = \relative { ... } \score { << \context ChordNames \guitarChords \context GrandStaff << \context Staff = upper \upper \context Staff = lower \lower >> >> } -- Dr P

Manually place a clef object?

When a repeated section begins in one clef and ends in another (as in the Basso Continuo part I'm working on), it would be nice to be able to add a "reminder" clef at the end of the repeated section, to alert the player to return to the original clef when the repeat sign is reached. This behavio

Re: anybody know apache? (dir structure of docs)

rewriting the serving path >> without rewriting the URL that appears in browser window? Graham> I would like this. I'd like that a lot. We could keep the Graham> simpler build structure, but still have simpler urls. Graham> Cheers, - Graham Graham> ____

Re: Switching music for PDF and Midi

> "Akira" == Akira writes: Akira> What I want to say is just on this picture. Please see this Akira> picture: Akira> http://lh6.ggpht.com/_Rub71FvXx30/Sv1NLn_iKgI/ADc/I-Amwi5RrK8/differentmusicpdfmidi.JPG Akira> I'm typesetting a piece that includes trills, but a problem Akira> occ

Different header on each page

I would like to provide a running text translation across the top of each page of a vocal score I am creating. I assume the easiest way to do this would be with the \header block, but I'm having trouble figuring out how to specify what header to place on each page. If the \header block, is not th

begin-repeat and end-repeat signs print inconsistently

Depending on context, a particular begin-repeat sign or end-repeat sign will refuse to print even though others are printing fine within the same document. Gmane would not allow me to post a snippet, but one can be found at http://pefty.elementfx.com/repeat%20sign%20problem.ly Please share any i

manually set page numbers?

Is it possible to manually set the page number with which lilypond begins when it engraves its page numbers for a given score? Perhaps a means analogous to that by which one can manually set the bar number with which lilypond begins when it engraves its bar numbers for a given score: \set Score.

Re: score runs off the page

-R1*5/4*111 | +R1*5/4*11 | } tuba = \relative c, { -- Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia ___ lilypond-user mailing list l

after-title-space

after-title-space = 0.5\in bottom-margin = 5\in ragged-last-bottom=##f tagline = "" } \layout { indent = 0.0 } \header { title = "I Saw Three Ships" composer = "Traditional" enteredby = "Peter Buhr" } harmonie

New Articulate script available for better midi output

lled `lilywrap' in the tarball that makes exactly these additions to a lilypond file and invokes lilypond for you). Peter C The direct download link is http://www.nicta.com.au/__data/assets/file/0009/21888/articulate-1.3.tar.gz -- Dr Peter Chubb peter DOT chubb

show chord symbol in each bar

(1) he and not the over the other bars (2-4). I would like to have the Chordsymbolover all bars (1-4) is this possible? Other, is it possible to change the Color of a single barline? Thanks for advice, all the best, peter ___ lilypond-us

Re: show chord symbol in each bar

t is exact what I am looking for. I adjusted my Sheet, all the best! Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Alternatives in the *middle* of a volta

| music|| end|| music ... | :| Lilypnd 2.12.2 doesn't like \alternative in the middle of a repeated section. Is there a sane way to do this? -- Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au

Re: Alternatives in the *middle* of a volta

>>>>> "Tim" == Tim McNamara writes: Tim> On Feb 14, 2010, at 2:54 AM, Peter Chubb wrote: >> Is there a sane way to do this? Tim> Thinking as a player, I'd rather see this as a coda It's only one bar in the middle. I'd like to get it onto o

Re: lilypond tool and MidiInput

sn't really quite fit into the current LilyPond codebase anywhere that's obvious. Any chance of adding a `contrib' directory so things like this could be distributed with LilyPond? Or if not that, then a `loosely related work' section to the webpage? -- Dr Peter Chub

Re: Mailing Subject Format Inquiry

Steven, On 15/02 12:41:58, Steven White wrote: > On 2/15/10 12:06 PM, Colin Campbell wrote: >> Steven White wrote: >>> Hello, >>> >>> Just an inquiry, but is there any specific reason why the mailing >>> list doesn't have a prepended subject like [lilypond-user]? [ ... ] >> At home, I use Thunder

Re: Re: Mailing Subject Format Inquiry

D'oh! Mental typo. On 17/02 08:57:57, Peter Wright wrote: > [0] You *could* however use the Thunderbird "tagging" feature as a > colour-based alternative to the Subject prefix marker: > > Right-click on a lilypond-user message > -> Tag -&g

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