gotten with it and what challenges that the
software presented.
Currently I am trying to enter a C#m chord 446654. And having a bit of a
challege. Any suggestions
Nick
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Attempting to make myself a practice sheet. I cant seem to put chord
names above the fret diagrams. Any suggestions ?
\version "2.8.1"
{
\key c \major
^\markup \fret-diagram #"6-x;5-3;4-2;3-o;2-1;1-o;"
^\markup \fret-diagram #"6-1;5-1;4-3;3-2;2-2;1-1;"
\key c \major
^\markup \fret-diagram #"6-
This is the nearest thing I could figure out. It shows what I am trying
to get at, but I would rather use \chords or \ChordNames
--
\version "2.8.1"
{
\key c \major
<<
8
^\markup \fret-diagram #"6-x;5-3;4-2;3-o;2-1;1-o;"
^\markup{ \fontsize #6 \bold C }
>>
<<
8
^\markup \fret-diagram #"6-1;5-1;4
vertically
Any help on these problems would be appreciated
Nick
\version "2.8.1"
\include "Chords.ly"
\paper {
#(define dump-extents #t)
indent = 0\mm
linewidth = 160\mm - 2.0 * 0.4\in
raggedright = ##t
}
\layout {
}
\header {
title = "Sister Golde
Thanks
On Mon, 2006-05-08 at 09:06 -0700, Rick Hansen (aka RickH) wrote:
> I'm not on a computer where I can test this now, but a cursory glance tells
> me that your containment of the \center-align { } function is not correct.
> All the things that you want "stacked vertically" should be containe
Hi,
try the \break command
I guess it'll work for you.
Nick
--- Ursprüngliche Nachricht ---
Datum: 17.05.2006 16:27
Von: Jean-marc LEGRAND <[EMAIL PROTECTED]>
An: lilypond-user@gnu.org
Betreff: breaking lines in unmetred music
>
>
>
>
> Hi list !
>
> Pfiou :
Hello.
I'm new to Lilypond and going through the tutorial right now.
One thing I'm noticing is that whenever Lilypond is open
(even just sitting idly in the background), my computer runs
noticeably slower. It's a new MacBook Pro, 8 gigs of RAM.
It can run Logic, Sibelius, many tabs of Chrome, Mail
Where does the "\override Score.PaperColumn #'keep-inside-line = ##t" line go?
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patch against an old Lilypond version right
now (although this will change hopefully quite soon).
I'm sure others on the list will have suggestions which are of more
immediate help, but I couldn't resist the plug :)
Nick/.
On 15 Sep 2008, at 6:21 pm, Tim Litwiller wrote:
This is n
empo "Moderato"
\override Staff.NoteCollision #'merge-differently-headed =
##t
\context Staff << \new Voice { \voiceOne \up }
\new Voice { \voiceTwo \down } >>
}
\layout { }
\midi { }
}
Nick
his. I've attached a couple of
images, one showing the part of the Adelita PDF file that I downloaded from
Mutopia and the other showing the same part of the PDF file generated on my
machine from the Mutopia source file.
Nick
<><>___
lil
Thanks. That gets the result I wanted.
Nick
-Original Message-
From: Jonathan Kulp [mailto:[EMAIL PROTECTED]
Sent: Tuesday, 16 September 2008 23:36
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Two questions about fingering indications
Hi Nick,
I saw that someone else answered
ne and not the other.
Foo.ly and foo.png - test and output as expected.
Barrios.ly and barrios.png - shows only a dashed line over bar 7 where the
barre indication should be.
Can anyone shed some light on this?
Nick
-Original Message-
From: Neil Puttock [mailto:[EMAIL PROTECTED]
Sent: Th
re indication should be.
Can anyone shed some light on this?
Nick
-Original Message-
From: Neil Puttock [mailto:[EMAIL PROTECTED]
Sent: Thursday, 18 September 2008 06:12
To: Kieren MacMillan
Cc: Nick Payne; Mailinglist lilypond-user
Subject: Re: Questions on beaming and barring
2008/9
starting them to
avoid this behaviour.
Nick
-Original Message-
From: Neil Puttock [mailto:[EMAIL PROTECTED]
Hi Nick,
2008/9/19 Nick Payne <[EMAIL PROTECTED]>:
> Neil
>
> Thanks. I used your function definition in a short test and it worked just as
> I wanted. Strangely, ho
hey don't
both start and finish centred on a note, like so:
\barre #0.0 "CIV" #'(-0.5 . -1) #10
But this means that a barre that wraps to the following stave now extends
slightly beyond the RH end of the beginning stave. I couldn't find the command
to fix that.
Nick
-
#(ly:make-moment 1 2)
}
}
}
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of [EMAIL PROTECTED]
> Sent: Saturday, 4 October 2008 20:45
> To: lilypond-user@gnu.org
> Subject: Shrinking to fit on a sing
You can remove the time signature like so:
\score {
.
.
.
\layout {
.
.
\context {
\Staff
\remove "Time_signature_engraver"
}
}
}
I'm trying to get my fingering indications below the noteheads using \set
fingeringOrientations = #'(down), but they remain resolutely above the beam.
I also tried (left) and (right) with no change either. My two bar test input
and output are attached. Can anyone tell me why this isn't working? I'm
without
making every fingered note a chord, but if you want the fingering to display
anywhere except the default location, then it has to have < > around each
fingered note.
Nick
> -Original Message-
> From: James E. Bailey [mailto:[EMAIL PROTECTED]
> Sent: Sunday, 12 October
fined inside a chord
construct even if there is only a single note". I suggest that the section
on fingering instructions has a similar pullout indicating that the same
construction is needed for placing the fingering on single notes, and an
example of such.
Nick
> -Original Message
on or in a repository of samples.
Nick
-Original Message-
From: Valentin Villenave [mailto:[EMAIL PROTECTED]
Sent: Monday, 13 October 2008 17:43
To: Jonathan Kulp
Cc: Nick Payne; lilypond-user@gnu.org
Subject: Re: Moving guitar fingering orientations
2008/10/12 Jonathan Kulp <[EM
to have the same slope as the 1st
without having to add a beam position override for every bar. I played
around with overriding the concaveness and damping beam properties without
getting anything but horizontal beams.
Nick
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> -Original Message-
> From: Jonathan Kulp [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, 22 October 2008 06:55
> To: Nick Payne
> Cc: lilypond-user@gnu.org
> Subject: Re: Drum parts and horizontal beams
>
> Jonathan Kulp wrote:
> >
> >
> > Nic
r that it might possibly do what I was
after. Does anyone know anything about this function?
Nick
> -Original Message-
> From: Nick Payne
>
>
> Is it possible to do the reverse - give every beam a slight slope
> without explicitly setting the start and end position of every bea
On my system (same Lilypond version) that file is in C:\Program
Files\LilyPond\usr\share\guile\1.8\ice-9. Is it there on your system?
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of David Picón Álvarez
> Sent: Friday, 24 Oct
My suggestion would be to also generate the PDF from the PS using Acrobat on
Vista and see if the result is the same as the PDF generated by GS on Vista.
I have Acrobat but not Vista (only XP) or I would try it myself.
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mail
. If I run that same minimal example through Lilypond on XP, the generated
PS file is about half the size of the same file on Vista (988Kb vs 1878Kb),
and Distiller has no problem converting the PS to PDF.
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EM
In my score at one point I have:
^\markup {\tiny {\italic {\column { "right hand the same" "simile la main
droit"
To my eye the vertical spacing between the English and French is excessive.
How can I reduce it?
Nick
___
l
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of sdfgsdhdshd
> Sent: Sunday, 26 October 2008 13:52
> To: lilypond-user@gnu.org
> Subject: RE: Unexpected character change on Vista
>
>
>
> Nick Payne-3 wrote:
>
Mark
Thanks. Using #'baseline-skip = #2 gave the spacing I was looking for.
Nick
> -Original Message-
> From: Mark Polesky [mailto:[EMAIL PROTECTED]
> Sent: Sunday, 26 October 2008 17:34
> To: lilypond-user; [EMAIL PROTECTED]
> Subject: Re: Control vertical spacing
Yes, I forgot the final e for droite. But "simile la main droite" appears on
a couple of scores I have published by Eschig, and they *are* a French music
publisher.
Nick
> -Original Message-
> From: Valentin Villenave [mailto:[EMAIL PROTECTED]
> Sent: Sunday, 26 Octo
> -Original Message-
> From: Valentin Villenave [mailto:[EMAIL PROTECTED]
>
> 2008/10/26 Nick Payne <[EMAIL PROTECTED]>:
> > Yes, I forgot the final e for droite. But "simile la main droite"
> appears on
> > a couple of scores I have published
If you want it to take less space horizontally, you could set set it in two
columns:
\version "2.11.63"
ganzunten = {\clef bass
\textLengthOff
\ottava #-1
%es wird zweistimmig!
<<
{ \once \override TextScript #'baseline-skip = #2
\oneVoice 1 ~ ^\markup
d/or pdf) with the
> installer.
>
Actually, Lilypond already does this (on Windows, anyway). If you
double-click the LilyPond icon on the desktop, it pops up
Welcome_to_LilyPond.ly in the Lilypad window. All it needs is for the errors
in the ly file to be fixed:-)
Nick Payne
_
I have 2.11.63 installed on Windows, and I notice that if I run convert-ly
against a file, it changes the \version number to 2.11.62 rather than
2.11.63. This corresponds with what I see in the console window:
=
convert-ly.py --edit "C:\Documents and Settings\ni
that size.
Ly file is attached. I'm using 2.11.63 on Vista. When I uncomment the
\override commands in the three voices, the size of the numbers doubles.
Nick Payne
% Created on Sun Nov 09 17:28:18 EST 2008
\version "2.11.63"
#(ly:set-option 'delete-intermediate-files #t)
ve notated it as
4/4, and the only commercial recording I have of it is at around 4 = 96.
I've just put 4 = 72 to give me a slower midi file to practice against until
my proficiency improves.
Nick
> -Original Message-
> From: Thomas Scharkowski [mailto:[EMAIL PROTECTED]
> Sent:
ision between the fingering indication and the
accidental.
Should there be this sensitivity to the order in which the pitches for the
chord appear in the ly file?
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of Nick Payne
> Sent:
n, I get a warning and the fingering doesn't appear at all: if I
try then the log contains
warning: cannot add text scripts to individual note heads
See attached excerpt from a score, which shows what I want to do. I'm using
2.11.63.
Nick Payne
<>___
actually wasn't an upgrade in the sense of installing over the top of the
existing OS and applications, I reformatted the hard disk and did a clean
install.
Nick Payne
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of Francisco Vil
-1
c^\markup {\finger "1"}
c^\markup {\finger \char ##x2014 "1"}
}
Nick Payne
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|
Which shows the move from G to F# in the upper voice in the attached png. To
do the same for the lower voice which contains chords at the point where I
want these indications, I'll guess have to create a hidden voice or voices
to which to attach the glissando.
Nick
<>__
te a 2nd slide I used another voice with
hidden notes.
Nick
> -Original Message-
> From: Neil Puttock [mailto:[EMAIL PROTECTED]
> Sent: Friday, 14 November 2008 11:17 AM
> To: Nick Payne
> Cc: lilypond-user
> Subject: Re: Slides (Was Problems with em dash)
>
> Hi
I have a Vista Business system installed a week ago that has LP 2.11.63 on
it - no upgrade from an older version. The large font file in
C:\Users\Nick\.lilypond-fonts.cache-2 has the most recent date stamp of the
files in that dir, and is dated 12th November, which is last Wednesday, so
it'
pdate every time I run
Lilypond.
stat is a C library function to obtain information about a file. I would assume
fcstat is much the same.
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of Trevor Daniels
> Sent: Saturday, 15 Novemb
To change an individual bar:
\bar "dashed" or
\bar ":"
To change the default barline appearance:
\set Timing.defaultBarType = "dashed" or
\set Timing.defaultBarType = ":"
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mai
a good test subject.
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of Han-Wen Nienhuys
> Sent: Tuesday, 18 November 2008 00:39
> To: Trevor Daniels
> Cc: Tim Slattery; lilypond-user@gnu.org
> Subject: Re: LilyPond is
ly.py --edit "C:\nick\Lilypond\Adagio\notes.ly"
convert-ly.py (GNU LilyPond) 2.11.63
Processing `C:\nick\Lilypond\Adagio\notes.ly'...
Applying conversion: 2.11.2, 2.11.5, 2.11.6, 2.11.10, 2.11.11, 2.11.13,
2.11.15, 2.11.23, 2.11.35, 2.11.38, 2.11.46, 2.11.48, 2.11.50, 2.11.51,
2.11.
No, those values don't seem to be listed there (internals s.3.2.9) - maybe
they should be, but they are shown in s.1.2.5 of the notation reference.
Nick
From: Stefan Waler [mailto:[EMAIL PROTECTED]
Sent: Tuesday, 18 November 2008 18:53
To: Nick Payne
Cc: 'lilypond-user&#x
On my system, using jEdit on Vista, the PDF gets reloaded when I click on
the jPedal window to make it topmost.
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of Bertalan Fodor (LilyPondTool)
> Sent: Saturday, 29 November
;< { \fixA } \\ { \voiceThree \fixB c! } >> s
<< { \fixA } \\ { \voiceThree \fixB d } >> s
}
%=
One other thing I note - see 2nd png, is that gets engraved with
only one of the two notes touching the stem. Is it possibl
s the version
number.
It would be useful in situations like this to have somewhere in the Lilypond
documentation a timeline of release dates. Maybe it's there, but I had a
brief look a while ago and didn't find it.
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mai
You could try adding
ragged-bottom = ##t
ragged-last-bottom = ##t
to the \paper section.
Nick
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
> Behalf Of chip
> Sent: Monday, 8 December 2008 14:23
> To: lilypond-user
I get the repeat barlines without having to explicitly specify them.
Nick
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of Mark Polesky
> Sent: Sund
ader {
title = \markup "Piece Three"
composer = "Person Three"
}
\relative c' { \time 3/4 c d e f g a g f e }
}
Nick
From: lilypond-user-bou
ouglasMcGilvray.pdf
"Polyphonic
Matching using DP" for the lowdown. I don't think it'd be that easy to
rewrite it to get it running on lilypond files, but not impossible either. He
refers to "score" and "performance", but you could think of the performanc
When I tried to run jEdit after following the instructions below, I got the
plugin error dialog: "C:\users\nick\.jedit\jars\LilyPondTool.jar: requires JAR
file C:\users\nick\.jedit\jars\antlr-runtime-3.0.1.jar. This jar file is part
of this plugin, but it cannot be found."
There seem
Sorry, that should read " documentation for 2.11.37" as being the doc version
that opens.
Nick
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behal
Look up \tempo in the manual section 1.6.3 on metronome marks.
Nick
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of Hajo Baess
> Sent: Wednesday, 24 D
.38, 2.11.46,
2.11.48, 2.11.50, 2.11.51, 2.11.52, 2.11.53, 2.11.55, 2.11.57, 2.11.60, 2.11.61
, 2.11.62, 2.11.64, 2.11.66
Seeing that this is supposed to be the stable version, I think it should put
the current version number in the file, and not the last development version
ional Information 4: ea6f5fe8924aaa756324d57f87834160
Nick
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of Stefan Waler
> Sent: Monday, 29 December 2008
/examples/transpose.ly:18:5: Wrong type: (unquote SHARP)
Nick
> -Original Message-
> Behalf Of John Mandereau
> Sent: Tuesday, 30 December 2008 07:55
> To: Stefan Thomas
> Cc: lilypond-user
> Subject: Re: Diatonic/modal transposition function (John Mandereau)
>
> Le lundi
cally
updates the window to show you the new file...
It also runs on both Linux and Windows.
Nick
> -Original Message-
> Behalf Of chip
> Sent: Thursday, 1 January 2009 02:35
> To: Francisco Vila
> Cc: lilypond-user@gnu.org; Carl D. Sorensen
> Subject: Re: save genera
PhrasingSlur #'direction = #DOWN
\acciaccatura { d16[ e16] } d8 c\> d2\! ~
But I still get the slur above, as shown in the attached PNG
Nick Payne
<>___
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lilypond-user@gnu.org
http://lists.g
ote. Any way to
avoid that?
Nick
> -Original Message-
> From: James E. Bailey [mailto:derhindem...@googlemail.com]
> Sent: Thursday, 1 January 2009 21:16
> To: Nick Payne
> Cc: lilypond-user@gnu.org
> Subject: Re: Move slur for acciaccatura
>
>
> Am 01.01.20
way to do
this.
Nick Payne
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> -Original Message-
> From: Jonathan Kulp [mailto:jonlancek...@gmail.com]
> Sent: Friday, 2 January 2009 14:07
> To: Nick Payne
> Cc: lilypond-user@gnu.org
> Subject: Re: Default a sequence of notes to show flageolet
>
> Nick Payne wrote:
> > I have about
> -Original Message-
> From: Mats Bengtsson [mailto:mats.bengts...@ee.kth.se]
> Sent: Saturday, 3 January 2009 07:16
> To: Nick Payne
> Cc: lilypond-user@gnu.org
> Subject: Re: Move slur for acciaccatura
>
> Nick Payne wrote:
> > The slurs on the acc
\once \override TextScript #'extra-offset = #'( 7.5 . 0 )
a8 e'4 e e8^\markup {End} |
And play around with the offset values to get the correct position.
Nick
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [
Thanks for pointing that out. I hadn't realized it was there in the viewer.
Nick
> -Original Message-
> From: Bertalan Fodor [mailto:lilypondt...@organum.hu]
> Sent: Sunday, 4 January 2009 00:34
> To: Nick Payne; al...@alfarrabio.di.uminho.pt
> Cc: 'lilypond'
details #'left-broken #'X =
#$adjBreak
\once \override TextSpanner #'bound-details #'right-broken #'padding
= #$adjEnd
#})
Nick Payne
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)
\once \override Stem #'rotation = #'(45 0 0)
\once \override Stem #'extra-offset = #'(-0.3 . -0.3)
\once \override Stem #'flag-style = #'no-flag
\once \override Accidental #'extra-offset = #'(3.1 . 0)
}
\relative c' {
<< { \fixA } \\ { \vo
p go here
\bookpart {
\header {
title = \markup "Prelude in C minor"
tagline = \markup { \override #'(font-name . "SpectrumMT
SC") \center-align
\fontsize #-3.5
{
Put a layout section in your \score:
\score {
% your staffs here
\layout {
\context {
\Staff \override InstrumentName #'stencil = ##f
}
}
Nick
> -Original Message-
> From: lilypond-user-bounces
gestion why this misalignment happens?
Nick
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takes 23 seconds to build the whole score, but with
showLastLength it only takes three seconds to engrave those last six bars.
Nick
> -Original Message-
> On Behalf Of Grammostola Rosea
> Sent: Tuesday, 6 January 2009 22:08
> To: lily...@googlegroups.com; lilypond-user@gnu.
Yes, thanks. I found the best solution was to use e'8\< d c d\> e c\!
I didn't realize that a decrescendo mark implicitly closes off the preceding
crescendo without needing to use \! first.
Nick
> -Original Message-
> From: Mats Bengtsson [mailto:mats.bengt
next line. Is this a bug or something I am doing wrong?
I'm running 2.12.1 on Vista. The PNGs show the output for a couple of the
parts, one where the fermata is correctly positioned and the other where it
is being placed above the clef sign.
Nick
<><>
Thanks. Using
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
Fixed the problem.
Nick
> -Original Message-
> From: Dmytro O. Redchuk [mailto:brownian@gmail.com]
> Sent: Thursday, 8 January 2009 18:52
> To: Nick Payne
> Cc: Neil Tho
ly where I need it to prevent text
indications from going right out to the page edge. I had a fair hunt through
the documentation without finding a solution.
Nick
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after
Lilypond completes, jPedal, jEdit, and the console window all completely
lock up and the only recourse is to start Task Manager and kill the
javaw.exe process. This is with Suns latest JRE on Vista...
Nick
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on.
d.org/doc/v2.12/input/lsr/lilypond-snippets/Pitches#Pitches
instead of the individual snippet. Same thing for snippets under Rhythms,
Expression Marks, etc.
The individual snippet bookmarks in the PDF version *do* link to the
individual snippet.
Thanks. The suggestion from James Bailey of using \override
Score.PaperColumn #'keep-inside-line = ##t fixed the layout problem.
Nick
> -Original Message-
> From: Mark Polesky [mailto:markpole...@yahoo.com]
> Sent: Saturday, 10 January 2009 18:15
> To: Nick Payne; Andre
ed, unless
[...] is used to explicitly beam the other notes
\version "2.12.1"
\relative c'' {
\time 3/4
\acciaccatura{a16[ b16]} a8-. g-. a-. b-. a8.\noBeam r16 |
\acciaccatura{a16[ b16]} a8-.[ g-. a-.
Trevor
Thanks. There are only a few bars with this timing, so I have used the [...]
manual override.
Nick
> -Original Message-
> From: Trevor Daniels [mailto:t.dani...@treda.co.uk]
> Sent: Sunday, 11 January 2009 20:47
> To: Nick Payne; lilypond-user@gnu.org
> Subjec
I tried it on my box (HP dx1550, AMD dual core with 4Gb RAM), and it took
267 seconds to build. By comparison, to build the score from the Mutopia
source files for the adagio from Brandenburg #1 (about 40 bars for 12
instruments) takes 22 seconds.
Nick
> -Original Message-
>
'4\rest e,2 |
} \\ {
a,2.
} >>
}
Nick Payne
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27;(5.5 . 6.5) d32 ees'16. |
d,4 ~ \stemDown d32 ees'16. |
}
%==
Nick
> -Original Message-
> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
> Behalf Of Tom H
part as compared to the
combined score, and so if the position is tweaked for one it's
incorrect for the other.
Nick
On Tue 13/01/09 8:17 AM , "James E. Bailey"
derhindem...@googlemail.com sent:
You could try putting the slur in a completely different voice
altogeth
the documentation – eg
the PhrasingSlur #’positions property is given as an example in the Learning
Manual but is not mentioned as one of the PhrasingSlur settings in the
Internals Reference.
From: nick.pa...@internode.on.net [mailto:nick.pa...@internode.on.net]
Sent: Tuesday, 13 January 200
8_( e'2) s8
\unHideNotes
}\\{b'4\rest e,2}\\{a,2.}
>>
}
%
Nick
From: Bertalan Fodor (LilyPondTool) [mailto:lilypondt...@organum.hu]
Sent: Tuesday, 13 January 2009 21:21
To: Nick Payne
Cc: 'James E. Bailey
You can explicitly set the positions of the left- and right-hand ends of the
beam. E.g.
\relative c'' {
\once\override Beam #'positions = #'(5.5 . 6.5) c16 b a g
}
There's a snippet in the documentation on manually controlling beam
positions.
Nick
> -
Ok, thanks, I now can find the references.
To make life easier for myself when searching the documentation I just
created a PDF portfolio from the PDF version of all the docs, as once the
portfolio has been indexed it makes searching across all the documents
extremely easy.
Nick
> -Origi
BODY { font-family:Arial, Helvetica, sans-serif;font-size:12px; }
Thanks. That works ideally.
Nick
On Wed 14/01/09 9:36 AM , Bertalan Fodor lilypondt...@organum.hu
sent:
Well, I think this is the ideal solution.
relative c' {
tim
disappeared from the score
but are still there in the parts.
I have attached a minimal example that shows the problem on my
system.
Nick
Links:
--
[1]
http://www.nabble.com/Separate-page-numbering-in-separate-book-parts--td20831772.html
testbook.ly
Description: Binary data
Following input gives the output attached:
%%
relative c'' {
override Hairpin #'minimum-length = #5
c8< c c> c!
c8pp< c c> c!
}
%%
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ut requires moving the pp if it falls at the beginning of a bar -
add \time 2/4 to the example and it ends up in no mans land.
What I did eventually was to globally set \override Hairpin #'minimum-length =
#5 and then add \once\override Hairpin #'minimum-length = #8 at the ten or so
o get the pages renumbered to 1 for each part. What has
> > happened is that the tempo indications have disappeared from the
> > score but are still there in the parts.
> >
> > I have attached a minimal example that shows the problem on my
> system.
> >
> > Nick
SP. I could do the
other language versions if someone can provide web space to host the files.
Nick
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