Hi...
I'm looking for steps to incorporate the LilyPond macro into OpenOffice 2.1 in
Windows, since the instructions I've found on
http://ooolilypond.sourceforge.net/#Installation
do not match up...
Register the basic macro in OpenOffice.org
- Select from the Menu: "Tools" --> "Macros" --> "Organi
ure how to do it
\score {
\relative c' {
\tempo "Lento Lontano, e molto legato"
\numericTimeSignature
\time 4/4
r2^\markup { \bold "Chorale-like" } r4 f\pp\( |
}
}
Thanks! I've rediscovered LilyPond after an absence of a few years...
Mike Dean
__
Yes, I am compiling as I go along (not always merrily)
Mike Dean
On Mon, Mar 24, 2014 at 1:46 PM, Mike Dean wrote:
> I guess I haven't figured the two indicators out correctly...
> \score {
>
> \tempo \markup { \bold "Lento Lontano, e molto legato"}
>
>
What I haven't found is getting the Chorale-like line under and aligned
with Lento lontano, as follows
*Lento Lontano, e molto legato*
*Chorale-like*
I think I found it:
\tempo \markup \column { \bold "Lento Lontano, e molto legato"
"Chorale-like"}
is producing the desi
Hi:
I am looking for a way to use isolated repeat symbols to bracket an except
of music I am setting (specifically, using three such symbols, the excerpt,
and three such symbols)
Alternatively, could use one double-percent symbol at each end, without the
dots...
Mike Dean
Well, \fz did work without a prior definition (pleasant surprise for me,
since I didn't find a reference to it in the manual nor the LSR)
Mike Dean
On Wed, Sep 30, 2020 at 8:31 PM Mike Dean wrote:
> Two questions in typesetting a piece by Haydn:
> 1. Does Fz needs to be defined
Two questions in typesetting a piece by Haydn:
1. Does Fz needs to be defined (unlike sfz)?
2. where should
fz = #(make-dynamic-script "fz")
be placed in order not to generate an error?
C:/Users/Mike
Dean/AppData/Local/Temp/frescobaldi-lis_ksvl/tmpgdr3w9ef/J-Haydn-Minuet in
C-correct.
(make-dynamic-script "fz")
\relative c''{
\tempo "Allegretto"
\time 3/4
\partial 4
and that is what generated the error
Mike Dean
On Thu, Oct 1, 2020 at 10:32 AM David Kastrup wrote:
> Mike Dean writes:
>
> > Two questions in typesetting a piece by Haydn:
sic, I was fixing up what I had coded earlier
Mike Dean
On Thu, Oct 1, 2020 at 11:27 AM Carl Sorensen wrote:
> Variables can only be defined at top level, not inside a score.
>
>
>
> https://lilypond.org/doc/v2.20/Documentation/notation/file-structure
>
>
>
>
>
> Carl Sorensen
>
over the repeat bar line rather than
over the clef on the next line ... I did figure out how to get the Trio
mark
I'm also not sure where to put this override to remove the warning time
signature (checking the snippet repository didn't give me any clues)
\once \overrideTimeSignatureSettin
Martin: Perfect!!! Thanks
Now to hide the warning 3/4 before the start of the Trio (I can take the \time
3/4
out, but that also takes out the time sig at the start of the
Trio)looking at the LSR did not give me anything to get a handle on
Mike Dean
On Sat, Oct 3, 2020 at 2:08 AM Martín
Robin: That worked (especially after putting it in each hand in the piano
score. Thanks
Mike Dean
On Sat, Oct 3, 2020 at 1:18 PM Robin Bannister wrote:
> Mike Dean wrote:
> > Now to hide the warning 3/4 before the start of the Trio (I can take
> the \time
> > 3/4
> >
t; }
}
\break
\repeat volta 2 {
\bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16
gs8. e16 |
a4 c b e | d8. c16 b8. c16 b2 |
a4. r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16 gs8. e16 |
a4 c b e | a,4 a8. a16 a4 r |
}
Mike Dean
March-of
Okay, I tried that, but the desire to start the trio on a new staff is not
met:
[image: image.png]
Hoping this wouldn't require a break-visibility command intervention.
Mike Dean
On Sat, Oct 24, 2020 at 5:51 PM Mark Stephen Mrotek
wrote:
> Mike,
>
>
>
> When I rem
.|:-|." }
}
\break
\repeat volta 2 {
\bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16
gs8. e16 |
}
has generated the following errors
Starting lilypond-windows.exe 2.20.0
[March-of-the-Russian-Imperial-Guard.ly]...
Processing `C:/U
Hi Carl:
Is \include "english.ly" different from \language "english"?
Part of my residing in the weeds is not being sure where \define command
(and its relatives like \defineBarLine) ought to go...while the compilation
didn't crash, the bar line construction was ignor
Ah, success! (Carl: you probably took out the barline repeat I had at the
Trio, but it just now dawned on me to do that)
Thanks for your help!!!
Mike Dean
On Mon, Oct 26, 2020 at 3:03 PM Mike Dean wrote:
> Hi Carl:
> Is \include "english.ly" different from \language "eng
Error message:
Starting lilypond-windows.exe 2.18.2 [May-Jesus-Christ-Be-Praised.ly]...
Processing
`C:/Users/Mike/Documents/musicwork/May-Jesus-Christ-Be-Praised.ly'
Parsing...
error: program too old: 2.18.2 (file requires: 2.20.0)
Would version 2.19.82 be a workaround?
Mike
1. Yes, it did
Having downloaded LilyPond 2,19.82, the compilation attempt 'crashed and
burned' at the start:
Starting lilypond-windows.exe [May-Jesus-Christ-Be-Praised.ly]...
Exited with return code -1073741819.
Mike Dean
On Mon, Oct 29, 2018 at 12:01 PM Sam Bivens wrote:
"C:\Program Files (x86)\Frescobaldi\frescobaldi_app\process.py",
line 73, in cleanup
self.process.deleteLater()
AttributeError: 'Process' object has no attribute 'process'
With respect to the version too old error, the fact that the compilation
resulted in a fatal error is
Hi group:
I am extracting a solo line from Gavotte II (Cello Sonata #6, J.S. Bach)
and at the end of Gavotte II are these instructions:
2nd time poco rall.
Gavotte I D.C.
I am struggling with how to attach that to the final measure (and a half):
a, a\p-. b-. cs-. | d2
Mike Dean
I'll give it a try, and report back. Thanks, Aaron.
Mike Dean
On Sun, May 26, 2019 at 2:37 AM Aaron Hill wrote:
> On 2019-05-25 9:52 pm, Mike Dean wrote:
> > Hi group:
> > I am extracting a solo line from Gavotte II (Cello Sonata #6, J.S.
> > Bach)
> > and at
lf, placing it before
the {music expression} worked, but, not at all in a \score block
Mike Dean
On Sun, May 26, 2019 at 5:42 AM Mike Dean wrote:
> I'll give it a try, and report back. Thanks, Aaron.
> Mike Dean
>
>
> On Sun, May 26, 2019 at 2:37 AM Aaron Hill
> wrote
f a g e c d d2~ d2.~ d4 r \bar ":|."
}
\score {
<<
\new ChordNames {
\set chordChanges = ##t
\harmonies
}
\new Voice = "one" { \melody }
>>
}
Mike Dean
Knute: No, I haven't run Lilypond from the command line (I have enough
trouble using it with Frescobaldi 3.2)
Machine: Windows 10 Pro 64-bit, 16GB memory
LP version 2.24
Mike Dean
On Thu, Jan 19, 2023 at 12:15 PM Knute Snortum wrote:
> On Thu, Jan 19, 2023 at 9:01 AM Mike Dea
16 (ef8)
bf'16 (af8) bf16 (af) bf (af) ef!~
<< { ef2}
\\
{ r8 ef,16 (f g af bf b) }
>>
I am getting an unterminated tie warning:
C:/Users/Mike
Dean/Documents/musicwork/Lilypond/The-Easy-Winners-melody.ly:19:39 <0>:
warning: unterminated tie
>>
The above doesn't seem to be the best way of doing it
Mike Dean
On Mon, Apr 17, 2023 at 7:25 PM Mark Stephen Mrotek
wrote:
> Mike,
>
> One way is to start the lower voice one measure earlier and use a spacer.
>
> See below.
>
>
>
> Mark
>
>
&
It took some digesting, but it behaves as desired:
[image: image.png]
Thanks!
Mike Dean
On Mon, Apr 17, 2023 at 11:49 PM Jean Abou Samra wrote:
> Le lundi 17 avril 2023 à 16:46 -0700, Mike Dean a écrit :
>
> I am needing to figure out how to best tie a note...
>
> \
Not sure there is an easy way to do it...
(I don't think I looked in the correct place in the LSR...)
Mike Dean
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Worked wonderfully! Thanks!
(Wasn't sure if I could follow the /parenthesize command with /trill...)
Mike Dean
On Sat, Dec 9, 2017 at 7:42 PM, Andrew Bernard
wrote:
> Hi Mike
>
> LSR 421.
>
> Andrew
>
>
___
lilypond-user
ect: The import dialog disappears and a new code window with the
generated ly file should open
Actual: The import dialog disappears but nothing else
In 2.19.80 LP is running (and says it can take some time...), so will post
another after the process completes ....
Mike Dean
On Mon, Dec 11, 2017 at 12
Am not sure how long Lilypond is to be running before expecting output
(error messages or otherwise), but am hoping that it is not hanging...
Mike Dean
On Mon, Dec 11, 2017 at 12:10 PM, Mike Dean wrote:
> Hi Martin:
> I am not sure if I was doing the steps correctly (was workin
Yes, I meant import...Meanwhile the Frescobaldi-invoked Lilypond is still
running (and can challenge the Energizer Bunny in an 8K)
Richard: Thank you for attaching the output...I am going to take a knee on
the current operation.
Mike Dean
On Mon, Dec 11, 2017 at 12:41 PM, Richard Shann
wrote
icxml
files for the forseeable future....)
Mike Dean
On Mon, Dec 11, 2017 at 12:51 PM, Mike Dean wrote:
> Yes, I meant import...Meanwhile the Frescobaldi-invoked Lilypond is still
> running (and can challenge the Energizer Bunny in an 8K)
> Richard: Thank you for attaching the outpu
Thanks--Mike
(I was that close to just starting from scratch in LilyPond.)
\version "2.19.80"
\language "english"
#(set-default-paper-size "letter")
\header {
title = "Pastoral: The Great Physician"
composer = "John Hart Stockton"
a
1,3,5 are chords, while measures 2,4,6 has the temporary polyphony
and trying to fit what I want to do into the example is a struggle...
Mike Dean
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
\once \stemDown c2. |
}
\\
\relative c {
2.\pp (| 2.)-> \mp \> |
2.\pp (| 2.)-> \mp \> |
2.\pp
}
>>
Next two measures
\time 4/4
c4 c8 bf af gf
---
1
\time 3/4
< e g! c >2 \> < d! f b! >4 | < e g c >4. < f a >8
In this multi-voice context, I'm not sure where to put the hairpin
decrescendo to not generate a warning
Mike Dean
On Tue, Dec 19, 2017 at 11:36 PM, Mike Dean wrote:
> So far , it has helped!
> In this construct, though, do I need to put the meter change in each part
> of this
Carl: Thanks!
I finished the engraving of the piano score of "Jesus Paid It All",
although I still haven't solved starting and ending hairpins in
simultaneous voices as of yet (I think that it may not start outside of of
such a section and end inside it)
Mike Dean
On Wed, Dec
at I can use to beam the
four notes?
Mike Dean
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Ben: That serves me right for ripping a text out of context and forgetting
to put an "8" after the first note in the snippet...
\version "2.19.80"
\language "english"
\clef treble
\key c \major
*\time 3/4*
<< { d,8 g d g fs a | d, g d g }
\\
n I didn't get the correct mental
picture...Thanks!)
Mike Dean
On Thu, Dec 21, 2017 at 1:22 PM, Ben wrote:
> On 12/21/2017 1:16 PM, Mike Dean wrote:
>
> Ben: That serves me right for ripping a text out of context and forgetting
> to put an "8" after the first note
Thanks, Simon!
Not much of an improvement from my original thought of putting square
brackets around the group of notes, but it got me closer to the truth
Mike Dean
On Thu, Dec 21, 2017 at 3:35 PM, Simon Albrecht
wrote:
> On 21.12.2017 19:38, Mike Dean wrote:
>
>> (Thought: w
Original thought: [d g d g] (wound up trying to attach a beam to a quarter
rest...)
Improved: d [g d g]
Correct: d[ g d g]
Mike Dean
On Thu, Dec 21, 2017 at 3:39 PM, Mike Dean wrote:
> Thanks, Simon!
> Not much of an improvement from my original thought of putting square
> bracke
The tremolo construct
\clef bass \repeat tremolo 8 { bf,16 bf' }
produces the output:
[image: Inline image 1]
is there a setting that can angle the tremolo so that the left end is
closer to the lower note?
Mike Dean
___
lilypond-user mailing
more looking for slanted tremolo lines (like the 0.1 slant)
Mike Dean
On Fri, Dec 22, 2017 at 9:09 AM, Ben wrote:
> On 12/22/2017 8:24 AM, Mike Dean wrote:
>
> The tremolo construct
> \clef bass \repeat tremolo 8 { bf,16 bf' }
>
> produces the output:
>
> [image: I
x27; }
[image: Inline image 1]
Without the \once command, the other tremolos are further slanted, which is
not desirable:
[image: Inline image 2]
Thanks again!!
}
Mike Dean
On Fri, Dec 22, 2017 at 9:14 AM, Mike Dean wrote:
> more looking for slanted tremolo lines (like the 0.1 slant)
>
>
Having a hard time querying about this:
\version "2.19.42"
{
*% not at all sure how to resolve the warning about a unresolved tie:*
b''8 as b2->~ |
<< {b1~\repeatTie | b4} \\
{ -. | } >> e'8 ds e2 |
}
Mike Dean
__
< < \new Voice = "mel" { \melody }
* \set Voice.instrumentName = #"Melody"*
\new PianoStaff <<
\set PianoStaff.instrumentName = #"Piano "
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
>&g
t;upper" \upper
\new Staff = "lower" \lower
>>
>>
(
Mike Dean
On Tue, Apr 4, 2017 at 12:56 PM, Mike Dean wrote:
> < < \new Voice = "mel" { \melody }
>* \set Voice.instrumentName = #"Melody"*
> \new Piano
Somewhere in the LSR is a snippet to shrink the size of the melody line
Mike Dean
On Tue, Apr 4, 2017 at 1:39 PM, Mike Dean wrote:
> After trial by errors and caagr98's (thanks much!!!) help:
>
> <<
> \new Staff = "mel" { \melody }
> <
bling items from Item 1.6 in the Notation manual [0.02458] and Piano
template (simple) [0.11905]
Mike Dean
On Tue, Apr 4, 2017 at 1:46 PM, Mike Dean wrote:
> Somewhere in the LSR is a snippet to shrink the size of the melody line
>
> Mike Dean
>
> On Tue, Apr 4, 2017
... over seven measures with dashes engraved as necessary.
I'm not sure how easily I can find that in the snippet repository...
thanks.
Mike Dean
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
53 matches
Mail list logo
