; d' e' } \layout { indent=0 } }
"with this " \score { { c'''' d'''' e'''' } \layout { indent=0 } }
}
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys ava
d have a
properly ending sustain pedal bracket. Moreover all other spanner
in the example behave as expected.
Could someone more knowledgeable than me have a look ?
If indeed it is issue 1128 then please extend the corresponding issue's
description.
Last not least there seem to be $75 bug bounty in t
27;'' }
\markup {
"this should be aligned" \score { \musicA }
"with this " \score { \musicB }
}
%%
I don't see any benefit in terms of readability in the version with the
custom function. Reuse of score snippets is identical. No gain either.
I&#
tation/usage/troubleshooting
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
orld practicality
> defeated beauty, insight, and elegance. :-(]
Well, beauty is in the eye of the beholder..
Anybody remembering APL ?
THAT is a beautiful language and most likely totally unuseable for the
vast majority of today's aspiring programmers :)
Kind regards,
Michael
--
Mich
ot exactly as intended.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
lilypond-user@
eColumn.force-hshift = #1 cis'4. }
\\
{ \voiceTwo a,2 }
>>
>>
}
%%
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
e) visible ?
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
arpeggiotie-display.pdf
Description: Adobe PDF document
\version "2.19.26"
\markup "default for tie"
{ \set tieWaitForNote = ##t \stemU
> { \set tieWaitForNote = ##t \stemUp \tuplet 3/2 { gis'16 b' -\tweak
> minimum-length #15 ~ dis''~ } \stemNeutral 2 }
Marc and Phil, thanks alot - problem solved.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on requ
se ?
Things I'd change:
- your version string is invalid
- remove the layout block from inside Hymstyle. I get rid of a whole
bunch of warnings and errors when I do so
- insert one or two dummy notes in the \score block
It all boils down to creating a minimal example.
Kind regards,
Micha
here:
[stuff snipped]
...
% full score in concert pitch
\score {
\new StaffGroup % <--- put it here
<<
\altoSax
\trombone
\guitar
\layout {}
}
[szuff snipped]
You really should have a look in the manual. Start with the learning
manual. It is time well spend.
Kind regar
ndo" a a
%\omit TupletNumber
a-"default again" a a
a a a
a-"still default" a a
}
r2
}
HTH,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed mess
guess the "\once" does not work in this case
because it pops the "\omit" off the stack and does not push it back.
Not sure pushing things back is part of the "\once" functionality.
As I understand "\once" something like
"\once \show TupletNumber
partial expect a duration (of the partial). You have it inversed.
See
http://www.lilypond.org/doc/v2.19/Documentation/notation/displaying-rhythms#upbeats
HTH,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.a
ng -m Machet\ die\ Thore\ weit.xml >Machet\
die\ Thore\ weit.log 2>&1
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
Machet die Thore weit.xml.bz2
Description: application/bzip
musicxml2ly: MusicXML aus Machet die
t Server VM (build 25.60-b23, mixed mode)
I trust you tried a reboot !?
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
__
gs ?
On KDE that occasionally happened to me. I have no experience with
Gnome though.
That fact that it works via middle-mouse implies that basically the
communication infrastructure is working and that somehow CTRL-C
and CTRL-V just not trigger the required processes.
Kind regards,
Michael
--
Michae
est in the two voices reduced to one rest in the
> middle of the staff?
http://lsr.di.unimi.it/LSR/Item?id=336
> - Can the pitch "a" appear before the pitch "b" ?
There are several ways. One would be to change
a8 r g r
into
\once \override NoteCo
position and the
finger does denote the string indirectly and every violist I know
would immediately be able to tell the string :)
AFAIA only guitarists (and possibly bass players) think about their
strings in numbers :)
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-key
> > Issue 1009, fixed in version 2.19.0.
>
> LilyPond 2.19 (installation of which is non-trivial, since it seems to be
> only available through Git
Have you checked out
http://lilypond.org/development.de.html
Of course it is not 2.19.0 but 2.19.27
HTH,
Michael
--
Michael Ger
> Hastening the end of the sketch? ;)
For those not knowing this classic, here is a YT link of not too good
quality but which does transport the important parts:
https://www.youtube.com/watch?v=NDqD0Dz_J-M
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available
> files? Forgive me if I should already know how to do this. I typically
> use Frescobaldi to compile all my lily files. Thanks so much!
*.ily are by convention files supposed to be included by other ly files.
Nothing special about them. you could use any other name (and include
that).
HT
>
> make
>
> on the commandline and then everything should be compiled.
...which fails as some of us already reported.
I then checked out https://github.com/nsceaux/nenuvar and downloaded
the repository from there.
That seems to build (using make) out of the box although there are a
fe
d too :)
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
lilypond-user@gnu.org
from http://fonts.openlilylib.org/
Or just remove using that font (which may or may not change linebreaking).
HTH,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
mails in that you copy only the stuff into your
mail, that is somewhat relevant to your issue. There is no need to
include msg regarding textspanner when you ask about Compiling
Nenuvar Editions.
--
Michael Gerdau email: m...@qata.de
GPG-keys avail
ith the size of the brace as
parameter. We then would need a function to determine the used up
vertical space, before that regP function is invoked...
Isn't that a tricky one for the scheme gurus on this list ? :)
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys a
ll it does.
Why is that so ?
Find attached the ly and pdf.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver\version "2.19.27"
verticalText #(define-event-function (text) (markup?)
#{
-\tweak TextScript.s
#x27;s has anything to do
> with it.)
Just for the record:
I'm running 2.19.28 on Linux 4.2.2-1-ARCH x86_64 and see the very same
image you posted.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signatu
fferences?
i.e. Lilypond scripts and if possible scans of the book examples such
that it becomes clear what you mean?
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed mes
dows.exe 2.19.25
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
lilypond-user
New Roman"
}
but that doesn't do the trick.
Or something like (in the above):
...
title = \markup {Sonata in\override some-property \roman \score {
...
But again I did not find a working solution.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys av
4( f) g( f) e( f e d) c( d c b) a1
}
slov = \lyricmode { mifa solfa mifamire doredosi l }
slovtwo = \lyricmode { \skip 4 \skip 4 \skip 4 malozakr \skip 4 }
\score {
<<
\new Staff <<
\new Voice = "one" { \kulism \kulism \kulism }
>>
\new Lyrics = "dr
tepad version).
Of course this is just my personal opinion.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lily
t that
may be just me - more experienced lilyponder might have a different
mileage)
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digit
Luxembourg. You've got to sue them there.
Paypal ? No, Never.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
_
?
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.
ust one \augmentum
in the middle. In a way splitting it there seems the best choice as
otherwise you would split in the middle of some "flow". However without
the words to be sung to your chant this is just pointless guessing.
You could always insert \break where you think a break should
ybe I just don't understand the usecase. You might want to explain
what you are trying to achieve. Possibly then we can find a better
solution.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This
ame with utf-8 "禱" when
> comply generate the strange error -- no version statement found.
> Question: can be be resolved? Or nothing we can do?
From your description it seems to be a frescobaldi problem.
What happens if you try to compile the LP source on the cmdline ?
Kind reg
ame with utf-8 "禱" when
> comply generate the strange error -- no version statement found.
> Question: can be be resolved? Or nothing we can do?
FWIW I can compile all 3 files you attached to your last email on
my Linux system using the current stable frescobaldi and LP 2.19.30
Kind
omething like a "best practice" w/r to the use of \relative?
Or why does this difference exist ?
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digi
ast not least the original had another empty bar in both hands. I don't
know wether that's part of the original manuscript or just for editorial
reasons.
If you decide to add that empty bar, use full bar rests R1*3/4.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
those not interested in making more choices than
> necessary.
Thanks alot for this rather detailed explanation. Things now make some
sense to me and I will eventually make up my mind as to which notation
I personally do prefer.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.
es]
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
lilypond-user@gnu.
eated PDF it seems very much in agreement
with the original though I have not done this check against the newest
version (only done that with the previous one).
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
{ "...automatically into this sequence of chords ?" }
\new Staff { \clef bass \result }
\markup { "(hoping I got it right manually :)" }
%%%
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signatu
tive this is different. I know
as a violinist I would want autoBeam on as well :)
Find attached my preferences applied to the original score.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver\version "2.19"
\language
ten outweights the disadavantage but I'm happy
to agree to disagree.
[Note that my whole argument is from a singer's perspective, not an
instrumentalist]
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.a
nux
x86_64 running a Kernel 4.2.5.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
l
e partial bar is counted
like any other bar).
Has there been a change in behaviour somewhere along the way or ist
this a (newly introduced) bug in the current devel version ?
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserve
%\omit Staff.TimeSignature
> }
>
> }
>
> \hspace #2
>
> }
> }
1. I don't really understand what you are trying to achieve
2. Your code does not compile on my system.
Kind regards,
Michael
--
Michael Gerdau email: m..
th Linux and Windows and never
encountered that problem.
I guess it has to do with either your particular lilypond file (would
need that for verification), or a general problem with you LP/frescobaldi
installation.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available o
> attaching a png of some sort of glissando or downward run. Does anyone
> know how to produce it in lilypond ?
Does http://lsr.di.unimi.it/LSR/Snippet?id=215 help ?
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public key
umentName = "Inst 1" }
> \soloInstrumentOne
> \new Staff
> \with { instrumentName = "Inst 2" }
> \soloInstrumentTwo
>
> }
>
> \markup\italic "Solo score:"
> \score {
> \new Staff
g how to properly read
these compressed bars.
In any case:
Nice function and thank you for sharing it.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
_
Dear Harm and David,
I find this whole thread rather helpful and have just copied the
consolidated example as of Harm's last post into my personal snippet
archive.
Thank you guys,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keys
taff_collecting_engraver
}
}
%
HTH,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
lil
ion/web/tiny-examples
HTH,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
lilypond-user@g
tion like so:
(eat (markup #:concat (wd hyphenreplacechar (cadr wds)))
(cddr wds)))
but that did not change anything visible.
At this point I'm stuck and need the deeper understanding of someone
more knowledgeable w/r to music functions.
Kind regards,
Michael
--
Michael Gerdau
ng too stupid to understand the logic then :)
> You need to look into the 'articulations of lyrics to find the hyphen.
> Then the rest works again.
>
> I've fixed it in LSR
> http://lsr.di.unimi.it/LSR/Item?id=744
Thanks a lot. Looking at the code it's all clear now.
written
version.
Best wishes,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
lilypond-user@gnu.org
#'header:copyright
However the OP's version
\on-the-fly #part-first-page \fromproperty #'header:copyright
works likewise.
Are '\' and '#' exchangeable or why do both versions seem to work ?
Best wishes,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-key
to see whether is works here.
Best wishes,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
lilypond
t;) 1)
$2 = "ä"
scheme@(guile-user)> ,q
I checked the same regexps in Perl and there both results are the same.
Am I overlooking the obvious or is this a bug ?
Best wishes,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
reedy regexp
are indeed supported. See
https://www.gnu.org/software/guile/manual/html_node/Regular-Expressions.html#index-regular-expressions
which directly references Regular expressions used in Emacs which do
support non-greedy regexp.
This is misleading if not an outright documentation bug.
Does an
Best wishes,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is a digitally signed message part.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://l
you in advance!
> >>
> >> Regards
> >> Haipeng
You may wish to look at
http://lsr.di.unimi.it/LSR/Item?id=528
and possibly also at
http://lsr.di.unimi.it/LSR/Item?id=743
King regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at
do would help.
> 2. How to include italicized
> notes with the text (e.g. "Cantor" or "T. P.") Thanks much!
Again I'm not sure I understand what you are after. Could you try to
create an image to show it ?
Best wishes,
Michael
--
Michael Gerdau email:
nip -- snip -- snip -->
The "normal" Staffs are resized as desired while for the VaticanaVoice
only the neumen are resized.
How do I resize the rest as well ?
Best wishes,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signatu
ride Staff.StaffSymbol.staff-space = #(magstep 5)
\clef "vaticana-fa2"
\music
}
% the same procedure for a "normal" Staff
\new Staff {
\clef "treble"
\transpose c c'
\music
}
\new Staff \with {
fontSize = #5
\override StaffSymbol.staff-space = #(magstep
http://www.lilypond.org/doc/v2.19/Documentation/notation/ancient-notation
and then modified that without really understanding what I'm doing.
Things are much clearer now.
Thank you very much,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at pub
>>
...
(i.e. removing the \context Staff block and creating a Voice instead of
using the Voice context) creates the score I'd like to see.
Is this a bug in muxicxml or am I doing something stupid ?
The example xml file has removed 42 bars by manual editing for brevity.
The same problem
om the musicxml file (both attached to
the initial mail) does create an error when processed with lilypond.
I'm using 2.19.21.
Best wishes,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: This is
ns to "piece" inside the
score block) in the header. Currently you see e.g. on page 2 the string
"Part 1" which is set outside the score block.
Best wishes,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request
w Staff << \new Voice { { g' g' g' g' } }
\addlyrics { "Verse 1" }
\addlyrics { "Verse 2" }
\addlyrics { "Verse 3" }
\addlyrics { "Verse 4" }
\addlyrics {
st asking before I embark on that
journey)
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
7;{ f4 g << { a4.( g8) } \\ { a4.( g8) } >> }
\score {
\musica
}
\score {
\musicb
}
- snip - snip - snip - snip -
In the first example it looks as if the a' is "4" when indeed it is "4.".
The second example correctly shows the "."
Is this a bug or am I d
wo and keeping Dots"
\score {
\musicd
}
Both c) and d) seem to do what I want. Besides personal taste:
Is there a reason to prefer one over the other?
My gut feeling opts for d) as that provides proper stem direction when the
music is transposed.
Kind regards,
Michael
--
Michael Gerda
Hi Paolo,
I don’t understand your request. How do you want the hairpin repositioned?
Possibly an image to illustrate might help.
Kind regards,
Michael
Mobil gesendet
> Am 11.01.2020 um 01:14 schrieb Paolo Prete :
>
>
> Hello,
>
> given:
>
> {{
> a'\p\< a' a' a'\ff
> }}
>
> ... how can I
Bar_engraver"
\hide Stem
}
\context {
\Voice
\override Stem.length = #0
}
\context {
\Score
barAlways = ##t
}
}
}
I've also stopped using the gregorian.ly because too many (for my liking)
things get switched off. I use a private version that only includes some of the
attributes of gregorian.ly. But that is probably a matter of persona taste.
and instead
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
pic has given me the impression that you
had a view on how things would/should work inside LP and are now
struggling with the revelation that at least \offset isn't as
deterministic as you expected it to be.
Of course this impression may be totally wrong.
Kind regards,
Michael
--
Michael
e the amount of space
> each note head takes (everything should be the same, regardless of length)?
That's a different question and not easily answered in one sentence. You have
read the Notation Manual on horizontal spacing and the many options available
to influence that?
Kind reg
I run it on Windows as is I have the same problem. However it works w/o
problems in the Windows Linux SubSystem.
I'll send you the PDF and also the long list of complaints/errors reported by
LP in a separate mail to not fill the list archive.
Kind regards,
Michael
--
Michael Gerdau e
of the top of my head I'm not sure about the details. There was a thread
on this list that should be in the archives though.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
> My understanding of "full measure rests" is, it covers the full measure based
> on the time signature. Thus R1 is sufficient for a measure that is in 4/2
> time.
That understanding is wrong.
A full measure rest has a duration like normal rests, thus you will have to
scale it according to y
Did they play live?
And if so, what software/setup had been used?
It doesn’t say so in the comments.
Kind regards,
Michael
3 and 2.20.0. However on 2.19.83 the
crash happens later, i.e. it can process a larger number of bars.
Before I'm reporting a bug could others please verify that I'm not doing
something stupid?
MWE is attached.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-ke
r linux.
>
> Does that also happen with David Kastrup’s "bar-keeper" engraver?
> <https://lists.gnu.org/archive/html/lilypond-user/2016-06/msg00239.html>
Thank you for that suggestion. I had saved the code back then but forgot
about it. Unfortunately it crashes likewise f
Replace \addlyrics... by \new Lyrics \lyricsto „SI“...
Kind regards,
Michael
Mobil gesendet
> Am 09.04.2020 um 15:03 schrieb Bernhard Kleine :
>
> I have the following extract from Mendelssohn Bartholdy. I noticed that
> the parentheses in measure seven were not respected and the text was
> w
able w/r to the way lilyponds internals work
explain what is happening and if/how this can be avoided?
For my practical case I can split my rather large music file into chunks
and combine the fragments later outside of LP, but IMO this should not
be required.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: OpenPGP digital signature
\new Voice = "SII" { \voiceTwo \SopranoVoiceII }
>>
\new Lyrics \lyricsto "SI" { \VerseSopranoVoiceI }
>>
That's what's documented under the link that Joram already provided.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
signature.asc
Description: OpenPGP digital signature
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
Why don’t you insert another \set stanza = "2." In front of the second "Should"
?
Kind regards
Michael
Mobil gesendet
> Am 20.04.2020 um 16:14 schrieb Benjamin Bloomfield :
>
>
> I've been using shortVocalName to engrave stanza numbers at the beginnings of
> systems, but I'm running into
ggestion. I would do that if I knew where the system breaks
> were going to occur ahead of time. I put the line break in the example code
> just to simplify it and demonstrate the problem with very little code.
>
> Benjamin Bloomfield
>
>> On Mon, Apr 20, 2020 at 10:23 AM Mi
>> Big deal. I won't ask what's in voiceTrombone.ily.
>
> A variable declaration. You know - EXACTLY THE SAME as C programmers
> often stick in .h files ...
I don’t think that’s correct.
For one according to my understanding LP has no variable declarations
whatsoever, only definitions.
For t
Hi!
I find your description difficult to understand. Maybe you could provide an set
of examples showing exactly what you wish to be modified into what.
Apart from that your problem sounds as if it is trivial when using non greedy
regular expressions. As Aaron already wrote you need expressions
ic reference?
I personally really like the perlre manpage. It is THE reference for all Perl
Regular Expressions from which many other current regexp engines are derived.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
score {
\unfoldRepeats \musicII
\layout { }
\midi { }
}
\markup "Of course I could enforce it manually"
\score {
{ \body \voltaI \repeat unfold 3 { \body \voltaII } \body \voltaIII \bar "|."
}
\layout { }
\midi { }
}
\markup "How should I change \musicII to en
Just out of curiosity (and because I moved from LP to Gregorio for all things
Gregorian):
What exactly is it that you miss in Gregorio that you hope to achieve with LP?
The provided example chant is easily typeset in Gregorio and I‘m not aware that
it is possible to achieve an acceptable result
1 - 100 of 324 matches
Mail list logo
