Valentin Villenave wrote:
2008/1/7, Bertalan Fodor (LilyPondTool) <[EMAIL PROTECTED]>:
And I suggest pointing me the best place to place this guide to. Because
I could write the guide in 3 lines (Install Java, Install JEdit, Install
LilyPondTool plugin), but I'm not sure thet people will f
Bertalan Fodor (LilyPondTool) wrote:
Most people (including me) never reads any documentation in the first
place. Starting to use lilypond (or any software) should definitely
work without reading a single word of the manual. People are
especially scared by the followings: making choices and
Damian Legassick wrote:
this also occurs if you \include individual parts into a short-score
in this scenario either the note-name-rest or the staff-position-tweak
would not work as it would give an incorrect rest placement in the
part concerned
How do you include the individual parts into
Reilly wrote:
Borrowing heavily from the LSR and the archive, I created a Tempo Mark
I could use in my scores. The trick was to make an initial tempo mark
(Allegro con moto with a metronome mark) print left justified with the
time signature. I succeeded with the following code:
tempoOne
it attempts to do for
normal rests,
however as far as I know there's no collision detection implemented for
full measure
rests yet. One possible solution is to use the \tag command, see
"Different editions
from the same source" in the manual.
/Mats
d
On 9 Jan 2008, at 13:0
Risto Vääräniemi wrote:
Dear Mats and all,
Mats Bengtsson wrote:
Perhaps you forgot to do the setting at the Score level?
Nope. If I try your example in c major then the first "A" is thrown to the
left.
This seems like a bug and I cannot see it in the bug tracker. The
Risto Vääräniemi wrote:
Hi,
Mats Bengtsson wrote:
This is something that has changed from version 2.10 to version 2.11.
The property break-align-symbol is for version 2.10 whereas
break-align-symbols is for version 2.11.
I've been wondering the purpose of the list symbol
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may not see it in
your version.
/Mats
d
On 10 Jan 2008, at 09:37, Mats Bengtsson wrote:
Your example can be reduced to
\version "2.11.37"
\relative c''' { a8\rest ais4 }
which shows the same bug, namely a collision between the rest
and the note (which only seems t
Valentin Villenave wrote:
2008/1/10, Mats Bengtsson <[EMAIL PROTECTED]>:
When I try it here, I don't see any difference if I set ragged-right or
not.
Note that I have compiled LilyPond myself based on the latest version of
the source code in GIT, so if it's a very recent
Valentin Villenave wrote:
This is the FIRST TIME EVER that I see a (smallest) mistake in one of
your mails!
Then you haven't read them so carefully! :-)
Anyway, I realize that my previous formulations of this bug (and
therefore your
description of it in the bug tracker) may be misleading
t Lilypond to use all the available vertical
space on a page?
Much obliged.
Jeremiah
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only works in
version 2.11.
/Mats
Valentin Villenave wrote:
2008/1/10, Mats Bengtsson <[EMAIL PROTECTED]>:
Have you tried
\override VerticalAlignment #'max-stretch = #1000
Wow, I didn't know that one.
I tried to add it to the LSR, but I seem to have misund
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Kieren MacMillan wrote:
Hi Trevor (et al.):
by setting self-alignment-X. Left-aligned is -1,
right-aligned +1. Any value inbetween may be specified.
For the record, I believe *any* value (i.e., not necessarily in the
range [-1,1]) may be specified.
True! Also, don't forget the convenient
n.
I have googled and googled and noticed that this issue has come up
before, but I do not see a work around.
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mataMarkup \repeat unfold 6 c''1 }
>>
>>
}
Thanks,
Paul Scott
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rests?
Thanks,
Reinhold
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p cost be
for this?
Many thanks,
Jamie
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Bertalan Fodor (LilyPondTool) wrote:
For the record, I believe *any* value (i.e., not necessarily in the
range [-1,1]) may be specified.
True! Also, don't forget the convenient definitions that let you say
#LEFT instead of #-1,
#RIGHT instead of #+1 and #CENTER instead of ...
Wouldn't it
Bertalan Fodor (LilyPondTool) wrote:
Well, I suppose the real feature request would be to make a way to
attach something to anything, for example my making all layout objects
have an anchor.
True, but don't forget that the beginning and end of a spanner currently
is determined
as musical posi
Bertalan Fodor (LilyPondTool) wrote:
I would be very happy if I had a way to attach anything to a musical
position in time. Perhaps I could already do this using an invisible
voice, could I?
You mean like
\version "2.10.0"
myAnnotations = {
s2 \f s \< |
s1\! \mark \fermataMarkup |
s4-^ s_\ma
-)
-Risto
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Reinhold Kainhofer wrote:
Am Montag, 14. Januar 2008 schrieben Sie:
See section "Multi measure rests" in the manual.
Thanks, but that's the first place that I looked. It only says that the
fermata markup is a MultiMeasureRestText. The internal reference then says
that these objects
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shes input,
but how do I get lilypond to process the em dash inside of LaTeX? Same
thing for the umlaut?
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Si
line-break)
- some minor formatting issues with included LSR stuff.
POSTPONED (ie after GDP is over)
Note names in other languages:
- table formatting
- pitches in Turkish Maquam and other microtonal systems?
Cheers,
- Graham
7"
\score {
<<
\new FiguredBass \figuremode { <6>4 <5> <6 4> <5 3> }
\new Staff { c'4^"blabla" d e f }
>>
}
Thanks for any advice,
Michael
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Trevor Bača wrote:
If this particular feature does list under such a bounty section, I'll
be happy to put my name in the "willing to sponsor" column. I've been
looking for such a feature for quite some time now, especially being
able to stop arbitrary spanners / hairpins just *before* a bar
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Fax: (+46) 8 790 7
Quoting Valentin Villenave <[EMAIL PROTECTED]>:
2008/1/14, Mats Bengtsson <[EMAIL PROTECTED]>:
It seems that this bug is fixed in version 2.11 but unfortunately not in
2.10.
Shall I report it as a possible Enhancement for the stable branch?
Valentin
I would clearly mark
Score.skipBars = ##t
<< s4*0^"first" R1*2 >>
<< s4*0^"second" R1*2 >>
}
Paul Scott
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;...
Converting to `RiseUp-Donatelli.pdf'...
Processing time: 7 seconds
Gordon+
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Rune Zedeler wrote:
Citat Mats Bengtsson <[EMAIL PROTECTED]>:
- In Accidentals, I wouldn't refer to "Nordic and Germanic languages",
since both Swedish,
Danish, Norwegian and German use "-iss" and "-ess" (admittedly the
same concept, but
very interested.
Stefan
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Valentin Villenave wrote:
2008/1/15, Mats Bengtsson <[EMAIL PROTECTED]>:
Make sure that you save your .ly file using UTF-8 encoding.
There has been a major bug concerning fonts on Windows; you might want
to try with the last development version instead (2.11.37)
That sho
Comb }
\new Lyrics \with {alignBelowContext="upper"}
\lyricsto "sa" { la -- lah lah la -- lah lah }
\new Lyrics \with {alignAboveContext="lower"}
\lyricsto "b" { Tral tral tral tral }
%%% END %%
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just me? Am I missing something?
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//popme.163.com/link/003917_0115_1815.html>
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Tutorial that you are reading for the moment isn't
intended to
provide every detail, just to bring out the basic idea. You can find
more information
in sections "How LilyPond Files Work" and "File structure".
/Mats
-Chuckk
--
===
g2.\startTrillSpan g4.\stopTrillSpan a d a4.\trill a4~( a16 b32 cis) d4.
}}
\score {
\new Staff << \global \violinOne >>
}
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Ruth Roland wrote:
Excuse my ignorance--does this just mean that this code doesn't
currently work?
Right!
/Mats
That's what it looks like, but I want to make sure there isn't a fix
hidden in this message...
Thanks,
Ruth
On Jan 16, 2008, at 6:44 AM, Mats Bengtsson wrote:
Ruth
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Bertalan Fodor (LilyPondTool) wrote:
It can be done with enscript.
See this file:
http://lily4jedit.svn.sourceforge.net/viewvc/lily4jedit/trunk/LilyJHelp/makeModes.bsh?revision=305&view=markup&sortby=rev
From the vim keywords it will automatically generate an enscript
configuration file.
to each piece of the
text individually.
TIA,
Paul Scott
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Ruth Roland wrote:
Thank you. I did not know about convert-ly, but I will look up how to
use it for next time.
\override TrillSpanner #'bound-details #'left #'text =
\markup{ \vcenter \musicglyph #"scripts.trill" \vcenter \teeny \flat }
This works beautifully, but I could not figure out
What LilyPond version do you use? Some aspects of this problem have
been fixed fairly recently and perhaps only in the development versions
2.11.x.
/Mats
Quoting Neil Thornock <[EMAIL PROTECTED]>:
Hello all,
I'm trying to add some carefully-positioned markup above a multimeasure rest
by
Unfortunately, the part combiner is very buggy in general and it's
also very limited in scope, for example since it only can handle
two voices.
Have you tried to simply let your three lines of music appear in the
same Voice context? This is far from a perfect solution, but can still
work surpri
Zoltan Kota wrote:
Hi,
How could I change the color
\override Rest #'color = ...
and size
See "Selecting notation font size" in the manual. If you set fontSize,
it will
apply both to note heads and rests.
of rests? Please see the lower
part of the attached screenshot.
It's always ea
till wrote:
Hi,
I just read a bit further in the GDP and saw this example about polymetric
music where each note has still the same duration, so the barlines won't be
on the same vertical position. Because Lilypond can't count the bars
anymore, it won't put bar numbers by default. This has to
The long example below is now also available as
http://lsr.dsi.unimi.it/LSR/Item?u=1&id=376
/Mats
Mats Bengtsson wrote:
You can add the following just before your \bar "|:" (I would rather
recommend you
to use the \repeat command to typeset the |: and :|, though and in
it is necessary to
insert a break where there´s a special barline, e.g. if you have
something like that:
e4 e e e | e e e \bar "|:" e | e e e e | ...
it would be nicer to insert a break at the "|:" barline. This works
great by writing
e4 e e e | e e e \bar "|:" \bre
Kieren MacMillan wrote:
Hi Dominic,
Interesting... I tried
\version "2.11.35"
music =
{
e4 e e e |
e e e \bar "" \break
\repeat volta 1 { e | e e e e }
}
\score { \music }
but this exposes a bug (at least, it doesn't behave according to the
docu
Ruth Roland wrote:
Wow, this is just what I wanted! The square brackets are fine. Any
advice for getting the bracket to print after a repeat sign that comes
after a line break? (see below)
Thanks for pointing this out! Replace the current definition of
leftBracket by
leftBracket = {
\onc
Kieren MacMillan wrote:
Hi Mats,
What in the documentation contradicts this behaviour?
"Volta: The repeated music is not written out but enclosed in repeat
bar lines. If the repeat is at the beginning of a piece, a repeat bar
line is only printed at the end."
This is not at the beginnin
Trevor Bača wrote:
Is there a way to get "normal" (noncrosss-staff) beams to likewise sit
at that same vertical position?
(IOW, I'm looking for both flat and vertically aligned; Rune's #+inf.0
gets flat ... now for the vertically aligned part?)
That sounds like en excellent example of when y
%\bar
"|"
e''8 ^"C" g''8e''8d''8 ^"G" c''8b'8%\bar
"|"
a'8 ^"D" fis'8a'8g'4 ^"
hat simple. The horizontal spacing between notes is far from
proportional to the durational spacing (unless you do all the settings
needed
to get proportional notation).
/Mats
Thanks for the great thread summation!
Kieren.
--
=====
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Jamie Bullock wrote:
1. I can accomplish the 'pedal to a barline' perfectly using
'to-barline, although I do get the following warning (version: 2.10.33):
--
warning: can't find property type-check for
`to-barline' (backend-type?). perhaps a typing error?
--
The to-barline feature is onl
h, the more I actually *read*
the lilypond manuals, the more I believe that everything is possible in the
program.
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to do this.
If you key:
midi2ly -h it will give you some help.
But, I am not an expert.
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Signal Processing
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Royal Institute of Technology
SE-100 44 STOC
Graham Percival wrote:
Some sections have been completely rewritten (particularly Octave
check). Please read the new Pitches section and send comments.
- The text in "Octave corrections and checks" is contradictory. First it
says that
"an octave check does not change the pitch", then it s
Graham Percival wrote:
On Mon, 21 Jan 2008 11:24:22 +0100
Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Graham Percival wrote:
Some sections have been completely rewritten (particularly Octave
check). Please read the new Pitches section and send comments.
- The t
t;http://www.flickr.com/gift/>
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should work
as you expect it in the next version, 2.11.38.
/Mats
Risto Vääräniemi wrote:
Hi,
On Jan 17, 2008 3:30 PM, Mats Bengtsson wrote:
Below, you can find a complicated alternative solution that adds a new
bar type with this behaviour, so you could say \bar "e|:".
Stefan Thomas wrote:
Dear Lilyponduser,
I wanted to ask, if it is possible, to start the first grace-note in
the below quoted example at the same time as the "normal" fis?
Slightly tricky! I see two main options. Either let also the fis
formally be a grace note,
but printed in normal font siz
Neil Thornock wrote:
Hello all,
I am aware that the first-page-number setting will only accept
positive numbers.
Are you sure? The following works well
\paper{
first-page-number = -2
}
and prints page number -1 on the second page, for example.
/Mats
__
\paper{...} block?
You should
of course not do any changes in the original titling-init.ly file, since
such changes
will be lost the next time you upgrade, and as you say they will affect
also other
scores.
/Mats
Risto Vääräniemi wrote:
Hi,
On Jan 14, 2008 3:09 PM, Mats Bengtsson wrote
hanging
it field by field?
Is it possible also to change the font name (or default font name) one time
for all markups, whereever they are: inside a score, outside a score, ... ?
--
=====
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Signal Processing
Sig
y to do this? And
another thing, I didn't put " " and \on-the-fly
#print-page-number-check-first (which were included in the message I linked
to) in there because they don't make any difference in the output. Should I
use these?
Thank you!
Felipe
--
======
Valentin Villenave wrote:
2008/1/22, Mats Bengtsson <[EMAIL PROTECTED]>:
Are you sure? The following works well
\paper{
first-page-number = -2
}
and prints page number -1 on the second page, for example.
This is a nice feature, by the way; shouldn't we explicitly doc
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Neil Thornock wrote:
I do remember trying this before, though, and wanting to get rid of
the negative numbers, so that the page numbers will start on page
number 1 (not -2 or whatever). But I can't find how to do that. I'm
using oddHeader and evenHeader markup for the page numbers at this
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Sw
= #1
\mark "text"
\revert Score.RehearsalMark #'font-size
Paul Scott
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Martin Seng Hin Yew wrote:
Bertalan Fodor (LilyPondTool) wrote:
Everything beginning with a # is a Scheme-language expression.
So this sets the property called 'merge-differently-headed to the
value #t
#t is the expression meaning true in Scheme.
Hi Bertalan Fodor,
Okay...assume i knew th
Quoting [EMAIL PROTECTED]:
Dear Lilypondusers,
my question is: which is the musicglyph for the Pedal-down-symbol in
the Emmentaler-font?
I tried it with
{c'_markup { musicglyph #"pedal" } }
but nothing happens.
First of all, please be careful with the syntax, several backslashes
are missing
ome
experience on it.
Regards.
-Matevž
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Fax: (+46) 8 790 7260
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oiceOne r8 besmf>glissando hideNotes c! s8 | } new Voice { voiceOne
s4 unHideNotes r4 } >> }
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} b
bes cis \normal r2 }
{\newSpacingSection c4 g' c2 } >>
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vior or do I have to explictitly put \stemup
\stemdown into each acciaccatura?
Thanks...
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:/Documents and
Settings/mibjrr0/Desktop/LPFiles'
Processing `C:/Documents and Settings/mibjrr0/Desktop/LPFiles/Danish
Amen.ly <http://Amen.ly>'
Parsing...
---end log file---
Oh, and thanks again for a really great program.
Best,
Jay Ricketts
Music Director
St. Paul's Episcopal Church
Romeo, MI
_
Trevor Daniels wrote:
...
So there does seem to be a problem with capturing all
the console output to the log file under XP.
Exactly! It's probably related to how the buffers are flushed when the
program terminates. Actually, it turns out that the difference is not
between
Windows and non
Valentin Villenave wrote:
2008/1/31, Trevor Daniels <[EMAIL PROTECTED]>:
Relative octave entry:
There is a much simpler way of describing how this works.
It's in 2.1.2 of the LM: a note is placed in the octave
which is within three staff spaces of the previous note,
ignoring all accidental
ed in parent spanner
?
Knowing that might make the error message easier to use.
TIA,
Paul Scott
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s \chordline
\relative {
\clef treble
\time 4/4
\key a \minor
{\melA \adlib \melB}}
}
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Trevor Daniels wrote:
3.3.4 I was confused about the hash signs (#).
The statement about why
they are needed before all values in a \set
statement is very clear,
but then the subsequent example has
\set Staff.instrumentName = "Soprano"
without a hash sign. Is this because "Soprano" is
a
Quoting NJW <[EMAIL PROTECTED]>:
The solution (that is, one solution ;-) ) is to put it in a book. The
prospect of using the \book command seemed a bit too advanced, but is
actually quite straightforward. Use of \paper in the \book is analogous to
\layout in \score.
\book {
\score {
Why not use the builtin markup command \slashed-digit, which is used
for figured bass:
\markup{\slashed-digit #3 }
/Mats
Quoting Kieren MacMillan <[EMAIL PROTECTED]>:
Hi Libero,
thanks a lot, maybe there are better ways, but this one is quite
effective :-)
Glad to hear it!
I slightl
p = \slashSeparator
}
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Daniel Tonda C.
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Mats Bengtsson
Si
Trevor Daniels wrote:
Valentin
This looks really good, and I've registered. But
I can't see any easy way to "just copy it" if I
want to suggest an improvement. Any suggestions?
Click on "Snippet database". Search for the snippet you want to copy and
double click on that line, which shoul
{
\set Staff.instrumentName = \markup \instruments { Soprano Alto }
c'1
}
%%% END %%%
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