2011/7/14 Carl Sorensen :
> On 7/14/11 1:40 PM, "Janek Warchoł"
> wrote:
>
>> W dniu 13 lipca 2011 19:07 użytkownik Carl Sorensen napisał:
>>> On 7/13/11 6:48 AM, "Janek Warchoł" wrote:
>>>> 2011/7/13 m...@apollinemike.com
>&g
2011/7/15 Nick Payne :
> On 15/07/11 22:05, Hilary Snaden wrote:
>>
>> I need to shift a few notes in a lower voice to the right.
>> These don't work:
>>
>> \override NoteColumn #'force-hshift = #1
>> \voiceOne \stemDown \voiceOn[n[n]]
>>
>> Is there a way which works?
>
> Try using
>
> \override N
2011/7/17 Derek Klinge :
> List,
> I am trying to typeset a Bach Fugue. It would be much prettier if I could
> have kneed beams in a polyphonic texture. I cannot figure out how to have
> kneed beam in \voiceTwo
If you insert \voice when staff changes,
you will get a kneed beam. I don't know if t
2011/7/17 Jean-Alexis Montignies :
> Hi All!
>
> I have since I use lilypond some problems when printing. Bars (standard ones)
> are of different thickness.
>
> It happens on my printer (Xerox 5400) but no on some others so I first
> thought it was a printer problem.
>
> What makes me think it co
Hi Mario,
2011/7/18 Mario Moles :
> I don't understand whether to do to have fis=0 in the tab with make-pitch
I see that Marc gave you an elegant solution already, but here is some
more explanation in case you'll need make-ptich again:
the syntax is 'ly:make-pitch octave note alteration' where 'n
11/7/18 Mario Moles :
> Hi Janek! Thank's!
>
> I have understood. But lilypond says this log:
>
> Elaborazione di «tab.ly»
>
> Analisi...
>
> tab.ly:11:31:
I wrote "= c", "= d", "= f" (and so on) only for explanatory purposes,
you should delete them from the code.
IIRC last parameter (alteration)
2011/7/23 Br. Athanasius Pelletier
> I need to get the letters for the chords above certain notes in the example
> below. I thought of using markup but I don't know if I can get sharp or flat
> symbols.
You can have any symbol from Feta music font inside markup. Search
for "musical notation i
2011/7/23 Christopher R. Maden :
> Adding print-all-headers = ##t to the \paper{} block causes the book
> part and score titles both to print. However, the book and book part
> titles seem mutually exclusive, and if there is a book part title, the
> book title will not print.
I'm not sure, but is
Dmytro (and Neil),
i've just found this in our archives after failing to write a function
like that myself. This is wonderful! Thank you so much!
I don't believe this isn't in the snippets or, better, in the docs.
Shoud i add a tracker issue?
THANKS!
Janek
On Mon, 30 Aug 2010 09:37:59 +0300 Dm
2011/7/23 Xavier Scheuer :
> 2011/7/23 Janek Warchoł :
>> Dmytro (and Neil),
>>
>> i've just found this in our archives after failing to write a function
>> like that myself. This is wonderful! Thank you so much!
>> I don't believe this isn't in
2011/7/22 Ruud van Silfhout :
> I saw that in January of this year a new feature called compoundTime
> signatures
> is introduced in Lilypond. A good effort. compoundTime specified the timing of
> each measure. However, for church music (esp. hymns) this does not suffice.
> What
> you see there i
Oops, sorry for the late answer!
2011/7/18 Mario Moles
> even if I correct the syntax (without "= c", "= d", "= f") the error remains.
I'm surprised too.
I've discovered that when you use words for alteration (i.e.
,(ly:make-pitch 0 1 FLAT) for des, ,(ly:make-pitch 0 3 SHARP) for
fis) everyth
ewhere and send us a link.
> On 17 juil. 2011, at 19:13, Janek Warchoł wrote:
>
>> 2011/7/17 Jean-Alexis Montignies :
>>> I have since I use lilypond some problems when printing. Bars (standard
>>> ones) are of different thickness.
>>
>> It would be extremel
2011/7/24 Xavier Scheuer :
> 2011/7/24 Janek Warchoł :
>>
>> Me too.
>> I thought that these differencies might be caused by the same thing
>> that makes barlines smear out of the staff, but the difference in
>> thickness seems too big to be caused by something
2011/7/25 Neil Puttock :
> 2011/7/24 Janek Warchoł :
>> Oops, sorry for the late answer!
>>
>> 2011/7/18 Mario Moles
>>> even if I correct the syntax (without "= c", "= d", "= f") the error
>>> remains.
>>
>>
2011/7/26 Rico Viejo :
> I want to use lilypond to make sheet music more legible (to my old eyes, as
> PDFs on an iPad with page-turning by the AutoFlip app). I replicated a work
> by Satie which has a quarter note as its shortest. The published-in-France
> (slightly illegible) original has four
2011/7/26 Jean-Alexis Montignies :
> It looks much better on screen (Preview.app: MacOS X system renderer) and on
> Xerox Phaser 5400!
>
> Remains a little bit of smearing on the top of the staff, but this is much
> less than before and could be some rounding/smoothing issue in the renderers.
>
2011/7/23 Trevor Daniels :
> Janek
>
> I agree this could be a useful addition to the LilyPond distribution
> and the docs (both at the same time, preferably). Broken slurs in
> particular are often poor by default and messing with the control
> points manually is difficult. So, yes, please add a
2011/8/3 Urs Liska
>
> Hi list,
>
> I tried to adapt the shapeSlur_rev.ly function recently posted by David
> Nalesik to also work for PhrasingSlurs and Ties.
>
> However, when I use
>
> \once \override Tie #'control-points = #(shape-slur $offsets)
>
> as part of the function, the Tie isn't prin
Hi,
2011/8/5 James Lowe :
> )-Original Message-
> )From: Phil Holmes [mailto:m...@philholmes.net]
> )- Original Message -
> )From: "James Lowe"
> )
> )> @Phil, you're on XP right?
> )>
> )> If anyone reading this has windows 7 SP1 can they try the above
> )> snippet and see if it
Hi Leszek,
2011/8/4 Leszek Wroński :
> I'd like the input
> \parenthesize R1
> to produce a whole measure rest in parentheses.
The fact that it doesn't work is indeed interesting.
I don't know how to fix it right now, but there is a workaround:
{
\once \override MultiMeasureRestText #'outside-
2011/8/6 Ed Ardzinski :
> Trying to make some lead sheets and I'd like to have a separate stave be
> smaller/different font. For example, and separate stave for a solo instead
> of a vocal verse.
>
> I'm still in the stone age, but if this is something that 2.12 does that
> 2.6.5 won't I'm prepare
2011/8/5 Stefan Thomas :
> Dear community,
> I try to change the configuration of ties.
> If read in lilypond snippet repository that
>
>> Ties may be engraved manually by changing the tie-configuration property
>> of the TieColumn object. The first number indicates the distance from the
>> center
2011/8/18 m...@apollinemike.com :
> Hey all,
> I recently came across an announcement for an incredible composition
> competition for SIX ORGANS (1one).
> http://mmp.cm-cascais.pt/NR/rdonlyres/5BBEE22D-3C21-4996-AEFE-A2C0B2FAF9C9/12487/regulMCIngles2.pdf
> The rules state that one can only use
2011/8/12 David Santamauro :
>
> what does this mean?
>
> - Unprocessed
> - Ignored
> - Done
>
> See below ... unless it gets unprocessed and ignored again, in which
> case I probably look like a babbling fool.
It happened because Ming sent his e-mail to
lilypond-user-requ...@gnu.org and you repli
2011/8/22 Martin Tarenskeen :
>
> Hi,
>
> Just a thought:
>
> I'm not very familiar with the use of Finale or Sibelius.
>
> But I guess it is possible to import external graphics into a Finale or
> Sibelius score ?
>
> It would be fun to do the following:
> - create your score with Lilypond.
> - ex
2011/8/22 Mike Solomon :
> +1
> Any response back from them? I have a python patch in the wings itching to
> generate a six organ score.
>
> Perhaps the creation of a lilypond-advocacy list is in order? I would not
> mind at all spending 15 minutes a week writing letters to
> non-lilypond-frie
2011/8/22 Jan-Peter Voigt :
> Am 22.08.2011 13:07, schrieb Robert Schmaus:
>>
>> Hi Lilyponderers,
>>
>> I agree with Joseph - let's not blow this out of proportion and start
>> creating conspiracies. of course I also agree with everyone else that
>> this ist simply annoying and stupid, not to ment
2011/8/22 Christ van Willegen :
> 2011/8/22 Janek Warchoł :
>> What would be the point of using LilyPond then, if all the beautiful
>> formatting will be lost?
>
> Keyboard entry?
For many people it's a disadvantage.
Certainly entering notes on a virtual staff paper has
2011/8/22 David Kastrup :
> I tend to tackle complex programming problems on paper first. According
> to your rationale, this is unreasonable as the goal is to run them on a
> computer. But paper better facilitates me thinking about the problem.
>
> When I think of a melody, one reflex is to scri
I am very surprised that so many of the LilyPond users are composers!
I was quite sure that Lily is mostly suited for engravers and editors.
cheers,
Janek
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2011/8/24 David Kastrup :
> Janek Warchoł writes:
>
>> I am very surprised that so many of the LilyPond users are composers!
>> I was quite sure that Lily is mostly suited for engravers and editors.
>
> Well, what would you call it if you are practicing musician using
>
2011/8/24 Graham Percival :
> On Tue, Aug 23, 2011 at 07:40:50PM -0600, Colin Campbell wrote:
>> Very nicely done, indeed, Urs! Thanks for putting this together. Graham,
>> would this be something to be linked from LM?
>
> The normal thing to would be to add a link to the wiki.
Which is do
2011/8/24 Reinhold Kainhofer :
> 2) Resetting the tie direction to the default in rightOne is much simpler than
> you thought. In particular, \voiceOne simply sets (i.e. does the same as
> \override) the 'direction property of several grobs, including Tie.
> So, to get the oneVoice-behaviour, all y
2011/8/24 Robert Schmaus :
> I doubt I'll be able to produce a proper style file though - I'm too new
> at lilypond engraving, I have never myself dived into creating some
> tricky functions in a forest of brackets, and such. I'd love to work on
> it (and learn lots in the process) but someone with
2011/8/25 Joseph Wakeling :
> On 08/25/2011 02:30 AM, PMA wrote:
>> *If* my LilyPond output PDF were to match what Schott wants to see
>> (in other words, a correct Schott-targeted style-sheet would not have
>> changed it), then would Schott print my original PDF *as-is*?
>
> It's important to unde
2011/8/25 Robert Schmaus :
> On Thu, 25 Aug 2011 07:42 +0200, "Janek Warchoł"
> wrote:
>> I'd be interested in preparing those and persuading publishers to
>> accept LilyPond, but i'm afraid it will be premature thing to do
>> before GLISS and some m
2011/8/26 Dmytro O. Redchuk :
> On Fri 26 Aug 2011, 13:54 David Kastrup wrote:
>> So maybe the "spacer rest" terminology is not doing anybody a favor.
>>
>> Would you have felt more comfortable if my example had used "\skip"
>> instead of "spacer rests"?
> No, not sure. Why "music" should contain a
2011/8/28 David Kastrup :
> Janek Warchoł writes:
>
>> 2011/8/26 Dmytro O. Redchuk :
>>> On Fri 26 Aug 2011, 13:54 David Kastrup wrote:
>>>> So maybe the "spacer rest" terminology is not doing anybody a favor.
>>>>
>>>>
2011/8/30 Bertalan Fodor (LilyPondTool) :
>
>>> - develop a GUI fro easy tweaking
>>
>> Isn't there such a thing in LilyPondTool?
>
> There is.
> See http://lilypondtool.organum.hu/fileadmin/lilypondtool/docs/ch05s05.html
I remember trying it and while it was helpful, it wasn't enough in my
opinio
2011/8/26 Stefan Thomas :
> Dear community,
> although I think I can understand why the crescendi and decrescendi are not
> played back correctly on the longer notes in the below quoted snippet,
> I wonder why I can't hear at least the difference between forte and piano
> in bar 3 and 4.
> Is there
2011/9/9 valerian.neisse :
> hi
>
> i don't know how i can whrite ghoste notes for other instruments than
> drums . the double bass for exemple.
If by ghoste notes you mean notes in parentheses, its
\parenthesize gis
Hope this helps.
Janek
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2011/9/9 Marek Klein :
> Hello,
> how can I have barline displayed in this snippet:
>
> \version "2.14.1"
> \include "gregorian.ly"
>
> \score {
> \new VaticanaVoice \relative c'{
> c d e c \bar "|"
> e d c e
> }
> \layout {
> }
> }
Interesting.
i thought that \with { \consists
Hi,
2011/9/13 Klaus Föhl :
> Hello,
>
> tiny example:
>
> \relative c' << f2. \\ << c2. { c2 g4 } >> >>
>
> question: the c2 is noted without a stem, it does however touch the stem of
> the
> c2. note. Is this mirror-image ok notationwise?
I think it's not good. In particular the dots are confu
2011/9/13 Klaus Föhl :
>> I'd also consider writing this in the following manner:
>>
>> \new Staff <<
>> \new Voice { \voiceOne f'2. }
>> \new Voice { \voiceFour c'2~ ( 4 ) }
>> >>
>
> Which is the alternative I did not want to use, or similar in notation
>
> \relative c' << f2. \\ { \voiceTwo
2011/9/13 Nick Payne :
> I have a score that I last worked on with 2.13.58, when it built without
> error. Without having made any changes to the ly source, I just ran it
> through 2.15.11 convert-ly, which didn't report any errors, and then built
> it with 2.15.11. The PDF output looks fine, but t
2011/9/14 Neil Puttock :
> On 14 September 2011 21:30, Xavier Scheuer wrote:
>
>> What I'd like to get but I did not managed to is to begin the staff
>> with a _normal bar_ ( \bar "|" ) at the left edge (because these
>> measures are to be inserted in the middle of an existing [scanned]
>> score).
2011/9/14 Neil Puttock :
> 2011/9/14 Janek Warchoł :
>
>> Interesting, shouldn't \override Staff.BarLine #'break-visibility =
>> #'#(#t #t #t) solve Xavier's problem? Should i report this as a bug?
>
> No. An ordinary barline isn't allow
2011/9/14 Neil Puttock :
> 2011/9/14 Janek Warchoł :
>
>> Why shouldn't it be controlled by break-visibility?
>
> See output-lib.scm, bar-glyph-alist and bar-line::calc-glyph-name.
Ah, i see! So the barline is affected by break-visibility, but the
stencil is empty in ca
2011/9/21 Thomas Morley :
> Hi Janek,
>
> I don't think it's a bug, but the default behaviour.
> It's possible to change with:
>
> \version "2.14.2"
>
> #(define my-bar-glyph-alist
> '(("|s" . ("|" . "|"
>
> #(define (my-bar-line::calc-glyph-name grob)
> (let* ((index-cell (lambda (cell di
2011/9/21 Neil Puttock :
> 2011/9/21 Janek Warchoł :
>
>> So, \bar "|s" should do the trick?
>> ...hmm, it doesn't work in the first measure, see:
>>
>> {
>> \bar "|s" s1 \break
>> \bar "|s" s1 \break
>> \ba
2011/9/22 Seth Williamson :
> I use LilyPond at a relatively low level. Mostly just to re-write single
> parts, change clefs, transpose, etc.
> A friend of mine, however, is a much-published composer who has written for
> film, TV, high school and college bands, jazz charts, etc. We got to
> talk
2011/9/23 Brent Annable :
> I'd like to add that I think that Lilypond's main strength is as a
> typesetting/publishing programme. For composing and arranging, I find it's
> better to have a page of blank manuscript in front of you that you can 'fill
> in', something that Lilypond's text-input para
2011/9/23 Tim Reeves :
>>3. Re:High-level users? (m...@apollinemike.com)
>
>> Just got back home from transcribing chipmunk noises for my most recent
>> choral work.
>> I'll just say that being called nuts is the single greatest compliment I
>
>> could possibly receive.
> .>
>> Cheers,
2011/9/24 m...@apollinemike.com :
> On Sep 23, 2011, at 9:38 PM, Seth Williamson wrote:
>> Somebody said there have been 2 million downloads of MuseScore. Does
>> anybody know if MuseScore is gaining many former LilyPond adherents? I know
>> for a fact that my girlfriend definitely prefers it.
>
2011/9/24 Graham Percival :
> On Sat, Sep 24, 2011 at 03:24:18PM +0200, Janek Warchoł wrote:
>> For what it's worth, i really *really* think that LilyPond and
>> MuseScore should be integrated.
>
> What does that mean?
>
> - better lilypond export for musescore: go
Hi Alberto,
2011/9/25 Alberto Simões :
>
> On 25/09/2011 21:06, Kieren MacMillan wrote:
>>
>>> Is there any standard way to, using lilypond, add an 8 bellow a treble
>>> clef, meaning that it should be sang an octave bellow?
>>
>> \clef "treble_8"
>
> Thats even simpler than what I found using goo
2011/9/25 Alberto Simões :
> Hello, Jenek,
>
> On 25/09/2011 21:22, Janek Warchoł wrote:
>>
>> Transposed clefs are discussed in Notation Reference (
>>
>> http://lilypond.org/doc/v2.15/Documentation/notation/displaying-pitches#clef
>> ). Since you have m
2011/9/25 Kieren MacMillan :
> Hi Nick,
>
>> And BTW, the "8" is by default not properly centred under the bottom of the
>> loop of the clef. I normally use
>> \override Staff.OctavateEight #'X-offset = #0.6
>> to get it to where it looks correct.
>
> Good to see another obsessive-compulsive engra
2011/9/25 Hilary Snaden :
> On 2011-09-25 11:13, Janek Warchoł wrote:
>>
>> 2011/9/24 Graham Percival:
>>>
>>> On Sat, Sep 24, 2011 at 03:24:18PM +0200, Janek Warchoł wrote:
>>>>
>>>> For what it's worth, i really *really* think that
W dniu 25 września 2011 23:33 użytkownik Carl Sorensen
napisał:
>
> On 9/25/11 2:48 PM, "Janek Warchoł" wrote:
>> Our beaming really needs some improvements.
>
> Please post the problems you are aware of,
Sure, i'm working on the report for some time now (it&
2011/9/26 Kieren MacMillan :
> Hi Brett,
>
> 1. Congratulations!
+1
> 2. Thanks for reporting back to us on your Lilyvangelism!
+1
:)
cheers,
Janek
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2011/9/26 Alberto Simões :
> Hello
>
> At [1] you can find the images of the engraving process of one transcription
> I did. The Lilypond source file is available at [2] and if you prefer the
> PDF version, it is available at [3].
>
> In this engraving I do not like the amount of space between the
because it probably requires rewriting current
spacing engine (i know that it sounds ugh). I remember that i've
found an example score layout which was impossible to achieve with
current system.
2011/9/26 Reinhold Kainhofer :
> Am Montag, 26. September 2011, 18:25:29 schrieb Janek Warc
Hi Paul,
2011/9/29 Paul Scott :
> How do I increase the size of cue notes? I've gotten quite used to
> cueDuring and its friends but I would like the cue notes to be slightly
> larger. I find the default to be too small. I was using
> Voice.fontsize = #-2 when I made my own cue notes.
If you w
> - Original Message -
> From: Stefan Thomas
>
> I would like to have the beams longer and the should include the last rest
> of the four sixteenths group,
> Does someone have an idea for solving this problem?
> \version "2.14.2"
> \new Staff {
> \time 3/4
> r16 g' c' r r f' g' r c' r
Hi Martien,
2011/12/26 Xavier Scheuer :
> On 26 December 2011 16:57, Martien Houët wrote:
>> My text editor is OK.
>> But I don't understand "save the file in UTF-8"
>> Is it an extension, a map, a programm?
It is a character encoding - something like file format, but not exactly.
If you are usi
2012/1/1 Gilles :
> Le Sun, 01 Jan 2012 05:53:45 +0100, me a écrit:
>> Is there a way to specify articulation over several notes. Eg., relative
>> c' {
>> c d e f | g a b c }. I would like to make the first four notes staccato
>> and
>> the second 4 marcato. Just, clarifying, I understand that I c
2012/1/2 Thomas Bonte :
>
> Anyone planning to go to FOSDEM? http://fosdem.org/2012/
> The largest open source developer gathering in Europe on Feb 4-5 in
> Brussels.
>
> The MuseScore team (Werner Schweer, Nicolas Froment, Thomas Bonte) will be
> there as well. Could be nice to have a music notati
2012/1/3 Stefan Thomas :
> Dear community,
> I have to make an arrangement for string ensemble of a piece originally
> written for saxophones.
> Unfortunately not all instruments have the same ambitus (e.g. the alto sax
> goes lower the the 2nd violin).
> With the ambitus engraver it's very simple
2012/1/5 David Kastrup :
> Werner LEMBERG writes:
>
>> Folks,
>>
>>
>> how can I avoid the vertical lining up of the dots of dotted nots? As
>> can be seen in the attached image, this looks very ugly. Instead, I
>> would like to have an `as near to the note head as possible' layout
>> strategy.
2012/1/6 Werner LEMBERG :
>
> Is there a possibility to tighten the horizontal distances in
> polyphony `chords'? The Bärenreiter edition of Bach's Chaconne use
> only the half distances, approximately.
If i remember correctly, these values are hard-coded in c++ code.
This is one of the things i'
2012/1/7 Werner LEMBERG :
>>> Is there a possibility to tighten the horizontal distances in
>>> polyphony `chords'? The Bärenreiter edition of Bach's Chaconne use
>>> only the half distances, approximately.
>>
>> If i remember correctly, these values are hard-coded in c++ code.
>> This is one of t
Entered new issues:
http://code.google.com/p/lilypond/issues/detail?id=2200
http://code.google.com/p/lilypond/issues/detail?id=2201
Is the problem appearing wneh engravers are moved an instance of
http://code.google.com/p/lilypond/issues/detail?id=1792
?
cheers,
Janek
___
Hi,
i'm trying to force Lily to squeeze attached example as much as
possible. I managed to move accidentals closer to themselves and
closer to the notes that follow them using padding and right-padding,
but i can't manage to reduce the gap "before" accidentals (i.e.
between accidental and /precee
Hi Harm,
2012/1/10 Thomas Morley :
> 2012/1/10 Janek Warchoł :
>> Hi,
>>
>> i'm trying to force Lily to squeeze attached example as much as
>> possible. I managed to move accidentals closer to themselves and
>> closer to the notes that follow them using pad
2012/1/10 James :
> http://lilypond.org/doc/v2.15/Documentation/internals-big-page#item_002dinterface
Aha! Interesting. Thank you!
Janek
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If a markup will help, here is the code:
\markup { \musicglyph #"rests.2" }
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2012/1/11 Nils :
> I knew it! Lilypond and naked girls make a good combination. [link deleted]
This isn't appropriate on this mailing list. Please don't post such
things again.
Janek
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2012/1/16 Graham Percival :
> On Mon, Jan 16, 2012 at 11:05:03AM +0100, Nils wrote:
>> Are you serious? This was the most harmless picture you can imagine.
>
> I find nothing objectionable about it, but we should bear in mind
> that cultural norms vary quite a bit; Europeans are generally much
> mo
2012/1/16 Mátyás Seress :
> Hi all,
>
> I've got a problem, which is: if I put '\arpeggio' after a chord, and create
> a MIDI file, then it doesn't play like that. It remains to be a simple
> chord. (I'm trying to do this with "acoustic guitar (nylon)" and "acoustic
> guitar (steel)" )
>
> Can anyb
2012/1/17 Mátyás Seress :
> But I would need a
> program that converts midi to mp3 or wav so that I can operate with them.
> Can you help? I already took a look around in the internet but only found
> trial/fake versions that are free and couldn't find a sufficient one. Any
> idea?
I think Winamp
Hi Frank,
2012/1/17 Frank Steinmetzger :
> Sorry about the wrong subject, it was supposed to be this one instead. (I
> used
> another message in the list to extract the To: address and forgot to change
> the
> subject before sending.)
>
> For possible replies, here's the question again.
This L
Dear Xavier,
hereby i'd like to thank you for your time spent on helping LilyPond!
It's true that user's work often is not appreciated enough.
2012/1/23 Xavier Scheuer :
> Dear Graham, dear Developers,
> why I never *demand*
> developers to fix an issue, even if it is one that is really annoying
2012/1/24 Werner LEMBERG :
>> Please consider this example too (see attachment) - it's taken from
>> Haendel's "Messiah". I find placing the semicolon before extender
>> very awkward here - notice the line break. It seems much more "in
>> place" when punctuation is after the extender.
>
> I disag
2012/1/24 Graham Percival :
> Our published materials says "24 hours":
>
> [...] we should update that accordingly.
http://codereview.appspot.com/5575047/ and stop worrying.
:)
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2012/1/24 Werner LEMBERG :
>
>> I could agree if we were talking about a melisma that doesn't cross
>> a line break. When there's a line break involved, having
>> punctuation before it makes the part after the break look totally
>> unconnected to anything. Just some notes and a line, how one is
>
I think that bounties will never have significant impact on Lily
development if we don't organize them. It's because writing code is
very expensive ($200-500 for a nontrivial patch?) compared to money
average user can spend (few can afford $100 i think).
I am serious: there are at least 20 issues
2012/1/25 Nils :
> Hello,
>
> a while ago I mailed to this list with 6 pdf files as attachment, overall
> 262,1 kb in size. kb, not mb.
> It has not shown up yet. Is there an attachment limit or file size limit I
> should know?
I remember something like 64 kb.
I don't know how much server storag
Hi Nils,
2012/1/27 Nils :
> 1) Can I ask instruct Lilypond globally for minimal space after a barline?
> Not an overall, relative increas. I don't want notes with accidentals to move
> further away, they are perfect.
I think it's possible, but i don't remember how to do it, sorry :(
> 2) A few
Hi,
2012/1/31 mdspencer :
> I guess maybe I'm confused then. When I leave off the associated lyrics,
> then the note spacing is compact, just like I wish. When I put the lyrics
> in, they push over some notes, but the other note spaces are not changed.
I think this is a limitation of LilyPond. S
2012/2/3 Tim McNamara :
>
> On Feb 3, 2012, at 2:07 PM, James wrote:
>
>> Attached is the output
>
> Those look good! "Nice job" to the OP!
+1!
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2012/2/4 Xavier Scheuer :
> Maybe the last time this was discussed
> was in a thread with Janek and his new tremolo styles?
I don't recall discussions about whole note tremolo related to the
tremolo style i was working on.
As for the said tremolo style, i'd like to finish that indeed, but i
have l
2012/2/8 Carl Sorensen :
> Guidelines for the preservation grant (which will probably be due in July)
> are shown here:
> http://www.neh.gov/grants/guidelines/HCRR.html
>
> Guidelines for the digital humanities grants are shown here:
> http://www.neh.gov/grants/guidelines/digitalhumanitiesstartup.h
2012/2/8 Nils :
> I have only read half of this thread, but is it about finding people or
> supporting the existent Lilypond Developers with money to do their regular
> great work?
More of the latter, but to make it possible it might be necessary to
find some people first. I.e. there are small
2012/2/7 Nils :
> I talked to a few persons in the university today and they all agreed that
> the line on which a clef is is variable for any number of lines.
> But a clef should be never be in between lines, which is what Lilypond does.
I've seen an engraving of Handel's Messiah in which tenors
2012/2/9 Martin Tarenskeen :
> Wouldn't it be nice to have something like that for the word "LilyPond" ? A
> standard way to display "LilyPond" in documents and for example in the
> default lilypond tagline ?
Idea seems nice to me, however this was discussed before and we
couldn't decide on this.
2012/2/9 Nils :
>> I can find the link if you want.
>
> that would be very nice!
Here you go (watch out, 20 MB!):
http://erato.uvt.nl/files/imglnks/usimg/c/cc/IMSLP162690-SIBLEY1802.17529.6eef-39087018850539score.pdf
cheers,
Janek
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2012/2/9 James :
> I like the lilypad and flowers 'icon', but with the typography (and
> maybe it's just me) all I can see are 'buttocks'
+1, lol!
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2012/2/9 Carl Sorensen :
> On 2/9/12 5:38 AM, "Nils" wrote:
>
>>Kickstarter is USA only.
>
> But someone in the USA can do a kickstarter project and spend the money
> any way they want to.
>
> I thought about kickstarter as well. But what would you promise the
> investors as return on the project
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