Re: confused about transposing from treble clef to bass clef

2008/11/16, Graham Percival <[EMAIL PROTECTED]>: > Read the bloody tutorial and LM 3. Particularly the "syntax of a > lilypond file". > > Particularly^2, the "a \score contains a single music expression" > part. > > > - Graham Seriously, Graham, if you can't be nice and fuzzy, don't respond.

Re: Centering chorus between even verses

Is it just me, or does the brace not show up? 2008/11/18 Marek Klein <[EMAIL PROTECTED]> > Maybe this snippet is what you are looking for: > > > -- > Marek Klein > http://gregoriana.sk > > > > 2008/11/18 Cordilow <[EMAIL PROTECTED]>: > > > > Sometimes it'

some questions

Hello everyone I'm actually doing rather well with lilypond, with a few minor exceptions. One is that my staff names don't show up and I get the odd warning from lilypond: warning: can't find property type-check for `instrument' (translation- type?). perhaps a typing error? warning: doin

Re: some questions

Thanks, I didn't even realise there was a 2.10 manual. Am 25.11.2006 um 11:31 schrieb Cameron Horsburgh: On Sat, Nov 25, 2006 at 10:26:02AM -0800, James Bailey wrote: Hello everyone I'm actually doing rather well with lilypond, with a few minor exceptions. One is that my s

thank you thank you thank you

I just got the documentation for 2.10 and it's bookmarked!! Thank you. Thank you. Thank you. Previously, I spent much time bookmrking the documentation. Now I don't have to. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/

paper sizes

I was reading the archives on how to define a custom page size, and I'm a little confused as to whether the issue was resolved, meaning, I've read the archives, and tried the suggestions there, but still cannot output my page size. I've added to the file "paper.scm" the line ("octavo" .

paper?

I'm sorry, I misinterpreted my output. What I get is the proper paper size, but rotated. The music is portrait and cropped where the paper is, but the paper is landscape. So close. What am I missing? ___ lilypond-user mailing list lilypond-user@gnu

Re: paper sizes

Wow. I downloaded the file to the computer at work (which has Windows) and it worked perfectly. So, is there an equivalent step I need to do here in OSX to get this to work? Am 30.11.2006 um 08:54 schrieb Rick Hansen (aka RickH): James E. Bailey-2 wrote: I was reading the archives on

Re: odd choral score problem

I was afraid you would ask for this, so here goes: my "soprano" file (shortened to just what would produce the error). \version "2.10.0" SopranoMusic=\relative { \key es \major \time 5/2 b'2 b4 b c b b2 g | as g4 f~ f es~ es d es2 | b'2 b4 b c b b2 g | as g4 f~ f es~ es d es2 | \time 5/4 R1*5/4 |

Dear Lilypond Development team, I love you

As a person who is migrating to linux from OSX, I love you. I found an older version of lilypond in the ubuntu package manager, and today, as I was downloading lilypond for my intel iMac, I noticed the powerpc build of lilypond. Whoever is responsible for this, I thank you. ___

osx intel broken?

wow, just as I was praising the appearance of a ppc version, I'm a little confused, I downloaded both 2.10 and 2.11 for intel macintosh, and after unpacking the archives, they appear to be PPC programs that won't run on my new iMac. I know I've used this software on this computer before I r

piano centered dynamics

I'm trying to get piano centered dynamics, and my "cresc." is far too close to the bottom staff. I'm just modifying the existing template. My question is, which line of the code do I need to alter to change this? following is my offending code (stripped down as best as I could \version

Re: piano centered dynamics

Thanks, I made the offset 2.5 to match all of the others, but I still really don't understand all of the engravers and spanners this template modifies, which makes me kind of sad. And, is it just me, or did you get the same kind of problem that I got? Should this be added to the manual, or

Re: Creating cross-staff arpeggios in a piano staff

On Nov 16, 2012, at 6:10 PM, Mark Stephen Mrotek wrote: … > 1. Which of these lines (discounting change of pitch and duration) > should be used? > 2. Where in an already started Piano score should they be inserted? > > Thank you for your kind attention. > Good day! > > The onlin

Re: lyrics to music

It used to not done, in order to emphasize each individual word. Now, it's more whatever the composer wants. There are no more hard and fast rules. On Nov 20, 2012, at 4:25 PM, "Fr. Michael Gilmary, mma" wrote: > Hi everybody: > > Here's a general question that's bothered me for some time ...

Re: dynamics seperatate from the notes entry

On Dec 31, 2012, at 3:22 PM, Karl Hammar wrote: > How do I merge Ds and Ms below so it will behave as if I wrote the > dynamics together with the notes? > > smorz = \markup { \italic smorz } > sotto = \markup { \italic { sotto voce } } > Ds = { > s1*10 | s1^\sotto | s4 s2.\f | s4 s2.^\smorz |

Re: staffname not shown

I don't understand why either, but you get around the problem by using the \new Staff \with { instrumentName = "Ausführung" } syntax. I'm 100% percent sure that the culprit is the umlaut, although why, is beyond me. It's probably a bug. On 29.11.2009, at 13:56, Stefan Thomas wrote: Dear c

Re: Horn notation

On 30.11.2009, at 13:11, Stephan Elliot Perez wrote: … In the first example, the textspanner stays above although I preceded it with "_" You may want to use the \textSpannerDown from section 1.8.1 in the Notation Reference ___ lilypond-user m

Re: Pedal at wrong position

On 12.12.2009, at 00:29, Neil Puttock wrote: 2009/12/11 stefankaegi : uhm... I have some doubts you understand me properly... The pedalling actually should be like in my example (pedal on "e" and "f"), but it's a bit bad positioned. This is a nasty bug of the Dynamics context: the pedal b

Re: lilypond & Windows 7

In the future, a better formed question would be, "Hi, I installed lilypond on Windows 7 and am having these problems…" On 12.12.2009, at 03:37, Roberto Altschul wrote: Does Lilypond run under Windows 7? Roberto Altschul ___ lilypond-user mail

Re: Can't Resolve Colliding Noteheads...

No matter how hard I try, I can't seem to reproduce this problem. With, or without the markup (which includes a variable which hasn't been described in the snippet), or the notecolumn markup, I still get the expected output, with the notes properly shifted. Can you send an example which sho

Re: No Work!

I don't know if you know about it, but the link from the download page on lilypond.org for osx 10.5 has several methods of getting lilypond to work. http://ivo.bouwmans.name/lilypondleopard/ On 13.12.2009, at 19:14, Robert Ley wrote: Re: Version 2.12.2-1 Downloaded both documentation and pr

Re: No Work!

Which script? What does the site say to do to make it run? I know there are at least three different methods listed at the website on ways to use lilypond. At lest two of which, I know from first-hand experience work perfectly, the others of which, I know from second- hand experience work p

Re: Decrescendo on a single note

if you separate the dynamics into a different variable, then you can do: music = {c1} dynamic = {s4\> s2 s4\!} Or similar, given the note lengths. On 13.12.2009, at 21:45, Tom Dickson wrote: I have a piece that has a decrescendo over the last note - what's the best way to set this? I tried

Re: No Work!

Sorry, I can't help you. Amazing as it sounds, the instructions in the documentation http://lilypond.org/doc/v2.12/Documentation/user/ lilypond-program/Setup-for-MacOS-X#Setup-for-MacOS-X actually worked for me, so I've never used any of the methods on the website, except to see how jEdit fa

Re: No Work!

Have you tried any of the methods that don't include using the built- in editor? It's designed to make an introduction to lilypond easier, but in your case, that hasn't worked. That having been said, the editor that ships with lilypond is slightly less useful than using TextEdit, so you may

Re: GUI (was: Re: No Work!

This ships with the macintosh version, which is what the original poster uses. It broke for a while on 10.5/10.6. On 15.12.2009, at 19:11, Kees van den Doel wrote: I was thinking of something utterly trivial with as few features as possible (File open/save and compile). Maybe call it the "

Re: No Work!

I'm really sorry you couldn't get it to work. After months of the GUI not working at all on 10.5/10.6, there appeared to be a fix which has worked for every other user. So, unless you can give anyone on the list some more details about what you did, which version you were using, and what pr

Re: No Work!

First and foremost, *I* am not in a position to change anything with the programming. But any problems you encounter will certainly help the people who do the programming to make the end-user experience better. Having read your other email, as I understand it, you downloaded a script and

Re: No Work!

when it comes down to it, lilypond is a compiler, and implementation in a GUI may or may not work. On 16.12.2009, at 18:19, James Lowe wrote: James Bailey wrote: I'm really sorry you couldn't get it to work. After months of the GUI not working at all on 10.5/10.6, there appear

Re: No Work!

Don't worry, I've not lost patience; however, you seem to not be hearing me. I understand that two methods of using lilypond did not work for you: the GUI application that comes with lilypond, and a script for terminal use. There are other ways of using lilypond. I'm asking you to see if an

Re: No Work! 10.5.8 vs. 10.4.11

On 17.12.2009, at 18:22, Robert Ley wrote: So i do not think the problem is with you at all. The console shows this message: Thursday, December 17, 2009 9:05:46 AM US/Pacific Dec 17 09:06:44 rdlpowerbook LilyPond[231]: 'exceptions.OSError'>: [Errno 86] Bad CPU type in executable You've do

Re: No Work! 10.5.8 vs. 10.4.11

The 'correct' version for system 10.5.8 on a PPC chip should be the PPC binary. The direct link to the 2.13.9 binary is here: http://download.linuxaudio.org/lilypond/binaries/darwin-ppc/ lilypond-2.13.9-1.darwin-ppc.tar.bz2 On 17.12.2009, at 19:04, Robert Ley wrote: The 'correct' version for

Re: restraining lilypond

I only noticed this because I'm checking the regression tests, but I think page-top-space is the setting you would need. You can find an example of its use it in the regression tests. On 18.12.2009, at 03:54, Hugh Myers wrote: Given: \version "2.13.7" \header { tagline = ##f } \layout {

Re: lilypond 2.12 / 2.13

I don't know about linux, but on macintosh, there's absolutely zero problem, the binaries are all self-contained. It's just a matter of calling the right one. On 20.12.2009, at 17:45, Martin Tarenskeen wrote: Hi, Is there an (easy) way to have both lilypond 2.12.x (stable) and lilypond

Re: Dynamics above the staff?

On 22.12.2009, at 19:12, Kieren MacMillan wrote: Hi Athanasius, How can I get the dynamics (i.e pp fff) above the music instead of below where the lyrics are? Lillypond seems to keep putting them below. Use the \dynamicUp macro. Hope this helps! Kieren. There's a \dynamicUp??!! I real

Re: Dynamics above the staff?

On 22.12.2009, at 21:28, Kieren MacMillan wrote: Hi James, There's a \dynamicUp??!! I really gotta start reading the changes to the program. That came in *many* versions ago… ;) Cheers, Kieren. Like I said, I really gotta start reading those new features things. __

question about tablature

I don't know much about tablature, but are eighth notes supposed to have stems and beams? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

tablature angle brackets

Hello, I'm on Mac OSX 10.4. Do I need to do something special to get the angle brackets in tablature? For what it's worth, I get this output in my sterr: Interpreting music... Preprocessing graphical objects... programming error: FT_Get_Glyph_Name () error: invalid argument continuing, cross

Re: question about tablature

On 26.12.2009, at 13:16, Trevor Daniels wrote: James Bailey wrote Saturday, December 26, 2009 9:37 AM Subject: question about tablature I don't know much about tablature, but are eighth notes supposed to have stems and beams? Yes, if \tabFullNotation is invoked. But there is a b

Re: question about tablature

On 26.12.2009, at 14:19, Carl Sorensen wrote: On 12/26/09 5:16 AM, "Trevor Daniels" wrote: James Bailey wrote Saturday, December 26, 2009 9:37 AM Subject: question about tablature I don't know much about tablature, but are eighth notes supposed to have stems and b

Re: tablature angle brackets

On 26.12.2009, at 19:04, Patrick McCarty wrote: On Sat, Dec 26, 2009 at 2:00 AM, James Bailey wrote: Hello, I'm on Mac OSX 10.4. Do I need to do something special to get the angle brackets in tablature? For what it's worth, I get this output in my sterr: Interpre

Re: question about tablature

On 26.12.2009, at 20:07, Carl Sorensen wrote: On 12/26/09 10:21 AM, "Trevor Daniels" wrote: Carl Sorensen wrote Saturday, December 26, 2009 1:19 PM On 12/26/09 5:16 AM, "Trevor Daniels" wrote: James Bailey wrote Saturday, December 26, 2009 9:37 AM Subject: ques

Re: question about tablature

On 26.12.2009, at 22:11, Carl Sorensen wrote: On 12/26/09 12:42 PM, "James Bailey" wrote: On 26.12.2009, at 20:07, Carl Sorensen wrote: On 12/26/09 10:21 AM, "Trevor Daniels" wrote: Carl Sorensen wrote Saturday, December 26, 2009 1:19 PM Can you

Re: question about tablature

On 26.12.2009, at 22:11, Carl Sorensen wrote: On 12/26/09 12:42 PM, "James Bailey" wrote: On 26.12.2009, at 20:07, Carl Sorensen wrote: On 12/26/09 10:21 AM, "Trevor Daniels" wrote: Carl Sorensen wrote Saturday, December 26, 2009 1:19 PM Can you

Re: tablature angle brackets

On 27.12.2009, at 07:49, Patrick McCarty wrote: On 2009-12-26, James Bailey wrote: Hello, I'm on Mac OSX 10.4. Do I need to do something special to get the angle brackets in tablature? For what it's worth, I get this output in my sterr: Interpreting music... Preprocessing graphic

Re: how to filter out rests from articulations

On 28.12.2009, at 10:59, Stefan Thomas wrote: Dear community, in the below quoted snippet, I would like to have the rests in the second staff without articulations. Is it possible? \version "2.12.2" arti = { \repeat "unfold" 4 { s8-.-> s-. } } fragA = \relative c' { \context Voice << {c

Re: how to filter out rests from articulations

On 28.12.2009, at 10:59, Stefan Thomas wrote: Dear community, in the below quoted snippet, I would like to have the rests in the second staff without articulations. Is it possible? \version "2.12.2" arti = { \repeat "unfold" 4 { s8-.-> s-. } } fragA = \relative c' { \context Voice << {c

Re: how to filter out rests from articulations

On 28.12.2009, at 10:59, Stefan Thomas wrote: Dear community, in the below quoted snippet, I would like to have the rests in the second staff without articulations. Is it possible? \version "2.12.2" arti = { \repeat "unfold" 4 { s8-.-> s-. } } fragA = \relative c' { \context Voice << {c

Re: Note collision without stems

Can you provide a short example that shows the collision? I'm having difficult imagining how to get such a collision, and then how to correct it. On 29.12.2009, at 19:06, Alberto Simões wrote: Dear all, Can't find a solution to hide one of the two whole notes that are colliding. The only o

Re: Additional notes or ossia

I thought I could help, but apparently my scheme-fu isn't good enough for this. I first thought I could beat \Balloon_engraver into doing what you need, but there's scant information on it, and I don't know how to change the size of the box it creates. Then I thought I could just use markup

Re: Note collision without stems

force-hshift = #-.5 c1(b,4)}>> <<{c'1( d'4)}\\{\once \override NoteColumn #'force-hshift = #-0.5 c'1 (b4)}>> On 29.12.2009, at 19:28, Alberto Simões wrote: Sure: voiceA = \relative c { c1( d4) } voiceB = \relative c { c1( b4) } voice = { <

Re: Note collision without stems

On 29.12.2009, at 20:14, Alberto Simões wrote: Hey On 29/12/2009 19:11, James Bailey wrote: I assume you *want* the two heads merged into one. since as it is, there is no collision. The easy way is to force them together. In fact, accordingly with lilypond documentation, the two heads

Re: command-line usage - dyld message

Out of curiosity, are these errors local to one user, or global for all user accounts on the computer? It may be a problem with a ~/ *profile or ~/*rc file On 29.12.2009, at 21:17, Patrick Schmidt wrote: Hi all, a while ago I got a bus error every time I invoked lilypond (or any other exec

Re: command-line usage - dyld message

On 29.12.2009, at 22:48, Patrick Schmidt wrote: Datum: Tue, 29 Dec 2009 22:43:12 +0100 Von: James Bailey An: Patrick Schmidt CC: lilypond-user@gnu.org Betreff: Re: command-line usage - dyld message Out of curiosity, are these errors local to one user, or global for

Re: Switching From RhythmicStaff to Staff

Have you tried the methods in the notation reference, 1.6.2, modifying single staves? On 30.12.2009, at 13:02, craigbakalian wrote: Hi, I apologize for the length of the code below, but I cannot explain this issue any other way. I have a percussion part where the player switches from pl

Re: command-line usage - dyld message

So, does this mean that the problem is not isolated to one user account? On 30.12.2009, at 11:29, Patrick Schmidt wrote: This is what I get when I type 'locate libpang': Is there anything wrong? Thanks for your help! patrick -- Jetzt kostenlos herunterladen: Internet Explorer 8 und Moz

Re: command-line usage - dyld message

y When I do the same in my main account I get the dyld-message again. Thanks for your help & patience! patrick Original-Nachricht Datum: Wed, 30 Dec 2009 14:20:00 +0100 Von: James Bailey An: Patrick Schmidt CC: "James Lowe" , lilypond-user@gnu.org Betreff:

Re: command-line usage - dyld message

em in /Users/PLS/temp. I probably should have used 'mv ~/.+ temp/' instead of 'mv ~/.* temp/' to avoid the "invalid arguments"?!) I still can't compile the ly-file from the command-line in my main account (dyld message). patrick Original-Nachricht --

Re: Forcing hshift not working...

If you can show this in a one measure example, I'd more than willing to help you, but trying to find out where the problem is, amidst all of your voices is a bit more work than I'm willing to put in. On 30.12.2009, at 20:43, Alberto Simões wrote: Hey On 30/12/2009 19:38, Nick Payne wrote:

Re: Forcing hshift not working...

So, if you can send an example that shows the problem, I'll be more than happy to look at it and help you find a solution. On 30.12.2009, at 21:39, Alberto Simões wrote: On 30/12/2009 20:01, James Bailey wrote: If you can show this in a one measure example, I'd more than willing

Re: Forcing hshift not working...

t; \global \clef bass << \lowerA \\ \lowerB >> >> >> >> } If you want to, now you can add \once \override NoteColumn #'force- hshift = #-1.0 where you want, and it should work. On 30.12.2009, at 21:58, Alberto Simões wrote: On 30/12/2009 20:58, Ja

Re: tablature angle brackets

On 30.12.2009, at 22:35, Patrick McCarty wrote: On Sun, Dec 27, 2009 at 4:02 AM, James Bailey wrote: On 27.12.2009, at 07:49, Patrick McCarty wrote: On 2009-12-26, James Bailey wrote: Hello, I'm on Mac OSX 10.4. Do I need to do something special to get the angle brackets in tabl

Re: hymns: chords vs. voices

On 02.01.2010, at 16:20, Xavier Scheuer wrote: If such a technique is required for all exceptions to the chord structure, it seems as if the "chord method" could become patchwork if many exceptions are needed in a piece. Ten exceptions might be common on a one-page hymn, requiring the creation o

Re: Additional notes or ossia

On 02.01.2010, at 17:16, Helge Kruse wrote: Am 29.12.2009 20:04, schrieb James Bailey: I thought I could help, but apparently my scheme-fu isn't good enough for this. I first thought I could beat \Balloon_engraver into doing what you need, but there's scant information on it, a

Re: voices problem: notes positioning

On 03.01.2010, at 00:28, -Eluze wrote: user28 wrote: i need to place rests from voice three between notes from first and second voices, you can position the rests of a voice using \once \override Voice.Rest #'staff-position = #-2 changing the number to what you need! You can also

Re: voices problem: notes positioning

On 03.01.2010, at 00:28, -Eluze wrote: user28 wrote: i need to place rests from voice three between notes from first and second voices, you can position the rests of a voice using \once \override Voice.Rest #'staff-position = #-2 changing the number to what you need! You can also

Re: Editing notes in a separate file

On 02.01.2010, at 20:49, Carl Sorensen wrote: May I suggest that the proper way to handle this is not to try to turn LilyPond into an information manager? Instead, the proper way is to use an information manager with LilyPond. I would recommend that the semantically appropriate way to han

Re: blocking midi output of included files

That doesn't work. Think of it this way fileOne.ly \score {...\layout{}\midi{}} fileTwo.ly \score {...\layout{}\midi{}} bookOne.ly \include "fileOne.ly" \include "fileTwo.ly" The question is if it is possible to suppress the midi file generation when bookOne.ly is compiled. I don't think so, bu

Re: blocking midi output of included files

On 04.01.2010, at 13:19, Federico Bruni wrote: Il 04/01/2010 12:31, James Bailey ha scritto: That doesn't work. Think of it this way fileOne.ly \score {...\layout{}\midi{}} fileTwo.ly \score {...\layout{}\midi{}} bookOne.ly \include "fileOne.ly" \include "fileTwo.ly"

lilypond-book question

I have a question. Given this input file: \documentclass[a4paper]{article} \usepackage[pdftex]{graphicx} \begin{document} \begin{lilypond} \relative c' { c2 a'2 \times 2/3 { f8 e d } c'2 g4 } \end{lilypond} \end{document} I was under the impression (according to AU 4.4), that I could do li

lilypond-book question

I realise the problems: I have a question. Given this input file: \documentclass[a4paper]{article} \usepackage[pdftex]{graphicx} \begin{document} \begin{lilypond} \relative c' { c2 a'2 \times 2/3 { f8 e d } c'2 g4 } \end{lilypond} \end{document} I was under the impression (according to A

Re: lilypond-book question

On 05.01.2010, at 10:38, Graham Percival wrote: On Tue, Jan 05, 2010 at 10:35:07AM +0100, James Bailey wrote: I have a question. Given this input file: \documentclass[a4paper]{article} \usepackage[pdftex]{graphicx} What;s the pdftex doing in there? pdflatex always complains if I don&#

Re: lilypond-book question

On 05.01.2010, at 10:59, Graham Percival wrote: On Tue, Jan 05, 2010 at 10:57:41AM +0100, James Bailey wrote: On 05.01.2010, at 10:38, Graham Percival wrote: On Tue, Jan 05, 2010 at 10:35:07AM +0100, James Bailey wrote: I have a question. Given this input file: \documentclass[a4paper

Re: lilypond-book question

On Tue, Jan 05, 2010 at 10:57:41AM +0100, James Bailey wrote: On 05.01.2010, at 10:38, Graham Percival wrote: On Tue, Jan 05, 2010 at 10:35:07AM +0100, James Bailey wrote: I have a question. Given this input file: \documentclass[a4paper]{article} \usepackage[pdftex]{graphicx} What;s the

Re: lilypond-book question

On 05.01.2010, at 10:59, Graham Percival wrote: On Tue, Jan 05, 2010 at 10:57:41AM +0100, James Bailey wrote: On 05.01.2010, at 10:38, Graham Percival wrote: On Tue, Jan 05, 2010 at 10:35:07AM +0100, James Bailey wrote: I have a question. Given this input file: \documentclass[a4paper

Re: Additional notes or ossia

On 02.01.2010, at 17:16, Helge Kruse wrote: Am 29.12.2009 20:04, schrieb James Bailey: I thought I could help, but apparently my scheme-fu isn't good enough for this. I first thought I could beat \Balloon_engraver into doing what you need, but there's scant information on it, a

Re: lilypond-book question

On 06.01.2010, at 23:04, Mats Bengtsson wrote: Quoting James Bailey : On Tue, Jan 05, 2010 at 10:35:07AM +0100, James Bailey wrote: I have a question. Given this input file: \documentclass[a4paper]{article} \usepackage[pdftex]{graphicx} What;s the pdftex doing in there? pdflatex

Re: lilypond-book question

On 07.01.2010, at 00:03, John Mandereau wrote: Le mardi 05 janvier 2010 à 10:35 +0100, James Bailey a écrit : Firstly, lilypond complains that it doesn't understand this extension. lilypond-book: error: cannot determine format for: lily-book- sample.pdftex This is normal: accordi

Re: lilypond-book question

On 07.01.2010, at 00:18, John Mandereau wrote: James, sorry for having missed this email, but it surely has a missing header that prevented my mail client to show it in the same thread as other messages. Le mardi 05 janvier 2010 à 10:53 +0100, James Bailey a écrit : I realise the problems

Re: Compound time signature in early music

On 17.01.2010, at 20:30, M. E. wrote: As I don't know Scheme very well I need assistance with this problem ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user This is a wonderful example of a ba

Re: Adding Rehearsal Marks, v2.12.2

On 18.01.2010, at 00:21, rasAK wrote: Apologies...I'm sure this is addressed somewhere (...but I did search the documentation and this forum!). How do I add rehearsal letters to an existing score without going through and adding a "\mark" for every letter in every part? Thanks so much!

Re: One Line Column Markup

without checking, have you tried \line {4 \center-column {\super a .}}? On 18.01.2010, at 06:48, Pato Press wrote: Hi, I'm sure what i'm trying is quite simple but I can't find the solution. Is there a way of printing a column in the space of one standar line? I'm trying something like these

Re: One Line Column Markup

without checking, have you tried \line {4 \center-column {\super a .}}? On 18.01.2010, at 06:48, Pato Press wrote: Hi, I'm sure what i'm trying is quite simple but I can't find the solution. Is there a way of printing a column in the space of one standar line? I'm trying something like these

Re: repeats with 3rd stanza following

stanzaoneandtwo = { music } stanzatree = {music } stanzaonandtwolyrics = {lyrics} stanzathree = {lyrics} Does that help? On 18.01.2010, at 21:55, John Kelly wrote: I'm trying to set a single vocal part. It has three stanzas with a refrain. The music for the thirds stanza is slightly different

Re: repeats with 3rd stanza following

sto "bassNotesC" \new Lyrics { \bassLyricsC } >> \layout {} } On Mon, Jan 18, 2010 at 9:54 PM, James Bailey wrote: stanzaoneandtwo = { music } stanzatree = {music } stanzaonandtwolyrics = {lyrics} stanzathree = {lyrics} Does that help? On 18.01.2010

Re: repeats with 3rd stanza following

e: Thanks, I'll try that. My stumbling block was how to concatenate different sections in the Staff context. --JK On Tue, Jan 19, 2010 at 10:38 AM, James Bailey wrote: Why the extra staff? I would just do: \context Staff { \new Voice = bassNotesAB \bassNotesAB \new Voice \new Voice =

Re: repeats with 3rd stanza following

e: Thanks, I'll try that. My stumbling block was how to concatenate different sections in the Staff context. --JK On Tue, Jan 19, 2010 at 10:38 AM, James Bailey wrote: Why the extra staff? I would just do: \context Staff { \new Voice = bassNotesAB \bassNotesAB \new Voice \new Voice =

Re: measure length and decresendo

You can add \paper { ragged-right = ##f line-width = 4\in } to your file to control the line length and force the measure to fill the whole line. That will ensure that the measures are exactly the length you want them to be, and the diminuendo comes out a bit longer. On 20.01.2010, at 06:36

Re: measure length and decresendo

I don't know anything about OpenOffice.org lilypond, so pardon me. I guess it's like lilypond-book the easy way. On 20.01.2010, at 19:52, David Stocker wrote: \paper blocks don't work in OpenOffice.org with OOoLilyPond. I didn't think they did, but I tried just to be

Re: avoid multiple fret diagrams

First of all, hello. Welcome. I encourage everyone to read the Learning Manual once completely through before doing anything. It explains how lilypond works, how to get what you want, and where to look for help when you have questions. To your question, you've included the fret diagram in t

Re: How to include a file just once?

On 21.01.2010, at 18:47, Michael J. O'Donnell wrote: Is there a standard way to make sure that a file full of LilyPond style definitions is included just once, no matter how many times it is mentioned? I searched the Web site, mail archives, and /usr/shar/lilypond for "include once" and "i

Re: Nesting SLurs and phrases

See section 5.4.2 in the notation reference, Direction and Placement On 23.01.2010, at 13:25, i...@soundand.com wrote: version 12.2 I would like to have the slurs in the following \slurDown and the long phrase Neutral or up but the LSR example is confusing as it uses many voices and I can'

Re: Nesting SLurs and phrases

r in the wrong place. Is this what you're trying to do? music = { \slurDown e''8-1^\markup { \bold "#8"} \( \slurNeutral f-2( e f) fis-3 f-2( fis f\)) } \score { \music } Note that the slur marking ( comes *AFTER* the note you want the slur to start on — it&#

Re: Leading grace note in alternative ending

On 24.01.2010, at 10:51, Patrick Karl wrote: * The output pdf file is flawed. Each alternative ending is duplicated, with the grace note being placed into the first of the duplications. Note: The problem disappears if I eliminate the "T" music and staff, or if I add a corresponding g

Re: Problems with diminuendo placing with 2 voices

On 24.01.2010, at 14:05, Phil Holmes wrote: Hello - my first post. However, I can't find a way of making a diminuendo mark appear within the LilyPond notation. An example of the sort of thing I'm trying to do is at http://www.holmessoft.co.uk/homepage/images/ RestChords.gif I've transla

left-aligned dynamics

I use the Scheme hack to get dynamics that sound properly with text: pcantabile = #( make-dynamic-script ( markup #:line ( #:dynamic "p" #:hspace -1 #:normal-text #:italic ", cantabile" ) ) ) Since I really don't understand any of how that works (I mean, I understand that

Re: left-aligned dynamics

On 25.01.2010, at 21:49, Reinhold Kainhofer wrote: Am Montag, 25. Januar 2010 20:18:10 schrieb James Bailey: I use the Scheme hack to get dynamics that sound properly with text: [...] Since I really don't understand any of how that works (I mean, I understand that it's markup

Re: left-aligned dynamics

On 25.01.2010, at 21:49, Reinhold Kainhofer wrote: Am Montag, 25. Januar 2010 20:18:10 schrieb James Bailey: I use the Scheme hack to get dynamics that sound properly with text: [...] Since I really don't understand any of how that works (I mean, I understand that it's markup

Re: left-aligned dynamics

On 26.01.2010, at 02:01, David Nalesnik wrote: Hello, Fiddling around with the snippet "Centering markup on noteheads automatically," http://lsr.dsi.unimi.it/LSR/Item?id=637 I came up with something which might be useful (or duplicate a far easier solution!). I realize that it doesn't ad

  1   2   3   4   >