ypond -H title foo.ly
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gmane address is
listed.
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now, hopefully.
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Trevor Bača wrote:
1. Aligning to *the very first* time signature in a context seems to
be a problem (eg, "Zart") even though aligning to *subsequent* time
signatures works fine (eg, "Bewegt"); this may or may not be a bug and
I've asked Han-Wen so we'll see what he
he
first person I've noticed ask about aligning true, boxed rehearsals
... though, of course, I might not have been reading the posts
carefully enough!)
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mark"
c'4 c'4
\time 3/4 \mark "Second mark"
c'4 c'4 c'4
}
}
%%% END SNIPPET %
Works great on "Second mark"; I take the fact that "First mark" not
working is the bug you're hunting down?
Bertalan Fodor wrote:
Could an easier and faster way be sponsored?
I could add something along the lines of
\tag
which would be used like
< \tweak #'(style . baroque) c4
>
Cost: 130 EUR (incl VAT for EU individuals)
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you're talking about the tempo markings here ?
It should be doable in markup:
* use \note for the notes
* use \arrow-head and \line for the arrows.
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).
Thanks, added this to the bug repository as crash-beamed-rests.ly:
%crash critical
%Sean Reed
\version "2.7.15"
\header {
texidoc = "lily segfaults."
reportedin ="2.7.16"
}
\relative c' {
r16[ b r8]
}
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etc.
is not done by the midi/layout backends, but by music iterators. And music
iterators don't know whether midi or layout output is being produced.
I'm planning to restructure the syntax of \score, \book and \midi in the
2.9 cycle so this will no longer be an
Mark Van den Borre wrote:
Hi all,
Who would like to co-sponsor a MusicXML to Lilypond conversion script?
What: A script that extracts notes and rests from a MusicXML file into a
Lilypond file. Written in Python, modular, extensible.
Price: I've had a €350 price quote from Han-Wen.
Hi,
:slur (Bezier curve, Real curvethick, Real linethick)
in lily/lookup.cc
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ethods. In any case, modifying values is against the spirit of
functional programming, so you should use (substring .. ) anyway.
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tical because the prefix nature made it easy to add the # hack to
LilyPond.
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quot;4" }
}
there is a + symbol in the number font nowadays, so it should work to do
\number {
\column { 2 4 }
+
\column { 3 4 }
}
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s, I guess.
I do wonder how what the impact on performance would have been. Python
objects are more heavyweight than SCMs, and the Garbage Collection
opened a lot of possibilities in developing Lily.
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ot of possibilities in developing Lily.
I though Python had a GC... Did I miss anything ?
It didn't 7 years ago.
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ctive. We're have been desperately trying to
flush all C++-isms down the toilet for years now :)
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n the musicians start complaining about that
it's hard to realize what bars have what time signature, then you can
easily print the time signatures again.
That would result in incorrect spacing.
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nt )
Y-offset = Self_alignment_interface::y_aligned_on_parent
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ODE
" )) '(-3.5 . 3.5) '(-1.5 . 1.5))
))
and I want to know value of Staff.fontSize inside this macro, which in turn I
want to
assign to scaleFactor variable.
Staff.fontSize ends up in the font-size property in PROPS. You can't
access context variables from markups.
-
andrea valle wrote:
How much for a migration to python as a sponsored feature :-)?
5 digits.
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ldn't notice
any incorrect spacing.
the problem is that a single beat should be spaced the same in 3/4 and
9/8. In 9/8, a beat is 3 8ths, while it is 2 8ths in 3/4.
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nd of graphic stuff? Can you give examples?
As always, if you find something missing from LilyPond, you can have it
added through the sponsored features program, see
http://lilypond-design.com/sponsor/
is better to work on a
grafical software after the first edition in
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that the end result will be slower than the current
GUILE/Scheme combo.
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t
more patient for exe files of that one.
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list 'bezier-sandwich (list 'quote '(0 . 2) '(1 . 4) ... ))
or
'(bezier-sandwhich (quote ((0 . 2) (1 . 4) ... )))
I guess.
You need an extra quote because the expression of a stencil is evaluated
another time in the back-end.
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eep, and knowledge of the user-interface of an app doesn't necessarily
help with programming it.
Case in point: as a die-hard Emacs user, I still don't know how to write
Elisp.
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_
?
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r dir in left, right:
x += dir * spanner->get_bound (dir)
->extent (common, X_AXIS)[-direction]
puts the distance between inner edges of the bounds of SPANNER in X.
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fixed with this line.
thanks. Fixed.
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l the functions require a context as an argument.
What do you mean by "current" ? Where do you need it ?
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Don Blaheta wrote:
Quoth Han-Wen Nienhuys:
Don Blaheta wrote:
2) Is there a Scheme function to retrieve the _current_ context? It
looks like all the functions require a context as an argument.
What do you mean by "current" ? Where do you need it ?
The context that is enc
the syntax a bit, at the expense ease of entry.
What do you think?
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TRING or STRING
parseStringResult = { \context Voice =
\lilyvartmpc { \override NoteHead #(quote font-size) = #3 }
error: errors found, ignoring music expression
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rd, so long
as the output is the string "Un."
Any ideas?
with the last 2.7 release,
\chords {
c:sus4
\notemode { <\tweak #'text #"foo" c>4 }
c:dim7
}
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ACtually, this turned out to be trivial to do. I'm not sure why I didn't
do it earlier.
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).
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evert Staff.StaffSymbol #'line-count
\startStaff
...
Another option is to override the stencil callback for StaffSymbol.
If you have problems with this, I can cook up a sponsored aleatoric
example .ly , but I guess there will be lots of people eager to
demonstrate their elite L1l33P0nd ski1
Andrzej Kopec wrote:
Han-Wen Nienhuys writes:
> >
> > // \\
> > ||--|---|||-
> > ||.-|---|--.|||-
> > ||.-|---|--.|||-
> > ||--o---|---||
Kenneth Teh wrote:
You have a mechanism for defining new contexts. Would
it be possible to use this mechanism for this purpose?
For the price I set, I will write a new engraver, and also change the
syntax slightly.
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Andrzej Kopec wrote:
Han-Wen Nienhuys writes:
> > Sorry for lack of clearness. I meant brackets. I was looking for some
graphical object
> > which can be aligned to edges of StaffSymbol independently to duration of
current
> > note/rest/space. Rest seems to shift s
bar.
The grace note confuses Lily. I've commited a fix in CVS.
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Trent Johnston wrote:
Good evening all,
I suppose this email is directed at Han-Wen since I am looking a
possibly sponsoring a new feature.
I was wondering whether slurs could be made to encase tuplet numbers.
i.e. the slur would go over the number and not through the number as it
does
.i386.rpm.
Are the *.src.rpm files available?
I actually forgot which they were. it's probably easier to follow the
instructions at the bottom of the install page.
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hacked up source rpm?
yup.
I put the spec on lilypond.org/donwload/binaries/Fedora-4/
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was for a homebrew version
of ESP GS 8.15rc[1-3]; I think the Rawhide packages obviate it.
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this approach might be a
problem if you actually need gimp-print.
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t;"
R4.*3 | R4.*3 | R4.*3 | R4.*3
}
\clef tenor \untransposed
}
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t behavior. Perhaps we ought to change it, but for
now, the easiest is to tune scoreTitleMarkup in the \paper block
see ly/titling-init.ly for inspiration.
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Trent Johnston wrote:
Thanx for the hints. I've successfully hidden the tuplet numbers.
The lyrics and barline question is proving troublesome...
where do I put the \consists "Separating_line_group_engraver"
\layout {
\context { \Lyrics \consists ... } }
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DENTIFIER
foo = \layout { .. }
DURATION_IDENTIFIER
foo = #(ly:make-duration ... )
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*3 | R4.*3 | R4.*3 | R4.*3
}
\clef tenor \untransposed
}
Thanks! The clef problem is solved.
How can I change the stemdirection when I do another queDuring from the
same quote?
I guess something like
<< \cueDuring ...stuff..
\context Voice=cue { \stemUp }
>>
Maa
Stem direction changes are property settings. They are not events,
and can't be caught like this.
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Tobias Schlemmer wrote:
work. Unfortunately I do not know, if the tex backend honours the
produced text metrics.
It should. As the tex backend just takes the metrics from the result of
running the texstr file, lily doesn't care about what encoding you use.
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and "page x of x" in the
> header of each page of a \book using Lilypond 2.6.4. Can anyone give me
> any clues? Is this likely to be easy to accomplish?
>
> Thanks
>
> Mark
Hi Mark,
that's not possible, currently. If you want, I can add it as a sponsored
"
arkup { \circle \musicglyph #"scripts.stopped" }
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is there a reason to prefer one to the other?
it saves on typing if you have many \scores
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before a
normal \override is processed, it has no effect on
Score.NonMusicalPaperColumn doesn't work.
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d/lsd/sponsor/open-features.html
The price for grace and harmonic notes are at 90 and 65 eur respectively.
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Han-Wen Nienhuys wrote:
David E. Nelson wrote:
I am not sure if you have discussed this before, but why not extend
tablature support in LilyPond by allowing the user to input symbols for
Hi Dave,
What a wonderful idea! I've added these ideas to the LilyPond sponsor
ship page
ioned feel and while
useful aren't particularly interesting.
That's an interesting observation, given that LISP is probably older
than all of the languages you mention :)
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e sponsored-features page for 130 eur.
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htt
20th
century and I don't want Finale to be be more flexible than lily...:-).
Han-Wen, could it be a sponsored feature?
Certainly, but isn't it much easier to make new context with 1-line
staves at fixed distances (see PianoStaff definition for inspiration)?
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tance between the staves is fixed. They're just
like cross staff beams.
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s the directory you the .app into.
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fiëé visuëlle wrote:
Am 2006-01-03 um 02:07 schrieb Han-Wen Nienhuys:
The old ice-9/boot-9.scm problem strikes again, this time with LP
2.7.26-1 on MacOS X
something's obviously broken with the PATH searching. For now you can
fix temporarily with
LILYPOND_RELOCATE_P
ld add the user settable properties on the grob page as well, though.
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both
versions.
Yes - this is a problem. We're very busy fixing up the binary releases,
please be patient for another few days.
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on the
number of fonts installed.
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does strum notation look like?
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Stephen Torri wrote:
On Thu, 2006-01-05 at 02:04 +0100, Han-Wen Nienhuys wrote:
So I am looking for a notation that tells me to strum either up or down
for a certain period of time. For example strum down once per beat in a
4/4 time.
what does strum notation look like?
Well I have found
Stephen Torri wrote:
On Thu, 2006-01-05 at 14:44 +0100, Han-Wen Nienhuys wrote:
- example #1 -
This one uses a specific head for notes and uses typical timings (e.g.
quarter notes). The direction of strumming up or down is done by a
character above the note. This would be used on a
If you're concerned about user-experience, I recommend you to choose
between any of the following options
- switch over to MacOS
- sponsor the development team for Windows usability work
- volunteer time to help engineer the Windows release
Regards,
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team
never bother bothers to read the lilypond-user mailing list, let alone
participate in discussions.
Can we have either informative input or blissful silence?
Thanks.
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lil
for such work,
since it implies I make more money off lily than I need for myself.
Sadly, this is not the case right now.
I'm not
interested in being a cheerleader or a yes-man.
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y format is actually very much
free-form, and that you are merely listing conventions.
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g the GNU GPL, a license, with the GNU
project.
The output of Lily is not GPL'd, so you're free to do with that as you
please.
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lilypo
ost importantly, their development team does not take our complaints in
the least bit serious. The fact that it seems impossible to compile
autopackage without autopackage itself (ie. it's not possible to cross
compile it) was the straw that broke the camel's back.
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Nicolas Sceaux wrote:
Han-Wen,
It turns out that manually setting vertical spacement tweak is
way too fragile. They are easily broken when changing LilyPond version
for instance. Or if one set manually all tweaks, and then is told:
"could you make margins a bit larger, or use another font
#x27;t, at least not in the windows department.
The focus of the past weeks has been on getting a unified build
environment. In practice this means that binaries will be available very
quickly after a release is announced, and for all platforms at the same
time.
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Erik Sandberg wrote:
Also, there are some limitations with the \with construct (for example,
\consists
bugreport please.
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Erik Sandberg wrote:
Lilypond doesn't ship with an editor on the Windows platform. The probably
it actually does. It's called lilypad. It's comparable to notepad,
functionality-wise.
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2. Remove a space where the user wants one
I think this is Pango's doing.
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g the
pagelayout to do both automatic stretching and absolute positioning?
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John Wiedenhoeft wrote:
It should also work if you're a normal user. ~/bin/ is in the PATH in
most distributions, isn't it?
I thought so. But obviously its not the case on my system. Where can I
see which paths are in and which not?
do
echo $PATH
in the terminal window
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John Wiedenhoeft wrote:
Am Freitag, den 13.01.2006, 11:12 +0100 schrieb Han-Wen Nienhuys:
sh ~/Dokumente/Software/Linux/lilypond-2.7.27-3.linux.sh
okay, I got it:
sudo sh /path/to/my/downloaded/files/lilypond-2.7.27-3.linux.sh
with this command you get an installation that works the
ame string.
If this is being done, what about a user definable function for making
the normal output files?
why?
(the same goes for Nicolas' request, btw.)
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lilyp
g?
there was a bug in the fondu install routine, so it didn't get shipped.
Can you try 2.7.27-5 ?
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andrea valle wrote:
Thanks Han-Wen,
it seems it's ok.
In any case, I am a bit confused. If a change the font-name in
make-pango-font-tree it seems that sometimes it's successful, sometimes
no.
What does it depend on?
Maybe the question is:
What does it mean
"Any font can b
alanvw wrote:
PS I would like to hear from others who use Notepad++ and a comment from
Han.
(the name's Han-Wen, not Han).
it looks interesting, since it can be compiled under MinGW as well.
However, It also looks like it might be a bit heavyweight for our
purposes. The binaries wei
simply setting the Y-offset of the
respective Staff.VerticalAxisGroup.
I plan to start this work on page layout early next week.
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LilyPond Software Design
-- Code for Music Notation
http://www
for a particular layout tweak?
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
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-- Code for Music Notation
http://www.lilypond-design.com
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stribution. Wouldn't it be better to
store the voices in different variables? It would be nice to check
whether the lengths of all bars are equal.
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onCheck = #off"?
much thx.
Felix
p.s. i try to write some education-paper and dont like latex for only a few
text-samples
Why don't you put them in the same \markup ?
\markup { abc \translate #'(something) hij }
and translate to make hij overlap
e weitere Kosten vom PC zum PC: http://messenger.yahoo.de
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Felix Hammer wrote:
Am Sonntag, 22. Januar 2006 21:24 schrieb Han-Wen Nienhuys:
Please keep discussion on the list.
try
#(def-markup-command (with-dimensions layout props x y arg)
(number-pair? number-pair? markup?)
"Set the dimensions of @var{arg} to @var{x} and @var{y}."
ice2verse2 = concatenate { ..and more notes };
Hey, that's a neat idea. We could append to variables iso. overwriting,
if they have been defined before,
\parallelMusic #'(a b) { c | d | c | d }
\parallelMusic #'(a b) { p | q }
->
a = { { c c } p }
b = { { d d } q }
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Mats Bengtsson wrote:
If you read the documentation carefully, you will notice that
center-align does something completely different than right-align
and left-align. It seems like a very unfortunate choice of command
names.
suggestions welcome.
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