Hello all
I am trying to extend an arpeggio line to cover the entire chord in the example
below.
I have tried using this:
{
\consists "Span_arpeggio_engraver"
}
and this:
\set Staff.connectArpeggios = ##t
<<
{ 4\arpeggio 2 }
\\
{ 2\arpeggio 2 }
>>
as given in Reference 1.
: Dirck Nagy ; lilypond-user@gnu.org
Subject: RE: Arpeggios across notes in different voices
Dirck,
The two chords are of different duration.
\consists "Span_arpeggio_engraver" is not needed.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
From: Mark Stephen Mrotek
Sent: Sunday, August 29, 2021 10:34 PM
To: Dirck Nagy ; lilypond-user@gnu.org
Subject: RE: Arpeggios across notes in different voices
Dirck I copied and pasted the code in the body of your e-mail.
Was there a different MWE or attached file?
Mark
From: Dirck Na
}
____
From: Mark Stephen Mrotek
Sent: Sunday, August 29, 2021 10:34 PM
To: Dirck Nagy ; lilypond-user@gnu.org
Subject: RE: Arpeggios across notes in different voices
Dirck I copied and pasted the code in the body of your e-mail.
Was there a different MWE or at
lef "treble_8" << \VoiceOne \\ \VoiceTwo \\ \VoiceThree \\ \VoiceFour
>> }
\layout { }
}
________
From: Jacques Menu
Sent: Monday, August 30, 2021 12:46 AM
To: Dirck Nagy
Cc: Jacques Menu ; Mark Stephen Mrotek
; lilypond-user@gnu.or
Hi again Jacques
Thanks for your trouble. I still can't make it work, but I found another
work-around to use: \once \override Arpeggio.positions = #'(-3 . 2)
dirck
____
From: Dirck Nagy
Sent: Monday, August 30, 2021 8:47 AM
To: Jacques Menu
Cc: Ma
t 30, 2021 4:00 PM
To: Dirck Nagy
Cc: Jacques Menu ; lilypond-user@gnu.org
Subject: Re: Arpeggios across notes in different voices
Am Mo., 30. Aug. 2021 um 15:52 Uhr schrieb Dirck Nagy :
>
> Hi Jacques
>
> Your example works, but when i try the same syntax in my example, it still
ing is technically unplayable for pianists. Some of the
technical ability of contemporary players leaves me breathless.
...
Actually it's for guitarists ;)
On 10/11/2022 12:02 pm, Dirck Nagy wrote:
...
I am trying to notate ties with a double-slash (caesura) along the curve.
...
How about
mple you sent? This way, I could paste it into an empty document.
Again, thank you all for your patience!
peace!
dirck
From: Michael Werner
Sent: Friday, April 5, 2024 8:48 AM
To: Dirck Nagy
Cc: lilypond-user@gnu.org
Subject: Re: indicate scordatura at beginnin
Thank you, Michael!
"...Another part of just how configurable LilyPond can be. "
I agree, and this is one of the big reasons why I use Lilypond!
peace!
dirck
From: Michael Werner
Sent: Friday, April 5, 2024 8:40 PM
To: Dirck Nagy
Cc: lilypond-us
Hi all
Reading that last thread about Frescobaldi and its possible disappearance from
Mac is causing me to panic. Jean, I did not realize that you were the last
person to seriously work on Frescobaldi / Mac.
I use Mac exclusively, and Frescobaldi / Lilypond is very important to me.
FYI, what
Hi all
I know this is highly unusual, but is there a way to add parentheses around the
DOT ONLY after the notehead?
see following image:
[cid:85851784-8a26-48b0-b2b4-b9a8e03b517c]
FYI, I have a piece with sequences of octaves. Every instance has a note value
of a dotted quarter-note.
There i
Beautiful!
Thanks Pierre!
BTW, How are you ? I'm not active on Delcamp any more.
peace!
dirck
From: Pierre Perol-Schneider
Sent: Wednesday, May 1, 2024 12:32 AM
To: Dirck Nagy
Cc: lilypond-user@gnu.org ; dirckn...@hotmail.com
Subject: Re: parent
Hi all
I am using rehearsal marks (\mark \default, to mark off repeated sections as
"A", "B", etc., instead of Dal Segno.
One of these sections ends at the end of a line. Is there an easy way to move
the rehearsal mark to the right side of the measure, instead of the left? I
can't find a
peace!
dirck
From: Aaron Hill
Sent: Monday, May 6, 2024 12:09 AM
To: Dirck Nagy
Cc: lilypond-user@gnu.org ; dirckn...@hotmail.com
Subject: Re: Rehearsal mark on right side of measure?
Caution: *External Email: Use caution responding, opening attachments, or
cl
Thank you!
I knew there was an easy way... i should have thought of that one !
peace!
dirck
From: William Rehwinkel
Sent: Monday, May 6, 2024 9:56 PM
To: Dirck Nagy; lilypond-user@gnu.org
Cc: dirckn...@hotmail.com
Subject: Re: Unison notes, one stem
Dear
Dear Lilypond
I'm having a problem hiding a clef to create "white space" before a system:
When i use the \omit Staff.Clef command, the clef disappears, but the ottava
"8" remains.
BTW, I don't know what the term is for this "8", so i was not successful
searching the manuals and snippets.
how
To: kie...@kierenmacmillan.info
Cc: Dirck Nagy ; lilypond-user@gnu.org
; dirckn...@hotmail.com
Subject: Re: Problems hiding clef using \omit
Caution: *External Email: Use caution responding, opening attachments, or
clicking on links.*
On 2024-05-17 10:15 am, kie...@kierenmacmillan.info wrote
dear Lilypond
I would like to increase the vertical distance between systems for a specific
area in a score.
I know how to change vertical distance by using the \paper {system-system
etc... route, but that governs the entire score. Here, I want to make 7 lines
spread out to fill the entire l
From: Werner LEMBERG
Sent: Tuesday, May 21, 2024 1:34 PM
To: Dirck Nagy ; lilypond-user@gnu.org
Subject: Re: vertical spacing between systems for only part of a score
Caution: *External Email: Use caution responding, opening attachments, or
clicking on links.*
[Pl
I think "C" is correct.
Arent accidentals in chords supposed to be placed as follows?
*
starting from the highest note
*
Next note a 7th or greater distance below gets an accidental in the same column]
*
Then, go to the 2nd highest note. This accidental gets placed in a column
farther lef
Hi all
Is there a way to set the default spacing between staves in the \paper block?
Or is there a way to do it in a different block?
You know, the way you can set attributes like:
\paper {
#(set-paper-size "letter")
system-system-spacing.basic-distance = 20
markup-markup-spacing.basic-dist
Thank you, everyone!
I am somewhat familiar with Scribus, never used LaTex before though, so perhaps
I'll give that a try first, with something simple.
THanks!
dirck
From: lilypond-user-bounces+dnagy=uwlax@gnu.org
on behalf of Silvain Dupertuis
Sent: Mon
Hello all
I’m looking for tips, advice, or even tutorials on publishing complete printed
books (extensive text and musical examples) using Lilypond.
Examples of some projects I would like to re-edit and print:
• a collection of individual pieces
• a book of etudes (i.e. several different
How about using;
\once \override NoteColumn.force-hshift = #1.0
Here is the code:
\version "2.24.1"
global = {
\key c \major
\time 6/8
}
rightOne = \relative c'' {
\global
% Music follows here.
e16 f f dis dis! e
}
rightTwo = \relative c'' {
\global
% Music follows here.
d1
thank you, Kieren!
I'm trying it out.
dirck
From: Kieren MacMillan
Sent: Saturday, December 14, 2024 3:11 PM
To: Dirck Nagy
Cc: Lilypond-User Mailing List ; dirckn...@hotmail.com
Subject: Re: spacing staff...can it be done?
Caution: *External Email
Hi all
In the past, i have used a separate voice as a "spacing voice" to control
measures per line, horizontal space, etc.
For example, if i wanted 4 measures in a line, i would write : "s1*4 \break.
etc..." in the new voice.
However if i do this to a monophonic staff, the default stem directi
From: Dirck Nagy
Sent: Saturday, December 14, 2024 3:06 AM
To: lilypond-user@gnu.org ; dirckn...@hotmail.com
Cc: Dirck Nagy
Subject: spacing staff...can it be done?
Hi all
In the past, i have used a separate voice as a "spacing voice" to control
measures per line,
ilypond-user-bounces+dnagy=uwlax@gnu.org
on behalf of David Kastrup
Sent: Saturday, December 14, 2024 5:09 AM
To: Dirck Nagy
Cc: lilypond-user@gnu.org ; dirckn...@hotmail.com
Subject: Re: spacing staff...can it be done?
Caution: *External Email: Use caution responding, opening atta
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