Re: beaming problem

Hello, Am 29.05.2015 um 11:42 schrieb Haipeng Hu: Hello, I'm now composing an orchestral work, in which there are plenty of meter changes such as 5/4 and 6/4. Since I'm blind, It’s so impressive that you are able to do this – write lilypond code, read scm files etc. – without eyesight. Kudos

Re: Continuous numbering across includes

Am 29.05.2015 um 15:28 schrieb N. Andrew Walsh: Quick question: I'm in the middle of transcribing a mass, which I've split into separate files for the separate movements. Is there a way to set the measure numbering continuous across them? I've found a couple discussions of this as being an intr

Re: Color note heads outside nominal instrument range

Am 29.05.2015 um 16:37 schrieb Phil Holmes: - Original Message - From: "Peter Gentry" To: Sent: Friday, May 29, 2015 3:32 PM Subject: RE:Color note heads outside nominal instrument range -Original Message- Message: 6 Date: Fri, 29 May 2015 12:45:10 +0100 From: Peter Gentr

Re: A slur across a line break with change of clef in another staff generates bad output

Am 30.05.2015 um 18:10 schrieb Richard Shann: Attached is a bit of LilyPond which has a slur over a line break. At the same moment the clef is changing in the lower staff. The result is a horribly broken slur start in the top staff. I blindly applied the dragging-the-shape on this curve which gen

Re: Parenthesize accidental together

Hello, see . This has been fixed in 2.19.20. Yours, Simos Am 31.05.2015 um 02:58 schrieb Venus' Wink: Hi, I'd like to output like the attachment purpose.png. But the following simple code \parenthesize ces''4 puts the flat symb

Re: A slur across a line break with change of clef in another staff generates bad output

Am 31.05.2015 um 10:06 schrieb Richard Shann: On Sat, 2015-05-30 at 22:23 +0200, Simon Albrecht wrote: Am 30.05.2015 um 18:10 schrieb Richard Shann: Attached is a bit of LilyPond which has a slur over a line break. At the same moment the clef is changing in the lower staff. The result is a

Re: lilypond-user Digest, Vol 150, Issue 183

Did you forget to write your actual text? Also please follow the advice in the e-mail header: When replying, please edit your Subject line so it is more specific than "Re: Contents of lilypond-user digest..." Thanks, Simon ___ lilypond-user mailing

Re: Parenthesize accidental together

Am 31.05.2015 um 12:08 schrieb Venus' Wink: Thanks, All. see . This has been fixed in 2.19.20. The lambda function have worked with 2.18.2. The parens are put a bit high probably for virtical centering for flat. But it's acceptable for t

Re: Color note heads outside nominal instrument range

Am 31.05.2015 um 15:09 schrieb Gilles THIBAULT: Le samedi 30 mai 2015, 12:22:45 David Nalesnik a écrit : Have you seen http://lsr.di.unimi.it/LSR/Item?id=773? Just note that if you want to understand this snippet, you have to change the code : music = \relative { c4 d e f g^"g'" a

Re: Change direction of already positioned markup?

Am 31.05.2015 um 18:25 schrieb Jacques Menu: Hello Peter, Maybe tags would be an easy solution, specifying variants according to the uses of the music, i.e. inside an instrument part or inside a full score. What do you think? Probably tags contradict hardcore content/presentation separation

Re: Is SMuFL's "cClefCombining" LilyPond's varC clef?

Am 01.06.2015 um 10:11 schrieb Urs Liska: Sorry for cross-posting, but I think it's possible to get answers from both sides: When discussing LilyPond clefs that can't be represented in MusicXML the question arose whether LilyPond's "varC" clef shape is equivalent to what is called cClefCombin

Re: adding tagged markup to mmrest-of-length

Hello Kieren, after some trial and error and \displayMusic I got the attached solution with a music function. My (primitive enough) moment->duration function came in handy there. It would have been nicer to receive an attachment ready for opening in frescobaldi and starting work, though. I had

Re: tuplet beam

Hello Mark, Am 01.06.2015 um 21:18 schrieb Mark Stephen Mrotek: Hello, The attached snippet, tuplet beam, produces the tuplets grouped in three sixteenths, as I want. When I copy and paste the code into the score, 6 Var WoO 70(5), the beaming changes. This is because the settings of the

Re: combining simultaneous notes

Hello Arno, Am 03.06.2015 um 16:26 schrieb Arno Waschk: dear list, (sorry for cross posting, i am not sure where to address correctly...) Since this is about usage of the program, the user list is the right place. The devel list serves to coordinate development of Lilypond. i have a problem

Re: Text extender in repeat

Am 03.06.2015 um 19:12 schrieb Jayaratna: Dear Peter and Pierre, thank you so much, it works. The \null solution is better IMHO. Now before keeping this snippet online we should move left both syllables 'the', No, we shouldn’t, since it is perfectly all right to left-align a syllable which has

Re: Creating cut-away or scrapbook scores in LilyPond

Am 03.06.2015 um 21:26 schrieb Stephen MacNeil: have a sample of what it should look like? There was one inline, didn’t you receive it? ~ Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: combining simultaneous notes

Am 03.06.2015 um 21:19 schrieb Stephen MacNeil: The example works on What do you mean by ‘works’? \version "2.18.2" so i guess it's a "2.19.22" issue I tested it on lilybin and this works in "2.19.21 for your example anyway. not sure of "2.19.22" as i don't have it \version "2.19.21"

Re: Text extender in repeat

Hello, Am 03.06.2015 um 21:35 schrieb Jayaratna: No, we shouldn’t, since it is perfectly all right to left-align a syllable which has a melisma. Now the syllables 'the' are aligned left, left-aligned :-) but they should be moved further left because the melisma sign that follows is barely v

Re: Creating cut-away or scrapbook scores in LilyPond

You can see them on <http://lilypond.1069038.n5.nabble.com/Creating-cut-away-or-scrapbook-scores-in-LilyPond-td177436.html>. ~ Simon Am 03.06.2015 um 21:41 schrieb Stephen MacNeil: No i doesn't show Stephen On Wed, Jun 3, 2015 at 3:27 PM, Simon Albrecht <mailto:simon.albre...@m

Re: hairpins default stop at barline

Am 06.06.2015 um 12:15 schrieb Trevor Daniels: […] should be written { \time 4/4 \once \override Hairpin.to-barline = ##f a\< b c' d' or, with less typing, { a-\tweak to-barline ##f \< } Yours, Simon \key fis \major eis'\f fis' gis' ais' } __

Fwd: dodecaphonic-no-repeat and grace notes

Forwarding to the bug-list. Yours, Simon Am 07.06.2015 um 02:52 schrieb Gilberto Agostinho: Hi all, I found a little problem with the \accidentalStyle dodecaphonic-no-repeat. When there is a grace note between two identical pitches, the second one does not receive an accidental as it's suppose

Re: Fw: Re[2]: coloring voices vs systemStartDelimiterHierarchy

Hello, just as a sidenote: unfortunately, you encounter in m.8. Use \once\omit Accidental to work around. Yours, Simon Am 09.06.2015 um 23:02 schrieb musicus: Hi Klaus, unfortunately I have to use \startStaff \stopStaff, because I w

Re: Fw: Re[2]: coloring voices vs systemStartDelimiterHierarchy

Hi Nick, I can’t confirm that on Ubuntu, it compiles just fine. Can you narrow down the problem and provide a tiny example , please? Thanks, Simon Am 09.06.2015 um 23:22 schrieb Nick Payne: On 10/06/2015 07:02, musicus wrote: Hi Klaus, unfor

Re: Fw: Re[2]: coloring voices vs systemStartDelimiterHierarchy

Hello Thomas, I’m not familiar with this function, but I can help about the last two items: Am 10.06.2015 um 14:48 schrieb Thomas Schuch: 3. Beams If the colored area stops in the middle of a beam, the second part of the beam gets colored, while the NoteHeads and Stems remain black as inten

Re: grace note duration

Am 10.06.2015 um 21:25 schrieb Gilberto Agostinho: Hi David, David Kastrup wrote It _is_ actually set to another value, namely 9/40. Hardwired in remap_grace_duration defined in lily/audio-item.cc . So basically no. Thanks for the reply. So this means that my option right now would be to cr

Re: Fedora 22 core dumping bug

Hello, just a sidenote: Am 11.06.2015 um 17:26 schrieb Andrew Bernard: % Turn off tuplet bracket and number. tupletOff = #(define-music-function (parser location) () #{ \once \override TupletBracket.bracket-visibility = ##f \once \override Tuple

Re: tremolo confusion

Hello Damian, Am 12.06.2015 um 11:15 schrieb Damian leGassick: \version "2.18.2" { \time 3/4 r4 \repeat tremolo 4 { e'''!64 c'''! } r4. r4 \repeat tremolo 8 { e'''!64 c'''! } r4 } You might be interested in \accidentalStyle dodecaphonic – unless of course you already know it… Cheers

Re: {g,, g'' g g}

Am 12.06.2015 um 16:27 schrieb David Kastrup: Klaus Blum writes: Hi Gianmaria, you could start like this: % -- \version "2.18.2" pat = #(define-music-function (parser location note) (ly:pitch?) #{ \transpose c $note %

Re: \remove "Time_signature_engraver" + \override TextScript.self-alignment-X = error

Tiny example? sja Am 12.06.2015 um 17:15 schrieb Daniel Rosen: DR ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list

Re: \remove "Time_signature_engraver" + \override TextScript.self-alignment-X = error

y, June 12, 2015 12:47 PM *To:* Simon Albrecht; Daniel Rosen; lilypond-user Mailing List (lilypond-user@gnu.org) *Subject:* Re: \remove "Time_signature_engraver" + \override TextScript.self-alignment-X = error Simon, Daniel, et al, Here you are... FYI, I have to force breaks to avoid g

\dim and avoid-slur

Hello, I need help with the attached situation: the "dim." should go inside the slur, but the avoid-slur tweak is ignored and it appears above. How to fix that? Thanks in advance, Simon \version "2.19.20" \score { << \new Voice { << { f''1( } { s2 s -\tw

Re: tremolo confusion

Am 13.06.2015 um 11:59 schrieb Damian leGassick: I do know about the accidental style - I'm revising a file that I started back in 2007 (when I was just starting with Lilypond) And in the EU, Webern will enter public domain on 1st January 2016 :-) Best regards, Simon _

Re: \dim and avoid-slur

Am 13.06.2015 um 02:57 schrieb David Kastrup: Simon Albrecht writes: Hello, I need help with the attached situation: the "dim." should go inside the slur, but the avoid-slur tweak is ignored and it appears above. How to fix that? Thanks in advance, Simon I have no idea what I&#x

Re: \dim and avoid-slur

Am 13.06.2015 um 15:17 schrieb Trevor Daniels: Simon Albrecht wrote Saturday, June 13, 2015 2:00 PM Weird, but it works and is definitely preferable over extra-offset. Does anybody have an explanation? I couldn’t find the table with default values for outside-staff-priority. They don’t seem to

Re: tremolo confusion

Am 13.06.2015 um 15:50 schrieb David Kastrup: Simon Albrecht writes: Am 13.06.2015 um 11:59 schrieb Damian leGassick: I do know about the accidental style - I'm revising a file that I started back in 2007 (when I was just starting with Lilypond) And in the EU, Webern will enter p

Re: \dim and avoid-slur

being unset for both (or rather, all three), avoid-slur doesn’t have the desired effect, they will just collide (see attachment). But that would be a different issue. Good night, Simon Am 13.06.2015 um 23:45 schrieb Trevor Daniels: Simon Albrecht wrote Saturday, June 13, 2015 8:53 PM Am

Re: hairpins default stop at barline

Am 14.06.2015 um 01:29 schrieb Gianmaria Lari: First, I'm not a politician and I'm not here to win a war :) My suggestion is just a suggestion that have to be analyzed and in case it brings more benefits than disavantages it should be considered; if an expert explains me it is not advantageous I

Re: \dim and avoid-slur

Am 14.06.2015 um 12:19 schrieb Trevor Daniels: David Kastrup wrote Sunday, June 14, 2015 10:05 AM "Trevor Daniels" writes: Simon, you wrote Sunday, June 14, 2015 12:20 AM And I just noticed that, with outside-staff-priority being unset for both (or rather, all three), avoid-slur doesn’t have

Re: avoid merging stems

Am 14.06.2015 um 15:04 schrieb musicus: Yes, I want to leave the first g4 with no stem. (a specialty with string instruments: If you have to play the same pitch with two different strings simultaneously, there are two identical noteheads with one stem between) No need for acrobatics here: {

Re: avoid merging stems

Am 14.06.2015 um 15:32 schrieb musicus: This helps indeed a lot. On the other hand I'd be interested how to avoid stem merging... NoteHeads are controllable with "\mergeDifferentlyHeadedOn" etc. Is there any similar function to do the same with stems? There’s no such thing like stem merging. Ei

Re: Help with Horizontal Compression!

Hello, some remarks: 1. Are you aware that it’s illegal what you’re doing? All of the works of Shostakovich are under copyright (almost?) everywhere on the world, see the note on . So there is little point in typesetting his music, unless yo

Re: avoid merging stems

Am 14.06.2015 um 23:00 schrieb musicus: so \voiceXxx should work, or not? Why doesn't the stem of "\voiceOne g" go up as intended? I didn’t figure the exact reason, but generally it’s because of the nested << \\ >>. The following works perfectly fine: \version "2.19.17" { << \clef bass

Re: avoid merging stems

Am 15.06.2015 um 01:43 schrieb musicus: Ok, this sounds indeed very interesting. I understand your explenation regarding nesting of <<>> in following way: << {"layerOne"} \\ << {"layerOne"} \\ {"layerTwo"} >> >> which leads to the problem: \version "2.19.17" << {a' a' a

Re: Control which voice if shifted left

Am 15.06.2015 um 16:50 schrieb Knute Snortum: I haven't had any replies to this. How can I ask the question better? Probably that’s because there is no way to automate this. At least I’d be very surprised if there were one. It’s so much of a standard to shift columns in the directions they are

Re: point-and-click from PDF viewer to lilypond editor

Am 15.06.2015 um 16:37 schrieb Trevor: Not that it'll help your particular workflow, but somebody might be interested to learn that LilyBin now does point-and-click. Bravo! Thank you :-) Simon ___ lilypond-user mailing list lily

Re: Control which voice if shifted left

Am 15.06.2015 um 20:45 schrieb Knute Snortum: Thanks for your reply. This score is from 1916 so maybe it didn't adhere to the standard or maybe it wasn't well established then. Oh, this kind of standards are definitely older than 1916. Would you mind sending an example (or link)? I imagine that

Re: Control which voice if shifted left

, 2015 at 1:43 PM Simon Albrecht <mailto:simon.albre...@mail.de>> wrote: Am 15.06.2015 um 20:45 schrieb Knute Snortum: > Thanks for your reply. This score is from 1916 so maybe it didn't > adhere to the standard or maybe it wasn't well established then. O

Re: Control which voice if shifted left

Am 16.06.2015 um 06:11 schrieb Keith OHara: Simon Albrecht mail.de> writes: Am 15.06.2015 um 16:50 schrieb Knute Snortum: I haven't had any replies to this. How can I ask the question better? Probably that’s because there is no way to automate this. At least I’d be very surprised

Re: Control which voice if shifted left

Am 16.06.2015 um 14:39 schrieb musicus: Attached another example, where changing the shift direction could be helpful... I don’t think so: \version "2.19.20" { << \time 3/2 \key d \minor { \voiceOne g''2 e'' d''8 cis'' d''4 } \\ { \voiceFour d''2 bes' b' } \\ { \v

Re: After-line-breaking behavior?

Am 17.06.2015 um 00:12 schrieb Steven Weber: Is there any way to guarantee that the order of items processed through after-line-breaking is the exact order they are in the score? I’m doing some fun things with bar lines, and I’m having issues because my scheme code isn’t getting them in the

Re: collision parenthesize and sharp symbol

Am 20.06.2015 um 00:27 schrieb MarcM: is this collision a bug or is it expected and require to add padding manually? You might call it a bug, but of course it’s not a bug of Lilypond but a bug in the \startParenthesis and \stopParenthesis variables defined here. As the code is rather simple, on

Re: kneed beam a la Bach

Am 20.06.2015 um 00:39 schrieb Nick Payne: On 20/06/2015 08:30, MarcM wrote: i played with the kneed beam settings but could not find a way to reproduce this kneed beam from Bach. Is that feasible? \version "2.19.21" {

Re: kneed beam a la Bach

Am 20.06.2015 um 12:15 schrieb Klaus Blum: Simon Albrecht-2 wrote { b'8\stemDown a'' g'' b'\stemUp } – however, it doesn’t work… (Why?) Hi Simon, just put \stemDown and \stemUp *before* the note: Silly me… it was too late at

Re: using python snippets in Lilypond

Am 21.06.2015 um 16:41 schrieb Avner Dorman: So I create the python snippet - how do I then call it in the score? You don’t call it in the score, but on the source file: Python may be used to aid in writing a source file, which is then processed by Lilypond. HTH, Simon ___

Re: Vertical spacing question

Hello Ivan, Am 22.06.2015 um 12:35 schrieb Ivan Arreghini: Good day to all of you! I'd need a little help for a spacing problem with Lilypond. Is it possible (Virtually everything is _possible_ in LilyPond – only some things are more difficult than others :-) ) the setting the vertical spacin

Re: Adding "lunga" text above rehearsal mark fermata

Am 22.06.2015 um 23:43 schrieb Thomas Morley: 2015-06-22 23:29 GMT+02:00 Michael Rivers : Yes, exactly. Thank you! I have run into another problem in the meantime: fermatas over barlines appear at the end of lines, but the rehearsal marks appear at the beginning. Do you know a way to force them

Re: written tremolo / subdivision of repeated pitch shortcut?

Am 23.06.2015 um 18:33 schrieb Avner Dorman: Hi All, Is there a quicker way to write out repeated notes? Yes, although unlike the one you proposed: HTH, Simon Maybe something that conceptualizes the notes as a fraction of

Re: written tremolo / subdivision of repeated pitch shortcut?

PS. The second one is a little tricky; here’s what you get for both: { b'4:16 \tuplet 5/4 b'4*5/4:16 } Am 23.06.2015 um 20:57 schrieb Simon Albrecht: Am 23.06.2015 um 18:33 schrieb Avner Dorman: Hi All, Is there a quicker way to write out repeated notes? Yes, although unlike t

Re: Bracketing verses

The most simple approach would probably be something like \set stanza = \markup { \translate #'(0 . -1) \left-brace #22 3. } (in the upper verse; adjust values to taste) Yours, Simon Am 23.06.2015 um 22:54 schrieb RomanticStrings: I am curious how I might achieve this bracket between two ve

Re: Slur across staves?

Am 25.06.2015 um 00:34 schrieb PMA: Hi List. I have in piano staff a 6/8 bar of single 8ths, with the first three in bass clef and the second three in treble. I'd like all six notes under _one_ slur (whether snaky- shaped or not). Is this somehow feasible? Yes, as long as the notes are in one v

Re: volta repeat with and without alternative ending

Am 25.06.2015 um 11:25 schrieb Gergely K.: On Thu, Jun 25, 2015 at 5:51 AM, Helge Kruse > wrote: > Conductor will say bar number. Nope. From my experience I would say she says everytime something different: - from 3 measures before rehearsal mark B

Snowballing

Hello everyone, is it just me who has been having a kind of ‘snowballing’ problem on the -user and -devel lists for the last two days or so? Most of the mails arrive two up to six (!) times, and I’ve no clue why. A bug in mailman? Best regards, Simon _

Re: Snowballing

Am 25.06.2015 um 19:05 schrieb Wols Lists: On 25/06/15 17:50, Simon Albrecht wrote: Hello everyone, is it just me who has been having a kind of ‘snowballing’ problem on the -user and -devel lists for the last two days or so? Most of the mails arrive two up to six (!) times, and I’ve no clue

Re: Snowballing

Am 25.06.2015 um 19:24 schrieb David Kastrup: Simon Albrecht writes: Hello everyone, is it just me who has been having a kind of ‘snowballing’ problem on the -user and -devel lists for the last two days or so? Most of the mails arrive two up to six (!) times, and I’ve no clue why. A bug in

Re: separate consecutive cluster chords

Am 25.06.2015 um 23:22 schrieb Klaus Blum: P.S.: To separate the voices, I'd like to replace the double backslash by a "\new Voice" construction, but this adds a new staff. Can't figure out why... :-( Lily automatically adds \new Staff. To prevent this, be more explicit: \new Staff << \new Vo

Re: Landscape output

There is no compilable example to test with, but perhaps set-paper-size (without -default) might do it? By the way: IIRC, the evenHeaderMarkup and evenFooterMarkup definitions may be omitted here and the values will be inherited from the corresponding odd… variables. HTH, Simon Am 26.06.2015

Re: ossia label?

Am 27.06.2015 um 15:57 schrieb Sam Frybyte: I'm using 2.18.2 and have 1 measure then 1 measure of \new Staff {\clef treble ) below (though I'd like it above both existing staves that's less important) then ten measures and 3 measures of a \new Staff etc both I'd like to label with an instrum

Re: Snowballing

The problem now ceased suddenly as it begun… Whatever :-) Best, Simon Am 25.06.2015 um 18:50 schrieb Simon Albrecht: Hello everyone, is it just me who has been having a kind of ‘snowballing’ problem on the -user and -devel lists for the last two days or so? Most of the mails arrive two up

Re: Partial Bars

Very good example. However, I have two major points to make here: – As Lily correctly handles it, both alternatives always start at the same bar number (at least in this convention counting repeats only once). Thus, the close of the minuet would have bar 16a for the first, 16b for the second al

Re: Partial Bars

Am 03.07.2015 um 11:01 schrieb David Kastrup: Well, we are likely talking past each other. I was explicitly talking about LilyPond's behavior in the 2.19 series (I may have forgotten adjusting the version header in the examples I posted, though). I see – that settles the matter. Best, Simon __

Re: Partial Bars

Thanks, Pierre. Will, what’s more, it’s more semantically correct to set measurePosition instead of measureLength (if you’d rather not change to 2.19.x and have it done automatically :-) ). Yours, Simon Am 03.07.2015 um 16:10 schrieb Pierre Perol-Schneider: Hi Bill, 2015-07-03 14:57 GMT+02:

Re: Printing movement titles in page header

Am 09.07.2015 um 16:34 schrieb Wols Lists: On 09/07/15 09:05, Mark Knoop wrote: Thanks Jan-Peter, I'll take a look at this and post back if I make any progress. I was pointed at the scheme code that prints the header - can't remember what it was and I'm not on the computer with it so I can't

Re: Equivalent of the automatic insertion of '\bar "!"'

The most convenient, I think, is using a separate variable like pat = { s4 s s \bar "!" s s } barlines = { % \time 5/4 would be best placed within \global anyway \repeat unfold 100 \pat } and inserting it into one of the \voices in parallel. I don’t think there is a more specific solution for

Re: workaround for a lyrics bug

Am 13.07.2015 um 13:46 schrieb David Kastrup: Brutal fix in 2.19.16 (issue 2010, may cause disappearing music in some circumstances), nice fix in 2.19.23 (issue 4419). Thanks a lot for that! Yours, Simon ___ lilypond-user mailing list lilypond-user@

Re: Overriding font size in markup variable

Sorry, I forgot including the list. Am 13.07.2015 um 15:16 schrieb Simon Albrecht: Hello Javier, the relevant doc section would be <http://lilypond.org/doc/v2.18/Documentation/extending/new-markup-command-definition>. See the attached solution. HTH, Simon Am 12.07.2015 um 03:08 s

Re: phrasing slur in piano staff

Hello Ming, use << \new Voice { \voiceOne … } \new Voice { \voiceTwo … } >> , i.e. two explicit voices alive through the entire piece, with only spacer rests and the stem down notes in the second voice. The first voice will then contain the phrasing slurs. There is no possibility (yet) to

Re: "un-bold" font inside \tempo

Hi Bruno, to avoid creating a new markup from scratch you can use LSR snippet no. 869 to modify the default. Example attached. Yours best, Simon Am 17.07.2015 um 01:19 schrieb Bruno Ruviaro: Hi all, This is my first post on this list, and my first w

Re: Full measure rest for time 6/8

Excuse me, but how on earth did you get the idea of writing { R4. s4. } ? It’s got to be R2. only, of course. A ‘R’ rest is always interpreted like { | R | }, so there will be warnings if these barchecks fail. Yours, Simon Am 19.07.2015 um 15:37 schrieb MING TSANG: Dear lilyponders: http://l

Re: TextSpanner + \mark?

Unfortunately no. See . Yours, Simon Am 19.07.2015 um 15:43 schrieb James Harkins: Is there a way to use a textspanner with a \mark? Rationale: "accel." and "rit." directions are frequently text spanners, but in the score, they aren't

Re: Full measure rest for time 6/8

coming to the Lists for help. Which is a good thing and I’m sorry if I’ve been too harsh. I hope it’s clear now. Immanuel, Simon On Sunday, July 19, 2015 9:46 AM, Simon Albrecht wrote: Excuse me, but how on earth did you get the idea of writing { R4. s4. } ? It’s got to be R2. only, of course

\offset and mutable properties

Hello, while developing a workaround (or solution?) for issue 4316 , I encountered the following problem: \offset cannot be used on X and Y offset properties, apparently because these are mutable, and as the doc string for (offsetter)

Re: Key Signature only on first staff

Hello Brother Gabriel, Am 21.07.2015 um 19:11 schrieb BGM: My piece is in B Major and the repetition of the key signature takes up a lot of room on the page. I would like to show it on the first staff only and suppress the rest. That is unusual, but I’ve seen it done in hymn books on small for

Re: Key Signature only on first staff

Am 21.07.2015 um 19:43 schrieb Simon Albrecht: Hello Brother Gabriel, Am 21.07.2015 um 19:11 schrieb BGM: My piece is in B Major and the repetition of the key signature takes up a lot of room on the page. I would like to show it on the first staff only and suppress the rest. That is unusual

Re: Key Signature only on first staff

ur } >> \layout { \context { \Score } \context { \Lyrics } } \midi { } } On 7/21/2015 12:43 PM, Simon Albrecht wrote: Hello Brother Gabriel, Am 21.07.2015 um 19:11 schrieb BGM: My piece is in B Major and the repetition of t

Re: Attachment size

Am 21.07.2015 um 20:55 schrieb Ralph Palmer: Hello again - While we're at it, does anyone have any suggestions for reducing image size? I started with a .jpg with fairly high resolution, I guess. I have Gimp2 installed, but I could not figure out how to get the file size down below 2 Mb. I tr

Re: Problem with merging notes and accidental placement in two voices

Hi Ralph, this is issue 1134 . There are workarounds tracked there. HTH, Simon Am 21.07.2015 um 21:13 schrieb Ralph Palmer: Greetings - (This is the second time - my original .png was too large.) I'm running LilyPond 18.2 under Win

Re: \offset and mutable properties

Hi David, thanks for the response. Am 21.07.2015 um 22:17 schrieb David Nalesnik: Hi Simon, On Tue, Jul 21, 2015 at 12:26 PM, Simon Albrecht mailto:simon.albre...@mail.de>> wrote: Hello, while developing a workaround (or solution?) for issue 4316 <https://code.goo

Re: \offset and mutable properties

12:26 PM, Simon Albrecht mailto:simon.albre...@mail.de>> wrote: Hello, while developing a workaround (or solution?) for issue 4316 <https://code.google.com/p/lilypond/issues/detail?id=4316>, I encountered the following problem: \offset cannot be used on X and

Re: \offset and mutable properties

Am 22.07.2015 um 02:43 schrieb David Nalesnik: On Tue, Jul 21, 2015 at 6:18 PM, Simon Albrecht mailto:simon.albre...@mail.de>> wrote: So a ‘mutable property’ would be one that is unset by default? My understanding is that immutable properties store default values--suc

Spaces around braces

Hello, I keep noticing that many users don’t put any spaces around { } = etc. I recall reading when I had just started working with Lily that it’s recommended to _always_ surround these with spaces. Ultimately, this is a GLISS issue, but is there any striking reason right now to request using

Re: chorus staff then hymn

Hello Brother Gabriel, Am 23.07.2015 um 00:58 schrieb Brother Gabriel-Marie: My hymn starts with a chorus and then goes to the verses, so I want to put the chorus on its own staff, then put the verses together as numbered lyrics. Let’s start from the structure here, since LilyPond code is gener

Mac users: verify fix

Hello Mac users, just to be sure, could someone please verify that issue 1544 is actually fixed? Thank you, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/m

Re: chorus staff then hymn

Am 23.07.2015 um 18:17 schrieb Brother Gabriel-Marie: Thank you very much. (I had searched for an hour and a half for answers before posting!) Don’t worry. It takes some time to figure out where answers can be found :-) But we’re glad to help on the list, even though sometimes the answers may n

Re: Request for a cross-staff easy function

Hi Paolo, I reckon this isn’t easy to write, since you have to basically split the expressions up into individual elements and analyse them. You can sometimes reduce effort by ‘cheating’ using simultaneous expressions within the voice like in this mockup: (if you explicitly instantiated the

Re: Quoted text in markup line

On 27.12.19 19:52, Kieren MacMillan wrote: I always prefer typographer’s quotes \markup \line { "“like this”" } and it’s a bonus that they can be stored right in the code/file without any extra fuss. =) That is, even the ‘programming quotes’ in the code example by Kieren wouldn’t be

Re: ANN: Frescobaldi 3.1 has been released!

Dear Frescobaldi devs, that sounds absolutely great and I chime into thanking you a lot for this great software! Best, Simon On 27.12.19 11:20, Wilbert Berendsen wrote: Dear Friends, Frescobaldi 3.1 has been released! There are many new features. Most notably: - A new Fonts dialog to sele

Re: ANN: Frescobaldi 3.1 has been released!

On 27.12.19 17:10, Kevin Cole wrote: If I'm installing on my machine, do I need QtWebEngine? (I can't find that through Ubuntu Software, either.) As to the Qt stuff, I find using synaptic ("sudo apt install synaptic") a bit more helpful than the Ubuntu Software installer. Slightly le

Re: QtWebEngine vs. Ubuntu 16.04

Hi everybody, On 28.12.19 09:46, Urs Liska wrote: Before upgrading to a newer OS it might be an option to use a current Qt/PyQt downloaded or compiled from somewhere. @Simon you could do us a huge favor by exploring that possibility and providing information about it for the Wiki. This is s

Re: QtWebEngine vs. Ubuntu 16.04

On 28.12.19 20:00, ma...@masonhock.com wrote: On 12/28, Simon Albrecht wrote: I want to spend as little time as possible on maintaining/upgrading the OS. So I’m reluctant to ditch 16.04 just yet. Should I bite the bullet and take the time to install 18.04? 18.04 has been out long enough that

Frescobaldi doesn’t recognise python-ly

Hello everybody, after upgrading to Ubuntu 18.04 I freshly installed Frescobaldi (and python-ly) according to the guide in the wiki (except for writing the ~/bin/frescobaldi within gedit, because somehow the first echo line wouldn’t work… and I cloned both repos from github.com/frescobaldi/…

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