Am 25.06.2015 um 11:25 schrieb Gergely K.:
On Thu, Jun 25, 2015 at 5:51 AM, Helge Kruse <helge.kr...@gmx.net
<mailto:helge.kr...@gmx.net>> wrote:
> Conductor will say bar number.
Nope. From my experience I would say she says everytime something
different:
- from 3 measures before rehearsal mark B
- from the lyric measure
- second repeat, please
- proabaly from a specific bar number
Regards
Helge
Back to the original issue:
1) Do you think the last bar number should be 3, 4 or 5? The
logical for me seems to be 3 (yes, 2 bars will have bar number 2), or
5 (thinking it as unfolded, but then bar number 1 and 3 will point to
the same measure, but bar number 3 means goto 2. alternative)
\repeat volta 2 { c4 d e f | } \alternative { { c2 e | } { f2 g |
} } c1
For what I know, there are two basic conventions here: one is used in
Lilypond, see
<lilypond.org/doc/v2.19/Documentation/notation/long-repeats> -> Selected
snippets -> Alternative bar numbering. This will count three measures in
your example.
The other one – which I personally prefer – counts the measures as they
are actually played: for your example, the written measures would be
numbered 1 (3) and 2 and 4 and 5. Unfortunately, this is not yet really
supported in Lilypond.
Counting four measures in your examples is not an option, it would be
illogical and confusing IMO.
Yours, Simon
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