Keith OHara wrote:
>
> For a better solution, I suggest you search the mailing list archives
> for "MarkLine"
> http://lists.gnu.org/archive/html/lilypond-user/2008-06/msg00159.html
> The details of this solution seem to need updating to work with the
> current
> version of LilyPond, but the
Hello,
On 19 January 2012 10:10, Shevek wrote:
>
>
>
> Keith OHara wrote:
>>
>> For a better solution, I suggest you search the mailing list archives
>> for "MarkLine"
>> http://lists.gnu.org/archive/html/lilypond-user/2008-06/msg00159.html
>> The details of this solution seem to need updating t
On 01/18/2012 06:09 PM, Phil Holmes wrote:
- Original Message - From: "Colin Campbell"
To:
Sent: Wednesday, January 18, 2012 1:58 PM
Subject: Re: pdf to .ly?
On 12-01-18 05:12 AM, Gerard McConnell wrote:
Hello,
Does anybody here know of software that could convert a .pdf into
.ly? M
Hi again Svetlana,
I’ve revisited the functions for coloring symbols, and I've eliminated the
need to provide a list of every character your text might include. This
was liable to cause problems (omissions not showing up in the score, the
problem with the non-breaking space you found, etc.) and s
Hello,
1) how can I set the distance between sustain pedal and staff on lily 2.15.22 ?
I tried (see the attached example):
\override Score.SustainPedalLineSpanner #'padding = #'20
(as well as Y-offset and some other options) but it doesn't seem to work...
2) is it possible to change th
> Message: 2
> Date: Thu, 19 Jan 2012 00:34:09 -0200
> From: Caio Barros
> To: Keith OHara
> Cc: lilypond-user@gnu.org
> Subject: Re: Collision between tie and pitched trill
>
> Yes, but it's still a collision.
It looks ok at 2.14.2. I don't see a collision.
> 2012/1/19 Keith OHara
>
>> Ca
On Tue, 2012-01-17 at 15:02 -0500, PMA wrote:
> David Raleigh Arnold wrote:
> Your last sentence here hits on *the* issue in my original post.
> Why indeed would I...? But it seems that, to post on ISMLP/
> WIMA, one *must* commit to public-domain-like status.
>
> I would like, of course, to fi
> Open software people tend to consider artists as being
> equivalent to programmers, so they think artists
> should starve. I have no sympathy with that view.
> Obviously. Knowledge should be free, Yale to the
> contrary. Art shouldn't be free until the artist gets his.
The source code of the lil
> Does anybody here know of software that could convert a .pdf into .ly?
> Mayber .pdf to .xml first, then to .ly?
> Or .pdf into .svg, or some sort of image file? I got some music from the
> IMSLP site, it needs to be rotated and cleaned up a bit.
free command line software:
- pdftk: http://www
PMA-2 wrote:
>
> David Raleigh Arnold wrote:
> But it seems that, to post on ISMLP/
> WIMA, one *must* commit to public-domain-like status.
>
> I would like, of course, to find a (major, well run) public archive
> without such constraints.
>
Have you actually spoken to anyone over at IMSLP abo
Hayden Muhl wrote:
PMA-2 wrote:
David Raleigh Arnold wrote:
But it seems that, to post on ISMLP/
WIMA, one *must* commit to public-domain-like status.
I would like, of course, to find a (major, well run) public archive
without such constraints.
Have you actually spoken to anyone over at IMS
On Thu, 2012-01-19 at 11:05 -0800, Bernardo Barros wrote:
> > Open software people tend to consider artists as being
> > equivalent to programmers, so they think artists
> > should starve. I have no sympathy with that view.
> > Obviously. Knowledge should be free, Yale to the
> > contrary. Art shou
Oh, this is interesting -- I'll pursue re Mondrup and Youtube.
But I should add -- figuring your "Yale" references must be
inspired by my email address -- that I am not Yale faculty,
but an alumn (School of Music, DMA '80). As such, I am
granted an eternal "aya.yale.edu" pointer to my whatever
c
On Thu, 19 Jan 2012 13:47:06 +0100
Rutger Hofman wrote:
> SharpEye also has a freeware version with some restrictions. One of
> them is that it does not generate MusicXML. It can create NIFF
> though, and I wrote a converter from NIFF to Lilypond: niff2ly.
Actually, there are two versions availa
David Raleigh Arnold writes:
> On Thu, 2012-01-19 at 11:05 -0800, Bernardo Barros wrote:
>> > Open software people tend to consider artists as being
>> > equivalent to programmers, so they think artists
>> > should starve. I have no sympathy with that view.
>> > Obviously. Knowledge should be fre
Hi all,
I've been away from Lilypond for a while (I used it as a composer to set
my pieces, and composition has taken a back seat for a few years). I
just want to say that looking at the new features in 2.14 (and in 2.12
before that), it's incredible what everyone has done, so much thanks!
A
On Jan 19, 2012, at 10:19 PM, Benedict Singer wrote:
> Hi all,
>
> I've been away from Lilypond for a while (I used it as a composer to set my
> pieces, and composition has taken a back seat for a few years). I just want
> to say that looking at the new features in 2.14 (and in 2.12 before tha
Hello,
On 19 January 2012 21:32, m...@apollinemike.com wrote:
>
> On Jan 19, 2012, at 10:19 PM, Benedict Singer wrote:
>
>> Hi all,
>>
>> I've been away from Lilypond for a while (I used it as a composer to set my
>> pieces, and composition has taken a back seat for a few years). I just want
>>
Hi Frank,
2012/1/17 Frank Steinmetzger :
> Hello gurus
>
> I already wrote a whole paragraph to describe my problem, but an image is far
> simpler. Please see the attached screenshot to get an idea of my problem.
> The
> "ness" syllables are not aligned to one another, because alto and bass are
On 19 Jan 2012, at 21:58, David Raleigh Arnold wrote:
> On Thu, 2012-01-19 at 11:05 -0800, Bernardo Barros wrote:
>>> Open software people tend to consider artists as being
>>> equivalent to programmers, so they think artists
>>> should starve. I have no sympathy with that view.
>>> Obviously. Kno
Hi Frank,
On Thu, Jan 19, 2012 at 3:48 PM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> Hi Frank,
>
> 2012/1/17 Frank Steinmetzger :
>
> > Is there an automatic way to resolve this, i.e. that all "ness"
> syllables are
> > properly aligned again?
>
It appears the text will be aligned
On 01/19/2012 01:32 PM, m...@apollinemike.com wrote:
On Jan 19, 2012, at 10:19 PM, Benedict Singer wrote:
Hi all,
I've been away from Lilypond for a while (I used it as a composer to set my
pieces, and composition has taken a back seat for a few years). I just want to
say that looking at the
Hi David,
2012/1/19 David Nalesnik :
> Hi Frank,
>
> On Thu, Jan 19, 2012 at 3:48 PM, Thomas Morley
> wrote:
>>
>> Hi Frank,
>>
>> 2012/1/17 Frank Steinmetzger :
>>
>> > Is there an automatic way to resolve this, i.e. that all "ness"
>> > syllables are
>> > properly aligned again?
>
>
> It appear
On 20 January 2012 10:29, Benedict Singer wrote:
> On 01/19/2012 01:32 PM, m...@apollinemike.com wrote:
>>
>> On Jan 19, 2012, at 10:19 PM, Benedict Singer wrote:
>>
>>> Hi all,
>>>
>>> I've been away from Lilypond for a while (I used it as a composer to set
>>> my pieces, and composition has take
Hi Harm!
On Thu, Jan 19, 2012 at 6:34 PM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> Hi David,
>
> 2012/1/19 David Nalesnik :
> > Hi Frank,
> >
> > On Thu, Jan 19, 2012 at 3:48 PM, Thomas Morley
> > wrote:
> >>
> >> Hi Frank,
> >>
> >> 2012/1/17 Frank Steinmetzger :
> >>
> >> > Is t
In this example is not so visible. But is there.
In smaller staff sizes it gets worse because the tie is thicker. I actually
saw this error in an orchestral score with very small staffs.
\version "2.14.2"
#(set-global-staff-size 8)
\relative g'' {
\pitchedTrill g1 ~ \startTrillSpan a g2
}
I
Hi again--
On Thu, Jan 19, 2012 at 7:22 PM, David Nalesnik wrote:
> Hi Harm!
>
> I'm sure this could be modified to target the note that governs stem
> direction.
>
>
I'm not sure if my reasoning is correct (or if this all is particularly
useful), but the function in the attached file attempts to
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