p in a score. You still need
> \partial to signal that a measure has fewer beats than the time signature.
I see... hasty copy/paste.
So there's probably a mistake in my notes, then.
Sorry for noise.
hjh
olymeter
> }
> }
>
> Transcript:
>
> Starting lilypond 2.24.3 [test-poly-vars-main.ly]...
> Processing `..snip../test-poly-vars-main.ly'
> Parsing...
> Interpreting music...
> .../test-poly-vars.ly:16:3: warning: mid-measure time signature
> without \
eOne
\new Staff \minimalExampleVariableTwo
>>
\layout {
\enablePolymeter
}
}
Transcript:
Starting lilypond 2.24.3 [test-poly-vars-main.ly]...
Processing `..snip../test-poly-vars-main.ly'
Parsing...
Interpreting music...
.../test-poly-vars.ly:16:3: warning: mid-measure time si
On Sat, Apr 12, 2025 at 8:06 AM James Harkins wrote:
> I have \enablePolymeter in my layout block.
>
> In a minimal example, this prevents warnings about time signatures in the
> middle of a bar.
>
> In my actual score, I get:
>
> warning: mid-measure time signature with
I have \enablePolymeter in my layout block.
In a minimal example, this prevents warnings about time signatures in the
middle of a bar.
In my actual score, I get:
warning: mid-measure time signature without \partial
\time 2/4
The main difference is that the minimal example doesn'
in a chronometric
transcription I'm working on in which I may need to have Clefs and Time
Signatures in some points (and so I cannot just remove the engravers)
Below is what I am trying (I would like to make the first notes to collide
with the first Clef and Time Signature of each Staff).
T
On 06/03/2025 20:50, Paul Scott wrote:
I posted before about time signatures and/or key changes repeated at
the end of the previous line and was shown that it works correctly.
I finally saw the problem that occasionally effects my normal code
structure.
Could the \endSpanners music function
On Thu, Mar 6, 2025 at 3:52 PM Paul Scott wrote:
> Hi,
>
> I posted before about time signatures and/or key changes repeated at the
> end of the previous line and was shown that it works correctly.
>
> I finally saw the problem that occasionally effects my normal code
> structure.
>
> I always se
On Thu, Mar 6, 2025 at 12:52 PM Paul Scott wrote:
> Hi,
>
> I posted before about time signatures and/or key changes repeated at the
> end of the previous line and was shown that it works correctly.
>
> I finally saw the problem that occasionally effects my normal code
> structure.
>
> I always s
Hi,
I posted before about time signatures and/or key changes repeated at the
end of the previous line and was shown that it works correctly.
I finally saw the problem that occasionally effects my normal code
structure.
I always separate notes and time and dynamics to be able to use all or
> It is the default behavior, lilypond compresses the whole line. You can
> see it in the example below. I'm still confused about what the question
> is, but perhaps a handwritten example or scan from another score would help.
An even more obvious example:
```
{
\repeat unfold 32 { 8 \noBreak
compress the music in the
last measure of the line.
I haven't been able to find one of my examples or create a MWE.
Thank you,
Paul
On 1/25/25 11:33 AM, Hans Aikema wrote:
On 25 Jan 2025, at 00:35, Paul Scott wrote:
When a time signature or key change happens at the beginnin
Sent from my Galaxy
Original message From: Tim's Bitstream via LilyPond user
discussion Date: 1/28/25 12:03 AM (GMT-07:00) To:
lily Pond Subject: Re: key and/or time signature at end
of line So you want Lilypond to take that space equally from all the measures
in that
:35, Paul Scott
wrote:
When a time signature or key change happens at the
beginning of a line it is repeated at the end of the
previous line. This is good and normal.
The space needed for this is take
I don't want to cancel it. I want it not to compress the music in the
last measure of the line.
I haven't been able to find one of my examples or create a MWE.
Thank you,
Paul
On 1/25/25 11:33 AM, Hans Aikema wrote:
On 25 Jan 2025, at 00:35, Paul Scott wrote:
When a time si
All the examples I sent on the list have the change exactly at the break, not
one measure before the end. You can put as many measures before the \break as
you want, the code addresses the changeover to another key and time-signature
at the measure directly after the break.
So if it's not
ikema wrote:
On 25 Jan 2025, at 00:35, Paul Scott wrote:
When a time signature or key change happens at the beginning of a line it is
repeated at the end of the previous line. This is good and normal.
The space needed for this is taken from the last measure on that previous line
often m
> On 25 Jan 2025, at 19:33, Hans Aikema wrote:
>
>
>
>> On 25 Jan 2025, at 00:35, Paul Scott wrote:
>>
>> When a time signature or key change happens at the beginning of a line it is
>> repeated at the end of the previous line. This is good and normal.
> On 25 Jan 2025, at 00:35, Paul Scott wrote:
>
> When a time signature or key change happens at the beginning of a line it is
> repeated at the end of the previous line. This is good and normal.
>
> The space needed for this is taken from the last measure on that prev
On Fri, Jan 24, 2025 at 6:37 PM Paul Scott wrote:
> When a time signature or key change happens at the beginning of a line
> it is repeated at the end of the previous line. This is good and normal.
>
> The space needed for this is taken from the last measure on that
> previous li
When a time signature or key change happens at the beginning of a line
it is repeated at the end of the previous line. This is good and normal.
The space needed for this is taken from the last measure on that
previous line often making that last measure very cramped . Is there a
way to
ixed c' {
> f1
> \repeat segno 2 {
> g1
> \once \override Score.BreakAlignment.break-align-orders =
> ##((left-edge
> staff-ellipsis
> cue-end-clef
> ambitus
> breathing-sign
> signum-repetitionis
> clef
> cue-clef
&g
clef
cue-clef
key-cancellation
key-signature
time-signature
staff-bar
custos)
(left-edge
staff-ellipsis
cue-end-clef
ambitus
breathing-sign
signum-repetitionis
clef
cue-clef
key-cancellation
key-signature
time-signature
staff-bar
On Sat, 3 Aug 2024 at 17:17, Vlado Ilić wrote:
>
> So i need something like in the first picture, on coda i have different
time signature than the one before the jump so i need to mark time change
just before the jump. Also related, in the second image i need to mark time
and key change
So i need something like in the first picture, on coda i have different
time signature than the one before the jump so i need to mark time change
just before the jump. Also related, in the second image i need to mark time
and key change before jumping from D.S. to the beginning of the piece. How
On 05/05/2024 08:17, jsmcwill...@gmail.com wrote:
I enclose a snippet illustrating two problems I am trying to resolve
in a piece containing a melody followed by a Trio section:
1. There is a key signature change before going into the Trio and I
cannot get the cautionary signature, which n
From: jsmcwill...@gmail.com
Sent: den 5 maj 2024 09:15
To: lilypond-user@gnu.org
Subject: Cautionary Time Signature
Firstly, I have reregistered since the support forum does not recognise my
credentials!
I enclose a snippet illustrating two problems I am trying to resolve in a
piece
Firstly, I have reregistered since the support forum does not recognise my
credentials!
I enclose a snippet illustrating two problems I am trying to resolve in a
piece containing a melody followed by a Trio section:
1. There is a key signature change before going into the Trio and I
cannot g
Not quite yet: I do not want the 3/4 to appear in the left hand where
for this part there is no actual meter change. But I think you put me
on the right track: the solution is that you need to add \omit
Staff.TimeSignature before the second 3/4. Then the only the first 3/4
is shown.
Thank you so m
On Mon, Apr 22, 2024 at 3:32 AM Hajo Baess wrote:
> > Is there a reason you are writing...
>
> Yes there is.
[...]
> The question is only: will it work as well in my score. I still
> have to try and see, and I will report what will happen...
>
I think this does what you want:
\version "2.24.3
{
> > > cis4\trill cis2 d4 d4. c16 d e2 e4 f4 f4. g8 e2 e4
> > > f
> > > d d ~ d8 cis d4 d4
> > > }
> > > \time 3/4 \set Staff.timeSignatureFraction = 3/4
> > > \scaleDurations 1/1
> > > { d2 d4
cis2 d4 d4. c16 d e2 e4 f4 f4. g8 e2 e4 f
> > d d ~ d8 cis d4 d4
> > }
> > \time 3/4 \set Staff.timeSignatureFraction = 3/4
> > \scaleDurations 1/1
> > { d2 d4\fermata}
> > \bar "|."
> > }
>
> If you just type "\time
ureFraction = 3/4
> \scaleDurations 1/1
> {
> cis4\trill cis2 d4 d4. c16 d e2 e4 f4 f4. g8 e2 e4 f
> d d ~ d8 cis d4 d4
> }
> \time 3/4 \set Staff.timeSignatureFraction = 3/4
> \scaleDurations 1/1
> { d2 d4\fermata}
>
On Sat, Apr 20, 2024 at 1:32 PM Hajo Baess wrote:
> What you suggest sounds all so common-sense, but LilyPond still does
> not get it...
> If I implant "\omit Score.TimeSignature" and "\undo \omit
> Score.TimeSignature" into my code instead of the previous commands, I
> get this - see screenshot.
What you suggest sounds all so common-sense, but LilyPond still does
not get it...
If I implant "\omit Score.TimeSignature" and "\undo \omit
Score.TimeSignature" into my code instead of the previous commands, I
get this - see screenshot.
But if I do something really basic like:
\version "2.24.2"
On Sat, Apr 20, 2024 at 4:17 AM Hajo Baess wrote:
> If I do this, I get other unwanted results - see screenshot. The
> problem is that I am switching back and forth between scaled and non-
> scaled rhythm. And as you will notice, the 6/4 only appears in the
> piano staff and n o t in the top p
should) in the top part like in bars 195
and 197...
Is there no simple way to just toggle "\override
Score.TimeSignature.stencil = ##f " ?
Am Samstag, dem 20.04.2024 um 11:41 +0100 schrieb Mark Knoop:
> This line:
>
> \override Score.TimeSignature.stencil = ##f
>
> mean
This line:
\override Score.TimeSignature.stencil = ##f
means that the time signature will not be displayed (its stencil is set
to false). Either remove it, or if you need it for some other reason,
prefix with \once.
Regards,
Mark
At 10:13 on 20 Apr 2024, Hajo Baess wrote:
> This time w i
This time w i t h screenshot attached - sorry about that... Delete
the previous one ;-)
Unfortunately this does not work - because I have tried exactly this
one, and there is no time signature. I attach a screenshot of the
passage. My piece is in 3/4, and in the top part in bar 185, I have to
Unfortunately this does not work - because I have tried exactly this
one, and there is no time signature. I attach a screenshot of the
passage. My piece is in 3/4, and in the top part in bar 185, I have to
do some rhythmical scaling, whereas the other parts continue in 3/4. I
could as well have
On Fri, Apr 19, 2024 at 4:31 PM Hajo Baess wrote:
> Hello all,
>
> I look for a way to force LilyPond to show the same time signature
> again, although there is no change - just as a reminder. I could not
> find anything in the NR and in the Snippet Repository.
>
>
Unless
Hello all,
I look for a way to force LilyPond to show the same time signature
again, although there is no change - just as a reminder. I could not
find anything in the NR and in the Snippet Repository.
Grateful for any suggestion how to achieve this.
>> Please check the looong list of bugs related to `\articulate`
>> whether it has already been reported.
>
> Seems to be #3696, reported - by you - in 2013.
D'oh :-)
Werner
On Wed, Nov 22, 2023 at 12:09 PM Werner LEMBERG wrote:
>
> > This fails in 2.24.1 with messages about mid-measure time signature
> > change and failed barcheck:
> >
> > \include "articulate.ly"
> > \articulate
> > {
> > \ti
On Wed, 22 Nov 2023, Werner LEMBERG wrote:
> Please check the looong list of bugs related to `\articulate` whether
> it has already been reported.
Seems to be #3696, reported - by you - in 2013.
--
Matthew Skala
msk...@ansuz.sooke.bc.ca People before tribes.
https://ansuz.sooke.
> This fails in 2.24.1 with messages about mid-measure time signature
> change and failed barcheck:
>
> \include "articulate.ly"
> \articulate
> {
> \time 4/4
> c'1 |
> \time 3/2
> \grace d'8 c'1. |
> }
>
> Succeeds if
This fails in 2.24.1 with messages about mid-measure time signature
change and failed barcheck:
\include "articulate.ly"
\articulate
{
\time 4/4
c'1 |
\time 3/2
\grace d'8 c'1. |
}
Succeeds if \articulate is not used. I can work around it by tagging MIDI
and
ng I can
simulate the G clef symbol in Piae Cantiones. Have you seen petrucci-g
clefs in real music?
3) \override Staff.TimeSignature.style = #'single-digit
Didn't like this look (it's modern, not mensural). Instead I omit the
time signature altogether.
Hope I don't an
quot;," %1
> g4\( c2 c4 e2 f4 g2 a4 g2.\) \breathe \bar "," %2
> \bar "||"
> }
> \score {
> { \vexDUMa }
> \layout { \context { \Staff \consists "Ambitus_engraver" }}
> }
>
> My questions ...
>
> 1) How to get petrucci style note head in the tempo indication?
>
> 2) Where to get the G clef as used in Piae Cantiones?
>
> 3) How to get the time signature as used in Piae Cantiones?
>
> TIA,
> Jeff
>
>
>
>
( c2 c4 e2 f4 g2 a4 g2.\) \breathe \bar "," %2
\bar "||"
}
\score {
{ \vexDUMa }
\layout { \context { \Staff \consists "Ambitus_engraver" }}
}
My questions ...
1) How to get petrucci style note head in the tempo indication?
2) Where to get the G clef
On Wed, Sep 27, 2023 at 12:59 PM Knute Snortum wrote:
> On Tue, Sep 26, 2023 at 11:25 PM Michael Werner
> wrote:
>
>> Hi Knute,
>>
>> On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
>>
>>> TL;DR
>>> How do I engrave an alternating ti
On Tue, Sep 26, 2023 at 11:25 PM Michael Werner wrote:
> Hi Knute,
>
> On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
>
>> TL;DR
>> How do I engrave an alternating time signature and an initial cue clef?
>>
>> [snip]
>
> What about using a Cue
Hi Knute,
On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
> TL;DR
> How do I engrave an alternating time signature and an initial cue clef?
>
> Scriabin has a prelude where he has written a time signature as
> alternating 5/8 and 4/8 time. After the initial one, no other ti
TL;DR
How do I engrave an alternating time signature and an initial cue clef?
Scriabin has a prelude where he has written a time signature as alternating
5/8 and 4/8 time. After the initial one, no other time signatures are
written. I have figured out a way to engrave this with help from a LSR
time signature change if
only in bass clef
In the following snippet, a change of time signature appears after an
acciaccatura if the time change happened in one staff without a grace note but
a grace note appears in some other staff. Is there a way to fix this without
making sure the time change
Well known bug.
Add \grace s8 to upper in same position as acciaccatura c8
HTH,
Paul
On 8/15/23 11:30 AM, Jin Choi wrote:
In the following snippet, a change of time signature appears after an
acciaccatura if the time change happened in one staff without a grace note but
a grace note
In the following snippet, a change of time signature appears after an
acciaccatura if the time change happened in one staff without a grace note but
a grace note appears in some other staff. Is there a way to fix this without
making sure the time change always appears in the staff with the
The criterion for a word to be included in the Oxford English Dictionary
is three proven printed examples. :-)
Andrew
On 5/06/2023 2:25 pm, Werner LEMBERG wrote
Understood. However, we *need* good real-world examples that are not
bound to certain notation programs so that we have a chance to
> It's not unusual, just not Common Era period which lilypond
> principally focuses on.
Understood. However, we *need* good real-world examples that are not
bound to certain notation programs so that we have a chance to find a
generic implementation.
> One example has been given. Do you need m
Re that merge request, I think it's important to frame it as an open
meter sign, not as a cancellation. As somebody pointed out, it can start
a piece and so it is not cancelling anything previous.
Andrew
Hello All,
It's not unusual, just not Common Era period which lilypond principally
focuses on.
It is not a _cancellation_ or a crossing out. It's as designator of open
meter. Dorico enables it because people use it and request it, not
because the Dorico team read it in Gould. Dorico targets
>
> -- Forwarded message --
> From: Mark Knoop
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Sun, 04 Jun 2023 16:33:41 +0100
> Subject: Re: Time signature cancellation
>
> At 14:59 on 04 Jun 2023, Damian leGassick wrote:
> > you just want a r
> you just want a recent real-world example? Birtwistle: Harrison’s
> Clocks.
Thanks!
Werner
airly clear, and so long as any LilyPond
implementation is able to be overridden (by the usual methods) I see no
harm in adding it.
>> On 4 Jun 2023, at 14:51, Werner LEMBERG wrote:
>>>> Has anyone here ever used or seen the X-shaped time-signature
>>>> cancellation
you just want a recent real-world example? Birtwistle: Harrison’s Clocks.
D
> On 4 Jun 2023, at 14:51, Werner LEMBERG wrote:
>
>
>>
>>> Has anyone here ever used or seen the X-shaped time-signature
>>> cancellation sign pictured at [1], or anything similar?
>> Has anyone here ever used or seen the X-shaped time-signature
>> cancellation sign pictured at [1], or anything similar?
>
> It's one standard for open meter.
>
> Here's the Dorico manual info: [...]
Thanks, but ideally we would like to see a real-world exa
It's one standard for open meter.
Here's the Dorico manual info:
Andrew
On 4/06/2023 10:49 pm, Dan Eble wrote:
Has anyone here ever used or seen the X-shaped time-signature cancellation sign
pictured at [1], or anything similar?
Thanks,
--
Dan
[1]https://gitlab.com/lilypon
Has anyone here ever used or seen the X-shaped time-signature cancellation sign
pictured at [1], or anything similar?
Thanks,
--
Dan
[1] https://gitlab.com/lilypond/lilypond/-/merge_requests/2029
also ;-)
I added calculation of the x-Position, so the first notehead is centered over
the dots of the bass clef automatically. The parameter x-off is optional
now.You can call the music function in front of the staff definitions. In
addition with the removal of the time-signature-engraver in the
Hi Jakob,
The Danish book of chorales to accompany the official hymnal uses a
peculiar "time signature" (which isn't really a time signature) for
some hymns.
It's a small note, in this case a 𝅗𝅥 but elsewhere its a compound
signature like 𝅗𝅥♩, to indicate the metre
Hi Juergen,
Works perfectly! Thank you very much.
I can guarantee you I would never have figured that out on my own!
If anyone has any idea what this kind of notation is called, do let me
know :)
Best wishes,
Jakob
On 11.05.2023 12.59, juergen.gr...@xyz.de wrote:
Hello,
what about this:
.fr-emoticon.fr-emoticon-img {
background-repeat: no-repeat !important;
font-size: inherit;
height: 1em;
width: 1em;
Hello all,
The Danish book of chorales to accompany the official hymnal uses a
peculiar "time signature" (which isn't really a time signature) for some
hymns.
It's a small note, in this case a 𝅗𝅥 but elsewhere its a compound
signature like 𝅗𝅥♩, to indicate the metre.
> Thanks - my output included no such warning.
> (lyluatex) Compiling score tmp-ly/51d5af77a942f28ac1f5986a0ab47d35
> with LilyPond executable 'lilypond'.
>
> Module lyluatex Warning: The score doesn't contain any music:
> (lyluatex) this will probably cause bad output. on inp
r 10, 2023 at 1:12 AM Werner LEMBERG wrote:
>
> > I seem to have some sort of platform difference between my desktop
> > and laptop computers. I'm rendering a bare time signature and tempo
> > in a LaTeX table using lyluatex.
> >
> > The snippet: [...]
> I seem to have some sort of platform difference between my desktop
> and laptop computers. I'm rendering a bare time signature and tempo
> in a LaTeX table using lyluatex.
>
> The snippet: [...]
>
> {
> \new RhythmicStaff \with {\remove "Staff_s
I seem to have some sort of platform difference between my desktop and
laptop computers. I'm rendering a bare time signature and tempo in a LaTeX
table using lyluatex.
The snippet:
\lilypond[noindent, nofragment]
{ \new RhythmicStaff \with {\remove "Staff_symbol_engraver"
> dynamicLengthOff = {
> \override DynamicText.extra-spacing-width = #'(+inf.0 . -inf.0)
> \override DynamicText.extra-spacing-height = #'(0 . 0)
> }
Nice idea, thanks!
Werner
>> The following example
>>
>> ```
>> <<
>>\new Staff { f'1 }
>>\new Staff { f'1 \tweak X-offset #-5 \pp }
>> \new StaffGroup <<
>>\new Staff { f'1 }
>>\new Staff { f'1 \tweak X-offset #-5 \pp }
ff { f'1 \tweak X-offset #-5 \pp }
>>>
> ```
>
> shows that I can't move the 'pp' to sit under the time signature if I
> use `StaffGroup`. How can I change this? Within full scores it is of
> great importance to retain this ability.
In analogy to
tex
shows that I can't move the 'pp' to sit under the time signature if I
use `StaffGroup`. How can I change this? Within full scores it is of
great importance to retain this ability.
The definition of StaffGroup in engraver-init.ly contains
%% The default for DynamicText.extra-
[LilyPond version 2.23.9]
The following example
```
<<
\new Staff { f'1 }
\new Staff { f'1 \tweak X-offset #-5 \pp }
>>
\new StaffGroup <<
\new Staff { f'1 }
\new Staff { f'1 \tweak X-offset #-5 \pp }
>>
```
shows that I can't move
Le 24/03/2022 à 13:13, Leo Correia de Verdier a écrit :
This is our beloved issue 34 again:
https://sourceforge.net/p/testlilyissues/issues/34/
Note that the issue tracker has moved. The new URL is
https://gitlab.com/lilypond/lilypond/-/issues/34
Jean
> On Mar 24, 2022, at 8:13 AM, Leo Correia de Verdier
> wrote:
>
> \time 4/4 s1 s1 s1
> \time 2/4 \grace s16*3 s2
> \time 4/4 s1
> \time 2/4\grace s16*3 s2
Works as advertised, thanks
} d1
> R1
> \grace { d16 d d } d2
> R1
> \grace { d16 d d } d2 }
> >>
> }
> }
> >>
> }
>
> I don’t understand the differing behavior in mm 3-4 and mm 5-6. Is there a
> way to force the grace notes past (to the right of) the time signature?
>
> Thanks
>
>
>
>
>
>
fering behavior in mm 3-4 and mm 5-6. Is there a way
to force the grace notes past (to the right of) the time signature?
Thanks
gt;s8*5
>\time 3/2 \tempo "Vivo" 2 = 152
>s1.
>\bar "|."
> }
>
> part = { c'1 | d'4. | e'4~ 4. | a'1. }
>
> \new Staff << \global \part >>
>
> \layout { ragged-right =
| d'4. | e'4~ 4. | a'1. }
>
> \new Staff << \global \part >>
>
> \layout { ragged-right = ##f }
>
> %%
>
> > 21 mars 2022 kl. 09:51 skrev Rip _Mus :
> >
> > Good morning,
> > I would need advice.
> > In a score
art = { c'1 | d'4. | e'4~ 4. | a'1. }
\new Staff << \global \part >>
\layout { ragged-right = ##f }
%%
> 21 mars 2022 kl. 09:51 skrev Rip _Mus :
>
> Good morning,
> I would need advice.
> In a score with many time signature changes (whe
- Original Message -
> From: "Rip _Mus"
> To: "Lillypond Users Mailing List"
> Sent: Monday, March 21, 2022 8:51:16 AM
> Subject: Time signature guide
> Good morning,
> I would need advice.
> In a score with many time signature changes (where
Good morning,
I would need advice.
In a score with many time signature changes (where I therefore cannot use a
stable global variable of tempo and time signature), there is a way to set
a "guide" in which to set the various time signature changes, without "
dirty "the in
Thanks Valentin!
That is exactly what I was looking for!
Thanks,
Calvin Ransom
-Original Message-
From: Valentin Petzel
Sent: February 28, 2022 3:06 AM
To: lilypond-user@gnu.org
Cc: Calvin Ransom
Subject: Re: Altering the appearance of a time signature.
Hello Calvin,
is this to your
o I find a glyph for the time signature attached?
>
> Thanks
> Francesco Napoleoni
signature.asc
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Hi list
Where do I find a glyph for the time signature attached?
Thanks
Francesco Napoleoni
Hello Calvin,
is this to your liking?
Cheers,
Valentin
Am Montag, 28. Februar 2022, 09:34:01 CET schrieb Calvin Ransom:
> Hello everyone,
>
> Can you help me create a time signature that has spacing like the attached?
> I would like to have the numerator centred near the 4th
Hello everyone,
Can you help me create a time signature that has spacing like the attached? I
would like to have the numerator centred near the 4th line and the denominator
centred near the 2nd line with space in between the characters. I have figured
out how to adjust the font size but I have
tion or at least clarification.
Slurs are attached to notes (and entered after the note, hence
"post-events"). \time 6/8 is new music occuring at the same time as
b4, but you can't meaningfully attach a slur to a time signature
change.
The solution is simple: Attacht the opening sl
yes that did it thank you.
On 2021-12-24 13:38, Brian Barker wrote:
At 13:24 24/12/2021 -0700, you wrote:
\time 5/8
\tempo 4 = 86
d8 e fis4 e8
d e4 d8 c\time 6/8
(b4) d8 b a4 \bar "|."
The slur parentheses are postfixed to the appropriate elements. Instead
l there is
another slur over many measures.
Hope there is a solution or at least clarification.
Slurs are attached to notes (and entered after the note, hence
"post-events"). \time 6/8 is new music occuring at the same time as b4,
but you can't meaningfully attach a slur to a tim
14 skrev jh :
using 2.22 when I try to have a slur ~ across a barline and a time
signature change using fresco nothing happens.
please direct me to a place in the manual that explains how to have
this work.
thanks
j
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