On Thu 02 Jan 2025 at 10:22:01 (-0800), Walt North wrote:
> Ahh... on further reading I see that the tick mark is a commonly used
> indication for a breath. Perfect.
As a singer, I've used tick marks for ever, but I think the first time
I saw them published where they hadn't be
Ahh... on further reading I see that the tick mark is a commonly used
indication for a breath. Perfect.
Thank you both. The key piece I was missing was knowing that the
Breathing_sign_engraver could be added to Lyrics context.
I think I like the tick mark (or something along those lines) because
that makes it clear it is just not an oversized apostrophe.
This will clue the rhythm guitar person
receive melody lines I can insert breath marks.
> >
> > The rhythm guitarist just wants lyrics and chords. Is there any tidy
> > way to insert breath marks in lyric lines? That don't look like
> > apostrophes and don't take up time?
>
> You could add the B
On Thu, 2 Jan 2025 at 07:10, Walt North wrote:
>
> I use lilypond to enter music notes, chords, and lyrics and use those
> to create different handouts for different musicians. For those that
> receive melody lines I can insert breath marks.
>
> The rhythm guitarist just wants
I use lilypond to enter music notes, chords, and lyrics and use those
to create different handouts for different musicians. For those that
receive melody lines I can insert breath marks.
The rhythm guitarist just wants lyrics and chords. Is there any tidy
way to insert breath marks in lyric
Hi David,
I’m not sure if you ever got a response to this email? (The list archive
suggests the answer is no…)
Note that including a small working example would improve your chances of
having someone respond.
> Using something like "\override BreathingSign.X-offset = #1" simply doesn't
> work.
I am using breath-marks in a piece. Unfortunately they are not always
positioned very well (in my view) in the X direction.
Using something like "\override BreathingSign.X-offset = #1" simply
doesn't work. Specifying the context in the override doesn't help. I
don't un
Add the || bar type to the list of bar symbols that require a volta hook
with
#(allow-volta-hook "||")
at the top level of the ly file.
On 04/06/2024 20:12, Paul Scott wrote:
I have tried several variations of (volta #f) and end-repeat with the
following code:
\version "2.25.16"
xDS = \mar
I have tried several variations of (volta #f) and end-repeat with the
following code:
\version "2.25.16"
xDS = \markup{\fontsize #4 \line{D.S. al Fine }}
xFine = \markup{\fontsize #4 Fine}
music = \fixed c' {
g1
\segnoMark 1
f 4 g a b
\set Score.repeatCommands = #`((volta ,xDS) )
g4
Dear Silvain,
thank You, this worked perfectly for me!
Providing you have juste one space as in the example,
in the part \mark \markup {
you can do a search and replace
\\mark.\\markup.{[^{]+{[^}]+}[^}]+}
with nothing
(I tested it in Geany on Ubuntu)
dot means one character
[^{]* means a non-em
On Sat, May 25, 2024 at 9:16 AM Stefan Thomas
wrote:
> Dear community,
> I would like to remove automatically all the "\mark \markup { \box {
> LETTER } }" in the below quoted text. Can I do this with regex? Does
> someone know how?
> Thanks,
> Stefan
>
> \version "2.22.2"
>
> violine = {
>
Providing you have juste one space as in the example,
in the part \mark \markup {
you can do a search and replace
\\mark.\\markup.{[^{]+{[^}]+}[^}]+}
with nothing
(I tested it in Geany on Ubuntu)
dot means one character
[^{]* means a non-empty sequence of characters without any { character
\ n
Dear community,
I would like to remove automatically all the "\mark \markup { \box { LETTER
} }" in the below quoted text. Can I do this with regex? Does someone know
how?
Thanks,
Stefan
\version "2.22.2"
violine = {
\clef "treble" | % 1
R1*8 | % 9
\mark \markup { \box { A } } R1*8
On Fri, 26 Apr 2024 at 16:46, Eric Benson wrote:
>
> I see. How hard would it be to write a Scheme function that would copy a
melody variable and remove the text marks, or in fact everything other than
the note values, which are all I want in the NoteNames variable? That would
be prefera
t; > > copy a
> > > melody variable and remove the text marks, or in fact everything
> > > other than
> > > the note values, which are all I want in the NoteNames variable?
> > > That would
> > > be preferable to entering a separate sequence cont
On Fri 26 Apr 2024 at 07:59:09 (-0700), Aaron Hill wrote:
> On 2024-04-26 7:44 am, Eric Benson wrote:
> > I see. How hard would it be to write a Scheme function that would
> > copy a
> > melody variable and remove the text marks, or in fact everything
> > other than
>
On 2024-04-26 7:44 am, Eric Benson wrote:
I see. How hard would it be to write a Scheme function that would copy
a
melody variable and remove the text marks, or in fact everything other
than
the note values, which are all I want in the NoteNames variable? That
would
be preferable to entering
I see. How hard would it be to write a Scheme function that would copy a
melody variable and remove the text marks, or in fact everything other than
the note values, which are all I want in the NoteNames variable? That would
be preferable to entering a separate sequence containing only the text
On Thu 25 Apr 2024 at 22:16:21 (-0700), Eric Benson wrote:
> Is this intentional or desired?
AIUI this is one of the reasons \textMark was invented, so that
multiple text marks could be placed at the same point:
"Note: Older LilyPond versions used the \mark command for text marks,
eve
Is this intentional or desired? If so, is there a way to prevent this from
happening?
On Thu, Apr 25, 2024 at 10:09 PM Aaron Hill
wrote:
> On 2024-04-25 9:43 pm, Eric Benson wrote:
> > I took one of the NoteName examples from the documentation and dropped
> > a
> > \textMark in the middle of it,
On 2024-04-25 9:43 pm, Eric Benson wrote:
I took one of the NoteName examples from the documentation and dropped
a
\textMark in the middle of it, and there is an extra copy of that text
mark
for each NoteName staff.
This makes sense, since the \textMark command is within the \melody
music v
I took one of the NoteName examples from the documentation and dropped a
\textMark in the middle of it, and there is an extra copy of that text mark
for each NoteName staff.
nntest.ly
Description: Binary data
nntest.pdf
Description: Adobe PDF document
This is extremely helpful, thank you so much!
El mar, 9 abr 2024 a las 6:40, Rudolf Cardinal ()
escribió:
> Dear Lilypond users with an interest in organ music,
>
> Lilypond's standard commands for organ pedal marks are: \lheel, \ltoe,
> \rheel, \rtoe. However, there are severa
Dear Lilypond users with an interest in organ music,
Lilypond's standard commands for organ pedal marks are: \lheel, \ltoe, \rheel,
\rtoe. However, there are several recognized ways of displaying pedal marks
visually. I struggled a little to get Lilypond's organ pedal marks into a sty
uch more complex (I can
> send it if you want)
>
> BR,
>
> ---
> Sébastien
>
>
> --
> *From:* lilypond-user-bounces+richardsgjm=hotmail@gnu.org
> on behalf of Ben
> Bradshaw
> *Sent:* Wednesday, April 3, 2024 05:52
> *To:* Li
stien
From: lilypond-user-bounces+richardsgjm=hotmail@gnu.org
on behalf of Ben
Bradshaw
Sent: Wednesday, April 3, 2024 05:52
To: Lily Pond
Subject: Raising all metronome marks
Hello,
I like my tempo markings to be a bit higher than the default in lilypond. I'm
struggling to figure
Hello,
I like my tempo markings to be a bit higher than the default in lilypond.
I'm struggling to figure out how to globally raise them. I can do it
locally with \offset Y-offset 3 for instance, of \tweak Y-offset #3, but I
can't get it to work globally. I've tried \override MetronomeMark.Y-offset
:11 schreef Peter Mayes:
The above three little screenshots show breathing marks in an oboe
score - respectively "breathe out", "breathe in" and "breathe
out-and-in".
I know of the \breathe command, and I have seen from the documentation
that the "comma" c
The above three little screenshots show breathing marks in an oboe score
- respectively "breathe out", "breathe in" and "breathe out-and-in".
I know of the \breathe command, and I have seen from the documentation
that the "comma" can be raised.
But b
Thank you, Valentin. It took me a couple hours to convert some
PostScript in one of my big projects to native \path commands, mainly
because the PostScript needed to draw outside the page margins, but I
got it done! I haven't tried it in SVG yet.
https://www.fishlet.com/wp-content/uploads/2018/09
Am Donnerstag, 1. Februar 2024, 00:03:00 CET schrieb Curt McDowell:
> Stan,
>
> Here is a brute force way by embedding PostScript – although it can be a
> bit tedious.
>
> \version "2.22.1"
>
> %% Custom dynamic marks using embedded PostScript
>
> %% I
Many thanks to Robin, Curt and Leo for their suggestions, examples and the link
to Harm’s code.
The examples which were provided will provide exactly what I was looking for.
Stan
There is also some code in the list archives:
https://lists.gnu.org/archive/html/lilypond-user/2018-05/msg00167.html
> 1 feb. 2024 kl. 00:49 skrev Robin Bannister :
>
> Stan Sanderson wrote:
>> Certain marks are used to indicate emphasis (phrase breaking) and
>> a
Stan Sanderson wrote:
Certain marks are used to indicate emphasis (phrase breaking) and across-staff fingering.
I don't know about the phrase breaking, but you could try doing the
across-staff fingering with my undocumented code, called thumbBracket.
Look at the Reger 17 and 60 exampl
Sorry, copying error: to avoid confusion, the numbers should be 90.86/4 =
22.715
> 22 jan. 2024 kl. 22:22 skrev Leo Correia de Verdier
> :
>
> Hi Jacopo!
>
> I think
> \set Timing.tempoWholesPerMinute = #(ly:make-moment 24.715) % that is 98.86/4
> should work for the midi output. At least it
Hi Jacopo!
I think
\set Timing.tempoWholesPerMinute = #(ly:make-moment 24.715) % that is 98.86/4
should work for the midi output. At least it accepts floats. Combining it with
Michael’s solution for the markup should get you the complete \tempo
I might have heard sometime in the past that tempo
On Mon, Jan 22, 2024 at 9:33 AM Jacopo Greco d'Alceo
wrote:
> How can I simply write a bpm in floating number in lilypond (e.g.*♩ =
> 90.86 ) *?
> It seems that \tempo accept only integers.
> thanks
>
You can do pretty much any markup with the \tempo command. Two ways you can
do this are either:
How can I simply write a bpm in floating number in lilypond (e.g.♩ = 90.86 ) ?
It seems that \tempo accept only integers.
thanks
Raphael Mankin writes:
> As a more general response to this thread, I feel that the reference
> manual needs to have more cross references. I frequently get a bit
> lost trying to find a suitable construct, or discovering what a
> construct means.
>
> This thread has already shown that 1.2.2, 1.3
on/learning-big-page#structure-of-a-note-entry, which unfortunately doesn't seem to explain it either, even though the construct is used in several examples also in the learning manual.
Perhaps one suitable place could be Sect. 1.3.1 of the NR "1.3.1
Expressive marks attached to n
Hi Raphael,
Am 12.01.24 um 13:32 schrieb Raphael Mankin:
I agree that 0 as a denominator would seem to indicate an infinite
duration, and allow the rest of your argument. However <> still seems
unintuitive.
I agree that <> isn't obvious. But in a complex language like LilyPond,
there's alway
earning
manual.
Perhaps one suitable place could be Sect. 1.3.1 of the NR "1.3.1
Expressive marks attached to notes", but it could also be worth
mentioning in 1.7 "Editorial annotations", for example.
Technically, Sect. 1.5.1 "Chorded Notes&q
On Fri, Jan 12, 2024 at 6:21 AM Raphael Mankin wrote:
>
>
> On 10/01/2024 10:35, msk...@ansuz.sooke.bc.ca wrote:
> > On Wed, 10 Jan 2024, Raphael Mankin wrote:
> >
> >> That strikes me as being a programmer's response, and I speak as a
> programmer
> >> for over 50 years. Using <> works, but it i
Raphael Mankin writes:
> On 10/01/2024 10:35, msk...@ansuz.sooke.bc.ca wrote:
>> On Wed, 10 Jan 2024, Raphael Mankin wrote:
>>
>>> That strikes me as being a programmer's response, and I speak as a
>>> programmer
>>> for over 50 years. Using <> works, but it is unintuitive. If s0 is more
>>> in
On 10/01/2024 10:35, msk...@ansuz.sooke.bc.ca wrote:
On Wed, 10 Jan 2024, Raphael Mankin wrote:
That strikes me as being a programmer's response, and I speak as a programmer
for over 50 years. Using <> works, but it is unintuitive. If s0 is more
intuitive then that should be considered for f
Jean Abou Samra writes:
> Raphael:
>> That strikes me as being a programmer's response, and I speak as a
>> programmer for over 50 years. Using <> works, but it is unintuitive. If
>> s0 is more intuitive then that should be considered for future inclusion.
>
> s1*0 works and is more or less equi
codaMark.
http://lilypond.org/doc/v2.24/Documentation/notation/long-repeats.html#segno-repeat-structure
For arbitrary markup use \textMark or \textEndMark.
http://lilypond.org/doc/v2.24/Documentation/notation/writing-text.html#text-marks
signature.asc
Description: This is a digitally signed message part
On Wed, 10 Jan 2024, Raphael Mankin wrote:
> That strikes me as being a programmer's response, and I speak as a programmer
> for over 50 years. Using <> works, but it is unintuitive. If s0 is more
> intuitive then that should be considered for future inclusion.
It's intuitive to me that s0 means
On 09/01/2024 18:35, Paul Scott wrote:
On 1/9/24 11:29 AM, John Asmuth wrote:
Hi lilypond,
I have two users for a s0 (except it tells me 0 is not a duration).
<> does what I believe you want: <>_\<
HTH,
Paul
That strikes me as being a programmer's response, and I speak as a
programm
Yes, thank you!
On Tue, Jan 9, 2024 at 1:36 PM Paul Scott wrote:
> On 1/9/24 11:29 AM, John Asmuth wrote:
> > Hi lilypond,
> >
> > I have two users for a s0 (except it tells me 0 is not a duration).
>
> <> does what I believe you want: <>_\<
>
> HTH,
>
> Paul
>
>
> >
> > First, I have a "\repea
On 1/9/24 11:29 AM, John Asmuth wrote:
Hi lilypond,
I have two users for a s0 (except it tells me 0 is not a duration).
<> does what I believe you want: <>_\<
HTH,
Paul
First, I have a "\repeat unfold N { ... }" and I want to surround the
whole thing with a crescendo.
I could unpack
Hi lilypond,
I have two users for a s0 (except it tells me 0 is not a duration).
First, I have a "\repeat unfold N { ... }" and I want to surround the
whole thing with a crescendo.
I could unpack the first and last item in the repeat, but I feel
lily lilypond has some way to do an equivalent of
Le vendredi 03 novembre 2023 à 21:48 +0100, Hans Aikema a écrit :
> Looking at the various documentation snippets on repeats it looks like there
> is no way to use the \repeat instruction to encode what I’m trying to
> transcribe into Lilypond.
>
> Nevertheless want to check with the collective k
Looking at the various documentation snippets on repeats it looks like there is
no way to use the \repeat instruction to encode what I’m trying to transcribe
into Lilypond.
Nevertheless want to check with the collective knowledge on this list to
prevent that I’m somehow overlooking the obvious
t;>
\new PianoStaff
<<
\new Staff { \tempo "Allegro con brio" \textMark "TUTTI" \textMark
"A" c'1 }
\new Staff { \clef bass c1 }
>>
>>
}
...you want the tempo and text marks to stay with the piano staff, right?
= \tweak outside-staff-priority #1250 \tweak self-alignment-X
>> #LEFT \tweak font-size #-1 \mark "Tutti"
>> solo_mark = \tweak outside-staff-priority #1250 \tweak self-alignment-X
>> #LEFT \tweak font-size #-1 \mark “Solo"
>>
>> and I just realized that, whe
\tweak self-alignment-X
> #LEFT \tweak font-size #-1 \mark “Solo"
>
> and I just realized that, when they coincide with true rehearsal marks, I
> can shift the timing slightly with “\after 256”. I think this is a bit
> hacky but I can proceed with this at the moment.
>
But why
ized that, when they coincide with true rehearsal marks, I can
shift the timing slightly with “\after 256”. I think this is a bit hacky but I
can proceed with this at the moment.
Jun
> 2023/10/09 21:24、Wol のメール:
>
> On 09/10/2023 13:05, Jun Tamura wrote:
>> Dear List,
>> I’v
On 09/10/2023 13:05, Jun Tamura wrote:
Dear List,
I’ve been engraving an arrangement (for a smaller orchestra) of
Beethoven’s 3rd piano concerto and I’d like your advice. There are
Tutti/Solo marks on the original score
https://imslp.org/wiki/Special:ImagefromIndex/761965/wc13
<ht
Dear List,
I’ve been engraving an arrangement (for a smaller orchestra) of Beethoven’s 3rd
piano concerto and I’d like your advice. There are Tutti/Solo marks on the
original score
https://imslp.org/wiki/Special:ImagefromIndex/761965/wc13
at the beginning and then at bars 111, 172, etc. These
So that the arrows appear above the chords and not to the side.
On Sat, Jun 24, 2023 at 3:34 PM Jean Abou Samra wrote:
> Le samedi 24 juin 2023 à 15:26 -0400, John Asmuth a écrit :
>
> Thanks for the reply. Here's a stand-alone file that demonstrates what I
> see.
>
> I'd like each arrow to be a
Thanks so much!
On Sat, Jun 24, 2023 at 3:31 PM Kieren MacMillan <
kie...@kierenmacmillan.info> wrote:
> Hi John,
>
> RHu = \tweak staff-padding 3.5 \rightHandFinger \strokeUp
> RHd = \tweak staff-padding 3.5 \rightHandFinger \strokeDown
>
> Hope that helps!
> Kieren.
> __
Le samedi 24 juin 2023 à 15:26 -0400, John Asmuth a écrit :
> Thanks for the reply. Here's a stand-alone file that demonstrates what I see.
>
> I'd like each arrow to be at the same vertical position.
Why do you have this line?
\set strokeFingerOrientations = #'(up)
signature.asc
Description:
Hi John,
RHu = \tweak staff-padding 3.5 \rightHandFinger \strokeUp
RHd = \tweak staff-padding 3.5 \rightHandFinger \strokeDown
Hope that helps!
Kieren.
__
My work day may look different than your work day. Please do not feel obligated
to read or respo
Thanks for the reply. Here's a stand-alone file that demonstrates what I
see.
I'd like each arrow to be at the same vertical position.
On Sat, Jun 24, 2023 at 2:24 PM Kieren MacMillan <
kie...@kierenmacmillan.info> wrote:
> Hi John,
>
> 1. Providing complete code that compiles will encourage mor
Hi John,
1. Providing complete code that compiles will encourage more and better
responses from other list users.
2. When I use this code:
\version "2.25.2"
strokeUp = \markup\combine\override #'(thickness . 1.3) \draw-line #'(0 .
2)\raise #2 \arrow-head #Y #UP ##f
strokeDown = \markup\combin
Hi lilypond
For guitar scores, I'm applying right hand finger marks using a snippet I
found online, quoted at the end of this message.
When I apply it to a note in a chord, eg
> 8
It places a nice little arrow above. Perfect.
However, if I have several hits of the chord in a row, the
I have attached the score in case anyone would like to see a chorale
from the Danish hymnal with pedal marks for a struggling organ student.
Best wishes,
Jakob
On 22.04.2023 00.21, Jean Abou Samra wrote:
Le vendredi 21 avril 2023 à 20:27 +0200, Jakob Pedersen a écrit :
Greetings!
First time
cs above system aligned with the soprano
> line.
>
> I've added pedal marks, which looks something like this:
>
> I think that's a little clumsy looking. I would prefer the pedal marks to be
> aligned, like this:
>
> (I aligned these by editi
Greetings!
First time poster, long time (basic) lilypond user.
I'm writing a hymn/chorale setting for organ. It's a basic piano staff
with two voice for each staff, and lyrics above system aligned with the
soprano line.
I've added pedal marks, which looks something like t
the staff
grouping context, which isn't removed along with the child staves.
Structuring the code like this avoids the duplicate marks:
\version "2.24.0"
\layout {
\context {
\Score
\remove Bar_number_engraver
\remove Staff_collecting_engraver
\remove Mark_trac
I think the reason is that the mark engravers belong to the staff grouping
context, which isn't removed along with the child staves. Structuring the
code like this avoids the duplicate marks:
\version "2.24.0"
\layout {
\context {
\Score
\remove Bar_number_engra
Hi Saul,
On 08/02/2023 22:03, Saul Tobin wrote:
Is there a reason to have the marks in a child context rather than
just a simultaneous music variable?
You mean the Devnull? Just convenience. It works well with the way I
assemble different ChoirStaffs for different output formats and adding
Hi Simon,
Is there a reason to have the marks in a child context rather than just a
simultaneous music variable?
Saul
On Wed, Feb 8, 2023 at 10:24 AM Simon Albrecht
wrote:
> Hello everyone,
>
> I am working on a large score with several ChoirStaves and want to have
> BarNumbers
Hello everyone,
I am working on a large score with several ChoirStaves and want to have
BarNumbers and Marks in the middle as well. However, when I use
\RemoveEmptyStaves, removed Staves still have their BarNumbers etc.
How can I solve this without hard-coding where the Staves are removed
The hack that I used in the past was to set extra-spacing-width to
something like #'(0 . 0) for both types of marks, but it seems like when
systems are vertically compressed, this can interfere with the spacing of
the music. Is there a way to prevent that from happening? (Or a better grob
proper
<< \global \music >>
>>
>>
}
On Tue, Jan 31, 2023 at 1:55 PM Saul Tobin
wrote:
> IMO deduplication wouldn't really be semantically contradictory, because
> the goal of allowing multiple simultaneous marks is to allow for multiple
> *different* marks at th
IMO deduplication wouldn't really be semantically contradictory, because
the goal of allowing multiple simultaneous marks is to allow for multiple
*different* marks at the same moment. And you could always have a context
property to switch deduplication on/off.
The scheme evaluation chall
lt;
\new Staff { \mark \markup \score { c' } c' }
\new Staff { \mark \markup \score { c' } c' }
>>
Also, allowing several text marks at the same moment
is one of the root motivations for \textMark, so
deduplicating based on markup equality would feel
(IMHO) surprising.
OpenPGP_signature
Description: OpenPGP digital signature
;
>
>
>> 2. How to prevent TextMarks from printing many identical marks at the same
>> point in time? The docs suggest that \textMark should be used as a drop-in
>> replacement for \mark \markup... but the behavior seems incompatible. The
>> examples given are fo
to say
> I think the default output could be improved.
It's been requested a few times, but there is no easy way to do this
at the moment (although you can find some hacks in the list archives).
> 2. How to prevent TextMarks from printing many identical marks at the same
> point
Hi all,
I'm in the process of updating my scores from 2.18 to 2.24 (yes I skipped a
bunch of versions), and I'm trying to understand the intended use of the
new types of marks.
Take the following small example:
\version "2.24.0"
\language "english"
markGroup = \wi
On Thu 08 Dec 2022 at 14:22:31 (+1100), Andrew Bernard wrote:
> On 8/12/2022 1:29 pm, Jean Abou Samra wrote:
> > Actually, in version 2.23, the default breathing sign was changed
> > to a shape similar to your picture. See
> > https://lilypond.org/doc/v2.23/Documentation/changes/index.html
> >
> S
Le 08/12/2022 à 04:22, Andrew Bernard a écrit :
So again, why not just use \breathe? Is there something else you need?
Yes, exactly. In 2.23, use \breathe and you're done. In 2.22, use
\breathe and override its text to whatever you want, as you showed, if
you want a more comma-like shape.
So again, why not just use \breathe? Is there something else you need?
Andrew
On 8/12/2022 1:29 pm, Jean Abou Samra wrote:
Actually, in version 2.23, the default breathing sign was changed to a
shape similar to your picture. See
https://lilypond.org/doc/v2.23/Documentation/changes/index.html
Le 08/12/2022 à 03:01, Molly Preston a écrit :
Hello!
I was wondering if there is a way to make a breath mark that is like a
comma and in bold. I'm attaching a PNG file to show a small example,
but I would like it much bigger.
I didn't see it under breath marks and caesuras
What's wrong with \breathe? Note that a breath mark will break an
autobeam, unlike your example. You can override this, but isn't that the
point of a breath mark, to separate things?
You could always just override the breath mark symbol as per the NR. Put
whatever text mark you like.
\relati
Hello!
I was wondering if there is a way to make a breath mark that is like a
comma and in bold. I'm attaching a PNG file to show a small example, but I
would like it much bigger.
I didn't see it under breath marks and caesuras or glyphs.
-Molly
>
> > Well, yes, you should… but I don't think that's the proper solution to the
> > problem you've stated (as I understand it).
> >
> > 1. Put all your "global" data (time signatures, rehearsal marks, tempi,
> > etc.) in a single variable.
>
On 16/10/2022 16:47, Kieren MacMillan wrote:
Hi Kenneth,
I guess I should just learn how to do tags :-)
Well, yes, you should… but I don't think that's the proper solution to the
problem you've stated (as I understand it).
1. Put all your "global" data (time si
Hi Kenneth,
> I guess I should just learn how to do tags :-)
Well, yes, you should… but I don't think that's the proper solution to the
problem you've stated (as I understand it).
1. Put all your "global" data (time signatures, rehearsal marks, tempi, etc.)
in a s
On 16/10/2022 00:02, Kenneth Wolcott wrote:
Maybe I just should have kept my mouth shut 😄
Nah. You just have to talk to the penguin.
Talking to ANYTHING often helps you work your way through a problem, you
just talked to the list (I sometimes do the same), and DON'T feel a fool
for it.
Wha
Maybe I just should have kept my mouth shut :-)
I have rehearsal marks in both parts. In the full score only the top
part will show the rehearsal marks. When I display the parts
separately, they will both have the rehearsal marks.
So, I just need to have more coffee (even though I don't
I guess I should just learn how to do tags :-)
On Sat, Oct 15, 2022 at 3:24 PM Kenneth Wolcott
wrote:
>
> HI;
>
> I'm engraving a Trombone Duet. There are rehearsal marks. I'd like
> to engrave both parts as a score, both parts having rehearsal marks
> displa
HI;
I'm engraving a Trombone Duet. There are rehearsal marks. I'd like
to engrave both parts as a score, both parts having rehearsal marks
displayed, not just the first part.
How to do this? Lilypond 2.22.2
Thanks,
Ken Wolcott
Hi Greg,
great to hear you’re starting with LilyPond!
On 30/08/2022 21:52, Greg Lindstrom wrote:
I see later in the documentation there is a snippet on how to merge
voices, so that's next on my list.
There’s one bit of important advice that usually makes the experience of
learning LilyPond
aving. I'd rather not break it out onto its own staff (just to save
> space in the score) so I'm adding it as a CueVoice. The problem is the slur
> marks on the main line are above and the slurs on the ossia are below (see
> snippet). Is there a way to control where the slur
question...
>
> I have a very short Ossia that I would like to add to a chart I'm engraving.
> I'd rather not break it out onto its own staff (just to save space in the
> score) so I'm adding it as a CueVoice. The problem is the slur marks on the
> main line are abov
to my question...
I have a very short Ossia that I would like to add to a chart I'm
engraving. I'd rather not break it out onto its own staff (just to save
space in the score) so I'm adding it as a CueVoice. The problem is the slur
marks on the main line are above and the slurs on the
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