Hi,
I noticed that grace notes do not follow the same as normal notes.
Normally, notes which are placed beyond ledger lines will have longer stems
to avoid clashing with them. Certainly, it is possible to tweak the stems
individually, but is it possible to automate this for grace notes?
Same goes
Am So., 14. Nov. 2021 um 18:07 Uhr schrieb Dimitris Marinakis
:
>
> First let's look at a few sources that show the expected behaviour. I have
> attached an example from Gould pg.71 and the output from Dorico and last the
> output from your code.
The Gould-excerpt is cut off, thus I can't view t
Am Mi., 27. Okt. 2021 um 16:29 Uhr schrieb Dimitris Marinakis <
dtsmari...@gmail.com>:
> Thomas fantastic work as always. I found a potential limitation. Can you
> confirm if this is possible with the current code?
> I'd like a bit more control on the stem attachment of the splited stems
> ideally
Thomas fantastic work as always. I found a potential limitation. Can you
confirm if this is possible with the current code?
I'd like a bit more control on the stem attachment of the splited stems
ideally on each note.
I've seen some cases where the stem is attached at the right side of the
altered
Am Sa., 17. Apr. 2021 um 14:15 Uhr schrieb Lukas-Fabian Moser :
> Hi Federico,
> Am 17.04.21 um 01:10 schrieb Federico Sarudiansky:
>
> Hi,
>
> in addition to that, I've on occations had to engrave
> [image: image.png]
>
> Yes, that would have been the follow-up to my question: This is even
> wors
Hi Lukas,
thank you! I've never found the third link and the results are fantastic.
Using that code produces
[image: image.png]
with no compilation errors with as little code as
\version "2.22.0"
\relative c''{
\splayedStemChord
#'(0 -1.4 1.4 0)
#'(0 0 0
Hi,
Le 17/04/2021 à 14:32, Lukas-Fabian Moser a écrit :
After posting my engraver yesterday, I noticed some unforeseen
behaviour that gave me an idea for a possible addition to your
excellent tutorial on https://extending-lilypond.readthedocs.io/
(which I unfortunately only today had time t
Hi Jean,
\version "2.22.0"
{ 4 }
[...]
(1) Do you folks agree that the default behaviour qualifies as a bug?
Indeed. There is also an ugly-looking dependence on the input order:
{ cis' }
{ cis' }
We should probably have a special case when there are several
accidentals in the same sta
Hi Federico,
Am 17.04.21 um 01:10 schrieb Federico Sarudiansky:
Hi,
in addition to that, I've on occations had to engrave
image.png
Yes, that would have been the follow-up to my question: This is even
worse, for LilyPond turns
\version "2.22.0"
{ }
into
But there are interesting snippe
Hi,
Le 16/04/2021 à 23:13, Lukas-Fabian Moser a écrit :
Folks,
while the following musical constellation is ugly in the first place,
I think we can agree that LilyPond's rendering is less than ideal:
\version "2.22.0"
{ 4 }
yielding
[image]
If we force an accidental to c, we get someth
Hi,
in addition to that, I've on occations had to engrave
[image: image.png]
(on manuscript they are even uglier:
[image: image.png], with an added extra stem)
which involves a great deal of tweakin moving notes and accidentals.
Wouldn't be nice to generate a complete approach to that kind of wri
-event engraver event)
(set! note-events (cons event note-events
((process-music translator)
(let* ((pitches (map (lambda (ev) (ly:event-property ev 'pitch))
note-events))
(pitch-steps (map ly:pitch-steps pitches))
Hello Kieren,
Yes it does. So does Phil's solution. I now have to work out which I prefer in
this particular situation.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, December 20, 2019, 4:14:06 PM, Kieren MacMillan wrote:
> Hi Peter,
>> I'm tryi
Thanks Phil. I was looking in the 'spacing issues' section. Just what I need
for this particular score.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, December 20, 2019, 4:26:46 PM, Phil Holmes wrote:
If you read about dynamics in the NR, it says
How to avoid dynamic clashes?
If you read about dynamics in the NR, it says: "Vertical positioning of
dynamics is handled by Section "DynamicLineSpanner" in Internals Reference."
Looking in the IR we see reference to Y-offset. So this does as you wish, I
think:
\sco
Hi Peter,
> I'm trying to set a score where dynamic words are too close together for
> beautiful typesetting. I've tried using offsets to move one of them
> vertically, but they don't seem to work. What's the best way of setting this
> to produce a good-looking result?
I’d force the notes them
I'm trying to set a score where dynamic words are too close together for
beautiful typesetting. I've tried using offsets to move one of them vertically,
but they don't seem to work. What's the best way of setting this to produce a
good-looking result?
\version "2.19.83"
\score {
<<
\new
-9.scm"
in load path") and I don't really have time to investigate and as I'm
not doing music I don't want to spent to much on it.
But I'm in no way surprised that musixtex clashes:
It uses in various places \immediate\write16 which is problematic with
luatex and
Am 01.08.2018 um 07:00 schrieb liebre...@grossmann-venter.com:
I understand that I cant expect all packages to work with lyLuaTeX but
I get a clash between using musixtex in lyLuaTeX .
I watered down the clash from a rather large document that stopped
working since I had o use some musixtex fu
letter
\def\fps@figure{htbp}
\makeatother
\title{Error}
\providecommand{\subtitle}[1]{}
\subtitle{01}
\author{}
\date{}
\begin{document}
\maketitle
{
\setcounter{tocdepth}{4}
\tableofcontents
}
\section{The package musixtex clashes with the lilypond inline statement
below}
Compile
On Nov 26, 2012, at 1:42 AM, Thomas Morley wrote:
> 2012/11/26 :
>>
>> I am still relatively new to lilypond.
>> I have a simple four voice choral attached.
>>
>>
>> (1)
>> This example produces numerous warnings about
>> clashing notes which look like:
>>
>>choral-beethoven-moonlight-01
Thank you very much for you answers!
Thomas Morley writes:
>
> 2012/11/26 :
> >
> > This example produces numerous warnings about
> > clashing notes which look like:
> > [...]
> > Why is this happening?
>
> Because of "many clashing note columns" ;)
> To avoid this use \voiceOne and \voiceT
2012/11/26 :
>
> I am still relatively new to lilypond.
> I have a simple four voice choral attached.
>
>
> (1)
> This example produces numerous warnings about
> clashing notes which look like:
>
> choral-beethoven-moonlight-01-simple.ly:16:62: warning: ignoring too many
> clashing note colum
I am still relatively new to lilypond.
I have a simple four voice choral attached.
(1)
This example produces numerous warnings about
clashing notes which look like:
choral-beethoven-moonlight-01-simple.ly:16:62: warning: ignoring too many
clashing note columns
e'2 e'2 e'2 fs'2
On 12-07-02 02:28 AM, Peter O'Doherty wrote:
On 06/30/2012 02:27 AM, Colin Campbell wrote:
On 12-06-29 06:34 AM, Peter O'Doherty wrote:
Thanks.
Do you know how I can run the development version in combination
with Frescobaldi (which uses version 2.14.2 at present)?
Thanks again,
Peter
In
Thanks a lot to those who assisted. It's working just nicely now.
Best wishes,
Peter
On 06/30/2012 02:27 AM, Colin Campbell wrote:
On 12-06-29 06:34 AM, Peter O'Doherty wrote:
Thanks.
Do you know how I can run the development version in combination with
Frescobaldi (which uses version 2.14.
On 06/30/2012 02:27 AM, Colin Campbell wrote:
On 12-06-29 06:34 AM, Peter O'Doherty wrote:
Thanks.
Do you know how I can run the development version in combination with
Frescobaldi (which uses version 2.14.2 at present)?
Thanks again,
Peter
In Frescobaldi, one of the many options is to con
On 12-06-29 06:34 AM, Peter O'Doherty wrote:
Thanks.
Do you know how I can run the development version in combination with
Frescobaldi (which uses version 2.14.2 at present)?
Thanks again,
Peter
In Frescobaldi, one of the many options is to configure a list of
lilypond versions. If you ha
0 Mar 2012 19:34:40 +
From: James
To: "Peter O'Doherty"
Cc: lilypond-user@gnu.org
Subject: Re: tupletFullLength clashes with barline
Message-ID:
Content-Type: text/plain; charset=ISO-8859-1
Hello,
On 10 March 2012 08:18, Peter O'Dohertywrote:
Hi list,
tupl
age: 6
>>>>> Date: Sat, 10 Mar 2012 19:34:40 +
>>>>> From: James
>>>>> To: "Peter O'Doherty"
>>>>> Cc: lilypond-user@gnu.org
>>>>> Subject: Re: tupletFullLength clashes with barline
>>>>> Me
Re: tupletFullLength clashes with barline
Message-ID:
Content-Type: text/plain; charset=ISO-8859-1
Hello,
On 10 March 2012 08:18, Peter O'Doherty wrote:
Hi list,
tupletFullLength = ##t
causes the right hand part of the tuplet bracket to clash with the barline.
This only happens
;>To: "Peter O'Doherty"
> >>Cc: lilypond-user@gnu.org
> >>Subject: Re: tupletFullLength clashes with barline
> >>Message-ID:
> >>
> >>Content-Type: text/plain; charset=ISO-8859-1
> >>
> >>Hello,
> >>
> >
On 03/10/2012 09:55 PM, Patrick Karl wrote:
On Mar 10, 2012, at 1:35 PM, James wrote:
Message: 6
Date: Sat, 10 Mar 2012 19:34:40 +
From: James
To: "Peter O'Doherty"
Cc: lilypond-user@gnu.org
Subject: Re: tupletFullLength clashes with barline
Message-ID:
Content-T
Hello,
On 10 March 2012 08:18, Peter O'Doherty wrote:
> Hi list,
>
> tupletFullLength = ##t
>
> causes the right hand part of the tuplet bracket to clash with the barline.
> This only happens with a barline at the end of a line.
>
> Is there a way to avoid this?
>
Tiny example and the version yo
Hi list,
tupletFullLength = ##t
causes the right hand part of the tuplet bracket to clash with the
barline. This only happens with a barline at the end of a line.
Is there a way to avoid this?
Many thanks,
Peter
--
//=
-> Peter O'Doherty
-> http://www.peterodoh
On 19/12/10 02:45, Peter O'Doherty wrote:
> How can I notate the (piano) chord 4 without a clash
> between e' and f' and change the order of accidentals to the more
> logical f-natural, f-sharp?
Remember, Peter, that the more logical order natural-sharp looks just
like the old way of indicating
How can I notate the (piano) chord 4 without a clash
between e' and f' and change the order of accidentals to the more
logical f-natural, f-sharp?
Many thanks,
Peter
Try having a look at the thread entitled "odd output" - we've been
discussing something similar for the last day or 2 and yo
On 19/12/10 02:45, Peter O'Doherty wrote:
Hi,
How can I notate the (piano) chord 4 without a clash
between e' and f' and change the order of accidentals to the more
logical f-natural, f-sharp?
Many thanks,
Peter
http://lsr.dsi.unimi.it/LSR/Item?id=505 shows one way of doing it.
Nick
__
- Original Message -
From: "Peter O'Doherty"
To:
Sent: Saturday, December 18, 2010 3:45 PM
Subject: Note head clashes
Hi,
How can I notate the (piano) chord 4 without a clash
between e' and f' and change the order of accidentals to the more logical
f-natur
Hi,
How can I notate the (piano) chord 4 without a clash
between e' and f' and change the order of accidentals to the more
logical f-natural, f-sharp?
Many thanks,
Peter
--
//=
-> Peter O'Doherty
-> http://www.peterodoherty.net
-> m...@peterodoherty.net
-> faceb
is this what you are looking for?
\override NoteColumn #'ignore-collision = ##t
--
View this message in context:
http://www.nabble.com/Making-lilypond-ignore-some-clashes-tp22606577p22610046.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabbl
On Thu, Mar 19, 2009 at 06:11:09PM +, Alberto Simões wrote:
>
> I just would like to make lilypond to shut up about those specific clashes.
>
> Is there any way to do that?
Try \override NoteColumn #'ignore-collision = ##t
--
Cameron Horsburgh
Blog: http://spirit
those specific clashes.
Is there any way to do that?
Thanks
Alberto
--
Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
___
lilypond-user mailing list
lilypond-user@gnu.org
lly it does, thanks for the developers! I made a
note to point out something I thought probably was an
oversight, because it seems so much easier to avoid these
clashes that the different accidental/slur/crescendo etc.
clashes which can appear anywhere, anytime and handled
properly most of the time.
uations.
Ferenc Wagner wrote:
Hello,
I could probably overcome these clashes but thought to point
them out in case you do not know about them. Why do not
these objects know about each other?
1. sopMusic = \notes { \tempo 4 = 96 cis''8^\mf ... }
results in
Try something like
\property Staf
Hello,
I could probably overcome these clashes but thought to point
them out in case you do not know about them. Why do not
these objects know about each other?
1. sopMusic = \notes { \tempo 4 = 96 cis''8^\mf ... }
results in
<>
2. later, \break \mark "A" cis&
other note
and other similar clashes. also i noticed that in the 'instruments on their
own track' import that things were spaced a but better, but i saw beams that
would pass the edge of the stem that they were connected to. those sightings
were within the pdf. my system apparently
fit things in, there were
occurences of where a stem of one note connected to a sharp of another note
and other similar clashes. also i noticed that in the 'instruments on their
own track' import that things were spaced a but better, but i saw beams that
would pass the edge of the stem
[EMAIL PROTECTED] writes:
> >>\property Voice.Script \override #'padding = #2
> > How can I reset it?
>
> \property Voice.Script \revert #'padding
\once \property Voice.Script\override #'padding only does it once.
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.cs.uu.nl/~hanwen
Andreas Loosen wrote:
\property Voice.Script \override #'padding = #2
This is easier to read, I think, since the upbow sign is above the slur.
Will the padding be global from this point onwards?
Yes, for scripts in that voice.
How can I reset it?
\property Voice.Script \revert #'padding
Thanks, Jan, thanks Mats,
> Would you please include a full snippet next time?
Sure, no problem.
> \property Voice.Script \override #'padding = #2
This is easier to read, I think, since the upbow sign is above the slur.
Will the padding be global from this point onwards?
How can I reset it?
Th
lilypond, already search the archives about this topic, but they
> > seem only to cover text clashes with slurs or something.
> > This is is something similar, but with articulations. I'm not able to solve
> > this. Can somebody help me?
> > d'&
"Andreas Loosen" <[EMAIL PROTECTED]> writes:
> I'm new to lilypond, already search the archives about this topic, but they
> seem only to cover text clashes with slurs or something.
> This is is something similar, but with articulations. I'm not able to solv
Hi all,
I'm new to lilypond, already search the archives about this topic, but they
seem only to cover text clashes with slurs or something.
This is is something similar, but with articulations. I'm not able to solve
this. Can somebody help me?
d'' (e''-\
> Another question: If I put stuff, for instance text, in separate voices
> using spacer notes, will positioning be the same? Or another way to put
> it; are other voices taken into account when resolving clashes?
A simple test illustrates what happens:
\score{\notes\relative c'
On Wed, 14 Aug 2002, Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > clashes: Notes are handled nicely, and everything else (at least what I
> > tried: fingerings, (phrasing)slurs, dynamics, pedaling and free text) is
> > so that they look nice together with
[EMAIL PROTECTED] writes:
> clashes: Notes are handled nicely, and everything else (at least what I
> tried: fingerings, (phrasing)slurs, dynamics, pedaling and free text) is
> so that they look nice together with the notes. But these graphical
> objects don't know about the
Hi
I've think I know where lily is at this doing, in regards to handling
clashes: Notes are handled nicely, and everything else (at least what I
tried: fingerings, (phrasing)slurs, dynamics, pedaling and free text) is
so that they look nice together with the notes. But these graphical
ob
Stephen Allsopp wrote:
>
>FWIW, I have found that you can chain multiple text grobs onto a note.
>Where text has "bashed" into a note or marking, I've just added an empty
>text string to the note with the text label. This forces a blank line
>under the text, and "pushes" it up a bit.
>
>Example:
[EMAIL PROTECTED] writes:
>
> FWIW, I have found that you can chain multiple text grobs onto a note.
> Where text has "bashed" into a note or marking, I've just added an empty
> text string to the note with the text label. This forces a blank line
> under the text, and "pushes" it up a bit.
>
>
There seems to be many solutions around. I usually set the padding
property:
\property Voice.TextScript \override #'padding = #3
The "padding" is simply some extra space between the TextScript
and the note it belongs to (or the staff line). If you want to
use this setting for all text scripts in
On Sun, 07 Apr 2002 12:26:50 +0200
Jan Nieuwenhuizen <[EMAIL PROTECTED]> wrote:
> Carter Brey <[EMAIL PROTECTED]> writes:
>
> > How do I raise text so that it stops covering the notes beneath it ?
> > In the example below, the performance indication "Molto lento" goes
> > straight through the sl
Carter Brey <[EMAIL PROTECTED]> writes:
> How do I raise text so that it stops covering the notes beneath it ?
> In the example below, the performance indication "Molto lento" goes
> straight through the slur and is therefore illegible. I know the
> solution must include some sort of "/override"
Hello,
How do I raise text so that it stops covering the notes beneath it ? In
the example below, the performance indication "Molto lento" goes
straight through the slur and is therefore illegible. I know the
solution must include some sort of "/override" command but can't find a
specific exa
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