Actually, it didn't take me long to test it. It's spot on. Thanks!
Will let you know when I upload it into its repo.
On Wed, Sep 5, 2018 at 4:18 PM Edmundo Carmona Antoranz
wrote:
>
> Thanks for your feedback. Let me give it a try and will let you know
> how it went.
> On Wed, Sep 5, 2018 at 12:01
Thanks for your feedback. Let me give it a try and will let you know
how it went.
On Wed, Sep 5, 2018 at 12:01 AM Andrew Bernard wrote:
>
> Hi Aaron,
>
> My thoughts exactly.
>
> Andrew
>
>
> On Wed, 5 Sep 2018 at 15:55, Aaron Hill wrote:
>>
>>
>> It is not a cadenza, per se, but rather an omissi
Hi Aaron,
My thoughts exactly.
Andrew
On Wed, 5 Sep 2018 at 15:55, Aaron Hill wrote:
>
> It is not a cadenza, per se, but rather an omission of tuplet numbering.
> The piece seems to omit tuplet numbering in nearly all cases, rather
> relying solely on beaming groups to indicate the timing.
On 2018-09-04 21:13, Edmundo Carmona Antoranz wrote:
I'm writing the score with flute/piano parts and when reaching 2 bars
before Moderato, the flute part has what I think is a cadenza while
the piano part has perfect measures to complete it (rest with
fermata).
It is not a cadenza, per se, but
Hi Edmundo,
As per the standard convention for the list, posting a minimal working
example (MWE as they are called) would be helpful and make it easier for
people to point out the solution, in general.
In the meantime, I'll engrave that section for you to show how I would do
it.
Andrew
On Wed
Hi!
I'm translating Carmen Fantasy by Francois Borne into Lilypond.
I'm writing the score with flute/piano parts and when reaching 2 bars
before Moderato, the flute part has what I think is a cadenza while
the piano part has perfect measures to complete it (rest with
fermata). I tried writing the
