om my previous posting!)
Date: Sun, 28 May 2017 13:32:51 -0500
From: David Wright
Subject: Re: Problem with repeat
X-Original-To: lily...@lionunicorn.co.uk
Sender: lilypond-user
Reply-To: lilypond-user@gnu.org
On Sun 28 May 2017 at 19:42:26 (+0200), Bernhard Kleine wrote:
> The attached excerp
er@gnu.org
Subject: Problem with repeat
The attached excerpt has an errorneous repeat sign at measure five since the
text starts there. However the repeat sign before measure three is also valid
for the text which, however, starts as the vocal part in measure 5.
How to solve this? Is there a sni
On Sun 28 May 2017 at 19:42:26 (+0200), Bernhard Kleine wrote:
> The attached excerpt has an errorneous repeat sign at measure five since
> the text starts there. However the repeat sign before measure three is
> also valid for the text which, however, starts as the vocal part in
> measure 5.
>
>
Hi Bernhard,
I played a liile bit with your example and I got a result that seems to be what
you want.
Best regards,
Robert Blackstone
T-u-M-Jerry-Estes-Sing-Jubilate-Deo_test2.ly
Description: Binary data
On 28 May 2017, at 19:42 , Bernhard Kleine wrote:
> The attached excerpt has an er
My advice: go over your file (I only looked at it superficially) and
pepper it with bar checks and - in this case probably more importantly -
bar *number* checks. Then you should find your misplaced repeat block ...
Here's the manual:
http://lilypond.org/doc/v2.19/Documentation/notation/bars.e
The attached excerpt has an errorneous repeat sign at measure five since
the text starts there. However the repeat sign before measure three is
also valid for the text which, however, starts as the vocal part in
measure 5.
How to solve this? Is there a snippet which shows a solution?
Regards Bern
Trevor Daniels wrote Wednesday, March 25, 2015 9:44 PM
> Nathan Ho wrote Wednesday, March 25, 2015 9:01 AM
>
>> On Tue, Mar 24, 2015 at 7:42 PM, Peter Heisen
>> wrote:
>>>
>>> The LilyPond notation reference, section 2.1.2,
>>> (http://www.lilypond.org/doc/v2.18/Documentation/notation/technique
Hi Trevor,
>> You mean Lilypond can’t handle << \global \lyrics >>, where \global contains
>> the repeat structure?
>
> Depends.
Thanks for the clarification, and the various links. Interesting, all.
I hope there’s an opportunity to fix this soon, and completely. Much like the
irritating grac
Hi,
> I hope there is no intention to drop the MIDI output.
Oh, goodness, no!
Even though I don’t yet use it myself, I *want* to (soon), and I know it’s very
important to others.
Killer MIDI output would be a significant selling point for potential new users
— along with MusicXML, it should b
Gilles wrote Wednesday, April 22, 2015 11:52 AM
> I hope there is no intention to drop the MIDI output.
> For me, it is extremely useful to be able to figure out how
> an arrangement will sound.
> With all its shortcomings, it's still infinitely better than
> nothing. :-)
No, there's no suggesti
Hello.
[...] MIDI is widely acknowledged
to be a relatively unimportant part of LP [...]
I hope there is no intention to drop the MIDI output.
For me, it is extremely useful to be able to figure out how
an arrangement will sound.
With all its shortcomings, it's still infinitely better than
not
From: "Trevor Daniels"
To: "Kieren MacMillan"
Sent: Wednesday, April 22, 2015 10:55 AM
Subject: Re: best practices for volta (was Re: Problem with repeat alternative
endings that contain lyrics andleading rests)
Kieren MacMillan wrote Tuesday, April 21, 2015 3:19 PM
Kieren MacMillan wrote Tuesday, April 21, 2015 2:13 PM
> My question *was*, ultimately, more of a technical inquiry than a feature
> request: I never use MIDI, or anything except visual output, so at least in
> the foreseeable future this feature/bug/whatever has no noticeable impact on
> my l
Hi Trevor,
> Sure you did, but the point of the example the OP submitted from the NR was
> to show how to allow lyrics to be unfolded along with the music.
Ah. Sorry for the noise.
>> 1. Shouldn’t we be [heavily] promoting, even in tiny snippets, the use of
>> global variables to hold \repeat
Hi Trevor,
> I think the standard response to this is "patches welcome" ;)
Touché! ;)
> No doubt it could - but only if someone was prepared to put the effort into
> coding it.
My question *was*, ultimately, more of a technical inquiry than a feature
request: I never use MIDI, or anything
Kieren MacMillan wrote Monday, April 20, 2015 9:00 PM
> Can \repeat not be defined so that — possibly with parameters/switches — it
> will Do The Right Thing™ in all engraved (e.g., PDF), expressed (e.g., MIDI),
> and other (e.g., MusicXML) output streams without requiring poor or
> inefficien
Kieren MacMillan wrote Monday, April 20, 2015 5:05 PM
> On Apr 19, 2015, at 6:11 AM, Trevor Daniels wrote:
>
>> [snip incomplete example]
>
> Is it really a best practice to put \repeat volta structures in multiple
> locations? I just responded to a post a few days ago where (I believe, though
Hi Mats,
> No, that's asking for trouble! The code should primarily reflect the musical
> interpretation, not just the notation. In know that it works to do as you
> propose in many examples, but it clearly does not work if you use
> \unfoldRepeats (in MIDI), for example.
Can \repeat not be de
On 04/20/2015 08:01 PM, Kieren MacMillan
wrote:
1. Shouldn?t we be [heavily] promoting, even in tiny snippets, the use of
global variables to hold \repeat structures that are used in multiple places?
No, that's asking for trouble! The code should primarily reflect the
musical interpretation
Hi all,
On Apr 19, 2015, at 6:11 AM, Trevor Daniels wrote:
> \score {
> <<
>\new Staff {
> \time 2/4
> \new Voice = "melody" {
>\relative c'' {
> a4 a a a
> \repeat volta 2 { b4 b }
> \alternative { { \vrest b } { \vrest c } }
>}
> }
Peter Heisen wrote Wednesday, March 25, 2015 3:42 AM
> In the following modified example, the first beat of each ending has been
> changed to a rest, and a syllable removed from the lyrics to match. Now when
> compiled, it shows two first endings and two second endings. Moreover the
> log co
Nathan Ho wrote Wednesday, March 25, 2015 9:01 AM
> On Tue, Mar 24, 2015 at 7:42 PM, Peter Heisen
> wrote:
>>
>> The LilyPond notation reference, section 2.1.2,
>> (http://www.lilypond.org/doc/v2.18/Documentation/notation/techniques-specific-to-lyrics)
>> contains the following example of how to
Am 25.03.2015 um 10:01 schrieb Nathan Ho:
On Tue, Mar 24, 2015 at 7:42 PM, Peter Heisen
wrote:
Dear List,
The LilyPond notation reference, section 2.1.2,
(http://www.lilypond.org/doc/v2.18/Documentation/notation/techniques-specific-to-lyrics)
contains the following example of how to use lyrics
On Tue, Mar 24, 2015 at 7:42 PM, Peter Heisen
wrote:
> Dear List,
>
> The LilyPond notation reference, section 2.1.2,
> (http://www.lilypond.org/doc/v2.18/Documentation/notation/techniques-specific-to-lyrics)
> contains the following example of how to use lyrics in concert with repeat
> alternativ
Dear List,
The LilyPond notation reference, section 2.1.2, (
http://www.lilypond.org/doc/v2.18/Documentation/notation/techniques-specific-to-lyrics)
contains the following example of how to use lyrics in concert with repeat
alternative endings. It compiles fine in version 2.18.2, showing both the
Read the section on Manual repeat commands.
/Mats
Quoting Dominic Neumann <[EMAIL PROTECTED]>:
Hi,
I have a song with repeats and different endings. There´s a first
ending and one for the 2nd and 3rd time, but if I do it like that:
BEGIN
\version "2.10.16"
\relative c'' {
c1
Hi,
I have a song with repeats and different endings. There´s a first
ending and one for the 2nd and 3rd time, but if I do it like that:
BEGIN
\version "2.10.16"
\relative c'' {
c1
\repeat volta 3 {
c4 c c c
}
\alternative {
{
% first ending
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