On 2022-04-09 8:45 am, David Zelinsky wrote:
A question about Aaron's example:
You are referencing an aspect of the original source, not what was being
demonstrated in the updated version.
What is the purpose of the following
line (line 12)?
\once \override Staff.TimeSignature #'break-
Aaron Hill writes:
>
> In many cases, you can rely on the implicit handling of contexts.
> Your example #16 above relies on the implicit continuation of the
> current context as only the divisi staff is explicitly created, so
> things do work as expected.
>
> But note that this new staff appears
On Wed, 6 Apr 2022 at 08:39, Xavier Scheuer wrote:
> Hello,
>
> One way mentioned in the documentation is to use the
"Keep_alive_together_engraver" in combination with keepAliveInterfaces and
VerticalAxisGroup.remove-layer.
> See NR 1.6.2 Modifying single staves > Hiding staves
>
https://lilypond.
On Wed, 6 Apr 2022 at 07:21, Evan Driscoll wrote:
>
> Another question, one I've struggled with before.
>
> The part splits out temporarily into divisi parts on multiple staffs. I
always have trouble getting the correct incantations to get the correct
result.
>
> A naive
(Please keep the mailing list on all replies.)
On 2022-04-05 11:06 pm, Evan Driscoll wrote:
On Wed, Apr 6, 2022 at 12:37 AM Aaron Hill
wrote:
Unsure there is a definitively "right" way... but here's an option:
http://lilybin.com/1l8whf/12
Move the StaffGroup declaration outside the music.
On 2022-04-05 10:20 pm, Evan Driscoll wrote:
Another question, one I've struggled with before.
The part splits out temporarily into divisi parts on multiple staffs. I
always have trouble getting the correct incantations to get the correct
result.
A naive attempt results in http://lilybi
Another question, one I've struggled with before.
The part splits out temporarily into divisi parts on multiple staffs. I
always have trouble getting the correct incantations to get the correct
result.
A naive attempt results in http://lilybin.com/1l8whf/5. This is enough to
keep working, b
that
> > would help with the following question, but I'm not sure what it is, and
> > I'm having a lot more difficulty than normal figuring out what to look for
> > in the manual.
> >
> > Anyway, the piece starts off in unison, then h
or
in the manual.
>
> Anyway, the piece starts off in unison, then has a div. section written
on multiple staffs, then comes back together.
>
> I can get multiple staffs with
> <<
> { ...top part.. }
> \new Staff { ...bottom part ...}
> >>
>
has a div. section written on
multiple staffs, then comes back together.
I can get multiple staffs with
<<
{ ...top part.. }
\new Staff { ...bottom part ...}
>>
but what I really want is a staff group. The bracket on the left would be
nice, but even more critical a
Actually, it didn't take me long to test it. It's spot on. Thanks!
Will let you know when I upload it into its repo.
On Wed, Sep 5, 2018 at 4:18 PM Edmundo Carmona Antoranz
wrote:
>
> Thanks for your feedback. Let me give it a try and will let you know
> how it went.
> On Wed, Sep 5, 2018 at 12:01
Thanks for your feedback. Let me give it a try and will let you know
how it went.
On Wed, Sep 5, 2018 at 12:01 AM Andrew Bernard wrote:
>
> Hi Aaron,
>
> My thoughts exactly.
>
> Andrew
>
>
> On Wed, 5 Sep 2018 at 15:55, Aaron Hill wrote:
>>
>>
>> It is not a cadenza, per se, but rather an omissi
Hi Aaron,
My thoughts exactly.
Andrew
On Wed, 5 Sep 2018 at 15:55, Aaron Hill wrote:
>
> It is not a cadenza, per se, but rather an omission of tuplet numbering.
> The piece seems to omit tuplet numbering in nearly all cases, rather
> relying solely on beaming groups to indicate the timing.
On 2018-09-04 21:13, Edmundo Carmona Antoranz wrote:
I'm writing the score with flute/piano parts and when reaching 2 bars
before Moderato, the flute part has what I think is a cadenza while
the piano part has perfect measures to complete it (rest with
fermata).
It is not a cadenza, per se, but
Hi Edmundo,
As per the standard convention for the list, posting a minimal working
example (MWE as they are called) would be helpful and make it easier for
people to point out the solution, in general.
In the meantime, I'll engrave that section for you to show how I would do
it.
Andrew
On Wed
Hi!
I'm translating Carmen Fantasy by Francois Borne into Lilypond.
I'm writing the score with flute/piano parts and when reaching 2 bars
before Moderato, the flute part has what I think is a cadenza while
the piano part has perfect measures to complete it (rest with
fermata). I tried writing the
On 26 Feb 2018 12:28 p.m., "David Wright" wrote:
On Sun 25 Feb 2018 at 23:27:31 (+), J Martin Rushton wrote:
> The only slight niggle is whether I can persuade Lily to
> use the full instrument names at the start of the main section rather
> than the short names.
You can use \set to change s
On Sun 25 Feb 2018 at 23:27:31 (+), J Martin Rushton wrote:
> The only slight niggle is whether I can persuade Lily to
> use the full instrument names at the start of the main section rather
> than the short names.
You can use \set to change shortInstrumentName on the fly at any time.
Whatever
On 25/02/18 21:07, pe...@chubb.wattle.id.au wrote:
>> "J" == J Martin Rushton writes:
>
> J> to set a composition which starts with a single instrument before
> J> bringing in the whole ensemble. I don't want to break it up into
> J> multiple scores because I want the midi to play through as
> "J" == J Martin Rushton writes:
J> to set a composition which starts with a single instrument before
J> bringing in the whole ensemble. I don't want to break it up into
J> multiple scores because I want the midi to play through as a single
J> performance.
Something like this? I think it
On 24/02/18 23:17, David Kastrup wrote:
> J Martin Rushton writes:
>
>> I'm trying to set a composition which starts with a single instrument
>> before bringing in the whole ensemble. I don't want to break it up into
>> multiple scores because I want the midi to play through as a single
>> perfo
On 2/24/2018 5:05 PM, J Martin Rushton wrote:
I'm trying to set a composition which starts with a single instrument
before bringing in the whole ensemble. I don't want to break it up into
multiple scores because I want the midi to play through as a single
performance.
Does each instrument get
J Martin Rushton writes:
> I'm trying to set a composition which starts with a single instrument
> before bringing in the whole ensemble. I don't want to break it up into
> multiple scores because I want the midi to play through as a single
> performance.
>
> I've tried many ways to do this with
I'm trying to set a composition which starts with a single instrument
before bringing in the whole ensemble. I don't want to break it up into
multiple scores because I want the midi to play through as a single
performance.
I've tried many ways to do this with little success. The latest attempt
w
Take a look at some of the lyrics examples in the tips-and-tricks
document (third time today that I refer to the same document on
the mailing list!). Go to lilypond.org, click on Documentation:Index
and then on tips-and-tricks and search for "lyrics".
/Mats
Christ van Willegen wrote:
Mats Beng
Mats Bengtsson wrote:
Forgot to mention that you also can find this template file
as well as several others at
http://lilypond.org/stable/input/template/out-www/template.html
Ok, I found those... but I still have a question.
When I want to make several stanza's, I need to make seperate lyrics
Forgot to mention that you also can find this template file
as well as several others at
http://lilypond.org/stable/input/template/out-www/template.html
/Mats
Mats Bengtsson wrote:
Take a look at the template file
/usr/doc/lilypond-*/input/template/satb.ly
(or wherever it is located on your i
Christ van Willegen wrote:
(some stuff that was easily solved about lyrics and multiple staffs for
Choir...)
See http://www.lilypond.org/stable/input/template/out-www/template.html,
the last template.
That should do it, indeed.
Christ
Take a look at the template file
/usr/doc/lilypond-*/input/template/satb.ly
(or wherever it is located on your installation). It should
provide an answer to your question.
/Mats
Christ van Willegen wrote:
Hallo,
I've a question regarding multiple staffs and multiple sets of lyrics.
Hallo,
I've a question regarding multiple staffs and multiple sets of lyrics.
I'm trying to type-set music for a choir. This involves 2 staffs (one
for Soprano and Altos, one for Tenor and Bass). I need the lyrics
for Soprano and Alt to be displayed below the upper staff, and the
lyri
Sorry for my question, I read some of the archive and found this question
answered by Rune Zedeler so I'm fine now.
Thanks
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I am a complete Newbie in the wonderful world of Lilypond.
So far I can do everything I wish, except to put lyrics under the
appropriate staff in a system of several staves
for example a different set of lyrics for the soprano and the alto.
TIA
Greg Guest
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