Re: I can't run lily pond on my Mac

different/multiple versions of Lilypond in Frescobaldi (see the second screenshot from your email) Good luck Sam > On 4. Jan 2025, at 09:20, Elisabetta Senesi wrote: > > Hi, > > Please find attached all the information and what’s going on. > > Please help, I am new on this. &

LilyPond Swift Library

Hello, I was wondering if it was possible to render LilyPond notation in an iOS application using Swift. I would like to display a figured bass note coupled with its realization in .png or .svg format within a UIImage control. Are there any libraries or in-kind alternatives for music notation

Re: [large/complex projects] conditional header values and/or book name

u can compile the whole work from a FullVersion.ly and ShortVersion.ly which are basically a series of includes of the applicable songs. Hope some of these ideas help or at least spark others, Sam

temporary files won't delete -- and block system

x seems to be to exit Frescobaldi, delete temporary files, especially .pdf files, and then re-start. This obviously slows down the bug-fix problems. Help on how to have Frescobaldi simply overwrite files when Cntl-M or Cntl-Shift-P is pressed would be greatly appreciated. Regards, S. Carmalt -- S

Feta optical sizes

Dear list, I'd like to create a heavier/thicker look for some of my engravings, and one way which might work nicely is to bump up the optical weight of the feta font. For example, I'd like to have a staff size of 16 or 17, but use feta14 or feta11. But I can't seem to find how to do this. Search

Need help with two tweaks

em: I want to add a slur between the two 1st tenor notes and another one between the two second tenor notes. Thanks in advance, Sam -- Sam Carmalt Tel: +41 79 232 25 53

Re: can someone point me to complete documentation for the partial command argument syntax?

> The * syntax is described here: > > https://lilypond.org/doc/v2.22/Documentation/notation/writing-rhythms#scaling-durations Thank you, that's perfect. Sam

Re: can someone point me to complete documentation for the partial command argument syntax?

ore general understanding, is there documentation anywhere for the syntax of the argument to partial? Something that will explain the * syntax shown on this page? https://music.stackexchange.com/questions/106875/how-to-write-a-pickup-measure-with-5-16-duration-in-lilypond Thanks, Sam

Re: can someone point me to complete documentation for the partial command argument syntax?

I tried so hard to be accurate, but I missed something: On Sat, Mar 19, 2022 at 12:38 PM Sam Roberts wrote: > After experimentation, I found this worked: > > \time 3/4 \partial 1 c4 | It "works" in that pdf output looks ok, c4 is in the pickup bar, but still warns about th

can someone point me to complete documentation for the partial command argument syntax?

n the duration syntax, but I'm not succeeding yet. Can someone point me to docs, or perhaps explain the syntax? https://lilypond.org/doc/v2.21/Documentation/learning/advanced-rhythmic-commands#partial-measure as an example, just has a couple examples, but not a complete syntax. Thank you, Sam

Re: Entering Chords using Nashville Number System

Petzel wrote: > Hello Sam, > (please keep lilypond-user in the address list) > > The big problem here is the the chord naming function (which is > responsible > for creating that chordname) does not expect the root name to depend on > context properties, so it does not pass th

Entering Chords using Nashville Number System

Good day. I wish to use the Nashville Number System, using numbers in place of chord names, for a simple lead sheet or chord chart. While it is possible to simply enter and position chords using \lyricmode, I do not know of a way to include the superscripts such as maj7 or sus4. Is there a way to

Re: struggling to get horizontal space on the page exactly proportional to time

> Aren't you missing the context name? Try > > \set Score.proportionalNotationDuration = #(ly:make-moment 1/4) That definitely helps, thanks! They still don't align exactly, though what I think is happening is that the whitespace is identical now, but the bars end up being different lengths b

Re: struggling to get horizontal space on the page exactly proportional to time

earched the docs, and I'm trying to use \set proportionalNotationDuration = #(ly:make-moment 1/4) but I'm finding the documentation difficult to understand, and the variants I've tried don't seem to do anything to the layout. On Mon, Jul 5, 2021 at 1:26 AM bobr...@centrum.is wro

struggling to get horizontal space on the page exactly proportional to time

hat I have. Notice how the bars don't line up? I know that's traditional in sheet music (maybe because space was a premium on vellum?), but I'd like to see them line up so I can scan quickly and see how the patterns more easily. Thanks! Sam \version "2.20.0" \layout { ra

Re: Automatically centering markup along an arrow

Thanks, Harm, this is incredible! (And I learned a new grob that I'd never seen before.) When I put this question out I didn't intend to just have one guy do all of the work, but it's very much appreciated! Sam

Re: Automatically centering markup along an arrow

Hi Harm, I won't be using this with broken slurs; these will all be small, individualized segments of about five measures maximum. Sam On Sun, Jul 19, 2020 at 8:21 PM Thomas Morley wrote: > Am So., 19. Juli 2020 um 01:10 Uhr schrieb Thomas Morley > : > > > > Am So., 19.

Re: Automatically centering markup along an arrow

e the text clear and unencumbered by the staff lines. Thanks, Sam On Sat, Jul 18, 2020 at 6:57 PM Thomas Morley wrote: > Am Sa., 18. Juli 2020 um 20:34 Uhr schrieb Sam Bivens >: > > > > Hi all, > > I've recently discovered Harm's terrific arrow markup; see attached

Automatically centering markup along an arrow

r itself between the endpoints of the slur/arrow. How might this be possible? Thanks! Sam \version "2.19.84" \include "harm-arrows.ily" \new Staff \with { \arrowed-slur-outside-staff } { c'1(_\markup \halign #-5 "X" | c') } harm-arrows.ily Description: Binary data

Re: Equal space between all notes

Yes, I realized I misread the e-mail, as I clarified to the questioner in a private e-mail. I hope I shared a possible hack in a later message to the full list. On Wed, Apr 22, 2020 at 6:45 PM David Kastrup wrote: > Sam Bivens writes: > > >> On Wed, Apr 22, 2020 at 3:20

Re: Equal space between all notes

Does a combination of proportionalNotationDuration and overriding the SpacingSpanner do the trick? The attached example, admittedly a bit of a hack, seems to work. spacing-mwe.ly Description: Binary data

Re: Equal space between all notes

erent notes. For example, i would like to have the identical horizontal > space between 2/4 notes and 1/4... A greater duration usually takes more > space, while I need always the same... Thanks! > > > > -- > Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html &g

Cleanly showing every measure number

mber to be measured, how have you solved this problem? I'm unfortunately not too keen on the solution shown in the recent "bar numbers at top of score" thread. Thanks, Sam -- Sam Bivens, Ph.D. Music Theory Faculty Cleveland Institute of Music 11021 East Boulevard Cleveland, OH

Re: English Version of Functional Harmony Analysis Symbols

Hi Karsten, The Riemannian system isn't as widely used among English-speaking circles as it is in German-speaking circles. Are you looking for the non-Riemannian translations for these terms (we tend to use Roman numerals), or would you prefer to keep the Riemannian approach? Sam On Wed, O

Creating combined manuscript/ruled paper

having trouble creating the equidistant lines and then creating a two-column environment in which to include both the staves and the lines. (If that's even the best approach to the problem.) How might I go about doing something like this? Thanks, Sam \version "2.18.2" \pape

Re: Defining radius of circle that encircles text

Hi Kieren and Harm, Thanks so much for the help! This is exactly what I was looking for. Much appreciated, Sam On 1/2/19 4:56 PM, Thomas Morley wrote: Am Mi., 2. Jan. 2019 um 22:41 Uhr schrieb Sam Bivens : Happy New Year to everyone reading! Please see the attached MWE; how can I specify

Defining radius of circle that encircles text

text inside the circle. This has to be a very simple fix that's right under my nose, but somehow nothing I've tried works. Or, perhaps there's another option that someone might share; that would work, as well. Thanks! Sam \version "2.19.63" \new Staff { c'4^

Re: URL in footer

Hi Peter, How about \with-url #"http://www.lilypond.org"; "Lilypond" Enjoy! Sam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

emails innummerable

Hi- this is not quite off-topic. I (and assume we) at one time were able to get a once a day list off all the questions/answers, in one email. That is clearly not the case any longer. But. The current method means that my mailbox receives 10+ emails a day often about the same issue between the same

Re: version 2.18 is too old...

Hi Mike, Does your version statement in the file youre compiling say 2.18.2? Sam On Mon, Oct 29, 2018, 11:55 Mike Dean wrote: > Error message: > > Starting lilypond-windows.exe 2.18.2 [May-Jesus-Christ-Be-Praised.ly]... > > Processing > `C:/Users/Mike/Documents/musicwork/M

Re: A separate line for dynamics?

Hi Bernhard, Are you referring to centered dynamics within a piano score in the snippet repository? http://lsr.di.unimi.it/LSR/Item?id=357 Take care, Sam On 09/17/2018 05:28 AM, Bernhard Kleine wrote: Hi, I remember vaguely that one can have a "staff" for the dynamics in an sc

Re: Unwanted cross-staff kneed beams for piano with centered \dynamics

Hi Mark, I both love, and hate, when the solutions are so simple. *sigh* Thanks! Sam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Unwanted cross-staff kneed beams for piano with centered \dynamics

? Thanks! Sam \version "2.19.54" upper = \relative c' { d16 \change Staff = "left" %\override Beam.auto-knee-gap = #6 % not making any difference a f a \change Staff = "right" d a } lower = \relative c { \clef bass 4 d'8 } dynamics = {

Re: Barline glyphs in lilyglyphs

hing else (no staff lines, no pitches, etc.); just the barlines themselves. Thanks, Sam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Barline glyphs in lilyglyphs

Hi all, How can I invoke a barline glyph in lilyglyphs? I'm having trouble finding a list of glyphs akin to http://lilypond.org/doc/v2.18/Documentation/notation/the-feta-font Thanks, Sam ___ lilypond-user mailing list lilypond-user@gnu.org

Re: lyluatex: call for Fedora users

x27;s directory. Sam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: lyluatex: call for Fedora users

Hi Federico, lyluatex works great on my Fedora 27 system, though I'm not sure what exactly you mean by "without interaction and clicking Enter to compile LilyPond snippets." All problems I had were solved when I remembered to run it with the --shell-escape option. Sam On 0

RE; Polymetric notation

Yes that is what I was looking for the second example was the one I needed. Thank you. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

please direct to manual; different time signatures for different instruments

I don't even know what this is called so finding it in the manual has me stymied. I am using version 2.18.2 Thanks in advance. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Tie/Accidental Collision

Hi Kieren and Stéfano, Thanks so much for both of your help; your ideas were both different (but much simpler) approaches than I was considering, and I was able to combine them into the best solution for my full example. Take care, Sam On 03/21/2018 04:15 PM, Kieren MacMillan wrote: Hi

Tie/Accidental Collision

offer! Thanks, Sam \version "2.19.81" \language "english" left = \relative c { \time 2/2 << { s4 2 q4~ | q q2 4 | } \\ { 2-> -> | -> -> | } >> } \score { \new Staff = "left" { \clef b

Re: Thriple flat/sharp glyphs...

y recently? I ask in case this is a good time to create microtonal glyphs; I'm happy to help in any way I can (even if it might be minimal). Thanks, Sam On 03/14/2018 03:22 PM, Torsten Hämmerle wrote: Dear all, After thorough considerations and evaluating your answers, I think

Re: figured bass / latex lilypond-book

use accidentals, but you may find it helpful on your search. Best of luck! Sam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: [OT] Linux Users

loats. A quick question for others: I've used LilyPond a couple times on Mac, and the compile times were /horrendous/. Are the compile times on Linux faster than on other operating systems? (Unfortunately I can't remember what Mac OS I used...) Sam

Re: openLilyLib (development)

Hi Urs, Like Ralph, my programming skills are minimal (=mostly nonexistent). Is there a way for people like us to contribute? Thanks, Sam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: automatic partwriter

Hi David, I agree, this is *really* impressive work! Have you experimented with including intentional errors as a type of error-detection exercise for students? Take care, Sam ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: Automatically numbering "instrument name"?

Hi Manuel and Malte, Thanks so much for the help; this is exactly what I was looking for! Sam On Wed, Aug 9, 2017 at 4:18 AM, Malte Meyn wrote: > > > Am 09.08.2017 um 06:34 schrieb Manuela Gößnitzer: > >> Do you mean something like this? >> >> #(define score-numb

Automatically numbering "instrument name"?

one at every occurrence. If so, this is sufficient; I can write my own script to insert all necessary `instrumentName = "var"` entries. Thanks, Sam \version "2.19.63" \language "english" %%%VIOLIN%%% violin = \

Re:RE;re; beaming with cadenzaOn

Date: Thu, 1 Jun 2017 12:08:09 +0100 From: "Phil Holmes" To: "Sam Frybyte" , "lilypond user group" , Subject: Re: RE;re; beaming with cadenzaOn Message-ID: Content-Type: text/plain; charset="iso-8859-1"; Format="flowed" - Origina

RE;re; beaming with cadenzaOn

Date: Wed, 31 May 2017 18:29:51 +0100 From: Brian Barker To: lilypond user group Cc: Sam Frybyte Subject: Re: beaming with cadenzaOn Message-ID: <58f7952b048a4...@rgout06.bt.lon5.cpcloud.co.uk> (added by postmas...@btinternet.com) Content-Type: text/plain; charset="us-asc

beaming with cadenzaOn

If there is a time signature the beaming of 8th notes with acciaccaturas between them is created as I expect. in version. 2.18.2 with \cadenzaOn \stemUp\acciaccatura c'8 \stemNeutral a8 \stemUp\acciaccatura b8 \stemNeutral ges8 \times 2/3 {f16 [des des]} des4 I have not been able to figure

Re:new to this list - converting from Noteworthy Composer

I occasionally use NWC2 now (and have from their early early days to nwc2, a lot of my catalogue is at their scriptorum) and nwc2ly was never very useful. However (and just like NWC) using midi2ly will act/work just like taking a midi file and having NWC make notation WITH the same issues i.e. al

Re:\removing the time signature (Noeck)

​Thank you the first suggestion worked yes I forgot version and yes I was using \cadenzaOn best j​ On Wed, Jan 25, 2017 at 2:56 AM, wrote: > Re:\removing the time signature (Noeck) -- Jay Hamilton Sound & Silence www.soundand.com 206-328-7694 __

\removing the time signature

I know it's possible but I need someone to direct me to the snippet or place in the manuals so I can invisiblize it for a cadenza piece, just the link. Thanks -- Jay Hamilton Sound & Silence www.soundand.com 206-328-7694 ___ lilypond-user mailing list

Gould &c. question

On Mon, Jul 11, 2016 at 9:00 AM, wrote: > Gould &c. question ​I agree, prefer quarter values most of the time. Jay​ -- Jay Hamilton Sound & Silence www.soundand.com 206-328-7694 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.g

Re: Typesetting a Bach Ornament; Sarabande, French Suite 5

Hi Harm, This was *incredibly* helpful. I've now toyed around with a few versions, some using a couple of different mensural glyphs as well, just to see which version my colleague likes best. Thanks so much! Sam On 05/22/2016 06:16 PM, Thomas Morley wrote: 2016-05-22 21:43 GMT+02:0

Typesetting a Bach Ornament; Sarabande, French Suite 5

something in LilyPond has happened since that was published that prevents it from working in my 2.19.40. I've attached a laughably barren MWE; it'll save about 4 seconds. Sam \version "2.19.40" \relative c'' { g8 a!16 b a4.\prall b8 }

Figured Bass Tweaks

bvious solution in the manual; I'd appreciate any comments anyone would be willing to offer. Thanks, Sam \version "2.19.40" line = { c'1 | d' | } figs = \figuremode { < 7 >2 < \markup \tiny \concat { \raise #0.75 \musicglyph #"accidentals.

Horizontal Brackets and Markup Placement

. The commented out override does the trick, but it brings up some other undesirable issues that I'd rather not deal with. Any tips would be great. Thanks, Sam \version "2.19.40" \language english \layout { \context { \Voice \consists "Horizontal_bracket_engraver"

Compiling Twice on a Single Page

anual and archives, but I haven't found anything; hopefully I didn't miss anything obvious. Thanks! Sam \version "2.19.36" #(set! paper-alist (cons '("my size" . (cons (* 8.5 in) (* 5.5 in))) paper-alist)) \paper { #(set-pa

Re: How Beautiful Upon the Mountains by Stainer

okall, for instance, has withdrawn his score from the website, but I don't know if it's SATB or not. You could also try contacting the owner of the YouTube link you sent out. Best of luck, Sam ___ lilypond-user mailing list lilypon

Re: Including Rests in Horizontal Brackets

Hi Pierre, This works great, and it's nice enough! (It also helped me realize that it wasn't a lack of pitches that caused the problem, but the particular use of R1 at \stopGroup...interesting.) Thanks again, Sam On 10/27/2015 06:16 PM, Pierre Perol-Schneider wrote: > Hi Sam, &g

Including Rests in Horizontal Brackets

with another solution to make the bracket? Obviously I could do it with a hidden second voice, but as the real example includes lyrics, etc., I was hoping for a friendlier solution. Thanks as ever, Sam \version "2.19.28" \layout { \context { \Voice \consists "Horizon

Re: Can't find right hand fingering without string #'s

te into the email it 'got lost'. Thanks again- however I still couldn't find this in the docs.where is it now because it didn't seem to be in the guitar fingering section. Jay On Sat, Aug 15, 2015 at 10:40 AM, Patrick L. Schmidt wrote: > > > On 15.08.2015, at 19:07

Can't find right hand fingering without string #'s

Hello- There used to be simple way to notate p,i,m,a for guitar music by adding -p or _p. This no longer works in 2.18.2 and searching snippets and online manuals it seems this is no longer possible I've tried editing the and can only get it to work for #1 is there a place to look in the manu

Re: Aligning Tuplets and Eighth Notes

Thanks, Kevin. I foolishly only altered the duration of the latter pitch. Take care, --Sam On 07/30/2015 06:04 PM, Kevin Barry wrote: > Hi Sam, > > The solution is to alter the duration of the first eighth note to 4/3 > of its normal duration and the second one to 2/3 like in t

Aligning Tuplets and Eighth Notes

Op85_No1/LiederOhneWorte_-_Op85_No1-let.pdf (code at http://www.mutopiaproject.org/ftp/Mendelssohn-BartholdyF/O85/LiederOhneWorte_-_Op85_No1/LiederOhneWorte_-_Op85_No1.ly ), but I still can't manage to get it to work. Thanks as always! --Sam \version "2.19.22" \rel

Beginning with Grace Notes

staff (see incorrect.png) and makes the actual bass clef smaller. Any tips? I'm on Fedora 22. Thanks, --Sam -- Sam Bivens Ph.D. Student, Music Theory Eastman School of Music Editor, /Intégral/ \version "2.19.21" upper = \relative c { \clef bass e \grace { d16 } c4 } lowe

ossia label?

I'm using 2.18.2 and have 1 measure then 1 measure of \new Staff {\clef treble ) below (though I'd like it above both existing staves that's less important) then ten measures and 3 measures of a \new Staff etc both I'd like to label with an instrument (1st Clarinet 2nd Viola).

Re: How many lilypond users are there?

that that existed. --Sam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Cross-Staff Kneed Beams; Nested Voices

" Alas, I had it backwards, but at least it's fixed now! Thanks again, --Sam -- Sam Bivens Ph.D. Student, Music Theory Eastman School of Music Co-Editor, /Intégral/ ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.

Cross-Staff Kneed Beams; Nested Voices

d to create a third voice for one measure of a piece and I'm wondering how to do this without creating a third voice full of "s" for the entire work. I hope my questions aren't too elementary--I'm relatively new to this! Thanks, --Sam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Short alternate ending breaks staff length

On 12/16/2013 12:38 PM, James Worlton wrote: > Your last chord in the \harmonies variable is still set at duration '2'. Wow, that's almost embarrasing. Thanks for that; just one of those things I should have noticed, but didn't. Best, Sam -- Sam Whited pub 4096R/EC2C993

Short alternate ending breaks staff length

owever, is public domain (``Breakin' Up Christmas") so I've attached the original file (it's also available online [1] just in case this list doesn't accept attachments). I tried manually setting the measure length; but that doesn't seem to have fixed the problem. Any ideas

Re: Alternate endings with chord names above (or below) them look bad

at I think the best looking way is. Thanks all! —Sam [1]: http://i.stack.imgur.com/fjL1S.png [2]: http://i.stack.imgur.com/bRocw.png -- Sam Whited pub 4096R/EC2C9934 https://samwhited.com/contact ___ lilypond-user mailing list lilypond-user@gnu.org http

Alternate endings with chord names above (or below) them look bad

the usual way of engraving this? Would one simply move the chords that aren't above an alternate ending down closer to the staff? It seems like this would make the chords hard to read (since they'd be at different levels). If this is how it's normally done, how can I achieve that effec

Re:how to place fermata over \breathe?

Thanks to all trying to help the forgetful. The # did not solve the problem--- what it did do was allow the file to compile without the fermata - so just the breath mark. The longer solution i.e. Mr. Morley's does work both of them- so now I'm wondering is there a way to make this a global sett

[Feature request] attach lilypond code in pdf.

Hi, I'm a pretty much new user of lilypond and I have an idea for a almost dummy new feature: automatically attach lilypond code in pdf. With pdf files it is possible to attach a file into it. I think it would be nice to have a lilypond option that attaches the .ly files into the pdf. This way whe

Re: bar lines followed by barlines on a new line

standard way of printing bagpipe music. Thanks again, --Sam On 2010-10-01 09:45, Robin Bannister wrote: #(define (my-calc-glyph-name grob) (let* ((glyph (ly:grob-property grob 'glyph)) (dir (ly:item-break-dir grob))) (if (and (string?

Re: bar lines followed by barlines on a new line

s of avoiding/disabling this functionality. I can think of a work around where I put an invisible note with a partial to separate the two bars, but it would seem there should be a better way to do this. --Sam On 2010-09-29 13:11, Vicente Solsona wrote: On Wed, 29 Sep 2010 19:17:56 +0200, Sam

Re: bar lines followed by barlines on a new line

quot;|." ...and only the last is printed. For example \version "2.13.34" \relative c''' { \override Score.BarLine #'break-visibility = #all-visible \cadenzaOn \bar ".|" c1 \bar "|." \break \bar ".|" c1 \bar "|." }

bar lines followed by barlines on a new line

" \break c1 \bar ":|" \break } Any help would be appreciated I have not seen a way of doing this from looking through the docs or maybe I am using the wrong search terms. Thanks, --Sam ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Question from a mac user

When I install the software and open the app, none of the menu items display. Has anyone else run into this and how can I fix it? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Canorus 0.2.5 is out

hough, but you still have to enter the score as Lilypond code. I am very interested to hear about any issues you've had building Canorus on OSX; please follow up to [EMAIL PROTECTED] For more info on building and running Canorus, check out the website: canorus.org Cheers, Sam

Re: Newbie beyond recovery or definition, it seems

syntax error. I should have said d2-- , to produce a half note with a tenuto mark. Sam ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user

Newbie beyond recovery or definition, it seems

_string_continue returns -21 (Incidentally, adding Gregorian or Sarum notation support to ver 1.5 would be favorite, if it's not slated to go in there already.) Sam ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user