On 2 août 2012, at 18:18, Lucas Gonze wrote:
> On Thu, Aug 2, 2012 at 8:04 AM, Joseph Rushton Wakeling
> wrote:
>> More generally than that, I think the reason to discuss is to _discover_ the
>> areas where you can cooperate. There are obvious areas of interaction --
>> e.g. enabling Lilypond ou
On 2 août 2012, at 16:02, Joseph Rushton Wakeling wrote:
> On 02/08/12 14:49, m...@apollinemike.com wrote:
>> If you guys can get a Google Grant for your LilyPond non-profit in the
>> Netherlands, now would be a fantastic time to run ads on Google getting
>> Sibeli
On 2 août 2012, at 16:14, Graham Percival wrote:
> On Thu, Aug 02, 2012 at 03:02:34PM +0100, Joseph Rushton Wakeling wrote:
>> On 02/08/12 14:49, m...@apollinemike.com wrote:
>>> If you guys can get a Google Grant for your LilyPond non-profit
>>> in the Netherlands, no
On 2 août 2012, at 15:40, Joseph Rushton Wakeling wrote:
> Hello all,
>
> Not about Lilypond, but certainly relevant -- it looks like the parent
> company of Sibelius Software has pulled out the rug from under the music
> software:
> http://www.artsjournal.com/slippeddisc/2012/08/at-sibelius-so
On 6 juil. 2012, at 08:51, David Kastrup wrote:
> "m...@mikesolomon.org" writes:
>
>> Hey all,
>>
>> I'm running LilyPond on the command line from Mac OS X and it is
>> hanging right after printing the version. I downloaded several
>> versions (stable, unstable, previous unstable) and it happe
On 23 juil. 2012, at 17:33, Thomas Baruchel wrote:
> On Thu, 19 Jul 2012, Thomas Baruchel wrote:
>> is it possible to use lilypond for typesetting some (not too much)
>> graphical scores? To be more precise, I would like to know a little
>> about "absolute positionning" of notes.
>
> In order to
t creating new
> notehead sets with Scheme.
>
> thanks for your help,
> Jeff
>
> On Mon, Jun 25, 2012 at 2:14 PM, David Kastrup wrote:
> "m...@apollinemike.com" writes:
>
> > On 25 juin 2012, at 23:02, Jeffrey Trevino wrote:
> >
> >> Hi there
On 25 juin 2012, at 23:02, Jeffrey Trevino wrote:
> Hi there,
>
> Is there a straightforward way to change a notehead glyph without changing
> the note's duration? I'm doing a beamless, stemless notation, and I'd like to
> make some half notes look like quarter notes, although they should still
On 25 juin 2012, at 10:37, Peter O'Doherty wrote:
> On Sun, Mar 11, 2012 at 09:25:55AM +0100, Peter O'Doherty wrote:
>>> On 03/10/2012 09:55 PM, Patrick Karl wrote:
On Mar 10, 2012, at 1:35 PM, James wrote:
> Message: 6
> Date: Sat, 10 Mar 2012 19:34:40 +
> From: James
On 21 juin 2012, at 01:50, Sami wrote:
>
> Hi all!
>
> This has probably been asked before, but I haven't found it anywhere, so I
> ask it myself. Excuse any repetition, and please direct me there if it
> exists and you can find it easily.
>
> With lilypond-book and co, what I understood is tha
On 20 juin 2012, at 22:10, -Eluze wrote:
>
> utility to create files for a score or book
>
> I'd like to typeset a piece with 6 parts for 2 guitars - each guitar can
> have 3 voices with left/right hand fingerings, dynamics and maybe more (eg.
> string indications) which I'm used to write in se
On 20 juin 2012, at 12:29, Janek Warchoł wrote:
> Mike,
>
> On Wed, Jun 20, 2012 at 8:46 AM, m...@apollinemike.com
> wrote:
>> If you know how to write Scheme code, it'd take about a day to code a clean
>> version of this. I can give you a hand w/ design stuff if
On 20 juin 2012, at 00:47, Shevek wrote:
>
> Hi all,
>
> I'm trying to figure out how to create a squiggle above some notes to
> indicate the width and frequency of vibrato. I wish I had a picture of what
> I'm looking for, but I can't seem to find one (though for some reason I have
> this feeli
On 19 juin 2012, at 14:45, m...@apollinemike.com wrote:
> Hey all,
>
> Does anyone have any idea why the custom-rolled VoiceFollower isn't printing
> in the example below? I'm positive the grob is being created and that it is
> linking successive notes (check out the
Hey all,
Does anyone have any idea why the custom-rolled VoiceFollower isn't printing in
the example below? I'm positive the grob is being created and that it is
linking successive notes (check out the print to the command line to see the
info).
Cheers,
MS
\version "2.14.2"
#(define (define
Hey all,
Last question for the day...maybe...
Let's say I have three voices, foo, bar, and qux.
I want foo and bar to be partcombined when bar is on staff A and qux and bar to
be partcombined when bar is on staff B. bar spends its time hopping between
the two staves. Is there a way to do thi
Hey all,
If I have:
foo = { \repeat unfold 8 { a''4 r4 } }
bar = { a1 \repeat unfold 8 s4 a1 }
\new Staff << \foo \\ \bar >>
Is there a way to make it so that foo becomes like a normal voice (neutral
stems, unshifted rests) when bar has skips?
Cheers,
MS
__
Hey users,
Is there a way to turn off partcombine so that I can change staves and then
turn it back on when the voice comes back to its original staff?
Cheers,
MS
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listin
On 16 juin 2012, at 22:28, David Nalesnik wrote:
> Hi Mike,
>
> On Sat, Jun 16, 2012 at 2:47 PM, Colin Campbell wrote:
> On 12-06-16 01:35 PM, m...@mikesolomon.org wrote:
> Hey all,
>
> I have a long melisma that lasts around 200-ish notes in a score I'm working
> on - is there any way to get
On 12 juin 2012, at 08:35, Josiah Boothby wrote:
> On Tue, 12 Jun 2012 00:22:55 -0500
> Tim McNamara wrote:
>
>> I think that this could simplify the syntax by creating a standard
>> skeleton for .ly files going from most global to most specific:
>>
>> \version information
>>
>> \paper informa
On 6 juin 2012, at 19:52, Stefan Thomas wrote:
> Dear Mike,
> thanks for Your help.
> I've never heard before about 'head-slur-distance-max-ratio' and
> ''head-slur-distance-factor '
> Is it mentione somewehre in the Manual?
>
> 2012/6/
On 5 juin 2012, at 21:30, Stefan Thomas wrote:
> Dear community,
> the slurs in bar 2 and 3 are a bit unaesthetic, in my opinion.
> Is there a possibility to get a better output whithout tweaking every single
> slur?
>
> %% snippet %
> \version "2.14.2"
> \new Staff { \clef bass
On 4 juin 2012, at 01:47, Hilary Snaden wrote:
> I've just rewritten a piano score to use piano-centred dynamics, and it has
> had the unfortunate side-effect of de-justifying the last system, similar to
> setting ragged-last = ##t.
>
> Is this a known bug (I've searched already!) and is there
On 30 mai 2012, at 03:12, Han-Wen Nienhuys wrote:
> On Tue, May 29, 2012 at 2:08 PM, Janek Warchoł
> wrote:
>> On Tue, May 29, 2012 at 6:04 PM, David Kastrup wrote:
>>> Han-Wen Nienhuys writes:
While the scheme integration have been a big leap forward in terms of
expandability and fl
On 29 mai 2012, at 09:56, Jan Nieuwenhuizen wrote:
>
> Just to make sure you have seen
>
>
> http://www.opengoldbergvariations.org/b-sendorfer-sponsors-open-goldberg-project-providing-concert-grand-ceus-recording-technology-0
>
> Wouldn't LilyPond have been a technically superior choice for
On 28 mai 2012, at 09:52, Stefan Thomas wrote:
> Dear community,
> I have a problem within the below quoted snippet.
> The Tupletbracket starts to late, I think because of the shorter-rest. What
> do I have to do to get the full-length?
> Here is the snippet:
> %%
> \version "2.1
On 26 mai 2012, at 08:01, J Ruiz wrote:
> Hi,
> I'd like to reduce the vertical spacing between the lines in this markup
> column. How is this accomplished?
>
> \markup {\column{
> \line{Bla Bla Bla Bla}
> \line{Ble Ble Ble Ble}
> \line{Blo Blo Blo Blo}
> }
> }
>
> Thank Yo
On 24 mai 2012, at 12:04, Urs Liska wrote:
> Am 24.05.2012 11:57, schrieb Toine Schreurs:
>> On Thu, May 24, 2012 at 05:13:55PM +1000, Nick Payne wrote:
>>> In 2.14.2, the output for the second bar beams all five eighth notes
>>> together, as I would expect. In 2.15.39, the first eighth note is no
On 23 mai 2012, at 19:19, Thomas Morley wrote:
> 2012/5/23 Urs Liska :
>> but shouldn't a standard barline have the desired length by default?
>
> Of course, but the new BreathingSign-stencil is only to visualize that
> I've got the correct value.
> And a BarLine lives in Staff-context but I want
On 12 mai 2012, at 19:10, James wrote:
> Mike,
>
> On 12 May 2012 17:42, m...@apollinemike.com wrote:
>> Hey all,
>>
>> Some more new music coming your way! And, like the previous works I sent to
>> the list, this one has many overrides. As always, you are
Hey all,
Some more new music coming your way! And, like the previous works I sent to
the list, this one has many overrides. As always, you are all welcome to
e-mail me about whatever hacks you find interesting and I'll pass along the
code.
http://www.ensemble101.fr/scores/j-sho.pdf
http://ww
Hey LilyPond users,
I have an exciting piece of news to share with you. LilyPond won LoMuS 2012,
one of the most prestigious awards in the open source community for musical
software.
http://concours.afim-asso.org/
All of you should be very proud, as your work with LilyPond helps those who
de
On 8 mai 2012, at 11:31, Urs Liska wrote:
> Please excuse if I post a linux question here, but I'd prefer not to have to
> find a dedicated forum and subscribe there first ...
>
> I have a project with more than two dozens of lilypond scores. For several
> reasons I have them in individual file
On 7 mai 2012, at 10:02, Francisco Vila wrote:
> 2012/5/7 Henning Hraban Ramm :
>> 2012/5/7 m...@apollinemike.com :
>>> Hey LilyPond users,
>>> Just a note to let you know that the Pondings column is now live on
>>> lilypond.org!
>>
>> Thank you
Hey LilyPond users,
Just a note to let you know that the Pondings column is now live on
lilypond.org! If you refresh the page, you'll see two announcements, each of
which is in two languages. For the time being we're posting all content,
regardless of language, on the homepage. We'll be putt
On 5 mai 2012, at 18:40, David Kastrup wrote:
> Justin Glenn Smith writes:
>
>> attached is a photo of the bizarre measure in question (it also shows
>> my follow up question, the pair of triplets containing a note that is
>> a member of both triplets)
>
>
> \new Voice {
> \time 8/6
> \times 2
On 4 mai 2012, at 19:45, Justin Glenn Smith wrote:
> As a personal exercise I am attempting to reproduce a printed score from an
> ex-teacher. I have encountered a few difficulties for which I would
> appreciate suggestions.
>
> Notes have an explicit accidental even for natural (similar to the
Hey LilyPond users,
On the LilyPond website's upper righthand corner, we'll be starting in a few
days a "Pondings" column. This column will house a rotating cast of
tweet-sized messages about LilyPond-related projects. Anyone can submit a
Ponding, and I encourage you to do so!
Three ground r
On 28 avr. 2012, at 19:48, Peter O'Doherty wrote:
> Hi list,
> After updating my system to Ubuntu 11.10 (although I can't see why this is
> relevant but this is the only change I've made to the system recently), code
> which previously output no error is full of these errors:
>
> warning: progr
On 28 avr. 2012, at 19:19, Mark Mathias wrote:
> Karol,
> I hope someone can help you do what you wish. It's definitely beyond my level
> of expertise. From my point of view on the bug squad, this doesn't look like
> something that needs to be handled by us, so I'm going to suggest that future
Hey LilyPond users,
I'd like to tell you all about a tour of France and Ireland that my group, the
Ensemble 101, is planning. Aside from using beautifully typeset scores
courtesy of GNU LilyPond, we'll be doing several workshops with composition
students in France and Ireland on contemporary c
On 25 avr. 2012, at 08:19, Urs Liska wrote:
> Am 25.04.2012 08:18, schrieb m...@apollinemike.com:
>>
>> On 25 avr. 2012, at 08:15, Urs Liska wrote:
>>
>>> Am 20.04.2012 10:43, schrieb Gilles:
>>>>
>>>>> Unfortunately I didn't
On 25 avr. 2012, at 08:15, Urs Liska wrote:
> Am 20.04.2012 10:43, schrieb Gilles:
>>
>>> Unfortunately I didn't find the property that controls the line separating
>>> the footnote. from the score.
>>> Is this possible?
>>> is it documented (and I am blind)?
>>> or is this impossible?
>>>
>> W
On Apr 20, 2012, at 7:40 AM, James wrote:
> Hello,
>
> On 20 April 2012 00:40, Nick Payne wrote:
>> The documentation at
>> http://lilypond.org/doc/v2.15/Documentation/notation/creating-footnotes for
>> both automatic and manual footnotes says that the \footnote command must
>> come *before* the
On Apr 13, 2012, at 1:09 AM, Sabina Covarrubias wrote:
>
>
> Hello, I am new in Lilypond, because I need to include contemprary music
> notation in my socres, but I can not find
> any code or examples in the part concerning to Contemporary Music Notation:
> It is the same in the PDF version
>
On Apr 6, 2012, at 6:17 PM, Jay Anderson wrote:
> On Fri, Apr 6, 2012 at 8:58 AM, PMA wrote:
>> I'm planning similar YouTube entries, i.e., music
>> performances sync'd with their score-page turns.
>>
>> But this will be a first for me, and I see a hefty
>> bunch of (Linux) softwares for video e
ptions
> (or among how-to docs), I'd appreciate hearing.
>
> Thanks,
> Pete
>
>
> m...@apollinemike.com wrote:
>> Hey all,
>>
>> I'm working on a project to celebrate the 100th anniversary of the Debussy
>> études by writing a series of 12 co
Hey all,
I'm working on a project to celebrate the 100th anniversary of the Debussy
études by writing a series of 12 companion pieces - one per étude. My ensemble
has recorded two of them and I've put them on YouTube w/ a video that moves
through the LilyPond score in real time.
You can check
On Apr 5, 2012, at 1:24 PM, luis jure wrote:
>
> for some reason, the presence of the markups forces the lyrics down too far
> away from the staff (see image).
>
> is there a way to adjust the vertical position of lyrics locally?
>
>
There's always extra-offset, but it's kludgy. Could you se
On Mar 19, 2012, at 7:14 PM, Marc Hohl wrote:
> Am 19.03.2012 17:35, schrieb m...@apollinemike.com:
>> Dear Luis,
>>
>> Lionel Rascle is working on this sorta thing.
>> You can e-mail him at le...@free.fr for some code.
> Hey, that's interesting. Does h
On Mar 16, 2012, at 7:16 AM, Jeffrey Trevino wrote:
> Hi there,
>
> I'm having trouble hiding accidentals in the middle of a glissando, where
> there will be notes without slurs, noteheads, or accidentals. Why doesn't my
> "hide-accidental" override work here?:
>
>
> \new Staff <<
> \new
On Mar 13, 2012, at 4:25 AM, David Nalesnik wrote:
> I've defined a grob, Frame, and given it several properties. One of these,
> 'padding, adds space between the frame and its contents, as you would expect.
> The length of the continuation line is controlled by the property
> 'extender-lengt
On Mar 11, 2012, at 11:40 AM, Peter O'Doherty wrote:
> Hi,
> Another question concerning tuplets:
>
> \remove "Forbid_line_break_engraver"
> \override Beam #'breakable = ##t
>
Try adding:
\override TupletBracket #'breakable = ##t
Cheers,
MS
___
li
On Mar 11, 2012, at 8:53 AM, James Harkins wrote:
> At Sun, 11 Mar 2012 08:12:35 +0100,
> m...@apollinemike.com wrote:
>> The best way to achieve that with current LilyPond is Scheme engravers.
>>
>> There have been a few examples of Scheme engravers posted on this
On Mar 11, 2012, at 5:33 AM, James Harkins wrote:
> Possibly a common question, sorry if asked and answered before, but Google
> failed me...
>
> I'm considering some aleatoric notation (so-called "box notation") for a
> piece but couldn't find info in the manuals (the "contemporary notation"
On Mar 11, 2012, at 9:04 AM, James Harkins wrote:
> Another question -- is there any way to make the narrow end of a feathered
> beam show more than one beam? That is, as far as I can see, the beams taper
> down to one point (as in this code snip) but the documentation doesn't show
> any way to
On Feb 20, 2012, at 7:11 PM, David Kastrup wrote:
> Mark Mathias writes:
>
>> Recently, I've spoken enthusiastically about Lilypond, not just to my
>> students, but to anyone who will listen. So far, I've had no takers.
>> Any thoughts on ways to get others interested in Lilypond would be
>> we
Hey all,
In case any of you on the list are not-too-far from the east of France, I'd
like to invite you to a concert presented by the Ecole de Musique de
Saint-Chamond featuring nine of my works:
http://apollinemike.com/concertSolomon.pdf
Seven of these pieces were composed using LilyPond. He
On Feb 1, 2012, at 9:13 PM, David Kastrup wrote:
> "m...@apollinemike.com" writes:
>
>> On Feb 1, 2012, at 7:42 PM, AkselJ wrote:
>>
>>> Hey,
>>> I just started using LilyPond, but I'm having trouble with bar lines being
>>> misp
On Feb 1, 2012, at 7:42 PM, AkselJ wrote:
> Hey,
> I just started using LilyPond, but I'm having trouble with bar lines being
> misplaced. I'm certain this is partly due to the fact I write my current
> piece
> in 15/24, and partly due to using triplets with only two notes. Anyhow, is
> there
Hey all,
I am working on a fix to but 2260 and I am short on time. I know how to fix it
but I need help from an intrepid user to test the fix.
Is there a LilyPond user who would be willing to create one file with as many
broken spanners as possible. Something like:
<<
\new Staff {
e'1 \
On Feb 1, 2012, at 10:51 AM, trevordixon wrote:
> Let me know how it works for you!
>
Excellent work.
I'll pass it on to the French users list.
Cheers,
MS___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilyp
On Jan 29, 2012, at 11:48 PM, Thomas Morley wrote:
>
>
> 2012/1/29 Joey Di Nardo
> Looking to do something like this:
>
>
>
> If anyone knows the best way, I'd appreciate the insight.
>
> Thank you,
> Joey
>
> ???
>
> There is no code, image or sth else.
>
> Harm
I see an attachment w/
On Jan 21, 2012, at 12:08 PM, Tobias Leupold wrote:
>
> But the only way I see to do this is to manually set a \break, which is not
> nice at all. Can this be done in an automated way?
For now, no - it's codable into lilypond's spacing engine but'd take some time.
Why not just put a \noBreak a
On Jan 21, 2012, at 4:40 PM, flup2 wrote:
>
> Hello,
>
> I tried the x86 version and LilyPad works well.
>
> Thanks
>
> Philippe
Works here as well. Christian verified that the PPC version worked in a
previous e-mail.
Thanks for your help!
Cheers,
MS
Hey Mac users,
Thanks to the work of Christian Hitz and Graham Percival, there is a new
2.15.26 package for Mac OS X available on my website:
http://www.apollinemike.com/lilypond/lilypond-2.15.26-1.darwin-x86.tar.bz2
http://www.apollinemike.com/lilypond/lilypond-2.15.26-1.darwin-ppc.tar.bz2
Cou
On Jan 21, 2012, at 1:47 PM, Damian leGassick wrote:
>
> On 21 Jan 2012, at 12:08, Damian leGassick wrote:
>
>> Hi
>>
>> I've seen this before and a search through the list says it was fixed in 2.14
>>
>> just upgraded to 2.15.26 and i get
>>
>> GNU LilyPond 2.15.26
>> ERROR: In procedure pri
On Jan 19, 2012, at 10:19 PM, Benedict Singer wrote:
> Hi all,
>
> I've been away from Lilypond for a while (I used it as a composer to set my
> pieces, and composition has taken a back seat for a few years). I just want
> to say that looking at the new features in 2.14 (and in 2.12 before tha
On Jan 18, 2012, at 9:16 AM, Morten Jagd Christensen wrote:
> Now the code works, although there still are som FIXME's. For example the
> black keys
> are generated by thick lines, but unfortunately they have rounded caps.
>
>
Check out make-connected-path-stencil : the swiss army knife of ste
On Jan 17, 2012, at 2:06 AM, Tim Reeves wrote:
> Mike,
>
> Since a note or rest will add to the length of the measure which I don't
> want to do, could I do the same thing with another object? Maybe an object
> that does not have be "undone" later, like a clef would?
>
>
>
(almost) all obj
On Jan 16, 2012, at 8:10 PM, Tim Reeves wrote:
>> Message: 3
>> Date: Sat, 14 Jan 2012 02:41:34 +0100
>> From: Hans Aikema
>> To: Tim Reeves
>> Cc: lilypond-user@gnu.org
>> Subject: Re: caesura but not as a breath mark
>> Message-ID: <4f10dd4e.6030...@aikebah.net>
>> Content-Type: text/plain; ch
On Jan 16, 2012, at 5:50 PM, wrote:
> Well, the OS X version I have of lilypond I have is version 2.14.2-1. I used
> to use lilypond on my debian box, so I myself am more accustomed to the
> CL-based interface. I would hope there was some way of running it that way
> on OS X (?). I think I
On Jan 13, 2012, at 10:11 PM, Alberto Simões wrote:
> Hello,
>
> I managed to get a cross-staff beam, kneed beam, I think, with this code, and
> with the appearence in attach:
>
> d8[ cis a \change Staff = "lower" \stemUp g] |
> fis4 \change Staff = "upper"
>
> To reduce stem collision I forc
On Jan 13, 2012, at 2:12 PM, Albert Frantz wrote:
> Hello,
>
> Can anyone help me out with a very basic question? I'm trying to generate MIDI
> output, and only MIDI, from this file:
>
> \version "2.15.23" \header { tagline = ##f } mus = { 1 } score { \new
> Staff \with { \remove Time_signature
On Jan 7, 2012, at 9:23 PM, m...@apollinemike.com wrote:
> Check out line 499 and line 522.
of note-collision.cc
> I'd make the 0.5 in both of these two different properties of the
> NoteCollision grob (base-shift-factor and intersection-shift-factor, for
> example).
> The
On Jan 7, 2012, at 8:48 PM, Janek Warchoł wrote:
> 2012/1/7 Werner LEMBERG :
Is there a possibility to tighten the horizontal distances in
polyphony `chords'? The Bärenreiter edition of Bach's Chaconne use
only the half distances, approximately.
>>>
>>> If i remember correctly, th
On Jan 5, 2012, at 2:31 PM, Paolo Prete wrote:
> ... is there a way to specify the angle of a tuplet bracket?
>
> In addition, how can I force the bracket of the following tuplet:
>
> \times 2/3 {c' c'' c'''}
>
> so to be horizontal? (0 °)
>
>
> thanks!
>
Hey Paolo,
You can set the posit
Forgot about carpooling.
There seem to be cheap-ish rides on covoiturage.fr - I'll keep ya'll posted. A
few other lily developers going would tip the balance for me!
~Mike
On Jan 2, 2012, at 10:40 PM, Nils wrote:
> Interesting.
> If I find a affordable place to sleep maybe I will come.
>
> I
On Jan 2, 2012, at 8:06 PM, Thomas Bonte wrote:
>
> Anyone planning to go to FOSDEM? http://fosdem.org/2012/
> The largest open source developer gathering in Europe on Feb 4-5 in
> Brussels.
>
> The MuseScore team (Werner Schweer, Nicolas Froment, Thomas Bonte) will be
> there as well. Could be
On Dec 30, 2011, at 11:47 PM, Pavel Roskin wrote:
> Hello!
>
> I'm trying to implement cross-staff stems that would not get
> disconnected when the distance between staves changes.
>
> Ideally, I need a function that would extend the stem from the note in
> the lower staff exactly until it meets
On Dec 20, 2011, at 9:08 AM, James wrote:
> Hello,
>
> On 20 December 2011 07:57, m...@apollinemike.com
> wrote:
>> On Dec 20, 2011, at 12:21 AM, Keith OHara wrote:
>>
>>> Caio Barros gmail.com> writes:
>>>>> We have a snippet http://lsr.ds
On Dec 20, 2011, at 12:21 AM, Keith OHara wrote:
> Caio Barros gmail.com> writes:
>>> We have a snippet http://lsr.dsi.unimi.it/LSR/Item?id=505
>> Thanks. It is close indeed.
>
> You might want to omit the extra splayed stem. The chord is
> still ugly, but draws less attention to its ugliness.
On Dec 19, 2011, at 11:14 PM, David Nalesnik wrote:
> Hi all,
>
> Working with overrides of nested properties, I run into an interesting
> problem.
>
> Both overrides of 'color produce the same result, but the override of
> 'bound-details set to the lambda expression does nothing. I've notice
> variations op. 27.
>
> I believe it's clear that the clash should be avoided anyway.
>
> 2011/12/11 m...@apollinemike.com
> Le Dec 10, 2011 à 12:12 AM, Xavier Scheuer a écrit :
>
> > On 9 December 2011 23:40, m...@apollinemike.com
> > wrote:
> >>
&
On Dec 16, 2011, at 6:27 AM, David Nalesnik wrote:
> Hi all,
>
> I'm trying to write a function to add a box around notes. I've come up with
> the following, and I'm wondering if anyone has any ideas how to improve it or
> perhaps a different approach.
>
> Basically, the function creates a bo
Le Dec 11, 2011 à 11:14 PM, Federico Bruni a écrit :
> Il 11/12/2011 22:53, Father Gordon Gilbert ha scritto:
>> Hi all,
>>
>> I've been using LilyPond for some time now, always to make lead
>> sheets, or single- and multiple-page individual songs, mostly for
>> church use. I now have quite a s
Le Dec 10, 2011 à 12:12 AM, Xavier Scheuer a écrit :
> On 9 December 2011 23:40, m...@apollinemike.com wrote:
>>
>> Thanks for bringing this to my attention.
>> This is one of those situations that falls into the "uncertain
>> desired output" category.
&
Le Dec 11, 2011 à 10:59 AM, David Kastrup a écrit :
> "m...@apollinemike.com" writes:
>
>> Le Dec 11, 2011 à 8:06 AM, David Kastrup a écrit :
>>
>>> Anyway, let's take a look at two contenders:
>>>
>>> There is an optional argume
Le Dec 11, 2011 à 8:06 AM, David Kastrup a écrit :
> "m...@apollinemike.com" writes:
>
>> Le Dec 10, 2011 à 9:18 PM, David Kastrup a écrit :
>>
>>>>
>>>
>>> Why don't we have \footnote \default for autonumbering (just like wit
Le Dec 10, 2011 à 9:18 PM, David Kastrup a écrit :
>>
>
> Why don't we have \footnote \default for autonumbering (just like with
> \mark),
We could...I don't understand how \default works, so I'm not sure how to make
it work here, but a tutorial would get me on my way!
> and why can't \footn
Le Dec 9, 2011 à 11:31 PM, Xavier Scheuer a écrit :
> On 9 December 2011 15:30, Caio Barros wrote:
>> I don't know if this is old news but it seems that the dynamics texts clash
>> with the stems of cross-staff knee beams:
>>
>> \version "2.12.3"
>>
>> \new GrandStaff <<
>> \new Staff = "PnRH
Le Dec 9, 2011 à 12:30 PM, Caio Barros a écrit :
> I'm writing a part for 5 violins in divisi in which they make a glissando and
> I want to add space between the two chords because the accidentals make it
> looks to confusing.
> Using \override NoteColumn X-offset doesn't seems to work because
Le Dec 8, 2011 à 1:30 AM, Thomas Morley a écrit :
> Hi,
>
> there was a discussion on lily-devel to implement glissando stems:
> http://lists.gnu.org/archive/html/lilypond-devel/2011-06/msg00810.html
> but finally it was rejected.
>
> Han-Wen's suggestion from
> http://codereview.appspot.com/466
> Craig Bakalian
>
>
> On Wed, 2011-12-07 at 21:16 +0100, m...@apollinemike.com wrote:
>> Le Dec 7, 2011 à 9:12 PM, Craig a écrit :
>>
>>> Hi,
>>>
>>> I am working on a large score (choral symphony). When I include my tuba
>>> p
Le Dec 7, 2011 à 9:12 PM, Craig a écrit :
> Hi,
>
> I am working on a large score (choral symphony). When I include my tuba
> part I am getting a segmentation fault. What does this mean?
>
> Wouldn't segmentation have to do with a memory issue?
>
> Craig Bakalian
>
Hey Craig,
A segfault us
Le Dec 7, 2011 à 1:35 PM, Werner a écrit :
> Hello,
>
> in NR 4.4 I find some hints about vertical spacing of staves within a system.
>
> But unfortunately I don't find no hint about the spacing between systems.
>
> I want to get just more space between systems. How to do that?
>
> Thanks
>
>
Le Dec 6, 2011 à 4:37 AM, 胡海鹏 - Hu Haipeng a écrit :
> Hello,
> I modified some notes in my overture, and tried to recompile it. But
> Lilypond 2.15.20 suddenly aborted without any messages left in the log. It's
> at about bar 160, but I can't detect any error, because it compiled well when
>
Le Dec 1, 2011 à 4:05 PM, Tim McNamara a écrit :
>
> On Dec 1, 2011, at 6:26 AM, Daniel Kraft wrote:
>
>> I have the following problem: I would like to engrave an arpeggio
>> which should be played in a "unusual" order, namely first the highest,
>> then the lowest and finally the middle note.
>
On Nov 30, 2011, at 9:08 PM, George_ wrote:
>
> I'm confused by what the notation reference has to say about footnotes:
>
> http://lilypond.org/doc/v2.15/Documentation/notation/other
>
> Regarding the example for \auto-footnote and \footnote (they are identical -
> why?), where do the 'b' and '
On Nov 30, 2011, at 3:33 PM, Rutger Hofman wrote:
> Good afternoon list,
>
> in
> http://www.lilypond.org/doc/v2.14/Documentation/notation/writing-rests#index-_005ctextLengthOn
> , the section on "Multi-measure rest markup", I find a method to have empty
> bars (Rest bars) extend to the lengt
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