Problems in vertical spacing on header

Hi, thisis if I correctly have inserted it, how the header of my score appear: too much space between the first and the second line in the title, and a too small spacing before the subsubtitle. How can I fix them? Thanks. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Verical spacings in the "header"

Hi all I have, and thanks for you, wrote a score but there is still something to adjust; all the problems are maybe in the "header" side. here is my header: \header { composer = \markup\italic "D. Lorenzo Perosi (1872-1956)" title = "Ave Maria" subtitle = \markup \normal-text \italic \cen

Re: Character for plural Latin, "ae"

Today I use Windows and Frescobaldi 2.18 because on Linux Frescobaldi 3.0 doesn't work. Thanks. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinf

Re: A capo in a subtitle and in the names of instruments

But still I want to know how to put an "a capo" in a subtitle. The trick for the instruments don't work, the second line do not appear. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.o

Character for plural Latin, "ae"

As in subject, how can I write the "ae" (latin plural) with a single character? Thanks. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypo

Re: A capo in a subtitle and in the names of instruments

That was the answer. Thanks. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Subtitle is written in bold, how to make it not bold?

As in subject. Thanks. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

A capo in a subtitle and in the names of instruments

Hi all, I would like to know what is in the subject. The subtitle is very long and I would like to put an A capo somewhere. For the names of instruments, the original score have for the voices "Soprani o Tenori" and "Contralti o Bassi". They are written in a long line. I would like to obtain so

Frescobaldi 3,.0 CRAHES

It's the second message on the same subject I post, but I don't see the first, in case excuse me... If I try to open a .ly file in Frescobaldi 3.0 (installed blindly as an update) it (Frescobaldi) crashes in a breath. What can I do? Thanks. -- Sent from: http://lilypond.1069038.n5.nabble.com/Use

Frescobaldi CRASHES

I'm no more able to open any .ly file in UbuntuStudio, Frescobaldi crashes in a breath, what can I do? Thanks. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/

Re: Humble question - Forced line breack

Grazie Federico -- View this message in context: http://lilypond.1069038.n5.nabble.com/Humble-question-Forced-line-breack-tp203890p203894.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Humble question - Forced line breack

Hi Ralph, thanks. I will try: in a score I have something like Gui-da gentil, m'ac-com-pa-gni nel- la via del nos-tro cammin I would like to instruct Frescobaldi to cut the score in a different way, like Gui-da gentil, m'ac-com-pa-gni nel-la via del nos-tro cammin How can I put it in English? i

Humble question - Forced line breack

Hi, in a score I find a breack but I would like to have it in the next beat. How can I tell it in Frescobaldi? Thanks and excuse me for the humble question. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Humble-question-Forced-line-breack-tp203890.html Sent from the User

Asking too much: text in the staves to cross and overexpose vertical lines

I try to express myself better: when there are some words like "^\markup { \left-column { \italic"Cucco" \italic"Imitate il cucco in voce" } } " they are crossed by the vertical lines of the score. This is the same for the words, or even the syllabes separation (say, Ma -- ri -- a). is there a way

Re: add more space between subtitle and composer

Many thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/add-more-space-between-subtitle-and-composer-tp202963p202967.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@

add more space between subtitle and composer

How can I do it? Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/add-more-space-between-subtitle-and-composer-tp202963.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-

How can I put \tempo "Adagio" closer to the score than a crescendo?

It is: \layout { \context { \Score skipBars = ##t \dynamicUp } } PartPOneVoiceOne = \relative g' { \clef "treble" \key es \major \time 2/2 | % 1 \tempo "Adagio" g2 \p \< g4 \! g4 | % 2 That could put the crescendo at the same height of the following ones (that I think

Re: flip clef at end of line only

> Hi list, > I am working on a little piece that's played as written; > after that, the musician has to turn the page upside down and play the > resulting notes. I'm sorry, I'm just adding noise, but the thing you're working on seems interesting for me. I remember that JS Bach made some work of

Happy Easter to everyone

Wouldn't try to write a minimum example now! :-) As in object! :-) And thanks for the patience. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Happy-Easter-to-everyone-tp202311.html Sent from the User mailing list archive at Nabble.com. __

Re: Key signatures repeated on every staff

[...] >But yes, it’s self-explaining this time. Thank's God! :-) >> On my scores, the key signature appears on every beginning of a staff. >Not only on yours. >> I wonder if it's right or if it SHOULD be avoided. In the latter case, >> what >> should I do? > May I ask how much sheet music you

Key signatures repeated on every staff

I dare to try a minimal example! :-) But I hope it's self-explaining. On my scores, the key signature appears on every beginning of a staff. I wonder if it's right or if it SHOULD be avoided. In the latter case, what should I do? Thanks. -- View this message in context: http://lilypond.10690

Re: Last number on a score; but this is the first in the next one...

I understand (maybe), but to have every beat numbered could help when in a choir the Maestro calls to sing from a given beat. That's the reason why I want them to be visible. Sorry to be such an humble learner. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Last-number-

Re: Minimal examples (was: Last number on a score; but this is the first in the next one...)

Thanks for your kind lesson. I hope I will make a good use of this (bu I'm unsure of). Thnx again -- View this message in context: http://lilypond.1069038.n5.nabble.com/Last-number-on-a-score-but-this-is-the-first-in-the-next-one-tp202294p202306.html Sent from the User mailing list archive at N

Re: Last number on a score; but this is the first in the next one...

> \override Score.BarNumber.break-visibility = #end-of-line-invisible Thanks! That was successful. But I'm still in doubt of what should be the correct way. Is it right to show the last number in the staff, or is it not? IMHO I prefer not to leave the last number visible (and I am going to chan

Re: Last number on a score; but this is the first in the next one...

> And a solution Sorry but I wasn't able to find it, surely, my fault. I tried some of your code without success. I'm using version "2.18.2" on Linux. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Last-number-on-a-score-but-this-is-the-first-in-the-next-one-tp202294p

Re: Last number on a score; but this is the first in the next one...

I'm not able to make a truly "minimum example", that's what I could do: \version "2.18.2" \header { } PartPOneVoiceOne = \relative a' { \override Score.BarNumber #'break-visibility = #'#(#t #t #t) \clef "treble" \key c \major \numericTimeSignature\time 4/4 a1 | % 2 a1 a1 a1 a1 a1 a1 a1 a1

Last number on a score; but this is the first in the next one...

Hi all, Lilypond (using \override Score.BarNumber #'break-visibility = #'#(#t #t #t) ) writes at the end of a score, the number of the next beam, that is written at the beginning of the subsequent score; and it writes at the end of the last score the number that should be at the beginning of an ine

Re: How can I put the sign for a space between words that must be sing together?

You got it. Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/How-can-I-put-the-sign-for-a-space-between-words-that-must-be-sing-together-tp202239p202244.html Sent from the User mailing list archive at Nabble.com. ___ lil

Re: How can I put the sign for a space between words that must be sing together?

Looked in Beyond Bars... maybe it's what is called "elition sign". -- View this message in context: http://lilypond.1069038.n5.nabble.com/How-can-I-put-the-sign-for-a-space-between-words-that-must-be-sing-together-tp202239p202242.html Sent from the User mailing list archive at Nabble.com.

How can I put the sign for a space between words that must be sing together?

Hi and thanks... something like writing " -- us et" , that appears as. I would like it written as "de -- us_et" with the "horizontal comma" I find often wrote. -- View this message in context: http://lilypond.1069038.n5.nabble.com/How-can-I-put-the-sign-for-a-space-between-words-that-must-be-si

Fonts in the title (that is, to have better apostrophes and commas)

Hi I would like to have apostrophes ( ' ) and commas ( " something " ) not straight. please suggest me. Maybe I should change the fonts? Thanks... -- View this message in context: http://lilypond.1069038.n5.nabble.com/Fonts-in-the-title-that-is-to-have-better-apostrophes-and-commas-tp202237.htm

Re: Add more space after the composer

Thanks. You got it. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Add-more-space-after-the-composer-tp202089p202094.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.

Re: Add more space after the composer

Thanks, but I wasn't able to find the answer to my question on that page. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Add-more-space-after-the-composer-tp202089p202091.html Sent from the User mailing list archive at Nabble.com. ___

Add more space after the composer

Hi, I've tried with \markup \vspace #1 before the score. I've read the manual, http://lilypond.org/doc/v2.18/Documentation/notation/spacing-issues , and tried some, no success - may me suggest something? Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Add-more-

Diminuendo on the last note

Searched, no results. I need to put a Diminuendo on the last notes of a score. How can I? -- View this message in context: http://lilypond.1069038.n5.nabble.com/Diminuendo-on-the-last-note-tp202076.html Sent from the User mailing list archive at Nabble.com. ___

Re: Line break on a subtitle

I found a lot of interesting things but sorry, I was not able to find an answer to my humble question. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Line-break-on-a-subtitle-tp202054p202075.html Sent from the User mailing list archive at Nabble.com. __

Line break on a subtitle

I've searched on google but I wasn't able to find an answer. How can I break a long subtitle into two lines of text? Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Line-break-on-a-subtitle-tp202054.html Sent from the User mailing list archive at Nabble.com.

Link to "A Complete List of Music Symbols With Their Meaning"

Maybe useful for someone (I hope) Should it be multilanguage... -- View this message in context: http://lilypond.1069038.n5.nabble.com/Link-to-A-Complete-List-of-Music-Symbols-With-Their-Meaning-tp201880.html Sent from the User mailing list archive at Nabble.com. __

Re: An 'interpreter' for lilypond

@Abraham Thanks, You're gentle. But... if nabble is not the correct way, where should I post? Remember, I just googled for "Lilypond forum" and I got nabble. PS I hope to find that damned and wonderful 'interpreter' or what can it be called, and post again it here, because it's nice. -- View t

Re: An 'interpreter' for lilypond

@Abraham Sorry I wasn't aware of this problem. I just googled for "Lilypond forum" and I got nabble. And seeing "Replay" on the side of someone's answer, I thought that it was clear who I was answering. PS "@Abraham" is good or should I use something else? I don't know... :-) -- View this messa

Re: An 'interpreter' for lilypond

A shot in the dark could give the light to point at the score. :-) But it wasn't enough, sorry. I will need to find where in hell have I saved that link. I will post that link if I succeed. -- View this message in context: http://lilypond.1069038.n5.nabble.com/An-interpreter-for-lilypond-tp201

Re: An 'interpreter' for lilypond

Ehm, if I remember well, a pdf output from a .ly file. -- View this message in context: http://lilypond.1069038.n5.nabble.com/An-interpreter-for-lilypond-tp201820p201830.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user ma

Re: An 'interpreter' for lilypond

Thanks, but sorry... it seems to me it's not. -- View this message in context: http://lilypond.1069038.n5.nabble.com/An-interpreter-for-lilypond-tp201820p201828.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing lis

Re: An 'interpreter' for lilypond

Thanks, but it is not. But because you write: > The emails you refer to also provided a means by which one can use a > command line application like > curl to send a .ly document to lilybin.com and get back, in the terminal > environment, the .pdf or > .midi output. I hope you were one of the reade

Re: An 'interpreter' for lilypond

Sorry, no. The web page I'm searching was able to make an complex output from some commands. Surely I've saved that page, but because I use more than a PC God only knows in what I saved it. Yours is just a LP interface. I can only hope that the people who read the message are reading mine now. Than

An 'interpreter' for lilypond

Hi all, some days ago someone put a link for a web site where it was possible to make software request and obtain a Lilypond output. I forgotten the link, but it was liked a lot by one or more posters here, so I hope that I can receive that link, if anyone can help. Thanks. -- View this message

Re: Now I post again a proposal... A multilingual GRAPHICAL dictionary;

I've looked at the links that has been suggested, and the closer to what I was saying is at http://www.dolmetsch.com/musictheory1.htm . But it still is not what I was thinking. Nor is http://www.visualdictionaryonline.com/arts-architecture/music.php , only in English. I have a book (I'm no making p

Re: Conflict with "poet" and "Composer"

Just maybe to the wings of a butterfly. I got what I would (not at the best) by using Abraham suggestion. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Conflict-with-poet-and-Composer-tp201761p201777.html Sent from the User mailing list archive at Nabble.com. _

Re: Conflict with "poet" and "Composer"

Hi, I've tried to use your solution, bu I didn't got a good file; if I send it to you, may you work on it to obtain what I would? Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Conflict-with-poet-and-Composer-tp201761p201774.html Sent from the User mailing list a

Re: Conflict with "poet" and "Composer"

Sorry I would have answered to another person. Excuse me. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Conflict-with-poet-and-Composer-tp201761p201773.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-

Re: Conflict with "poet" and "Composer"

Hi, I've tried to use your solution, bu I didn't got a working file; if I send it to you, may you work on it to obtain what I would? -- View this message in context: http://lilypond.1069038.n5.nabble.com/Conflict-with-poet-and-Composer-tp201761p201769.html Sent from the User mailing list archiv

Re: Conflict with "poet" and "Composer"

\header { title = "Jesu Rex admirabilis" poet = "Simone Verovio (1575 – 1607) - dal 'Diletto Spirituale'" composer = "Attrib. Giovanni Pierluigi da Palestrina (1525 ca. – 1594)" tagline = "24 marzo 2017" } But even if Frescobaldi says that it has been successfully completed, I don't

Conflict with "poet" and "Composer"

Hi, if the field in "poet = " is too long, the words mix over the words of the field "composer = ". How can I get rid of this? Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Conflict-with-poet-and-Composer-tp201761.html Sent from the User mailing list archive at

Re: \RemoveEmptyStaves don't work as I would to

Instead that has worked. Thanks (my fault). -- View this message in context: http://lilypond.1069038.n5.nabble.com/RemoveEmptyStaves-don-t-work-as-I-would-to-tp201683p201691.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-use

Re: \RemoveEmptyStaves don't work as I would to

Thanks for the lesson (maybe I'll be able to understand it), but still it doesn't work... -- View this message in context: http://lilypond.1069038.n5.nabble.com/RemoveEmptyStaves-don-t-work-as-I-would-to-tp201683p201689.html Sent from the User mailing list archive at Nabble.com. __

Re: \RemoveEmptyStaves don't work as I would to

I've installed the latest version, but no changes :-( -- View this message in context: http://lilypond.1069038.n5.nabble.com/RemoveEmptyStaves-don-t-work-as-I-would-to-tp201683p201687.html Sent from the User mailing list archive at Nabble.com. ___ li

\RemoveEmptyStaves don't work as I would to

neither \\RemoveAllEmptyStaves .. This is my try for a Minimum example, sorry if I failed to make it smaller: \version "2.19.26" \layout { \context { \Score skipBars = ##t %\RemoveEmptyStaves } } PartPOneVoiceOne = \relative g' { \clef "treble" \key c \major \numericTimeSignatu

Re: Now I post again a proposal... A multilingual GRAPHICAL dictionary;

I'm not capable of such a work, that I think should be very useful and is ABSOLUTELY MISSING. something like Imagine it for all the musical elements (among them from a former questiion, "beams and slurs"); Shouldn't it be like a "Rosetta

Now I post again a proposal... A multilingual GRAPHICAL dictionary;

That is, to make a graphical multilingual dictionary for the musical elements. That is missing; I have a dictionary but just for words, so I can find that the Italian "legatura di fraseggio" is what in English is "phrase mark", in Deutsch "Phraseriunsbogen" and in French "signe de liaison du phrasé

Re: A "phylosophical" question

Many thanks for your answer, I'll need to learn (starting from the difference 'tween beams and slurs). -- View this message in context: http://lilypond.1069038.n5.nabble.com/A-phylosophical-question-tp201532p201545.html Sent from the User mailing list archive at Nabble.com. ___

Re: A "phylosophical" question

If just I could understand that the question I have is about something that is called "beaming" in English... -- View this message in context: http://lilypond.1069038.n5.nabble.com/A-phylosophical-question-tp201532p201542.html Sent from the User mailing list archive at Nabble.com.

Re: A "phylosophical" question

Yes, you're right. But I left writing scores for a lot, and now I'm still in the position I were then: a newbie to Lilypond. That I love for the wonderful typographical engine, otherwise I could happily stand with MuseScore (oh if they made MS a frontend to LP!). -- View this message in context:

Re: A "phylosophical" question

Manually beam the notes, e.g.: g8[ ais] b[ cis] d2 Thanks a lot. -- View this message in context: http://lilypond.1069038.n5.nabble.com/A-phylosophical-question-tp201532p201536.html Sent from the User mailing list archive at Nabble.com. ___

A "phylosophical" question

Sorry for the subject, I wasn't able to choose a better one. I usually try to put in a beautiful way scores that came fro copy to copy. So I try to be loyal to what I find; but I got a score, see below, that Lilypond writes differently,

Re: Add more spacings...

Thanks. That was the answer. Thanks again and be patient with a dumb newbie. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Add-more-spacings-tp201521p201529.html Sent from the User mailing list archive at Nabble.com. ___ lily

Re: Add more spacings...

> Well, If I compile an xml file, add the composer, the poet, the staves are > too close to them. I would like to have more space after the headers and > the > subsequent staves. > > And the space between the subsequent staves seems too tight, IMHO. OK, so actually isn't a question but a statemen

Re: Add more spacings...

Am 25.03.2017 um 17:46 schrieb Son_V: > After the headers; > and between the staves. > > Sorry for the humble questions. They are not so much humble as they are unclear. Well, If I compile an xml file, add the composer, the poet, the staves are too close to them. I would like to hav

Add more spacings...

After the headers; and between the staves. Sorry for the humble questions. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Add-more-spacings-tp201521.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-use

Re: Crescendo in the first beat misaligned to the others

Well, I know it's not a good example of a minimum example, but it's the closest thing I am able to do... Now the code is \layout { \context { \Score skipBars = ##t \dynamicUp } } PartPOneVoiceOne = \relative g' { &\override Score.BarNumber #'break-visibility = #'#(#t #t #t)

Re: Crescendo in the first beat misaligned to the others

Well, I've tried to make a minimum exaple: \header { title = "Test crescendo vertical alignment" } \layout { \context { \Score skipBars = ##t \dynamicUp } } PartPOneVoiceOne = \relative g' { \clef "treble" \key es \major \time 2/2 | % 1 g2 ^"Adagio" \p \< g4 \! g4 |

RE: merging different voices (Federico Camara Halac)

This is the kind of things that Musescore can make in a snap, and one of the reasons why I will continue using it for writing scores (the main is my ignorance in LP). -- View this message in context: http://lilypond.1069038.n5.nabble.com/RE-merging-different-voices-Federico-Camara-Halac-tp20062

Re: Crescendo in the first beat misaligned to the others

I mean the vertical misalignment that can be seen in this screenshot: PS how to put "Adagio" above the staff? -- View this message in context: http://lilypond.1069038.n5.nabble.com/Crescendo-in-the

Crescendo in the first beat misaligned to the others

That happened when I added \override Score.BarNumber #'break-visibility = #'#(#t #t #t) so the score changed to } PartPOneVoiceOne = \relative g' { \override Score.BarNumber #'break-visibility = #'#(#t #t #t) \clef "treble" \key es \major \time 2/2 | % 1 et cetera. Se

Re: Diminuendo goes over subdìseqyent rests

Hi Simon, thanks for your answer. I succeeded JUST ADDING "\!" after the rest, so es1 \> \breathe | % 21 R1*2 | % 23 d2 \! e4 \< fis4 | % 24 has become es1 \> \breathe | % 21 R1*2\! | % 23 d2 \! e4 \< fis4 | % 24 That has worked also for some Crescendo I didn't noticed when I posted my quest

Diminuendo goes over subdìseqyent rests

I mean that the diminu2 \! e4 \< endo goes from the its note through the first rest and its "point" ends on the second rest. I don't think it's correct and the result looks ugly to me. The code (an xml file written with Musescore) at that point is es1 \> \breathe | % 21 R1*2 | % 23 d2 \! e4 \< fi

Re: Uncorrect (?) beams

THANKS. What I was missing was to put the note between brackets, like in your example: "[ b]" ... Thanks again. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Uncorrect-beams-tp171918p171926.html Sent from the User mailing list archive at Nabble.com. __

Re: Uncorrect (?) beams

I'm using Frescobaldi, so I can't make this kind of mistakes, :-) , I wrote these commands meaning I'm using them in the right way ... I'm writing a score from a printed one made in the beginning of the '900 ... -- View this message in context: http://lilypond.1069038.n5.nabble.com/Uncorrect-b

Uncorrect (?) beams

Hi all, I want to make But using \autobeamon, \autobeamoff IO get Where am I wrong? Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.

"Stanzas" of voice 2, 3 and 4

Hope the subject means something; I'm trying to make a score that should appear as but I get this one: I've made it in MuseScore using voice 2, 3 and four for Z1,

Re: Sorry ... text under melismata

Thanks Kieren, with a lot of delay ... first I wish to complain about handwritten scores (I hope to express myself clearly); it's easy to write without any coherence. Musescore, by his side, it let you write as you want. But LilyPond doesn't let it pass. Back to my first message, I have been said

Re: Text uder the score

First, thanks to all that answered. Federico: I saw the page: it didn't help me but I missed the link to the page http://lilypond.org/doc/v2.18/Documentation/notation/align . That is what I was searching for, it doesn't matter it's in English. Now I have to chew it. :-) Greetings. -- View this m

Re: Text uder the score

Ciao Federico, > Where do you want to put this information? At the bottom of the score ... I've put in capital letters what I'm not able to get (that's a kind of minimum example, wow) \version "2.18.2" \header { title = "song title" } \score { \new Staff \relative c' { c4 } } % I WOUL

Re: Where to Download the New Music Fonts?

Shouldn't the name of the last font in the page be "SCARLATTI"? -- View this message in context: http://lilypond.1069038.n5.nabble.com/Where-to-Download-the-New-Music-Fonts-tp165035p168388.html Sent from the User mailing list archive at Nabble.com. _

Text uder the score

Hi, I should put some instructions at the bottom of a score; I found at http://lilypond.org/doc/v2.18/Documentation/notation/writing-text how to write some text, but I wasn't able to find HOW to work with the text, how to put it on the left or right or at the center of the page, how to make spaces,

Re: Two voices ending score

And WHY i get this ghost beat 71? How can I get it away? (always thanks ...) -- View this message in context: http://lilypond.1069038.n5.nabble.com/Two-voices-ending-score-tp167903p167907.html Sent from the User mailing list archive at Nabble.com. _

Two voices ending score

Hi all, I’m transcribing a score that have two voices in the end, as you can see here: as I have said before, up to bore everyone, I have used Musescore to make an xml file and imported it in Frescobaldi. I get this result, were I

Sorry ... text under melismata

Hi, sorry for this question that I think is another humble one, but I've lost a lot of time working on it; I want to transcribe, for the amateur choir where I sing, this: What I get is this one

Re: A solution I've invented for a SATB choir

Hi, tanks for your answer. Yes, my goal was to make a score with lyrics for every voice. But I had to choose to make all in a single page but crowding too much the voices, or to make it in a more legible two page. Using this solution I was able to give to S, A, T, B just one page. I saw the file yo

Re: A solution I've invented for a SATB choir

> interesting idea. Thanks! This is how things appear for the page for Soprano and Alto: And this is the page for Tenore and Basso: Of course the c

A solution I've invented for a SATB choir

Hi, I made a score for a SATB choir; I had two choices: to make it in a single page, but really crowded ... or to make it in two pages. I choose another way; I divided it in SA and TB voices. I made the Soprano+alto part whit single staff and grouped the TB voices WHITHOUT words; and for the Tenor+

Re: A sign I can't understand ...

> isn't that indicating that in a second (or later) verse there are two syllables? Yes. Sorry ... I've been too stingy. :-) Here is a larger view: Note that the "comma" on the right should be a breath > the notation of

A sign I can't understand ...

Hi all and excuse me; I found this symbol, parenthesis before and after a note added to a 2/4 beat: here it is; that should be a note inserted when singing for the second time the beat. How can I insert in in the score? How ca

Re: losing a bar number when the first beat is irregular

> If a piece starts with an incomplete measure this measure doesn't have a number Well, thanks. I've searched on "beyond bars" 2011 ed. but I wasn't able to find a reference to this problem. Nor I was able to found a way in the index: no "irregular beats". Maybe it's hidden in another chapter. But

Re: losing a bar number when the first beat is irregular

Sorry, I can't understand; with MuseScore I see the bar numbers as "correct", as far I can understand. The first beat, that have just one note, is not numbered, but the following one is labelled by the number "2". I thought that this was correct. In Lilypond, the bar numbers are all a -1 in respect

Re: losing a bar number when the first beat is irregular

you can put \set Score.currentBarNumber = #2 in the first full bar to cause this to be numbered as bar 2. MANY THANKS. That solved. -- View this message in context: http://lilypond.1069038.n5.nabble.com/losing-a-bar-number-when-the-first-beat-is-irregular-tp167125p167146.html Sent from the U

Re: losing a bar number when the first beat is irregular

But I've made no copy or paste. And this is just the first time I post the question; I've had that problem any time I had an anacrusis. May I post my file? I can't see how to solve this little but annoying problem. -- View this message in context: http://lilypond.1069038.n5.nabble.com/losing-a-

Re: losing a bar number when the first beat is irregular

2.18.2, the stable one. -- View this message in context: http://lilypond.1069038.n5.nabble.com/losing-a-bar-number-when-the-first-beat-is-irregular-tp167125p167141.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing

Re: remove first empty staff and ambitus

"putting in a \layout that I already found in the file produced "via" MuseScore" I forgot to say, at the end of the file. -- View this message in context: http://lilypond.1069038.n5.nabble.com/remove-first-empty-staff-and-ambitus-tp167066p167139.html Sent from the User mailing list archive at

Re: remove first empty staff and ambitus

Hi, I removed the first empty staff from a chorus score, but I don't know what an "ambitus" is, nor I found it in "behind bars" (and I'm just a beginner). So I don't expect this could be useful, but at least ... In my scores, that I write whit Musescore and then I export to an xml file that I impo

Re: losing a bar number when the first beat is irregular

Sorry, I wasn't unable to make your examples to work. :-( -- View this message in context: http://lilypond.1069038.n5.nabble.com/losing-a-bar-number-when-the-first-beat-is-irregular-tp167125p167134.html Sent from the User mailing list archive at Nabble.com.

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