Thanks a lot! It works like a charm!
Cheers,
Ádám
On 2013.05.13., at 6:36, Keith OHara wrote:
> Keith OHara oco.net> writes:
>
>> I could not quickly figure out how to apply all the 'graceSettings
>> to the normal voice, but there is probably a way to do so and maybe
>> we should make a short c
Hello List,
I know about the \grace, \appoggiatura, \acciaccatura and \afterGrace commands
which can be used in order to create grace notes. However, none of these would
put a grace note exactly on the beat: they would either put it just after the
`main' note (in the case of \afterGrace) or ju
On 2012.04.07., at 16:16, Phil Holmes wrote:
> - Original Message - From: "Siska Ádám"
> To: "lilypond-user Users"
> Sent: Saturday, April 07, 2012 2:05 PM
> Subject: Multiple-staff ossia
>
>
> Dear List,
>
>
> is there a way to
Dear List,
is there a way to create a multiple-staff ossia? I need to expand a divisi
section in a string part score that lasts a couple of bars only. The basic idea
would be to have a StaffGroup that starts in the middle of the page (at the
point where the divisi section begins) and which end
On 2012.04.03., at 15:46, Thomas Morley wrote:
> Am 3. April 2012 15:17 schrieb Siska Ádám :
>> Dear List,
>>
>>
>> is there a way to put the layout block for a score in a variable that lives
>> in a separate file? Unfortun
Dear List,
is there a way to put the layout block for a score in a variable that lives in
a separate file? Unfortunately the following won't compile:
myMusic = \relative d' {
d4 d d d
}
myLayout = \layout {
\context {
\Staff
\remove "Clef_engraver
Hi David,
On 2012.03.26., at 23:05, David Nalesnik wrote:
> Hi Ádám,
>
>>
>> I tried to use the frame engraver of this thread, but I was unable to do
>> so. I'm constantly getting 'syntax error, unexpected EVENT_IDENTIFIER'
>> errors and the LilyPond compiler won't recognize the \frameStart and
Hi developers,
On 2012.03.13., at 17:33, David Nalesnik wrote:
> Hi Mike,
>
> Excellent work!
>
>
> I'm glad you think so!
>
>
>>
>> I've attached a new file that addresses some of the issues you identify
>> above:
>>
>> --) It uses axis-group::width to box accidentals
>>
>
> Beautiful!
Hi,
On 2012.03.25., at 15:37, Rodolfo Zitellini wrote:
> Hi All,
> I did some quick and quite dirty esperimenting with cx_freeze, and I
> should have something more or less working which I'd like to test on
> other systems:
>
> http://www.xhero.org/frescobaldi.zip
>
> this was compiled on macos
Hi,
On 2012.03.22., at 22:22, Stan Sanderson wrote:
> On Mar 22, 2012, at 4:09 PM, Rodolfo Zitellini wrote:
>> I can give this a try. I tried using py2app on frescobaldi but it had
>> some issues and I didn't have time to sort them out.
>>
>> Rodolfo
>>
>> On Thu, Mar 22, 2012 at 5:29 PM, Wilbe
Hi,
On 2012.03.21., at 19:18, Janek Warchoł wrote:
> On Wed, Mar 21, 2012 at 4:05 PM, Siska Ádám wrote:
>> is there an effective way to separate the pitches and the rhythms in a
>> voice? I'm thinking about something like defining a variable consisting only
>> of
Dear Xavier,
On 2012.03.21., at 16:44, Xavier Scheuer wrote:
> 2012/3/21 Siska Ádám :
>> Dear List,
>>
>>
>> is there an effective way to separate the pitches and the rhythms in a voice?
>> I'm thinking about something like defining a variable consi
Dear List,
is there an effective way to separate the pitches and the rhythms in a voice?
I'm thinking about something like defining a variable consisting only of
rhythms:
Rhythm = {
\time 4/4
4 4 4. 8
8 8 4 4 8 8
2 4 8 8 ...
}
and then apply this to different s
Dear List,
I noticed that when a glissando with a decrescendo hairpin attached to it is
broken into multiple lines, the 'al niente' sign is printed just before the
break. This is rather confusing, as one might think that the end-note of the
glissando, which appears in the next line, is actuall
Hi David,
On 2012.03.19., at 1:34, David Nalesnik wrote:
> Hi Ádám,
>
> this is quite weird. This code compiles fine. However, in my original score
>> it doesn't work. After some more experimenting, I figured out that the
>> problem is, that I have the \RemoveEmptyStaves in the \Staff context. A
Hi MacMillan,
On 2012.03.19., at 1:09, Kieren MacMillan wrote:
> Hi Siska,
>
>> thank you indeed for the reply. Unfortunately I can't get this code to work
>
> Here's a snippet, using David's lovely mod — hope it helps.
> Kieren.
> _
>
> \version "2.15.32"
>
> theMusi
Hi David,
thank you indeed for the reply. Unfortunately I can't get this code to work;
I'm getting the following error during compiling:
Drawing systems...ERROR: In procedure ly:stencil-scale:
ERROR: Wrong type argument in position 1 (expecting Stencil): #
Unfortunately I don't know Scheme, so
Dear List,
I have four horns playing in an orchestra like this:
\new GrandStaff <<
\set GrandStaff.instrumentName = #"Corni"
\set GrandStaff.shortInstrumentName = #"Cor."
\new Staff {
\set Staff.instrumentName = #"I"
\set Staff.shortInstrumentName = #"I"
\corI
Dear List,
I'd like to forcefully remove a staff from an orchestral score at a given
point. Here's the scenario:
There are 6 violas playing in 2 staves (Vle 1-3 in the first and Vle 4-6 in the
second). From some point, all the violas play the same material, so I'd like to
remove one of the st
On 2012.03.15., at 12:08, James wrote:
> Hello,
> 2012/3/15 Siska Ádám :
>> Dear List,
>>
>>
>> I'd like to put two rehearsal marks over the same barline. However, this
>> gives an error:
>>
>> \mark \markup{
>> \center-align{
>
Dear List,
I'd like to put two rehearsal marks over the same barline. However, this gives
an error:
\mark \markup{
\center-align{
\line{ \default }
\line{ "8" }
}
} s4*8
The error is: 'error: syntax error, unexpected \default'
I also tried to access the value of \default, ho
On 2012.03.10., at 18:14, David Nalesnik wrote:
> Hi again,
>
> On Sat, Mar 10, 2012 at 9:45 AM, David Nalesnik
> wrote:
>
>> Hi Ádám,
>>
>> What about using proportional spacing and then moving the bar line
>>> slightly to the right?
>>>
>>
>> Attached is an attempt at automating this somew
On 2012.03.10., at 10:23, Tiresia GIUNO wrote:
> On Sat, 10 Mar 2012 09:30:23 +0100
> Siska Ádám wrote:
>> while \glissando is a simple solution, it gives a very narrow line --
>> which I didn't find how I could make thicker -- and there's
>> absolutely no cont
On 2012.03.10., at 8:51, Siska Ádám wrote:
> On 2012.03.10., at 3:00, Nick Payne wrote:
>> On 10/03/12 10:24, Siska Ádám wrote:
>>> On 2012.03.09., at 23:44, -Eluze wrote:
>>>> Siska Ádám-4 wrote:
>>>>> Dear list,
>>>>>
>>&
Hello list,
I'm investigating how one could implement a glissando. So far, I've found three
solutions:
- \glissando itself
- \makeClusters with a single note instead of a chord
- \markup (with \beam, \path or \postscript)
while \glissando is a simple solution, it gives a very narrow line -- wh
On 2012.03.10., at 3:00, Nick Payne wrote:
On 10/03/12 10:24, Siska Ádám wrote:
>> On 2012.03.09., at 23:44, -Eluze wrote:
>>> Siska Ádám-4 wrote:
>>>> Dear list,
>>>>
>>>>
>>>> I've been using Lilypond for a while, but only to
On 2012.03.09., at 23:44, -Eluze wrote:
> Siska Ádám-4 wrote:
>> Dear list,
>>
>>
>> I've been using Lilypond for a while, but only to create excerpts of
>> classical music. Now I'd like to try whether I could switch from
>> hand-engraving to Lil
Dear list,
I've been using Lilypond for a while, but only to create excerpts of classical
music. Now I'd like to try whether I could switch from hand-engraving to
Lilypond with my own music. I'm trying to engrave an orchestral piece that
requires 'time/space notation'. I found most of the inst
>> Hello List,
>>
>>
>> how can I force a clef appearing even in case the clef doesn't change
>> actually? I'm thinking about something like this:
>>
>> \clef treble
>> c' \bar "|" s
>> \clef treble
>> d'
>>
>> How can I force the drawing of the second clef?
>>
>>
> 1.1.3 in the NR --> Clef -
Hello List,
how can I force a clef appearing even in case the clef doesn't change actually?
I'm thinking about something like this:
\clef treble
c' \bar "|" s
\clef treble
d'
How can I force the drawing of the second clef?
Thanks,
Adam
___
lilypo
-book excerpt? That sounds
weird to me. Anyway, if it can't be solved in a standard way, does anybody have
an idea for a workaround?
Thank you,
Adam
On 2010.03.24., at 1:58, Siska Ádám wrote:
> Hello Members,
>
>
> I am writing a score with LaTeX & Lilypond-book wh
Hello Members,
I am writing a score with LaTeX & Lilypond-book where I need a lot of inline
excerpts in the text. As I noticed, using the Lilypond environment doesn't let
me inline citations of score fragments as it always creates a new paragraph for
the music, therefore I can only live with t
Graham Percival wrote:
Siska Ádám wrote:
Yes, since that I also created the suggested files, and I added them
to a .profile file in the /Users/admin folder (my home folder),
Your user name is admin? That's unusual.
Well, this is my first Mac (and I switched from Windows not so many
fine.
Thank you,
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
Graham Percival wrote:
fiëé visuëlle wrote:
Am 2007-07-29 um 11:52 schrieb Siska Ádám:
For some reason lilypond-book fails on my machine. I have installed
the latest (2.11.28) version of Lil
default path? Or is there a way to execute lilypond-book from inside the
OS X application itself?
Thank you,
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
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lilypond-user@gnu.org
ave any idea on how to suppress the global barline settings (if
I understand the terminology well, this is supposed to be called
'barline engraver'), but only for those few bars, not for the entire score?
Thank you,
Adam
____
Siska Ádám
+36 (70) 207-63-85
http://ap
Hello,
I've sent the score to the list a few time ago, but it didn't arrive for
me, although normally I get a copy of my own messages posted to the
list. Did it arrive, or is there some restrictions for attachment type
and/or size on this list?
Thank you,
Adam
________
ristan Murail's ones.)
____
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
___
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method for
increasing space between beams, that could also help.)
Thank you,
Adam
________
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
<>___
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lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Thank you again!
As I see, the thing that mostly prevented me from understanding the code
was that the parameters come before the commands :-)
Bye,
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
Valentin Villenave wrote:
2007/7/26, Siska Ádám
roken. How can I force the lines to
break? Is this maybe a bug?
Thank you,
Adam
________
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
___
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lilypond-user@gnu.org
http://lists.gnu.org/mailma
able to attach them to natural
signs also, but unfortunately I know nothing about postscripting...
Many thanks again!
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
Valentin Villenave wrote:
2007/7/25, Siska Ádám <[EMAIL PROTECTED]>:
As an expla
ase, there are several glissandi
crossing that barline. Can this cause this error? Do you have any idea
to avoid it?
6) At compilation time, I'm getting lots of 'warning: Found infinity or
nan in output. Substituting 0.0' warnings, which I hadn't get before. Do
you have an
ride TextSpanner #'edge-height = #'(1 . 1)
\once \override TextSpanner #'dash-fraction = ##f
That was all...
Bye,
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
Siska Ádám wrote:
Hello,
actually, that was the first thing I tried
the player, but until a fixed point in the score.
Thank you,
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
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scores.
Thank you,
Adam
____
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
___
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this over a chord
glissando, and also because I needed two brackets.)
Well, doesn't look very nice (as the distance between the two brackets
is enormous, and also because one bracket is supposed to be nested into
the other), but works!! :-) :-) :-)
Thank you very much!
Adam
or it (so, a collection of documents that contain
every possible command with their every possible parameters and values,
like for example the javadocs for Java). Does exist this kind of
documentation somewhere?
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
th, but they
didn't work in 2.10.10)
Of course, if there's no other solution, I'll upgrade my Lily, as my
deadline for this score is this weekend...
Thank you again,
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
Trevor Bača wrote:
On 7/
al bracket?...
Thank you,
Adam
________
Siska Ádám
+36 (70) 207-63-85
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ctangular shape, and they
don't really nest well into each other (they have space between each
other). I've seen that in mensural notation there are rectangular
brackets for ligatures, but I also didn't catch how to display them in
ordinary scores.
Does anyone know a solution?
Thank you, this works quite nice, and sorry for the duplicated question
Bye,
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
Wilbert Berendsen wrote:
Op dinsdag 24 juli 2007, schreef Siska Ádám:
'Bartok'-pizzicato
You could do
Thank you,
Adam
____
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
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an I set the font type and/or size used to create the dynamic
symbols with make-dynamic-script?
Thank you,
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
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s helps,
Adam
P.S. I found this better as in my original score I have dotted chords,
and the dot positioning was better if I managed to do it this way.
____
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
Valentin Villenave wrote:
2007/7/22, Siska Ádám <[EMAIL PR
Hi Neil,
thanks, this helped a lot.
Bye,
Adam
P.S. I used \hideNotes and \unHideNotes instead of the overrides, as I
had some problems with some dotted chords.
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
Neil Puttock wrote:
Hi Adam,
On 7/22/07
correct
this?
Thank you,
Adam
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
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heses (like the one produced by pitchedTrill). Any ideas?
Thank you,
Adam
____
Siska Ádám
+36 (70) 207-63-85
http://apocalypse.rulez.org/~sadam
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