Dear List,
is there an effective way to separate the pitches and the rhythms in a voice?
I'm thinking about something like defining a variable consisting only of
rhythms:
Rhythm = {
\time 4/4
4 4 4. 8
8 8 4 4 8 8
2 4 8 8 ...
}
and then apply this to different sequences of pitches:
Seq1 = {
\clef treble
c d e f
g a g f e d
c e g c ...
}
Seq2 = {
\clef bass
c b a g
f e f g a b
c g e c ...
}
(etc.)
The purpose is: I'm engraving a long, homophonic section in an orchestral
piece, where cca. 30 instruments play the same rhythms, but with different
pitches.
Thanks for any ideas,
Ádám
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