On 2012.03.10., at 3:00, Nick Payne wrote:
On 10/03/12 10:24, Siska Ádám wrote:
>> On 2012.03.09., at 23:44, -Eluze wrote:
>>> Siska Ádám-4 wrote:
>>>> Dear list,
>>>>
>>>>
>>>> I've been using Lilypond for a while, but only to create excerpts of
>>>> classical music. Now I'd like to try whether I could switch from
>>>> hand-engraving to Lilypond with my own music. I'm trying to engrave an
>>>> orchestral piece that requires 'time/space notation'. I found most of the
>>>> instructions in the manual for this, however, I can't figure out how to
>>>> put the first noteheads of the measures exactly over their respective bar
>>>> lines (like in some of Tristan Murail's scores, for example). Could you
>>>> please give me an advice on how to achieve this?
>>>>
>>>>
>>>> Any help is highly appreciated,
>>> I can't really imagine what this should look like - can you provide an
>>> excerpt or scan of this!?
>>>
>>> thanks
>>> Eluze
>>
>> Dear Eluze,
>>
>>
>> thank you for your reply. Attached please find two PNGs. The
>> 'current_state.png' shows an example of the settings I'm using right now
>> (with the note head coming a bit after the dashed barline) and
>> 'what_i_need.png' would be the solution that I'm looking for (with the
>> barline exactly on the first note of the measure, which I solved for now
>> with some graphic apps, but of course, that's not a real solution).
>
> I don't know if it's of much use for your purposes, but you can use a
> notehead glyph as a rehearsal mark, which positions it directly on the
> barline:
>
> \relative c' {
> d4 d d d
> \once \override Score.RehearsalMark #'extra-offset = #'(0 . -5.9)
> \mark\markup\normalsize { \musicglyph #"noteheads.s2" } d
> }
Dear Nick,
thanks for this! Although in terms of musical-logic it is not a solution, but
it looks exactly like what I need.
Thanks,
Ádám
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