Hello, Werner,
The issue is opened like this:
https://gitlab.com/lilypond/lilypond/-/issues/6763
On Sat, Nov 9, 2024 at 12:53 PM Werner LEMBERG wrote:
>
> > Thank you for your response. Below are two examples that illustrate
> > the more traditional way of displaying half note stems [...]
>
>
experience with this or knows of a solution, I would greatly
appreciate your guidance.
Thank you in advance for your help!
Best regards,
Peter
This is an example from the official documentation.
symbols = {
\time 3/4
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
c8_.\<\( c
Thank you, Mark,, for providing this method.
I also what to check with everyone here: does any user here ever encounter
any issue with the font when publishing a e-book or book?
On Sun, Oct 20, 2024 at 10:15 AM wrote:
> Peter,
>
>
>
> I googled “NimbusMonoPS” and was taken t
Subject: Inquiry About Commercial Use of Fonts Extracted from PDF for Book
Publishing
Dear LilyPond Community,
I hope this message finds you well. I’m reaching out for some assistance
regarding the commercial use of several fonts that were embedded in a PDF
document. I am in the process of publ
> "Sebastian" == Sebastian Menge writes:
Sebastian> [1 ] Hi
Sebastian> I have a (organ) piece with different "voices"(?) stacking
Sebastian> up to chords.
Sebastian> Since this is rather homophonic, I'd not use individual
Sebastian> voices - the slurs look ugly then.
I think you need to .
> "Cameron" == Cameron Hall writes:
Cameron> I've run into a strange problem that I think may be a bug. In
Cameron> this MWE, I have a repeat with alternate endings. However,
Cameron> the "\repeat unfold 3 { c1 }" is causing the volta brackets
Cameron> to disappear for some reason. If I inste
> "Walt" == Walt North writes:
Walt> I'm just checking if this is
Walt> expected behavior. My goal was to have ChordNames above the
Walt> matching rhythm notation. But it seems the engraver cannot
Walt> handle chord modifiers (such as sus2)?
That's not the problem. The issue is that d8:sus
You can use transpose.
\transpose c c' { music }
Peter C
regards,
Peter
insights.
Additionally, if there is a specific glyph that represents a tie/slur
symbol that can be used within LaTeX, I would be interested in learning
about that as well.
Thank you in advance for your assistance and for any examples or advice you
can provide.
Best regards,
Peter
r Assistance:
Has anyone encountered a similar issue or have any insights on why
embedding in the second column might be causing this problem? I would
appreciate any guidance or suggestions on how to resolve this issue while
maintaining the intended table structure.
Thank you for your support!
Best regards,
Peter
Thank you, Werner, very much, for the tips. They work for me.
On Mon, Aug 12, 2024 at 6:07 PM Peter X wrote:
> Thanks for the tip.
>
> On Mon, Aug 12, 2024 at 1:28 PM Werner LEMBERG wrote:
>
>>
>> Glad that you could identify and fix the problem.
>>
>> >
Thanks for the tip.
On Mon, Aug 12, 2024 at 1:28 PM Werner LEMBERG wrote:
>
> Glad that you could identify and fix the problem.
>
> > Now, my challenge is how to retain the numbering and indexing of
> > these scores in the document without treating them as figures. I
> > want to be able to cross
might have.
Best regards,
Peter
On Sun, Aug 11, 2024 at 10:20 PM Werner LEMBERG wrote:
> [Please always use 'Reply to all' so that the mailing list stays in
> the thread.]
>
> > It did happen in my case. The issue occurred while embedding a
> > lengthy LilyPon
. I'll have to have a
think about that.
Peter C
Hi Folks,
Is there a simple way to add dynamic markings to lyrics? In a
multi-verse song, the dynamics can be different verse to verse.
I'd like to do something like this:
\score {
<<
\new Staff \context Voice = tune {\repeat volta 2 { c c c c }}
\new Lyrics \lyricsto tune
eak across pages? If so, what’s the best practice for
handling this within the LaTeX and LilyPond integration?
Thank you for any advice or suggestions!
Best regards,
Peter
**Title: Clarification on Commercial Use of Fonts Embedded in
LilyPond-Generated PDFs**
Hello everyone,
A few hours ago, I posted a question mainly focusing on whether sheet music
generated by LilyPond would be subject to any licensing restrictions that
could affect its commercial use. I’ve since
## Clarification on the GNU Free Documentation License (GFDL) Applicability
### Background
Hello,
I have been exploring the LilyPond 2.24.4 documentation as I plan to use
LilyPond along with LaTeX to write some music education books for sale on
Amazon. However, I have come across some concerns r
; button. Your email doesn't have that --
noone's replied yet.
Peter C
omething in
your mail reader is changing > to > and you end up with a broken
link.
Peter C
nd.org/doc/v2.24/Documentation/snippets/index.html
Thank you.
Be content; it is your birthright.
Peter
pe...@mainegeek2go.com
-Original Message-
From: Kieren MacMillan
Sent: Thursday, June 20, 2024 13:31
To: pe...@mainegeek2go.com
Cc: Lilypond-User Mailing List
Subject: Re: re-use a
quot;
melodyMinor = {c'2 g'2 es'2. d'4 | c' es' d' c' | b d' g2 }
{\melodyMinor }
% coding magic here to replace es with e
%something like -> melodyMajorAltered=(string-replace "melodyMinor" "es"
"e")
melodyMajor = {\melodyMinor} %after alterations
{\melodyMajor}
Be content; it is your birthright.
Peter
layout {}
\score{
\new Staff <<{\melody} \\ {\harmony } >>
}
\score{
\new Staff \harmonyAlone
}
Be content; it is your birthright.
Peter
Yes, this fixes the problem! By adding \layout {} inside my \score next to
\midi I now get both outputs. Thank you.
From: William Rehwinkel
Sent: Sunday, May 12, 2024 9:22 PM
To: Peter Baughman; lilypond-user@gnu.org
Subject: Re: Can I output PNG and midi from
Greetings,
I have a few .ly files that work great and produce lovely pictures when I build
then with a command like:
lilypond --png my_song.ly
I started to play around with midi output and was a little suprised to find
that I needed to add a \midi code block to my file (instead of some other
wards.
Is that possible?
Thanks in advance
--
Best wishes -- Peter
--
Peter Mayes
ic on the next page.
--
Best wishes -- Peter
--
Peter Mayes
solution that allows for vertical and
horizontal adjustment.
Thanks in advance.
--
Best wishes -- Peter
--
Peter Mayes
A question which I haven't been able to answer from the documentation
(there's lots of it!)
I have a final note, a minim, say, and I want a hairpin diminuendo
starting at the last note, and ending at the final double bar. As in
this screenshot:
--
Best wishes -- Peter
--
Peter Mayes
Being relatively new to this forum, I suspect I am not the first person
to ask this.
And it is more out of curiosity than necessity.
But does anybody have lilypond code to engrave the famous B.A.C.H. motif
in the attached image?
Thanks in advance.
--
Best wishes -- Peter
--
Peter Mayes
t which shows what I was trying to avoid:
"Should it always be kept inside the slur?" - I think the answer is "not
always" - it only looks wrong to me when the mark is a long way from the
note.
Thanks again
-- Peter
On 27/02/2024 19:03, Xavier Scheuer wrote:
On Tue, 2
;2.25.12"
left = \markup { \fontsize #-4 L }
TheBusiness = \relative b' {
\key fis \minor
\time 3/8
cis8\p( fis gis) | %Bar 1
a8. gis16-. fis8-. | %Bar 2
gis8( a^\left gis) | %Bar 3
fis4 cis8 | %Bar 4
}
\score {
\new Staff {
\TheBusiness
}
\layout {}
}
--
Best wishes -- Peter
--
e a lot of consecutive notes all staccato. Marking each one
individually is a bit of pain. Any way to specify that the next /n/
notes are all staccato?
Thanks in advance.
--
Best wishes -- Peter
--
/show_bug.cgi?id=2208744 but
rather https://bugzilla.redhat.com/show_bug.cgi?id=2253842 , which is
being fixed. The updates are in the "Testing" repositories. See
https://bugzilla.redhat.com/show_bug.cgi?id=2253842#c3 for how to
install the update on Fedora 38.
--
Best wishe
anks in advance.
--
Best wishes -- Peter
--
Peter Mayes
\version "2.24.3"
TheBusiness = \relative b' {
\key f \minor
\time 2/4
\tempo "Andante Sostenuto"
r2 |
f4\p( aes8\( des16. c32\) |
c8.\( bes32 aes\) g8) r8 |
}
\score {
\new Staff {
\TheBusiness
}
\layout {}
}
--
Best wishes -- Peter
--
Peter Mayes
t section in the documentation.
--
Best wishes -- Peter
--
}" grace notes to be slurred, but if I
put "{ cis32( d) }", I get a "Warning: already have slur".
Is there a way to get a "slur within a slur"?
Thanks in advance
--
Best wishes -- Peter
On 18/11/2023 13:29, Hans Aikema wrote:
swap out the \bar”||” custom bar for \section
Simple and elegant!
Thanks again
--
Best wishes -- Peter
--
Peter Mayes
s, to get the double bar before the opening repeat bar.
Your help much appreciated!
Peter
On 18/11/2023 12:56, Hans Aikema wrote:
On 18 Nov 2023, at 13:30, Peter Mayes wrote:
The score I am trying to emulate has an initial repeated section, a
non-repeated section, and another repeated sec
at volta 2 {
c1
} \break
\repeat volta 2 {
c1
} \break
c1 \bar "||"
\break
\repeat volta 2 {
c1
}
}
\score {
\new Staff {
\music
}
\layout {}
}
--
Best wishes -- Peter
--
Peter Mayes
On 18/11/2023 11:04, Hans Aikema wrote:
See
https://lilypond.org/doc/v2.24/Documentation/notation/writing-parts#compressing-empty-measures
Snippets >> Numbering single measure rests
\setrestNumberThreshold=0
should get you what you desire
Perfect! Thank you
--
Best wishes --
rker (not sure what it is called - elongated horizontal
line with short end vertical lines) for all multi-bar rests of length
two bars or more?
Thanks in advance.
--
Best wishes -- Peter
--
Peter Mayes
07460 890503
I didn’t know that there was
a repository on GitLab. https://lilypond.org/development.html links to
https://git.savannah.gnu.org/gitweb/?p=lilypond.git … which is neither
really nice to look at nor easy to use (at least for me), but I’m familiar
with GitLab.
Thanks,
Peter
--
Peter Crighto
er, which
made it very easy to just see what changed compared to the prior version
(if you took a look at it with every release).
Cheers,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
https://www.petercrighton.de
enough to go through the key signature.
Apologies that these are beginners' questions. Help from the experts is
much appreciated!
Best wishes -- Peter
--
On 01/11/2023 15:59, Knute Snortum wrote:
1) Use \after. See
https://lilypond.org/doc/v2.24/Documentation/notation/expressive-marks-attach
ar"||"
\keyc\major|
The result:
1. How to move the turn so that it is in between the dotted C and D?
2. Where the three naturals show that the next movement has moved from C
minor to C major, how to get the stave to continue just long enough so
that the key signature is not floating in mid-air?
Thanks in advance
--
Best wishes -- Peter
On 14/10/2023 17:08, Jean Abou Samra wrote:
\relative c'' { d8\parenthesize\prall \parenthesize( cis) }
Many thanks - perfect.
--
Best wishes -- Peter
rences with \trill's and \mordent's.
Could somebody suggest a simple way to achieve this?
Thanks in advance.
--
Best wishes -- Peter
--
Apologies for the noise - if I’d just carried on the answer would have been
obvious! Just add a normal “_”.
Wood or trees, sometimes I just can’t work them out.
Sometimes my thinking is fuzzy…
Apologies again,
Pete
> On 17 Jul 2023, at 11:26, Peter Mitton wrote:
>
> Hi,
>
>
Hi,
I’m trying to find the correct syntax to align the word “two” in my second
verse below the note (b1) of the second alternative repeat. I haven’t been able
to find the correct search term to find a solution in the documentation and any
assistance would be greatly appreciated.
\version "2.24
Your answer is exactly what I was looking for. I really appreciate this forum.
Thank you.
Jul 11, 2023 11:13:02 Jean Abou Samra :
>> When I use \partCombine and the notes are more than a ninth apart the stems
>> do not connect. Can I force a longer stem on beats 3 and 4 in this example?
>>
>
;4 e'' f''}
partB={c' c' c' c' c' c' \stemUp c' c' }
\partCombine \partA \partB
Peter Wannemacher
size #-1 "English lyrics: Robert Stanley Weir
(amended 1968) / les paroles en français: Adolphe-Basile Routhier" }
%arranger = \markup {\fontsize #-1 "les paroles en français: Adolphe-Basile
Routhier / English lyrics: Robert Stanley Weir (amended 1968)" }
enteredby =
ote:
>
> Le 27/10/2022 à 11:17, Peter Mitton a écrit :
>> Thanks, Harm,
>>
>> Sorry, I seemed to have missed out the most important part of the challenge!
>> Apologies. This is a simplified extract of the lower staff from the start of
>> a two staff p
ey signatures, bar lines, etc., are also synchronized. “ which I take
as developer-speak for “Here be dragons”.
Thanks for any assistance,
Pete
> On 26 Oct 2022, at 22:53, Thomas Morley wrote:
>
> Am Mi., 26. Okt. 2022 um 19:27 Uhr schrieb Peter Mitton :
>>
>> Hi,
>>
Hi,
I’m wondering if there is a better way of writing this code:
\version "2.22.2"
\new Staff {
<<
% \time 6/8
% \clef bass
\new Voice = "a" {
\voiceFour
\time 6/8 \clef bass \appoggiatura c,8 c1 \appog
ls with "error: string outside of text script or
\lyricmode"
I'm using Lilypond 2.22.2
Can someone give me a clue?
Peter C
Hi Mark,
thank you! Due to a change in work, I haven't gotten around to testing
your changes in depth yet, but I assume that as an OLL user, you've
solved the problems so that it works. When I have it running here, I may
approach you with a call for a pull request.
Best
Jan-Peter
A
-
Saturday, July 23, 2022, 8:56:57 PM, Jean Abou Samra wrote:
> Thanks a lot Peter and others (privately) for your suggestions.
> Sorry for the very late reply, I've been distracted by other
> things. Your comments are most appreciated.
> Le 13/07/20
This looks great! Just what I'd needed a couple of years back when I was still
programming.
I've only just started with it, but there are a few niggling comments about the
English version. I've only got to page 2 (getting started) so far.
* On my browser (Firefox in Windows) the 'v. latest' is
spacing events in
it. Otherwise, dynamics are per-voice.
Peter C
Werner,
:-)>
The problem with ligatures is that they have 3 meanings - ties,
bowing/breathing marks and phrasing marks. And sometimes a note will have all
three. But this is getting a bit off-topic.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.
nt he just marks "Pedal" but no details as to exactly where
he wants it.
Stravinsky's Oedipus rex has some very odd pedal markings in the score but I've
no idea what the orchestral part says.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Lilypond-user-request,
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Monday, May 30, 2022, 2:40:08 PM, lilypond-user-requ...@gnu.org wrote:
> Message: 4
> Date: Mon, 30 May 2022 15:07:48 +0200
> From: David Kastrup
> To: Kieren MacMillan
forum (or I forgot).
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
https://www.petercrighton.de
On Fri, 27 May 2022 at 10:28, Andrew Bernard
wrote:
> Hello All,
>
> Having had to abandon the Openlilylib (OLL) work I took over from Urs
> Li
e
}
}
}
\include "piece1"
\include "piece2"
...
---
This creates a bunch of Midi files and a single PDF file.
Peter C
Yes, it's very common. The way that I use is to create a separate dynamics
staff for the pedal indication and use silent notes to position the pedals
exactly where you want them.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, May 22, 2022,
Ken,
'With pedal' means that the composer wants you to use the pedal at your
discretion. Not much help to MIDI I'm afraid.
I suggest you play through the piece, noting what sounds good and put explicit
pedal markings in, but this won't help the next performer who may have
completely differe
reverse
proxy with certs from lets-encrypt.
That way you don’t need to bloat the Spontini image with this Cert-Stuff.
Cheers
Jan-Peter
> Am 19.02.2022 um 12:59 schrieb Paolo Prete :
>
> Hello Jan-Peter,
>
> thanks for your contribution!
> There's already a docker setup
Hello Paolo,
I really like Spontini and created a docker setup to test it. I just
started it again. It takes some time to build, but then one can use it
from http://localhost:8000/spontini-editor/.
Best
Jan-Peter
Am 11.02.22 um 00:33 schrieb Paolo Prete:
> Hello,
>
> I have publis
. I'm sure these effects are windows related and nothing really to do with
Lily or Fresco they just annoy an 80 year old intensely. Lily as ever is
brilliant.
Regards Peter
colours but being
normally-sighted I can live with it.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, January 2, 2022, 5:01:11 PM, lilypond-user-requ...@gnu.org wrote:
> Send lilypond-user mailing list submissions to
> lilypond-us
Is there a command to page break to the next verso (even numbered) page?
This would add a blank page if the current page number was even or simply
put in a page break if the page number was odd.
> Am 08.10.2021 um 12:04 schrieb David Kastrup :
>
> Jan-Peter Voigt writes:
>
>> Hi all,
>>
>> probably what I am writing now is not new to most of you. About a year
>> ago there was a discussion regarding the license of Lilypond, triggered
>>
am also
pushing the discussion to the devel list. ;-)
I'll be on the road for the next week, but I plan to get back to the
topic after that.
Cheers,
Jan-Peter
Am 07.10.21 um 22:51 schrieb Thomas Morley:
> Am Do., 7. Okt. 2021 um 13:32 Uhr schrieb Jean Abou Samra
> :
>>
>>
Hello Peter, and all,
I spotted the problem with the OLL export-solution in 2.22+:
In api.scm ll. 278,279 the call to ly:grob-properties fails. In that
acknowledger block the stem direction is recorded. I'll look how to fix
that later. If you like to try it out, you can temporarily just dele
Thanks very much Harm, but as I no longer need it, I shan't go ahead. If I need
it later I'll resurrect this thread.
The reason I like Jan-Peter's approach is that it appears to abstract the music
from the details of presentation. But I've not looked into it much.
Hello Jan-Peter,
As I wrote, my personal immediate need has now gone away.
Everyone seems to agree that some form of exchange mechanism between music
engravers is needed, but there are many different exchange formats and with
such a complex subject writing an exporter is a really heavy task
Hello Peter,
yes, I still receive the messages from the list, but since I have
changed jobs, my commitment to Lilypond has fallen behind a bit.
But I hope to curate and update my code soon so that it can serve as a
starting point for further development. Of course, Jacque's work should
n
. And I don't have a contact for him to ask - is he on this mailing
list?
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Wednesday, October 6, 2021, 8:05:12 PM, Jean Abou Samra wrote:
> Le 05/10/2021 à 13:08, Peter Toye a écrit :
>> Sorry -
Agreed, but it's possible that someone here might know more about this project
and now it's getting on.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, October 5, 2021, 12:53:43 PM, m.tarensk...@kpnmail.nl wrote:
> lilypond-to-music
k on later versions of
LilyPond.
It would seem to me that using LP's parsing mechanisms is the right way to go
about it, and I'd offer to help if my health allowed. Is there anyone on this
mailing list who knows about it? It's something I will probably need soon.
Best reg
that using LP's parsing mechanisms is the right way to go
about it, and I'd offer to help if my health allowed. Is there anyone on this
mailing list who knows about it? It's something I will probably need soon.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
Paul,
Thanks - I hadn't realised this. Now I see it's in NR.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, September 28, 2021, 10:18:20 AM, Paul Hodges wrote:
> On 28/09/2021 10:02:24, "Peter Toye" wrote:
>>
I want to change the "=" to "~" or "ca." in a metronome mark but I can't see
how to do it. There's a 'stencil' property but I assume that refers to the
entire MM and not the equals sign. Can someone please help?
Thanks in advance
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
ference
point for a hairpin? The start, the middle, the end? (The phrase is also used
in other contests, such as octave placement in NR section 1.1.1, to add to the
confusion).
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 5:10
I need to extend the width of a glissando so that it's visible. There isn't
room between the dot and the accidental for any meaningful symbol. As you can
see, I've tried various tweaks but none of them has any effect.
\version "2.22.1"
\language "english"
{
\override Glissando.style = #'zigza
Thanks Knute,
I posted it in the bug-lilypond list - I'll forward that directly to you and
Carlos.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 4:54:14 PM, Knute Snortum wrote:
> Do you know what you want to ch
Thanks David,
Lukas-Fabian got there first!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 3:21:27 PM, David Kastrup wrote:
> Peter Toye writes:
>> I'm trying to set a passage of vocal music with a short
Hello Lukas-Fabian,
Thanks. I knew I'd missed something.
With regard to the quotes - I was following the latest documentation.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 2:28:00 PM, Lukas-Fabian Moser wrote:
I'm trying to set a passage of vocal music with a short solo line. But the
example below shows that the lyric is not attached to the correct staff. Any
ideas how to get it right simply?
\version "2.22.1"
\language "english"
{
\new Staff = "Tutti" {
<<
\new Voice = "TuttiVoice" {
Valentin,
Thanks - with a few more additions that works fine!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 8:11:45 AM, Valentin Petzel wrote:
> Hello Peter,
> If you want to get rid of all dynamics in the piano red
Hi Carlos
I've had a similar problem, and I think the documentation for glissandoMap is
a bit misleading as it seems to imply hat you need a gliss line for each note.
I've suggested a documentation patch to clarify.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www
s. Quite a lot
of a capella music is published that way.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, September 17, 2021, 8:02:52 PM, Kieren MacMillan wrote:
> Hi Peter,
>> partCombine gets the endpoints of the hairpins wrong,
David,
Thanks. There's another reason I want to remove the dynamics though:
partCombine gets the endpoints of the hairpins wrong, which is a bit of a
disaster. I can try to produce a MWE.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, Sept
I'm using PartCombine for the first time to produce a piano reduction, and have
found a slight problem. Because the dynamics are a bit complex I want to remove
them from the piano part, but adding \remove "Dynamic_engraver" to each piano
staff has no effect. What am I doing wrong please?
\vers
That solves the problem indeed.
Many thanks for yr fast reply.
Original message
From: Knute Snortum
Date: 10/07/2021 16:12 (GMT+01:00)
To: Peter Struys
Cc: lilypond-user@gnu.org
Subject: Re: Indentation of 3rd line of music (instead of the default first one)
I would use a
Perfect.
Many thanks !!
Original message
From: Leo Correia de Verdier
Date: 10/07/2021 16:09 (GMT+01:00)
To: Peter Struys
Cc: lilypond-user@gnu.org
Subject: Re: Indentation of 3rd line of music (instead of the default first one)
There is this snippet at the lsr that could
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