You can find a huge library of predefined guitar fretboards here:
https://github.com/Philomelos/lilypond-predefined-fretboards/blob/master/README.org
(The documentation is not complete but I think you get the gist. You can find
loads of examples in the test files
(https://github.com/Philomelos
.^\markup{\finger "4"} c-.^\markup{\finger "1"}
> %your code
> a-1-. b-2-- c'-3-^ d'-4-.
> a-.-1 b---2 c'-^-3 d'-.-4
> c'-.-1 -1
>
> I'm using jEdit v 4.4.1 and Lilypond v. 2.14.1
>
> Thanks
> Crist
>
>
>
Hey all,
I'd like to change (and add) some minor things in musicxml2ly, but before I
make a patch I wanted to make sure that no-one objects:
1) tagline: musicxml2ly currently uses the contents of the -element
for the LilyPond-tagline. So the tagline at the end of a piece engraved by
LilyPond
to my lilypond file. Here is what I have:
>
>
> Here is the output
>
> On Fri, Sep 16, 2011 at 9:52 AM, Patrick Schmidt wrote:
>>
>> Am 16.09.2011 um 18:44 schrieb Crist Khachikian:
>>
>>> What about for notes with stems pointing down? That's
-3 d'-.-4
c'-.-1 -1
}
>
> Thanks
> Crist
>
>
>
> On Sep 16, 2011, at 9:17 AM, Patrick Schmidt wrote:
>
>> I can't reproduce any error. Your problems have got nothing to do with
>> jEdit. I checked it with jEdit v4.3.2. All of the above-men
I can't reproduce any error. Your problems have got nothing to do with jEdit. I
checked it with jEdit v4.3.2. All of the above-mentioned solutions are fine:
\version "2.14.2"
{
a-1-. b-2-- c'-3-^ d'-4-.
a-.-1 b---2 c'-^-3 d'-.-4
c'-.-1 -1
}
<>
Which version of LilyPond are you using?
ht
Am 15.09.2011 um 22:10 schrieb Reinhold Kainhofer:
> Am Thursday, 15. September 2011, 22:08:04 schrieb Patrick Schmidt:
>> in previews long instrument names seem to be indented automatically (see
>> preview.png)
>
> Actually, preview simply crops the image where the i
Hi all,
by accident I noticed that when you try to upgrade a file (to version 2.14.2)
that is already up to date (2.14.0) with
convert-ly myfile.ly > mynewfile.ly
a new but empty file is created. There aren't any error messages. When you fake
an older version number everything works out and a
Am 04.04.2011 um 15:40 schrieb Dmytro O. Redchuk:
> On Mon 04 Apr 2011, 15:22 Patrick Schmidt wrote:
>> Hi all,
>>
>> I'm using several \book blocks in one .ly file. This results as
>> expected/desired in several output files such as foo.pdf, foo-1.pdf,
>
Hi all,
I'm using several \book blocks in one .ly file. This results as
expected/desired in several output files such as foo.pdf, foo-1.pdf, foo-2.pdf,
etc. Is there a way to define the name of the output files in the .ly file?
Thus it wouldn't be necessary to rename the output files to somethi
http://codereview.appspot.com/4186049/
HTH
patrick
Am 15.02.2011 um 15:25 schrieb Rob Canning:
> hello,
> i am trying to get scheme to automate artificial harmonics so i dont need to
> specify the pitch of the note written up the perfect fourth
> i am running in to the problem of scheme not eval
Am 01.02.2011 um 16:07 schrieb Brett McCoy:
On Tue, Feb 1, 2011 at 9:13 AM, Jürgen Ibelgaufts
wrote:
I want to write down guitar chords and frets with extra voicings,
say a G
chord with an extra Fifth on the B string, 3rd fret, or Em chord
with an
extra G on the treble e string. As thes
Am 30.01.2011 um 10:45 schrieb bart deruyter:
I can only speak for guitarists, because I am a guitarist,
classical guitarist, and I'll definatly stick to the correct naming
for the correct chords, and I am now going to create my own version
of this predefined guitar diagrams list. If all
Hi Michael,
nice work! I just think that the name modal transposition is a little
misleading in this case. At first I thought that I could change the
mode of a tune with your function e.g. transpose music from c\major
to c\minor or something like that.
I just had the idea that it might be u
\version "2.13.42"
partOne = \relative c' {
c4 e g e~
}
partTwo = \relative c' {
e1
c4 e g e~
e1
}
\score {
\new PianoStaff <<
\set PianoStaff.midiInstrument = "acoustic grand"
\new Staff {
\set tieWaitForNote = ##t
\tempo 4 = 120
, seems to take
care of the issue.
Ah, ok, sorry for that. When I "Run LilyPond" on a new file I *have*
to press the "Preview Output (PDF)" button to see the file but I
haven't tested the new version, yet.
-Arle
On Jan 17, 2011, at 14:29 , Patrick Schmidt wrote:
Am 17.01.2011 um 20:17 schrieb Arle Lommel:
Hi all,
Just started using jEdit and lilypondtool today on Mac OS X because
I liked the idea of the PDF Preview and the integration between it
and the editor. However, in trying it out, I find that once I first
invoke the preview function it wo
Am 14.01.2011 um 13:09 schrieb Federico Bruni:
2011/1/14 James Lowe
http://lilypond.org/doc/v2.13/Documentation/notation/displaying-
staves#index-staff-group
Scroll down you will see
'The PianoStaff is identical to a GrandStaff, except that it
supports printing the instrument name dir
I believe this comes quite close to what you want but it's a trick.
Something is strange...
rightHand = {
1~
4
}
leftHandVoiceOne = {
\voiceOne
1~
4
}
leftHandVoiceTwo = {
\voiceTwo
r2. 4~
4
}
\score {
<<
\new PianoStaff <<
\new Staff = "rh" { \rightHand }
Am 19.12.2010 um 21:26 schrieb jakob lund:
I
2010/12/19 Marc Hohl :
Am 16.12.2010 17:04, schrieb Patrick Schmidt:
[...]
Hi Marc,
thanks for your solution but I'm still trying to find out what's
wrong
with the scheme function I posted. I discussed the need for this
function
Am 19.12.2010 um 20:13 schrieb Marc Hohl:
Am 16.12.2010 17:04, schrieb Patrick Schmidt:
[...]
Hi Marc,
thanks for your solution but I'm still trying to find out what's
wrong with the scheme function I posted. I discussed the need for
this function with Carl and he gave me s
Am 14.12.2010 um 20:16 schrieb Marc Hohl:
Am 14.12.2010 14:25, schrieb Patrick Schmidt:
Hi all,
Hi Patrick,
I noticed that glissandi are quite often hardly visible in a Staff-
context. There is also a huge difference in the look of glissandi
in Staff- and TabStaff-contexts. I'd li
Hi all,
I noticed that glissandi are quite often hardly visible in a Staff-
context. There is also a huge difference in the look of glissandi in
Staff- and TabStaff-contexts. I'd like to write a function to adjust
these differences for Staffs and TabStaffs separately but I don't
even manag
Am 06.12.2010 um 21:04 schrieb bart deruyter:
Hi all,
I was wondering, as standard notation for the F, I am used to the
non-barré chord, using the index to cover the first fret of the b
and e string of the guitar. But I'm really having a hard time
figuring this out in notation, showing t
Am 04.12.2010 um 23:05 schrieb James Bailey:
I don't understand alternatives. Can someone explain to me what I'm
doing wrong. Why does the first example not compile properly with
the excuse, "more alternatives than repeats" but the second example
compiles just fine?
Hi James,
in your firs
Am 03.12.2010 um 20:02 schrieb Carl Sorensen:
On 12/3/10 10:42 AM, "Patrick Schmidt" wrote:
Hi Carl,
I tried to apply patch 3326042 (http://codereview.appspot.com/
3326042/) before and after your last modification but I wasn't
successful (Lilybuntu, LP version 2.13.41):
Hi Carl,
I tried to apply patch 3326042 (http://codereview.appspot.com/
3326042/) before and after your last modification but I wasn't
successful (Lilybuntu, LP version 2.13.41):
p...@lilybuntu:~/lilypond-git$ git apply issue3326042_18001.diff
error: input/regression/tablature-tie-spanner.ly
some
technical aspects.
so I think having a more general mechanism would also be
very useful.
+1
Thanks,
patrick
Thanks,
-steve
On Tue, Nov 23, 2010 at 1:09 AM, Patrick Schmidt
wrote:
Hi Steve,
Am 23.11.2010 um 08:37 schrieb Steve Yegge:
Hi all,
The TabStaff is amazingly cool. I&
Hi Steve,
Am 23.11.2010 um 08:37 schrieb Steve Yegge:
Hi all,
The TabStaff is amazingly cool. I'm not a big tab user myself,
but for people who want tabs, LilyPond makes it easy to add them.
I've been busily adding tabs for a few months and have some feature
requests to put into the queue if
Put each score in a \bookpart{} or use \pagebreak after each score.
HTH
patrick
Am 21.11.2010 um 17:56 schrieb Stephan Elliot Perez:
Ah no, I did not. Now it is working. Is there a way to simple way
to force the creation of a new page after each score?
On Sun, Nov 21, 2010 at 4:13 PM, Phi
Anfang der weitergeleiteten E-Mail:
Von: Patrick Schmidt
Datum: 16. November 2010 14:24:21 MEZ
An: Gerard McConnell
Betreff: Re: tablature and svg
Hi Gerard,
Am 16.11.2010 um 11:18 schrieb Gerard McConnell:
Hello,
I find that when I open a LilyPond produced guitar tablature saved
as
Hi all,
the following example doesn't compile with version 2.13.38:
\version "2.13.38"
\include "predefined-guitar-fretboards.ly"
#(define custom-fretboard-table-one (make-fretboard-table))
#(define custom-fretboard-table-two (make-fretboard-table
default-fret-table))
\storePredefinedDiagram
Am 05.11.2010 um 10:14 schrieb David Kastrup:
David Kastrup writes:
When writing ut queant laxis
http://en.wikipedia.org/wiki/Ut_queant_laxis>, French note names
would be more appropriate. Oh, we don't have them. The Italian note
names use "do" rather than "ut". I have a Swiss accordion s
Am 21.10.2010 um 14:31 schrieb Alan E. Davis:
On Fri, Oct 15, 2010 at 1:01 PM, Graham Percival music.ca> wrote:
On Fri, Oct 15, 2010 at 12:44:12PM +1000, Alan E. Davis wrote:
After spending a little time trying to understand lilypond, I
>have come to the conclusion that there is somethin
Am 20.10.2010 um 19:49 schrieb Patrick Schmidt:
Am 20.10.2010 um 18:20 schrieb James:
Hello
I am using Mac OSX Snow Leopard (10.6.x) with LilyPond 2.13.35
Here is the smallest example I could get down to
--
\version "2.13.35"
RH = \relative c'' {
\repeat
Am 20.10.2010 um 18:20 schrieb James:
Hello
I am using Mac OSX Snow Leopard (10.6.x) with LilyPond 2.13.35
Here is the smallest example I could get down to
--
\version "2.13.35"
RH = \relative c'' {
\repeat unfold 30 { a8 a a a }
}
LH = {
\clef bass
\repeat unfold 30 { a8 a a
Anfang der weitergeleiteten E-Mail:
Von: Gerard McConnell
Datum: 14. Oktober 2010 00:17:58 MESZ
An: Patrick Schmidt
Betreff: Re: a JEdit/LilyPondTool behaviour
Excellent, that did the trick. The path had parentheses in it -
folder(9)
Many thanks Patrick.
On Wed, Oct 13, 2010 at 1:26 PM
Gerard,
IINM you should avoid certain characters in your path. I'm pretty
sure you used something like: "(,), é, ä, à etc. in your directory/
file labels.
HTH
patrick
Am 13.10.2010 um 11:48 schrieb Gerard McConnell:
Hello,
Just wondering about a behaviour when I'm using the PDF viewer in
Hi Gerard [this time I got your name right! ;-)]
try it with
\override BarLine #'bar-size = #4
HTH
patrick
Am 06.10.2010 um 12:34 schrieb Gerard McConnell:
Hello,
How do I get barlines to appear in the following?
\version "2.12.0"
\layout {
\context {
\Score
\remove "Bar_num
> > BTW at the end of the build process I got the following errors:
> >
> > Dissecting...lilypond-book.py: error: file not found: fretboards-
> > alternate-tables.ly
>
> Do you have a file
> Documentation/snippets/new/fretboards-alternate-tables.ly?
>
No, I haven't.
> IF you do, you may need t
Don't feel any pressure to test my patch. I just wanted you to
know it was
available because you had made the feature request. It will get
added to
git relatively soon, and there should be a new release coming soon
as well.
I
actually haven't got a clue what I have to do with your pa
I used the full version of Adobe Acrobat to create a PDF portfolio
of the 2.13.34 English PDF docs, which is indexed to be able to
search across all the manuals at once. It can be downloaded from
http://www.users.on.net/~njpayne/music/lilydoc.pdf (38Mb). It can
only be used with v9.x Ado
Hi all,
here are some reflections on chord mode especially on inversions and
some suggestions concerning modifiers.
The Notation Reference states in 2.7.1 Chord mode:
Only the second inversion can be created by adding a bass note. The
first inversion requires changing the root of the chord
Am 25.09.2010 um 18:02 schrieb Patrick Schmidt:
Am 25.09.2010 um 17:16 schrieb James Bailey:
On Sep 25, 2010, at 10:45 AM, Patrick Schmidt wrote:
Hi all,
I'm using VirtualBox v.3.0.12 (the last release that supports Mac
OS 10.4.11) and LilyBuntu. I downloaded the source code o
Am 25.09.2010 um 17:16 schrieb James Bailey:
On Sep 25, 2010, at 10:45 AM, Patrick Schmidt wrote:
Hi all,
I'm using VirtualBox v.3.0.12 (the last release that supports Mac
OS 10.4.11) and LilyBuntu. I downloaded the source code of the
current development version with git to ~/lil
Hi all,
I'm using VirtualBox v.3.0.12 (the last release that supports Mac OS
10.4.11) and LilyBuntu. I downloaded the source code of the current
development version with git to ~/lilypond-git and compiled it with
"make all" as described in the manuals. So far so good!
According to the CG
Carl,
first of all thank you very much for your patch! I had a quick look
at it on Rietveld and I'm stunned. I don't know how you managed to
get all of this done in such a short period of time.
Am 24.09.2010 um 07:12 schrieb Carl Sorensen:
Patrick,
I've loaded a patch on Rietveld that all
Am 20.09.2010 um 20:29 schrieb Vicente Solsona:
On Mon, 20 Sep 2010 18:27:37 +0200, "Vicente Solsona"
wrote:
To sumarise:
String numbers, harmonics and right hand fingerings *must* be
defined
inside a chord construct even if there is only a single note.
you can attach finger numbers to s
Am 20.09.2010 um 11:57 schrieb David Kastrup:
Patrick Schmidt writes:
For example I couldn't find "copy-list" anywhere in the manuals so I
guess it is a self-defined function or a scheme function I haven't
found, yet.
My Scheme-foo is lousy. It is `list-copy
Hi Carl and David
Am 20.09.2010 um 11:29 schrieb Carl Sorensen:
On 9/20/10 1:19 AM, "David Kastrup" wrote:
Patrick Schmidt writes:
Hi all,
I have several files with definitions of guitar fret diagrams for
various chord shapes (e.g. c-shape.ly, a-shape.ly, g-shape.ly, e-
shap
Am 20.09.2010 um 10:53 schrieb Dmytro O. Redchuk:
On Sat 18 Sep 2010, 16:47 Patrick Schmidt wrote:
It looks to me as if this strange behaviour is caused by the
No, with no \voiceTwo lilypond produces wrong picture, too (dots
can not be
moved).
Thank you, Patrick and Vicente, i've
Hi all,
I have several files with definitions of guitar fret diagrams for
various chord shapes (e.g. c-shape.ly, a-shape.ly, g-shape.ly, e-
shape.ly and d-shape.ly). I can't include all of these files at the
same time in the main file as quite a few chord alternatives start on
the same pit
Am 18.09.2010 um 16:05 schrieb Dmytro O. Redchuk:
Hi!
Here lilypond puts dots "in betweens noteheads", i need both of
them (all of
them) would be in spaces below noteheads:
\version "2.13.33" % 2.12 does the same
\relative c'' {
\time 3/4
\voiceTwo
% neither of two works:
\overri
Hi Gerald,
\addlyrics can't handle polyphony. See NR v.2.13. You should use
\lyricsto. You just forgot to add \new Lyrics:
\new Lyrics \lyricsto "soprano" { please help }
If you'd like to have the lyrics in between the two staves you have
to add:
\layout { \context { \PianoStaff \accepts
Hi Steve,
Am 17.09.2010 um 08:37 schrieb Steve Yegge:
For a 5th harmonic, the TabStaff automatically chooses the 19th
fret rather than the 7th fret. For instance:
music = {
<<
\relative c' { \harmonicsOn b'1\6 \harmonicsOff }
>>
}
\score {
<<
\new Staff { \music }
\new TabS
Am 13.09.2010 um 10:59 schrieb Dmytro O. Redchuk:
On Fri 10 Sep 2010, 22:58 Patrick Schmidt wrote:
Hi all,
when voices get very close to one another ledger lines and/or note
heads seem to change their behavior. In the following example the
note head of the c is too far to the right. The
Hi all,
I'm engraving a choral piece in which all line breaks and page breaks
were calculated automatically. The layout is just the way it is
supposed to be. Unfortunately in two measures some rather long chord
names collide (A F#m/B | E F#m/B). Is there a way to resolve the
collisions wi
Hi all,
when voices get very close to one another ledger lines and/or note
heads seem to change their behavior. In the following example the
note head of the c is too far to the right. The ledger lines of the
notes on the left side of the chord are shorter than normal. The
ledger line of
Am 10.09.2010 um 19:37 schrieb Carl Sorensen:
On 9/10/10 9:45 AM, "Seth Williamson" wrote:
I want to thank everybody who has helped thus far in the saga of
my getting
the LilyPond/JEdit/LilyPondTool combo up and running.
Thanks to several people's suggestions, I think I got the
permissi
It compiles just fine here! Can you compile it via the command line?
lilypond Seth's Test Score.ly
Am 10.09.2010 um 17:45 schrieb Seth Williamson:
I want to thank everybody who has helped thus far in the saga of my
getting the LilyPond/JEdit/LilyPondTool combo up and running.
Thanks to sev
Hi all,
I'm having difficulties to indicate in tablature where to place a
finger to get harmonics other than the first harmonic (see Ex. 1).
The first harmonic is normally produced in the 12th fret and sounds
in the same octave as if the string were stopped in the 12th fret
(one octave ab
Am 10.09.2010 um 04:16 schrieb Patrick McCarty:
Hi,
On 2010-09-09, Patrick Schmidt wrote:
\version "2.13.31" % on Mac OS X
\paper{ raggedright = ##t }
initialAcciaccatura = \relative c' {
\acciaccatura 8
8
}
initialGrace = \relative c'' {
Am 09.09.2010 um 11:12 schrieb Mats Bengtsson:
Good morning LilyPond,
\version "2.13.31" % on Mac OS X
\paper{ raggedright = ##t }
initialAcciaccatura = \relative c' {
\acciaccatura 8
8
}
initialGrace = \relative c'' {
\grace c16
c4
}
initialAppoggiatura = \r
Good morning LilyPond,
\version "2.13.31" % on Mac OS X
\paper{ raggedright = ##t }
initialAcciaccatura = \relative c' {
\acciaccatura 8
8
}
initialGrace = \relative c'' {
\grace c16
c4
}
initialAppoggiatura = \relative c'' {
\appoggiatura c16
c4
}
You have to add the command
\tabFullNotation
to make the stems visible.
HTH
patrick
Am 08.09.2010 um 12:40 schrieb bart deruyter:
Hi,
I have recently started using lilypond, but there are some things
that don't seem ok. Following the documentation I started writing a
tabulature for guita
Hi Seth,
just cut an paste the following line into "Path to LilyPond binary":
/Applications/LilyPond.app/Contents/Resources/bin/
This should solve your problem.
HTH,
patrick
Am 07.09.2010 um 15:56 schrieb Seth Williamson:
I got the following reply from the other list. But I'm still
getting
Hi Phil,
Am 31.08.2010 um 11:48 schrieb Phil Burfitt:
Hi Patrick,
I'm not familiar with the inner workings of lilypond, but it
seems to me the problem occurs when a TabStaff command
(\set TabStaff.minimumFret) is executed in a Staff context.
using \set minimumFret = #5 instead should solve the
Hi all,
I found two instances in which \set TabStaff.minimumFret = #xy causes
an unwanted TAB-symbol in between a normal Staff and a TabStaff
(\version 2.13.30):
a) no explicit \clef "xy"-command:
music = {
\set TabStaff.minimumFret = #5
c'1
}
\score {
<<
\new Staff {
\m
Am 28.08.2010 um 12:28 schrieb Werner:
Hello.
I would like to get instead of just a page number something like:
1/3
1 of 3
1 von 3
on first page if the whole piece contains 3 pages
Maybe also (small)
„title“, S. 2 von 3
„title“, p. 2 of 3
„title“, 2/3
on page two of three...
(but also just
Hi,
I think that's what you want:
\score {
\new Staff \relative c' {
\override NoteHead #'stencil = #point-stencil
c4 d e8 f g a
}
}
see http://lilypond.org/doc/v2.13/Documentation/learning/visibility-
and-color-of-objects
HTH,
patrick
Am 24.08.2010 um 15:21 schrieb alexandros:
Hi Eluze,
thank you! I think it works because the \once\override... command
changes the normal arpeggio style to a style with an arrow. So in
this example you don't really need the command \arpeggioArrowUp any
more.
Cheers
patrick
Am 23.08.2010 um 12:07 schrieb eluze:
hi Patrick
since
Hi Nick & Xavier,
thanks very much and sorry for re-asking the question (when I
described the problem I had no internet connection and I forgot to
check the archives before actually sending the mail).
Cheers
patrick
Am 23.08.2010 um 11:41 schrieb Nick Payne:
On 23/08/10 18:04, Pat
Hi all,
it doesn't seem to be possible to draw arrow-type arpeggios across
several voices. In the following example the arpeggio is drawn but
the arrow is missing.
\version "2.13.30"
musicVoiceOne = {
\arpeggioArrowUp
4\arpeggio
}
musicVoiceTwo = {
%\arpeggioArrowUp
e4\arpeggio
}
http://lilypond.org/doc/v2.13/Documentation/snippets/rhythms#merging-
multi_002dmeasure-rests-in-a-polyphonic-part
Does this help?
Am 17.08.2010 um 10:58 schrieb Xavier Scheuer:
On 17 August 2010 01:17, Trevor Daniels wrote:
[...]
The easiest fix is to use s1*7 in the second voice, althou
Am 17.08.2010 um 05:30 schrieb Carl Sorensen:
On 8/16/10 3:30 PM, "Patrick Schmidt" wrote:
Dear LilyPonders,
while trying to typeset some vocal music I encountered some
difficulties with \autoBeamOff:
1) \autoBeamOff has no effect on other voices when used in a global
vari
Dear LilyPonders,
while trying to typeset some vocal music I encountered some
difficulties with \autoBeamOff:
1) \autoBeamOff has no effect on other voices when used in a global
variable/ghost voice. It has to be turned on explicitly for each
voice. This is probably intentional but AFAIK
Hi Rose,
Am 14.08.2010 um 16:39 schrieb Rose Mawhorter:
Hi all,
I've been stewing over what should be simple all afternoon. I
documentation seems to be getting me no where. I'm working on
entering an old hymn. The piece has an upbeat, which I'm having a
bit of trouble with. The partial me
Hi Phil,
Am 24.07.2010 um 12:31 schrieb Phil Burfitt:
Ciao Federico,
Thanks, I've since found that using TabStaff.minimumFret helps
reduce the need to define string numbers.
Yes, it's a very useful feature! The advantage is that you could also
define some string numbers to show up in norma
Correct me if I'm wrong but I don't think that musicxml2ly can
read .capx-files. It can handle .xml and .mxl-files, though. But you
can import .cap(x)-files with MuseScore and export them as .ly-files.
MuseScore converts to LilyPond Version 2.12.0. You can update it with
convert-ly. You'll
1) If you manage to open the .ly-file with MuseScore you can export
to MusicXML and then import the .xml-file with Finale.
2) You could use PDFtoMusic. The software converts PDFs (no scans) to
MusicXML but it's not perfect and it's commercial. You might have to
edit/correct the output in Fina
Am 19.06.2010 um 19:05 schrieb James Lowe:
Hello,
On 19 Jun 2010, at 16:57, Patrick Schmidt wrote:
Hi all,
some observations concerning the HTML version of the Learning Manual…
2.2.4 Combining notes into chords
In the following example the square brackets don't make much sense
as
Hi all,
some observations concerning the HTML version of the Learning Manual…
2.2.4 Combining notes into chords
In the following example the square brackets don't make much sense as
there is no real need for them:
r4 8[ ]~ 2 |
r4 8( \> 4 \!) |
To show that beams and ties can be combined with
Hi all,
this should probably be listed in Usage 4.4:
LilyPond can be integrated in Google Wave, WordPress, SPIP and
mediawiki.
Plug-ins:
1) http://code.google.com/p/lilypondy/
2) http://scorerender.abelcheung.org/
3) http://www.spip-contrib.net/Plugin-Lilyspip
4) http://www.mediawiki.org/wi
Thanks Bertalan & David,
now it works. It must have been some sort of space character, indeed.
After deleting all empty lines from the copied&pasted code it
compiled successfully.
Am 03.05.2010 um 11:59 schrieb David Kastrup:
"Bertalan Fodor (LilyPondTool)" writes:
Perhaps you copied
f a
"failed compilation"-message the following pdf is produced:
circular-staff.pdf
Description: Adobe PDF document
Any ideas?
Thanks for your help!
patrick
Am 03.05.2010 um 09:45 schrieb Bertalan Fodor (LilyPondTool):
Patrick Schmidt wrote:
Dear Bertalan,
when I compile you
Dear Bertalan,
when I compile your circular-staff-code with LilyPond version 2.13.19
I get a "syntax error, unexpected STRING" for each line containing an
override-command. The compilation fails. Am I missing out on something?
Thanks for your help!
patrick
Am 04.02.2010 um 17:33 schrieb Ber
n has an effect on all following voices in a
(tab)staff.
This works:
\new TabStaff = "guitar tab" <<
\context TabVoice = "upper" { \tabFullNotation \upper}
\context TabVoice = "lower" { \tabFullNotation \lower }
>>
Thanks,
patri
Hi,
this might be a known issue…
When I compile the snippet "polyphony in tablature" (http://
lsr.dsi.unimi.it/LSR/Search?q=polyphony+in+tablature+) with version
2.13.19 (and 2.13.18) the first sixteenth rest is missing in tablature:
\version "2.13.19"
upper = \relative c' {
\time 12/8
Am 07.04.2010 um 04:11 schrieb Graham Percival:
On Tue, Apr 06, 2010 at 06:59:30PM +0200, Mats Bengtsson wrote:
Werner wrote:
I got problems with \partial after \cadenzaOff, which is ignored
for three of
four voices.
In the DOC i found:
The \partial command is intended to be used only at
Hi all,
in order to achieve different guitar tablature editions of the same
piece of music I experimented with ghost voices consisting of spacer
rests in combination with tablature information. Unfortunately it
doesn't seem to be possible to use spacer rests in chord constructs
such as .
> set this to false
>
> \set chordChanges = ##f
This was staring me in the face for hours but I didn't see it…
Thanks a lot!
patrick
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Hi all,
I'm having problems to typeset chord names in alternate endings. Or to be
precise: one chord name is not displayed in the alternative ending of my
example. (I already tried to use the \partial\repeat\alternative-commands
within \chordmode{} but to no avail.) Can anybody spot my mistake?
Original-Nachricht
> Datum: Sun, 31 Jan 2010 10:03:53 -0800
> Von: Avram Aelony
> An: lilypond-user@gnu.org
> Betreff: transpose help - piano staves
>
>
> Hello,
>
> I'd like to set up some ii-v-i voicing exercises for piano.
>
> The transpose seems to be working, but it's
Hi all,
is it possible to use slashed note heads for chords to indicate the rhythm of a
strumming pattern? This is what I have tried so far:
\version "2.13.10"
chordsI = \chordmode {c1 }
chordsII = { 1 }
\relative c' {
\new Voice \with {\consists "Pitch_squash_engraver" }
{
\chordsI
\c
Done!
thanks,
patrick
Original-Nachricht
> Datum: Thu, 21 Jan 2010 22:43:25 +0100
> Von: "Bertalan Fodor (LilyPondTool)"
> An: Patrick Schmidt
> CC: lilypond-user@gnu.org
> Betreff: Re: LilyPondTool doesn\'t find predefined-guitar-fretboards.ly
Hi Bertalan,
first of all thank you very much for LilyPondTool! It makes life much easier!
I just discovered that LilyPondTool (version 2.12.894; jEdit 4.3pre 17; Mac OS
10.4) produces the following warning message when I include the file
predefined-guitar-fretboards.ly in my .ly-files:
/Appli
Alla breve (C with a vertical line through) is set by default with \time 2/2.
See Notation Reference 1.2.3 Time Signature
HTH
patrick
Original-Nachricht
> Datum: Mon, 18 Jan 2010 11:14:58 +0100
> Von: Ove Ditlevsen
> An: lilypond-user@gnu.org
> Betreff: alla breve
> Please, ca
Original-Nachricht
> Datum: Thu, 07 Jan 2010 17:09:49 +0100
> Von: Federico Bruni
> An: Patrick Schmidt
> CC: lilypond-user@gnu.org
> Betreff: Re: \\stopStaff does not work with TabStaff in StaffGroup
> Il 07/01/2010 16:33, Patrick Schmidt ha scritto:
>
Federico,
I think it's a problem with moderntab. If you remove all the \clef "moderntab"
then everything works fine. (I tested it with version 2.13.10.)
Hope this helps a bit!
patrick
Original-Nachricht
> Datum: Thu, 07 Jan 2010 15:42:39 +0100
> Von: Federico Bruni
> An: lilyp
sorry, I was wrong. The error message escaped my notice. (And I didn't consult
the Notation Reference.)
thanks Mike
Original-Nachricht
> Datum: Sat, 02 Jan 2010 13:28:37 +0100
> Von: "Patrick Schmidt"
> An: Federico Bruni , lilypond-user@gnu.org
> B
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