On 09/12/2011 04:19 PM, Nick Payne wrote:
> ... elision by patrick...
> I can't print it from Adobe Reader on Ubuntu either. I also opened it
> in the default PDF document viewer that comes with Ubuntu (Evince),
> and in that, most of the text just displays as blocks of various sizes
> and shades -
Just a web page design sort of comment. The font is quite small for
older eyes like mine (mid 50s;). The line spacing is really tight as
well. I can scale the font up, but the pages still don't breathe. It
would be a lot more approachable if you didn't try to make everything
fit in such a tight
There's also lily2image.
$ lily2image
Usage: lily2image [-v] [-t] [-rN] [-fFORMAT] filename
-v print version number and quit
-aabout - tell about us and exit
-tset background to transparent
-r=Nset resolution to N (usually 72-2000)
On 04/23/2011 02:50 AM, Federico Bruni wrote:
> Il giorno sab, 23/04/2011 alle 02.36 -0700, Patrick Horgan ha scritto:
>> I figured it out. It was the Text_engraver I needed. So I'm
>> attaching
>> a new version that has H in the appropriate place. Please let me know
&
On 04/23/2011 02:03 AM, Patrick Horgan wrote:
> ...elision by Patrick...
> You'll see my attempt to put H at appropriate places doesn't work.
> Apparently a TabStaff is missing whatever engraver would put them in? I
> can put them in the regular staff, and it works,
engraver would put them in? I
can put them in the regular staff, and it works, tucking them under the
Chords, but it's not at all what I want. Help!!!;)
Patrick
\version "2.13.45"
\header {
title = "Let Him Roll"
subtitle = "by Guy Clark"
subsubtitle =
On 04/20/2011 02:55 AM, Xavier Scheuer wrote:
> \new TabStaff = "guitar tab" <<
> \new TabVoice = "upper" { \tabFullNotation \upper }
> \new TabVoice = "lower" { \tabFullNotation \lower }
> >>
Thank you. This also works:
\new TabStaff = "guitar tab" <<
\context TabVoice = "uppe
Using GNU LilyPond 2.13.45, with this source there's no stems for the
quarter notes in the bottom voice in the tab staff. I'm attaching a png
that shows the problem. (I turned off the footer so the png would be
small instead of being a whole page.)
\version "2.13.45"
\paper {
oddFooterMarkup
On 03/17/2011 07:15 AM, Marc Mouries wrote:
This is intellectually interesting but the question is not "who
deserves to create good music?" but rather "who wants to listen to
music made by someone that does not practice?" and who wants to listen
to music played by a computer? Sure many times, n
On 02/02/2011 03:30 AM, Ralph Palmer wrote:
On Tue, Feb 1, 2011 at 11:05 PM, Patrick Horgan <mailto:phorg...@yahoo.com>> wrote:
I'm setting some of O'Neill's Irish tunes, and the tempo
indications are (a selection):
Animated, Boldly, Cheerful, Cheer
On 02/02/2011 06:43 AM, Michael Ellis wrote:
Hi Patrick,
Short of conducting extensive field research in Ireland's pubs, you
might try asking the question here.
http://www.thesession.org/discussions/
Cheers,
Mike
What a treasure. Thank you mike. It lead me to
http://www.itma.ie/English/
On 02/02/2011 03:59 AM, James Lowe wrote:
... elision by patrick ...
I don’t think there is such a thing a 'authentic' tempo range if you are
referring to setting crotchet/quaver/minim tempo speeds.
What you are asking, it seems is, 'what speed is 'cheerful''?
Which doesn't makes much sense.
I'm setting some of O'Neill's Irish tunes, and the tempo indications are
(a selection):
Animated, Boldly, Cheerful, Cheerfully, Gaily, Gracefully, Moderate,
Plaintive, Plaintively, Playful, Playfully, Rather slow, Slow,
Slow and distinctly, Slow and mournful, Slow and tenderly,
Slow and with fee
"
mutopiainstrument = "Voice"
source = "Arista Edition"
style = "Renaissance"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
typesetter = "Jeff Covey & Patrick Horgan"
maintainer = "Jeff Covey & Patrick Hor
Someone mentioned this format and I had the files laying around from
when they came through the list before. I didn't keep track of who
wrote them.
compound-test.png
\version "2.11.62"
compoundTimeSignature = #(define-music-function
(parser layout timesig compound) (list? list?)
#{
% gr
On 01/12/2011 07:42 AM, Phil Holmes wrote:
- Original Message - From:
> If you modify that function in scm/define-music-callbacks.scm to
'Voice
> instead of 'Staff, then \ottava only applies to the current voice
(which > is,
> however, probably now what we want by default).
i guess
On 01/04/2011 06:47 AM, Tim McNamara wrote:
Just another data point, it compiles fine for my on a recent git pull
from trunk on ubuntu Natty Narwhal.
Patrick
\version "2.12.2"
#(ly:set-option 'delete-intermediate-files #t)
\paper {
indent = 0.0
ragged-last = ##f
}
\header {
t
On 01/01/2011 07:46 AM, Carl Sorensen wrote:
On 12/31/10 11:43 PM, "Patrick Horgan" wrote:
Is this a known thing or should I look at it?
Please look at it. It's not a known bug.
Thanks,
Carl
You're welcome, first, is this an issue, or can I ignore it?
langdefs.py: w
Did git pull, make dist-clean, make all, make install, all completed
fine. Then make doc results in:
Renaming input to: `tablature-fretboard-open-string.ly']
Interpreting music...
[/usr/local/lilypond/out/share/lilypond/current/fonts/otf/emmentaler-20.otf]Segmentation
fault (core dumped)
comma
On 12/06/2010 02:05 PM, Patrick Horgan wrote:
No joy. Still seg-faulting on the simplest files.
But! It was a gcc bug, not a lilypond bug. I was using gcc (GCC) 4.6.0
20101109. Pulling down and building gcc (GCC) 4.6.0 20101207 and then
rebuilding lilypond made everything happy. Sorry
On 12/06/2010 10:17 AM, Francisco Vila wrote:
2010/12/6 Patrick Horgan:
patr...@dell$ git checkout
Dflower/include/guile-compatibility.hh
Dlily/guile-init.cc
Dlily/include/lily-guile-macros.hh
Dlily/lily-guile.cc
Dly/guile-debugger.ly
Dscm/guile-debugger.scm
Something
On 12/06/2010 12:14 AM, Francisco Vila wrote:
git checkout HEAD lily/include/lily-guile.hh
That's strange. That got it, but I wonder why git pull didn't? After
getting it, now it complains about another missing file included from
lily-guile.hh.
./include/lily-guile.hh:37:34: fatal error: g
Has anyone else seen this? git pull, make cleandist, autogen.sh with no
complaints, then make fails with this result:
make[1]: Entering directory `/usr/local/lilypond/lily'
cp -p /usr/local/lilypond/config.hh out/config.hh
rm -f ./out/accidental-engraver.dep;
DEPENDENCIES_OUTPUT="./out/acciden
On 12/03/2010 09:24 AM, Patrick Karl wrote:
On Dec 3, 2010, at 11:01 AM, lilypond-user-requ...@gnu.org wrote:
Message: 1
Date: Fri, 03 Dec 2010 07:58:07 -0800
From: michael webster
Subject: Re:vim
To: lilypond-user@gnu.org
Message-ID:<7697ea0a-cba0-47c0-b978-b25c6ffd3...@mac.com>
Content-Type:
Too bad there's no #ifdef #define #endif or a conditional include on a
variable known to identify the inclusion of a particular file.
Patrick
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hsweet wrote:
Hi all...
I've installed what I think should be Lilypond 2.12 every way I can dream
up, the installation messages say it's installing 2.12. but lilypond -v
still thinks it 2.10.33.
Perhaps you have another lilypond earlier in your path? Type
which lilypond
from the command l
Federico Bruni wrote:
...elision by patrick...
I've often wondered why, even though I have a version of LilyPond
installed from repository (therefore located in /usr/bin), when I
install a package of a new version that version becomes the default in
the environment.
For example now:
f...@de
Bertalan Fodor (LilyPondTool) wrote:
It is important for the same voices to remain in the same Voice context.
So if you have this:
\new Voice = "soprano" { c8 d e } and you want to go to S1 and S2, you
should use this construct:
\score {
\new Staff {
\new Voice = "soprano" \re
I hadn't read the LM for some time and thought it would be nice to see
how it was doing. I started reading the 2.12 version and was
wonderfully surprised by the Introduction which gives great history and
context to understand the rest. I saw one document issue I thought I
might bring up with
Mats Bengtsson wrote:
You mean like the following example?
Doesn't work with odd numbers of staffs.
Patrick
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pound...@lineone.net wrote:
... elision by patrick ...
This:
\layout {
\context {
\Voice
\consists \ez-numbers-engraver
}
}
Gives this error:
numerNoteHeads2.ly:29:14: error: syntax error, unexpected
SCM_IDENTIFIER, expecting STRING
\consists
\ez-numbers-eng
Kieren MacMillan wrote:
Hi Patrick (et al.),
for people who haven't used the LSR (lilypond snippet repository) before,
if you click on the pretty pictures of things you want to do,
they turn into lilypond code for you to learn from:) It's all automagic.
Your post bring
Dmytro O. Redchuk wrote:
У нд, 2010-01-10 у 13:49 +0100, Martin Tarenskeen пише:
Hi,
I want to put two (little) songs on one page, both complete with title,
subtitle, and composer headers, but footer information - if any - only at
the bottom of the page. But I can't figure out h
Just quickly, because many will miss this, on gamedev network there's a
cool little orchestration tutorial.
http://www.gamedev.net/reference/music/features/brfOrchGuide/
Patrick
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Federico Bruni wrote:
I'm writing a blank sheet to be used for hand writing (see attached file).
The problem is that the first bar of each line is too large compared
with the other bars. I guess this is due to a default padding value of
some property.. I don't know which..
You'd want some ext
I've committed to making a key for guitar tablature that will show
little snippets of tab along with descriptions. How do I do that? Any
pointers greatly appreciated;) I understand TAB quite well, and vocal
music on lilypond well, as well, but well, don't understand how TAB on
lilypond that
Graham Percival wrote:
On Fri, Oct 30, 2009 at 7:55 PM, Patrick Horgan wrote:
Don't feel bad. I have a Masters in Computer Science and I don't understand
Scheme at all in spite of having an AI class that used Scheme about a
million years ago.
Yes, don&
Jiri Zurek (Prague) wrote:
...elision by Patrick ... I am so sorry
that I did not study computer science so that I would understand scheme
coding, but to my greatest misfortune it is above my capabiblities. I am
alone to be blamed for this, but this is the reason that I am looking for
someone to
Carl Sorensen wrote:
On 10/27/09 12:53 PM, "Patrick Horgan" wrote:
Soon to do my first guitar tab piece in lily and was wondering if
there's any way to automagically print out the TAB key, i.e. the thing
that explains to the reader/player what all the T
Soon to do my first guitar tab piece in lily and was wondering if
there's any way to automagically print out the TAB key, i.e. the thing
that explains to the reader/player what all the TAB symbols mean? Most
TAB pieces have one, and since there's a number of /families/ of guitar
TAB notation c
Graham Percival wrote:
What about a version that read from standard input and wrote to
standard input? I'm thinking about the documentation -- we could
automatically format all lilypond input syntax.
On unix a lot of tools default to input coming from one or more file(s)
whose names are spec
Frederick, using 2.13.4, with your version of the title on a separate
page, I get 434 instances of:
programming error: note head has no event cause
continuing, cross fingers
and 217 instances of:
programming error: these accidentals do not have a pitch
continuing, cross fingers
It follows a p
Philippe Hezaine wrote:
elision done here...
Hi,
There is an error in the typesetting.
The author writes <>
Write it: 8
Cheers.
Thanks! one quick global search and replace and the code compiles
cleanly and gives a good output.
Patrick
___
Just out of curiosity, (since I don't play, nor read, drum music), I
compiled this with lilypond version 2.13.4 on ubuntu. It built the
output, but with many complaints like:
GNU LilyPond 2.13.4
Processing `test.ly'
Parsing...
Interpreting music... [8]
Preprocessing graphical objects...
program
Christian Henning wrote:
Hi all, thanks for the replies. I could fix all of my problems. I'm
using multipliers now which I find easier to use and to read. Thanks
to Brett Duncan.
This now finishes my first project using lilypond. I like it and will
continue using it. Great stuff!
Christian
Tim McNamara wrote:
I am a guitarist.
If all he wants is a chord chart, some paper and a pencil would be a
better approach. Or even a word processor two write out the chords
like Ralph Patt did with the Vanilla Book.
http://www.ralphpatt.com/VBook.html
Christian's trying to do something Li
Tim McNamara wrote:
On Sep 1, 2009, at 9:30 PM, Christian Henning wrote:
Am I right, that lilypond is rarely used for my type of notation?
Meaning rock/pop tunes for acoustic guitar.
No, the style of music makes no difference. But LilyPond is intended
for engraving music which is fundament
Definitely like alternative style 1 ( the green ) better.
Patrick
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It's a matter of not enough dots to have dots in all the right places.
o
o
o
o
Imagine three lines have to be shown by turning on the dots above.
The top and the bottom row line right up with rows of
Patrick Horgan wrote:
Gerard McConnell wrote:
AFAIK to put an image on a
web-page,
I need a bitmap, not a .pdf. I can't find any reference to .png in any
of the docs. So far I've been using alt-printScreen and Paint to
produce .png files. While th
Gerard McConnell wrote:
AFAIK to put an image on a web-page,
I need a bitmap, not a .pdf. I can't find any reference to .png in any
of the docs. So far I've been using alt-printScreen and Paint to
produce .png files. While this sort of works, I'm not getting the best
output t
Michael Käppler wrote:
Hi all,
I'm "suffering" from enormous compiling durations on large files. With
"large" I mean a file with about 250 measures and seven staves per
system. The last time I compiled the file completely (without using
showLastLength) I did it overnight, since after one and
David Fedoruk wrote:
The original BerkLee Real Fake book is no
longer available, nor are some of the others. These fake books have to
have thousands of clearances to be ablel to put these books together as
they are and be able to be legally sold.
Ironically, their The Real Book was a boo
Graham Percival wrote:
I'll volunteer for css and/or proofreading. I also don't have a job or
girlfriend;) I'll be in Peru much of August though and looking for a
job after that. Put me to work. (Although I'll have to confess, as far
as css goes, the current new stuff is looking great alre
Valentin Villenave wrote:
Anyway, I think we're living exciting times with regards to LilyPond,
and no matter how long it takes I do believe we're making history
right here :-)
That's exciting!!! And I believe true. And I believe that although
there is much credit to go around, we should r
Valentin Villenave wrote:
2009/7/6 Mark Polesky :
I also like the layout of gimp.org.
Click their menu links too.
Nice looking site.
Since you're mentioning that, http://www.blender.org/ has a top-menu
that is very similar to the new Lily website's draft.
It was nice
Graham Percival wrote:
...oh there was various stuff (I'm sure I don't remember what) elided
here...
I didn't expect a reference to Nanoha on the -user mailist. (so
of course I had to add one myself ;)
Thank you for that:)
Cheers,
- Graham
Regards,
Patrick
__
On the Crash Course page you've made me double my understanding of
/batch/ system. When we used it years ago we meant as opposed to
interactive. You submitted your batch job with job control and all the
jobs got ran in batches with all the other jobs that were ready when the
operator got arou
On this page
http://percival-music.ca/blogfiles/out/lilypond-general_6.html#Crash-course
it mentions that help is wanted because an example is too wide for
narrow media. What's the criteria? It fits in 800x600 just fine and
these day web-developers say that 1024x768 is the new 800x600. Much
Graham Percival wrote:
Here's a very rough initial draft of our new website:
http://percival-music.ca/blogfiles/out/lilypond-general_1.html
The purple background as used on the documentation page has terrible
contrast/clash with the blue of unvisited links on Firefox on Linux
making it reall
Patrick McCarty wrote:
I'm still experimenting with this. :-)
I've created another design with a color palette that passes the W3C
Web Content Accessibility guidelines for color contrast:
This is great for me!
Patrick
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Jonathan Kulp wrote:
Cool!! I've attached the infamous Ravel quartet snippet that prompted
me to post the query about this clef in the first place. Your C clef
looks nice in there, almost like the original. Of course in this
passage there's a switch to treble clef, and when it returns to alto
Sebastian Menge wrote:
BTW: Does anyone know the latex-package "layouts" (as introduced in the
latex companion)? It renders the layout of a page with all properties
(margins etc) displayed by lines and text. Something similar would be
awful for lilypond. I always feel like groping in the dark wit
Graham Percival wrote:
On Sun, 05 Oct 2008 14:40:48 -0700
Patrick Horgan <[EMAIL PROTECTED]> wrote:
...muchly stuff elided...
Thanks, Graham, I laughed out loud in Pizza My Heart reading this until
people were staring at me in envy!
P
James E. Bailey wrote:
I can see now how the church of emacs was codified.
Ah, he refers to how backwards, emacs is scam e, or an electronic scam!
I learn more by the hour!
Patrick
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I think that I've learned the most from the online conversations
between Graham and Valentin, and as a tribute to them, would like to
give what to some may seem an overly obvious interpretation of the
undercurrents in their communications.
Graham Percival wrote:
On Fri, 3 Oct 2008 22:44:27
Graham Percival wrote:
Here's a slightly updated version of my "produce the same score on
A4 and letter paper". Should be easier to understand.
Thanks:) It crossed the line from extremely cool to elegant. Beautiful.
Patrick
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Graham Percival wrote:
No, since the -dhelp options change more often, and they're more
advanced stuff anyway.
If they continue to change frequently, it'd be a good target for a
script building the documentation page from the output of the -dhelp
Patrick
__
Francisco Vila wrote:
2008/10/3 Jonathan Kulp <[EMAIL PROTECTED]>:
Patrick, you mentioned at some point along the way that it would have been
better if I had started the whole thing in Python instead of bash. Would
this also have made it easier to port to Windows?
It wouldn't make it an
Jonathan Kulp wrote:
I've actually tried to do this. I booted into the Windows partition
of my machine and installed Cygwin and the netpbm package, but I had
trouble finding the netpbm stuff from the Cygwin bash shell. The
shell seemed very isolated from the rest of the machine, as I couldn't
Tomas Valusek wrote:
Jonathan Kulp napsal(a):
After much revision, addition, and general fussing about with it, I'm
happy to post the official version of what we're calling
"lily2image," a script for converting lilypond source files to
cropped image files in many different formats suitable
Kurt Kroon wrote:
And while I'm thinking about it, you could deal with the line-height issue
by setting it to 1.125, without any units.
Thanks! I'd read the section on this in the spec, (and just re-read
it), and it doesn't point out how much better it is for inheritance, and
I didn't get i
Patrick McCarty wrote:
I like your stylesheet, in general. But I think some of the font
sizes you are using will render parts of the documentation illegible
on certain platforms (such as in the TOC). I like your choice of
color especially.
I know that most of this is personal, but I looked a
Patrick, if you add a line-height: 1.125em; to the .settitle section it
fixes the strange overlap on small windows. The one it inherits from
the body section uses a different em, and although you specify it in
ems, it's inherited in pixels. Or in CSS speak, you don't inherit the
specified val
Patrick McCarty wrote:
On Tue, Sep 30, 2008 at 2:04 PM, Patrick Horgan <[EMAIL PROTECTED]> wrote:
Well done:) I still prefer Patrick's style and wish it were the default. I
also wish that Patrick's style affected the sidebar contents.
Hi Patrick,
Wha
[EMAIL PROTECTED] wrote:
On the front page, in Opera on Linux, the word `Reference' overlaps
the previous line:
http://kainhofer.com/~lilypond/Documentation/user/lilypond/index.html
Are you specifying an interline spacing, rather than using the
natural one for the font?
Peter C
When th
Reinhold Kainhofer wrote:
Huh, I don't quite understand what you mean with the last sentence... What
should be changed in the sidebar?
I like the white background on the main page, the contrast is low on the
sidebar. I think it would be much better with a white background as well.
Patrick
Reinhold Kainhofer wrote:
http://kainhofer.com/~lilypond/Documentation/user/lilypond/index.html
In particular, look at that page with both the current default and Patrick's
alternative style
Well done:) I still prefer Patrick's style and wish it were the
default. I also wish that Patrick's s
Reinhold Kainhofer wrote:
Ahm, sorry if I sound destructive, but: How hard is it to click
on "[Contents]", which is located in EVERY gray navigation bar on EVERY page
Does anyone else feel like we're doomed to follow Reinhold having good
ideas only weeks after he's already had them;)
Patrick
Paul Scott wrote:
Hi,
>From here lilypond.org seems to be down. I can't even ping it.
Paul Scott
From here too--if some can get to it, then something on the backbone
quit routing for some reason. I did a traceroute which only worked to
12 hops, then tried up to 30 with no happiness. You
Alexander Kobel wrote:
Guys, I've been busy the last few weeks and just loosely followed the
ongoing discussions about the doc design, but I just recognized you did
a great job there! And I like the unobtrusive link coloring...
However, one suggestion: Have you talked about the size of the
navig
mutopiatitle = "O Magnum Mysterium"
mutopiacomposer = "VictoriaTLd"
mutopiapoet = "from Matins of Christmas"
mutopiainstrument = "Voice"
source = "Arista Edition"
style = "Renaissance"
copyright = "Creative Commons Attribut
Patrick McCarty wrote:
Okay, I know what the problem is, but the fix is not simple. Our
implementation uses a *persistent* and an *alternate* stylesheet, but
since we want the alternate stylesheet to override the default
stylesheet, many of the default styles should be in a *preferred*
styleshee
Patrick McCarty wrote:
On Sun, Sep 21, 2008 at 3:53 PM, John Mandereau
<[EMAIL PROTECTED]> wrote:
IMHO I prefer Patrick's design over Andrew, it's more colorful but still
serious enough (as Valentin already wrote), and I second Patrick Horgan
comment on links color
Neil Puttock wrote:
...some stuff elided...
This is rather nifty, but you're reinventing the wheel. :)
Why not use the built-in option instead, i.e., run with -dpaper-size="letter"?
because he wanted to be able to switch back and forth via command line
argument without editing the file.
Pa
Valentin Villenave wrote:
2008/9/22 Jonathan Kulp <[EMAIL PROTECTED]>:
Would it be possible technically to specify the showLastLength value when
invoking lilypond instead of putting it in the .ly file? Something like
Yes! Great idea!
(my useless post du jour :-)
Wo
Graham Percival wrote:
I'm preparing my old scores for online publication, but I'm
extremely fussy about engraving. I want users on both sides of
the Atlantic to be able to print my music easily, but this only
works if the music looks in the same in A4 and Letter paper.
(having page turns in ran
ver Andrew, it's more colorful but still
serious enough (as Valentin already wrote), and I second Patrick Horgan
comment on links color: maybe we could make links a bit more blue?
And note that the other Patrick reported that his style was supposed to
produce underlined links, (and did on his
Jonathan Kulp wrote:
Thanks for trying it out, Josh! Glad to hear it worked for you on
OSX. Patrick has been dealing with the flags, and I don't really
understand how to do them, so my very dirty solution would be simply
to comment out the last bit of the script that opens the file :). I
c
Josh Parmenter wrote:
I've been following this, and just tested the latest version on OSX...
quite nice guys!
Perhaps the -V flag can be set to not open the image after it is done?
This utility will be great for mass creating images (as most command
line tools are), but having Preview open ea
Mark Knoop wrote:
On Thu, 2008-09-18 at 17:41 -0700, Patrick Horgan wrote:
Of course if you pick one that eog doesn't know how to display it
will complain.
Perhaps replace eog with xdg-open for better portability?
"xdg-open - opens a file or URL in
#
# Creator - Jonathan Kulp#
# Johnny come lately assistant - Patrick Horgan #
#*#
# Change log
#
# 1.1.1 Added -a, -V and much comments
# 1.1 Added checking of return co
Andrew Hawryluk wrote:
I just learned that there are a lot of Monet Waterlilies to choose
from, so maybe this will be helpful to anyone on the list with
graphics skills:
With any of the newer browsers you can use pngs with alpha, and take any
image and give it much transparency to the point t
Graham Percival wrote:
Yes, because LSR is still running 2.10. New features won't work
anyway.
Cheers,
- Graham
No cheer here, much sadness ensues;( Is there a plan?
Patrick
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Jonathan Kulp wrote:
Hi Patrick,
I've been running your script trying to use the command-line
arguments, and something's happening with the format argument. I
specify it with an argument, but then I still get prompted for
format. I might not be doing the flag right. I've tried it with
-f=
Neil Puttock wrote:
This snippet is version specific to 2.11; it shouldn't really be in
LSR,
Does that imply that there's not supposed to be any snippets to show how
to do the new 2.11 stuff?
Patrick
but was added so it can be used in the docs. Unfortunately, some
of the properties it uses
Alright, this is probably my last version. It now checks the input
for format against all the available conversions (found by looking for
all the programs in the filesystem that start with ppmto and pnmto) and
if you didn't pick one, gives you all the choices!
Enter desired output format
version of your script. It
automagically picks either ppmto or pnmto and exits with an error if
neither are found.
I also check for the existence of pnmtojpeg and abort the script if
not found with
a message that the netpbm utilities have to be installed to use the
script.
Now the script is mu
In snippet no. 433 the Rehearsal Marks don't have the alignment you
might expect. Grabbing down the snippet and compiling it with the
current lilypond works fine and produces the desired result, but in the
image in the snippet, the alignment of the
rehearsal marks never move. It made it quite
Neil Puttock wrote:
Hi Jon,
2008/9/17 Jonathan Kulp <[EMAIL PROTECTED]>:
I'm guessing that one of the netpbm tools will handle transparency, it's
just a matter of figuring out which one. Didn't this come up on a recent
thread? I seem to remember trying it out on something and ge
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