On Thursday, 26 May 2016, Johan Vromans wrote:
> On Thu, 26 May 2016 08:57:31 +0100
> Michael Hendry > wrote:
>
> > Another phenomenon about which I have doubts involves people who claim
> > that when they hear music in “sharp” keys (e.g. G, D, A, E) their
> > experience is of brightness, while t
On Thursday, 26 May 2016, Michael Hendry wrote:
> I seem to have struck an interesting chord, here!
Definitely!
> Another phenomenon about which I have doubts involves people who claim
> that when they hear music in “sharp” keys (e.g. G, D, A, E) their
> experience is of brightness, while the
Isn't that related to the independent church organ tunings back then: the
higher they were tuned, the brigher they sounded in a church. Sadly, the
human voice cannot be tuned up the same way an organ can...
See e.g. https://de.wikipedia.org/wiki/Orgelton (in German).
On Wed, May 25, 2016 at 8:05
Hi,
See
http://lilypond.org/doc/v2.16/Documentation/notation/displaying-pitches.en.html
\clef "treble_8"
Best regards,
Olivier
On Tue, May 24, 2016 at 11:38 AM, Charles Johnson wrote:
> I've pored through the manual and can't seem to see any way of getting a
> vocal tenor clef. That is, a re
I have been browsing the Internet for ePaper solutions, and have only
reached potential products so far.
The Brussels Philharmonic quit using paper less than a year ago.
I'm still unsure what device to get for replacing my pile of music scores.
Best regards,
Olivier
On Wed, Jul 31, 2013 at 1
You can always use a tool such as PdfEdit to merge individual PDF files
afterwards.
On Mon, May 20, 2013 at 11:56 PM, Mark Stephen Mrotek
wrote:
> Hello:
>
> ** **
>
> A piano sonata has three movements each encoded in a separate file. The
> three files shall be merged into one file for prin
On Sat, Mar 30, 2013 at 12:22 PM, Federico Bruni wrote:
> I'm translating the Denemo .po file and I've found a note value of 1/256
> There's an english name for it?
> I couldn't find it anywhere..
>
Indeed, not even on Wikipedia. from Wikipedia: In order of halving
duration, we have: double note
On Wed, Mar 20, 2013 at 3:54 PM, James Harkins wrote:
> My opinion (as a somewhat-more-than-casual Lilypond user, and as a
> contributor to another music software package [SuperCollider]): Any
> change in syntax that will break prior usage should be considered
> very, very carefully to be sure th
On Wed, Mar 13, 2013 at 11:44 PM, David Kastrup wrote:
> Olivier Biot writes:
>
> > On Wed, Mar 13, 2013 at 8:24 PM, wrote:
> >
> > Examples:
> >
> > 1. { c4 c' c@'' c@, }
> >
> > These are interpreted as absolute p
On Wed, Mar 13, 2013 at 8:24 PM, wrote:
> Examples:
>
> 1. { c4 c' c@'' c@, }
>
> These are interpreted as absolute pitches, so the @-signs are
> redundant here.
> They could be silently ignored, or the at signs could be an error
> outside of \relative blocks.
>
> What do peo
On Fri, Mar 8, 2013 at 6:09 PM, Alexander Kobel wrote:
> On 03/08/2013 10:19 AM, Mats Bengtsson wrote:
>
>>
>> On 03/08/2013 03:52 PM, lilypond-user-requ...@gnu.org wrote:
>>
>>> Hello,
>>>
>>> Some German lyrics from before the times of Neue Deutsche Rechtschreibung
>>> feature ck between two sy
On Sat, Mar 9, 2013 at 6:31 PM, Urs Liska wrote:
> May I suggest a concrete example for consideration (because it's a tricky
> constellation and I'd appreciate any opinion)?
>
> Given a musical work that is clearly in the public domain (1820s).
> The autograph score is in private possession (in S
This thread is extremely interesting.
However, I think we're mixing two things here:
1. Defining semantically disjoint and intuitive bar line types (e.g., final
measure ending bar line, start of repeat, end and start of repeat...)
2. Describing how a bar line type should be displayed
The former
On Sat, Mar 9, 2013 at 4:35 PM, David Kastrup wrote:
> Janek Warchoł writes:
>
> > On Sat, Mar 9, 2013 at 4:10 PM, Olivier Biot
> wrote:
> >> Thinking of which, I believe I am struggling with "music entry notation"
> >> versus "music storage
On Sat, Mar 9, 2013 at 12:20 AM, David Kastrup wrote:
> Olivier Biot writes:
>
> > I have mixed feelings regarding the proposed syntax update of
> > \relative.
> >
> > Treating the first pitch of \music in \relative \music differently is
> > not intuitive and
On Fri, Mar 8, 2013 at 11:43 AM, David Kastrup wrote:
> Werner LEMBERG writes:
>
> >>> Well... if you just don't emit the warning if the first pitch in a
> >>> \relative {} block is incorrect, then it seems like you get exactly
> >>> the current proposal except that you have to spell \relative {
On Tue, Feb 26, 2013 at 6:25 PM, Federico Bruni wrote:
> 2013/2/26 Noeck
>
>> > is absolutely fantastic, but some people's aversion to anything which
>> > looks at all technical seems unsurmountable to me (although I'd love
>> > to be proven wrong; … )
>> According to my experience, this just ne
On Sun, Feb 24, 2013 at 2:31 PM, Richard Shann wrote:
> On Sun, 2013-02-24 at 13:56 +0100, Olivier Biot wrote:
> > And what if we could use a small USB keyboard to input notes and have
> > a simplified graphical interface displaying what you just entered for
> > a quick visua
On Fri, Feb 22, 2013 at 1:33 AM, David Kastrup wrote:
> Hilary Snaden writes:
>
> > On 2013-02-21 23:10, David Kastrup wrote:
> >
> >> However, LilyPond indeed has a weakness in as far as it does not
> >> really have a "file format". It is an evolving input language.
> >
> > If that's a "weakne
On Mon, Jan 28, 2013 at 10:03 AM, David Kastrup wrote:
> Olivier Biot writes:
>
> > Many thanks for your help David!
> >
> > Having used it I realize that it works perfectly for my purpose, but
> > maybe others may want to add e.g. fingerings, cautionary acci
On Sun, Jan 27, 2013 at 5:47 PM, Phil Holmes wrote:
> **
> Sorry to keep top-posting - HTML emails and Windows mail make it hard to
> do otherwise.
>
> If you still have stuff you'd like fixing, could you reduce your example
> to a tiny example with just these, and send it to bugs?
>
Hi Phil,
I
On Sun, Jan 27, 2013 at 4:07 PM, Phil Holmes wrote:
> **
> This has been changed quite a bit in the development version. Could you
> try with latest 2.17 and see whether you still have problems?
>
I just installed 2.17.11 on another computer (apparently it doesn't like to
be installed next to 2
Dear LilyPond community,
I'm having some questions regarding the way fingerings are engraved within
chords.
The LilyPond v2.16.2 documentation (
http://www.lilypond.org/doc/v2.16/Documentation/learning/within_002dstaff-objects)
provides information on how to use certain tweaks and the fingeringOp
On Thu, Jan 17, 2013 at 2:56 PM, David Kastrup wrote:
>
> Try something like (planning to commit this macro soonish)
> #(defmacro-public make-relative (pitches last-pitch music) [code snipped]
>
> arpeggiate =
> #(define-music-function (parser location d p1 p2 p3 p4)
>(ly:duration? ly:pitch?
,
Olivier
On Fri, Dec 28, 2012 at 5:34 PM, Olivier Biot wrote:
> Dear all,
>
> Replying to myself all I managed to do is the following "hack": add the
> following sneppet after the last \score {} block:
>
> \label #'theLastPage
>
> \markup \rounded-box { \t
On Sat, Jan 12, 2013 at 8:53 PM, Jim Tisdall wrote:
> In trying to compile frescobaldi on my mac pro osx10.7.5, I have the
> program running but I've run into the following problem with trying
> to get the python-poppler-qt4-0.16.3 extension to work:
>
> $ python setup.py build
>
[...]
> In file
On Fri, Jan 11, 2013 at 8:58 PM, Francisco Vila wrote:
> 2013/1/11 Lilly :
> > I want to realize a document with some text and many musical patterns
> along
> > it.
> > I experienced how to insert one pattern in a place of a Latex document
> and
> > it works.
> > But i would not to repeat to paste
On Tue, Jan 8, 2013 at 5:50 PM, Cognac Natanael
wrote:
> Thank you very much for your answer Olivier,
>
> There is no spaces or fancy character in my directories or files names.
>
Okay, so you don't need to use quotes around the directory names (not that
it hurts having them).
And I think I’ve t
On Jan 8, 2013 4:13 PM, "Cognac Natanael" wrote:
>
> Hello Everybody,
>
> I’m using :
> \include "../config.inc.ly"
> in the beginning of all my lilypond scores, and :
> \include "../new.score.ly"
> at the end.
>
> It works smoothly with lilypond.
>
> But now, I’m trying to make a book with lilypo
On Sun, Jan 6, 2013 at 12:28 AM, David Kastrup wrote:
> Olivier Biot writes:
>
> > Well, putting { ... } around it is wrong, for one thing: it turns
> > the
> > whole into sequential music.
> >
> > Bingo!
> >
> > This is the most co
Dear LilyPond users,
Is there a LaTeX snippet repository for submitting useful LaTeX macros for
lilypond-book users?
I'd like to share some snippets but don't know where to share them.
Best regards,
Olivier
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On Sat, Jan 5, 2013 at 5:10 PM, David Kastrup wrote:
> Ed Gordijn writes:
>
> > Hi David,
> >> Well, you need _two_ trill starting commands now (though you could
> >> likely squeeze <>\startTrillSpan into \SetUpPrall), and you need to
> >> spend more attention to detail to the overrides.
> >>
>
On Sat, Jan 5, 2013 at 1:32 AM, Andrew Bernard wrote:
> Greetings list,
>
> This technique glues an upprall to a trill, but the difference in width of
> the glyphs is noticeable. Is there a way to achieve this without the
> discrepancy in width? Since lilypond produces the finest engraved output I
On Fri, Jan 4, 2013 at 4:12 PM, Phil Holmes wrote:
> I have created a new stable version of the windows binary (2.16.2) which
> should fix the problem that prevents lilypond-book from being run on
> 2.16.1. Before uploading this to the official website, I would appreciate
> it if interested and c
On Thu, Jan 3, 2013 at 10:59 PM, Shane Brandes wrote:
> To give you a reverse opinion. Lilypond at a basic level is fairly
> easy to understand especially if you use a program like Frescobaldi to
> help you construct the scores with their various parts.
This is my experience as well. Writing th
On Thu, Jan 3, 2013 at 11:40 PM, Gerard McConnell wrote:
> If you don't get fixed up here it's worth visiting the Inkscape help squad:
> https://launchpad.net/inkscape
>
For what it's worth I never managed to get InkScape correctly read the
fonts from any LilyPond output on a Windows box.
Saving
On Thu, Jan 3, 2013 at 8:56 PM, David Nalesnik wrote:
>
> To be honest, I don't know much about typographical conventions, so
> I'm not sure whether the attached file has much utility. Here, I've
> adapted the definition of `stack-lines' so that you can turn off the
> compromise mentioned above--
On Wed, Jan 2, 2013 at 11:58 PM, Julien Rioux wrote:
> On 02/01/2013 5:03 PM, Olivier Biot wrote:
>
>> Dear all,
>>
>> I can't get lilypond-book.py to work.
>>
>> I added the LilyPond bin directory to %PATH%:
>> C:\Program Files (x86)\LilyPond\usr\b
On Wed, Jan 2, 2013 at 10:59 PM, Colin Campbell wrote:
> In transcribing some cello exercises, I need to show a slashed grace
> note, with a fingering, in parentheses. The exercise involves shifting
> between first and third position on the same string, so it emphasizes the
> intermediate "targ
Dear all,
I can't get lilypond-book.py to work.
I added the LilyPond bin directory to %PATH%:
C:\Program Files (x86)\LilyPond\usr\bin
The PATH also contains a working LaTeX (proTeXt):
C:\Program Files\MiKTeX 2.9\miktex\bin\x64\
When enabling verbose mode in lilypond-book.py the following errors
On Sat, Nov 24, 2012 at 1:26 PM, Olivier Biot wrote:
> Hi all,
>
> Sometimes arpeggios are written as chords to avoid repetitive and lengthy
> arpeggio expansions in a written score.
>
> However, is there a way in LilyPond to transform chords into bowed
> arpeggio expansio
On Wed, Jan 2, 2013 at 12:52 PM, Federico Bruni wrote:
> Il 02/01/2013 12:46, David Kastrup ha scritto:
>
> \markup {
>>\override #'(baseline-skip . 1)
>>\override #'(line-width . 40)
>>\justify {
>> text text text text text text text text text text text text
>> text text t
On 29.12.2012 22:58, Olivier Biot wrote:
>
> On Sat, Dec 29, 2012 at 4:31 PM, Yevgeny Lezhnin
> wrote:
>
>> Hi, then I trying to add slides, there is no slide's sound in midi output
>> (on place of glissando mark). There was note in documentation, that
>> lilypond
On Sat, Dec 29, 2012 at 4:58 PM, Olivier Biot wrote:
> On Sat, Dec 29, 2012 at 4:31 PM, Yevgeny Lezhnin wrote:
>
>> Hi, then I trying to add slides, there is no slide's sound in midi output
>> (on place of glissando mark). There was note in documentation, that
>> l
On Sat, Dec 29, 2012 at 4:31 PM, Yevgeny Lezhnin wrote:
> Hi, then I trying to add slides, there is no slide's sound in midi output
> (on place of glissando mark). There was note in documentation, that
> lilypond support guitar slides. Does lilypond support slides for midi? Or
> will it be support
On Fri, Dec 28, 2012 at 6:19 PM, Olivier Biot wrote:
> On Fri, Dec 28, 2012 at 6:14 PM, Phil Burfitt
> wrote:
>
>> From: "Nick Payne"
>>
>>
>> I'm stuck on the last part of getting this working - the part that is
>>> eluding me is
On Fri, Dec 28, 2012 at 6:14 PM, Phil Burfitt wrote:
> From: "Nick Payne"
>
>
> I'm stuck on the last part of getting this working - the part that is
>> eluding me is getting a short vertical line drawn at the RH end of the
>> spanner. According the the Internals reference, UP = 1 and DOWN = -1,
lem, although in a rather "hackish" way.
Is there a "proper" way for reaching this?
Best regards,
Olivier
On Fri, Dec 28, 2012 at 5:04 PM, Olivier Biot wrote:
> Dear all,
>
> I can't find how to display the total number of pages in a score as part
> of the
Dear all,
I can't find how to display the total number of pages in a score as part of
the page header / footer.
I tried adding a "theLastPage" label at the end of my score but it
sometimes is off by one. I sadly cannot create a small snippet that
reproduces the off-by one ("page 4 of 3") problem.
On Wed, Dec 19, 2012 at 5:30 PM, Olivier Biot wrote:
> Hi all,
>
> I propose to extend LSR snippet 543 (counters in markup,
> http://lsr.dsi.unimi.it/LSR/Snippet?id=543) by adding a "getcounter"
> command that does NOT increment a counter when called (as opposed to the
&g
On Thu, Dec 20, 2012 at 12:59 PM, Eluze wrote:
> shutterfreak wrote
> > % Neither override does something:
> > \override #'(baseline-skip . 5.8) \box { \override
> > #'(baseline-skip
> > . 5.8) \line { \with-color #(rgb-color .8 .2 .2) { A . . . . . . . . . .
> .
> > . . . . . . .
On Wed, Dec 19, 2012 at 11:09 PM, Eluze wrote:
> shutterfreak wrote
> > 2. Why does a strut have a nonzero width? Can it be used and set to zero?
> > Maybe it has zero width, but because of some internal processing every
> > markup element automatically gets white space glued to it (this may
> >
On Wed, Dec 19, 2012 at 7:34 PM, Reinhold Kainhofer
wrote:
> On 19/12/2012 17:04, David Kastrup wrote:
> >> Finding even obvious things in the documentation isn't always easy if
> >> you don't already know what to look for. As I had spent some time
> >> earlier looking for this and not found it, I
On Wed, Dec 19, 2012 at 5:26 PM, Olivier Biot wrote:
> Dear all,
>
> I cannot seem yet to get certain textual output rendered the way I intend.
> Here are the questions I still have:
>
>
> 2. Why does a strut have a nonzero width? Can it be used and set to zero?
> Mayb
On Wed, Dec 19, 2012 at 5:54 PM, Eluze wrote:
> shutterfreak wrote
> > 1. How can I combine header fields without adding whitespace between
> > header
> > properties? I'm referring to snippets as:
> >
> > \fromproperty #'header:composer (\fromproperty #'header:opus)
> >
> > Using \concat doesn't
Hi all,
I propose to extend LSR snippet 543 (counters in markup,
http://lsr.dsi.unimi.it/LSR/Snippet?id=543) by adding a "getcounter"
command that does NOT increment a counter when called (as opposed to the
current "counter" command):
#(define-markup-command (getcounter layout props name) (string
Dear all,
I cannot seem yet to get certain textual output rendered the way I intend.
Here are the questions I still have:
1. How can I combine header fields without adding whitespace between header
properties? I'm referring to snippets as:
\fromproperty #'header:composer (\fromproperty #'header
On Tue, Dec 18, 2012 at 4:25 PM, David Kastrup wrote:
> Paul Morris writes:
>
> > Hi Gagi,
> >
> > On Dec 18, 2012, at 5:35 AM, Gagi Petrovic wrote:
> >
> >> Dear Ponders, i'm working on a composition where i'm in need of a
> >> custom 3-lined-staff with a zigzagged (like the glissando style, s
On Dec 14, 2012 6:39 PM, "Olivier Biot" wrote:
> Hi all,
>
> Is there a way to write text to the console in LilyPond?
>
> I'd like to display the file currently processed to keep track of
problems on a 60 part etude
On Sat, Dec 15, 2012 at 7:40 AM, Mark Witmer
On Sat, Dec 15, 2012 at 9:45 AM, Federico Bruni wrote:
> Il 15/12/2012 00:39, Olivier Biot ha scritto:
>
> I'm running LilyPond either directly or from Frescobaldi. I'm not sure I
>> can set the "-v" flag in Frescobaldi.
>>
>
> In Frescobaldi
On Sat, Dec 15, 2012 at 12:20 AM, Eric Pancer wrote:
> On Dec 14, 2012, at 17:05, Olivier Biot wrote:
>
> > Hi all,
> >
> > Is there a way to write text to the console in LilyPond?
> >
> > I'd like to display the file currently processed to keep track o
On Wed, Dec 12, 2012 at 10:25 AM, David Kastrup wrote:
> Keith OHara writes:
>
> > Eluze gmail.com> writes:
> >
> >> maybe this could be merged into
> >> https://code.google.com/p/lilypond/issues/detail?id=2830
> >
> > That issue is about fingering and string numbers inside chord brackets
> <>,
Hi all,
Is there a way to write text to the console in LilyPond?
I'd like to display the file currently processed to keep track of problems
on a 60 part etude.
Best regards,
Olivier
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On Wed, Dec 12, 2012 at 12:37 AM, Nathan wrote:
> \override StringNumber #'script-priority = #150
Hi Nathan,
Many thanks, as this was precisely what I was looking for!
Best regards,
Olivier
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https
Hi all,
How can I display the string number above fingerings in all cases?
Here's a small snippet that will semi randomly arrange fingerings and
string numbers:
%%% BEGIN snippet
\version "2.16.1"
theMusic = \new Staff \with {midiInstrument = #"cello"} {
\relative d {
\key c \major
\t
Hi all,
When adding artificial harmonics in a music score, the stopped note and the
artificial harmonic are written in a chord construct, as in:
However, the MIDI output, even with articulate.ly, will render both the
stopped note AND the actual harmonic, whereas in this situation one
obviously
Over here (Belgium) LilyPond is not as well known as MuseScore. Other
popular (paid) software are Sibelius and Finale.
I have to agree that even with my software development background and
TeX/LaTeX experience I find the learning curve of LilyPond rather steep.
But the path is very rewarding. I ca
On Thu, Dec 6, 2012 at 11:34 PM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> 2012/12/6 Thomas Morley :
%% Using a value > 250 will place the DynamicText *inside* the
> %% TupletBracket, depends on what you want.
> \override TupletBracket #'outside-staff-priority = #250
>
On Tue, Dec 4, 2012 at 7:47 PM, Eluze wrote:
> shutterfreak wrote
> > Dear all,
> >
> > As a follow-up, here's another snippet featuring the same or similar
> > behavior. I haven't found the way to solve this problem yet.
> >
> > % BEGIN snippet 2
> > \version "2.16.1"
>
> this is a known bug - s
On Sun, Dec 9, 2012 at 11:55 AM, Federico Bruni wrote:
> Il 07/12/2012 00:18, Olivier Biot ha scritto:
>
>> Dear LilyPond users,
>>
>> I just came across a weird interaction between articulate.ly
>> <http://articulate.ly> and aftergrace.
>>
>> I
On Sun, Dec 9, 2012 at 11:51 AM, Eluze wrote:
> Federico Bruni-5 wrote
> >
> > The problem is not with articulate.ly
>
> it's the barcheck - if it is outside the alternatives' brackets it is
> counted as an alternative!
>
> Eluze
>
Many thanks! I completely overlooked the barcheck symbols in the
Hi all,
I am typesetting a 2-staff cello etude with a volta with alternative
endings.
I am following the instructions from the documentation:
http://lilypond.org/doc/v2.16/Documentation/notation/repeats-in-midi
(I.e., write all repeats and voltas in all staffs)
And I am using articulate.ly as in
, 2012 at 6:19 PM, David Nalesnik wrote:
> Hi Olivier,
>
> On Sat, Dec 8, 2012 at 10:31 AM, Olivier Biot
> wrote:
> > Dear all,
> >
> > I am now aware of the \shape + list of control point offsets tweak
> thanks to
> > this thread, but are there always 4 control
Dear all,
I am now aware of the \shape + list of control point offsets tweak thanks
to this thread, but are there always 4 control points?
I am also aware of yet another tweak: \once \override Slur #'positions (as
in
http://lilypond.org/doc/v2.16/Documentation/learning/fixing-overlapping-notation
Dear LilyPond users,
I just came across a weird interaction between articulate.ly and aftergrace.
If I include "articulate.ly" then beamed aftergrace notes have a tenuto
articulation and are not rendered smaller, even though I never called the
\articulate macro.
Here's the LilyPond 1.16.1 code f
Many thanks for the help and for the extra clarifications regarding usage
of these tweaks.
Best regards,
Olivier
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score {
\theMusic
\layout {
\context {
\Staff
\override Fingering #'add-stem-support = ##t
\override Fingering #'avoid-slur = #'outside
\override TupletBracket #'bracket-visibility = ##t
}
}
}
% END snippet 2
Best regards,
Olivier
On Fri, No
On Sun, Dec 2, 2012 at 2:16 AM, Nick Payne wrote:
> On 02/12/12 10:46, Olivier Biot wrote:
>
>> Hi all,
>>
>> Is there a simple way to avoid fingerings from being overwritten with a
>> phrasing slur, like in the following measure?
>>
>> % BEGIN
>&g
Hi all,
Is there a simple way to avoid fingerings from being overwritten with a
phrasing slur, like in the following measure?
% BEGIN
\version "2.16.1"
theMusic = \new Staff {
\relative d' {
\key f \major
\time 3/4
\clef "bass"
\acciaccatura { e-\! } d4 cis8-\> \( ( a'16-.-3 )
On Thu, Nov 29, 2012 at 6:58 PM, Matthew Probst wrote:
> I find myself wishing for an O'Reilly style book "Hacking Lilypond". The
> user guide and the reference are fine as is, but a book with some extended
> examples of how to _architect_ solutions in Lilypond would be great.
So do I!
But th
Hi,
First, I suppose the last note in that 5/16 measure should be a fis8 and
not a fis4, otherwise the measure should last 9/16 and not 5/16.
I tried entering this in MuseScore. The default grace note gets no slur,
adding a slur without modifying a thing yields the result in measure 1,
inverting
On Sat, Nov 24, 2012 at 1:25 AM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> 2012/11/24 Olivier Biot :
> > Hi all,
> >
> > Is it possible to specify non-integer values for vertical spacing with
> > vspace? I read once that it was possible, but appare
Hi all,
Sometimes arpeggios are written as chords to avoid repetitive and lengthy
arpeggio expansions in a written score.
However, is there a way in LilyPond to transform chords into bowed arpeggio
expansions, as illustrated in the example below (first bar = input, 2nd bar
= automatically generat
Hi all,
Is it possible to specify non-integer values for vertical spacing with
vspace? I read once that it was possible, but apparently not (anymore) in
version 2.16.0 or 2.16.1.
The following does compile without errors but the non-integer values are
apparently silently transformed into "1":
%
Dear LilyPond users,
How can I avoid the tuplet bracket colliding with fingerings in case the
tuplet has a slur?
Example of tuplet without and with slur, illustrating the problem:
% BEGIN
\version "2.16.1"
\score {
\new Staff {
\relative c, {
\key g \major
\time 2/4
\c
On Sun, Nov 18, 2012 at 2:34 AM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> 2012/11/17 Olivier Biot :
> > Is there a more elegant and less verbose way than the following approach
> to
> > add a 3-column section for documenting editorial changes to
Is there a more elegant and less verbose way than the following approach to
add a 3-column section for documenting editorial changes to scores?
%% BEGIN
\version "2.16.0"
% LSR snippet: http://lsr.dsi.unimi.it/LSR/Snippet?id=464
#(define-markup-command (columns layout props args) (markup-list?)
Hi Joram,
Thank you for the updates cheat sheet.
As a matter of fact I just printed both cheat sheets on one sheet of paper
and laminated it. Two sides of invaluable LilyPond information :-)
Hint 1: use heavier stock paper when printing double sided.
Hint 2: print borderless for printing the oth
On Sun, Nov 11, 2012 at 11:41 PM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> 2012/11/11 shutterfreak :
> > While incorporating this code in another score I came across a layouting
> > problem: if the tempo name is sufficiently long, then the first measure
> > number will be rendered _
On Fri, Nov 9, 2012 at 2:35 AM, Thomas Morley wrote:
> Hi again,
>
> I stumbled across
> http://lsr.dsi.unimi.it/LSR/Item?id=631
>
> {
>
> }
>
> works.
>
Thanks again Thomas, I completely forgot about the chord trick for
articulations.
Best regards,
Olivier
___
On Tue, Nov 6, 2012 at 12:01 AM, Thomas Morley
wrote:
> 2012/11/5 Olivier Biot :
>> Dear all,
>>
>> I think I just found a Lilypond bug.
>>
>> The following snippet with fingerings does only show one "open string"
>> fingering while TWO have been
Dear all,
I think I just found a Lilypond bug.
The following snippet with fingerings does only show one "open string"
fingering while TWO have been written. The order of _ and ^ play no
role in this bug.
Expected behavior: both "\open" fingerings are displayed, one above
and one below selected n
On Sun, Nov 4, 2012 at 5:06 PM, Thomas Morley
wrote:
> 2012/11/4 Thomas Morley :
>> Hi Olivier,
>>
>> a)
>> If you define a new `scoreTitleMarkup´, you have to _use_ it. :)
>>
>> \paper {
>> scoreTitleMarkup = \myScoreTitleMarkup
>> }
Oops... It's defined in book-titling.ily -
Dear all,
I ventured into Lilypond in recreating a lost etude book (it can no
longer be ordered for over 50 years).
One of the challenges is to process individual scores without the need
of recreating the entire score book. I first thought that there ought
to be a method like the preprocessor dir
On Sat, Nov 3, 2012 at 7:35 PM, David Kastrup wrote:
> Olivier Biot writes:
>
>> On Sat, Nov 3, 2012 at 6:11 PM, Olivier Biot wrote:
>>
>> What I now need to figure out, is how to print the output in a markup,
>> like in the currently not working snippets below
On Sat, Nov 3, 2012 at 6:11 PM, Olivier Biot wrote:
> Hi David,
>
> Thanks a lot - I now start to see the mistakes I made (excess
> parentheses around the cond expression and excess parentheses around
> the return values in the cond sub expressions).
>
> I have however to
On Sat, Nov 3, 2012 at 6:58 PM, Thomas Morley
wrote:
> 2012/11/3 Olivier Biot :
> [...}
>> Now I only need to devise a way to emulate the double bar at the start
>> of each score line.
>
> After an idea of Mats Bengtsson:
[...]
Thank you again Thomas, this does exactly w
On Sat, Nov 3, 2012 at 5:54 PM, David Kastrup wrote:
> Olivier Biot writes:
>
>> I definitely have problems with Scheme and LilyPond interpretation. I
>> now have the Scheme standard open as well.
>>
>> I tried to simplify the initial job by first creating a functi
On Sat, Nov 3, 2012 at 5:42 PM, Thomas Morley
wrote:
> 2012/11/1 Olivier Biot :
>> Hi all,
>>
>> Is there a way to display and increment bar numbers only after a double bar?
> [...]
>
> Hi Olivier,
>
> why not use RehearsalMark?
[...]
> A function is pos
On Sat, Nov 3, 2012 at 1:09 AM, Olivier Biot wrote:
> On Tue, Oct 30, 2012 at 10:50 PM, Eluze wrote:
>> shutterfreak wrote
>>> Hi all,
>>>
>>> I'd like to have a function to translate a key signature into the
>>> textual representation of that k
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