[image: Schermata 2021-08-13 alle 07.40.54.png]
Hello all
I would like to shift tempo text on the right of the rehearsal mark in the
conductor score.
Conductor score is a file where all instruments files are called
\version "2.20.0"
\include "01_fluteI.ly"
\include "03_oboe.ly"
\include "04
Hello all
I would like to shift tempo text on the right of the rehearsal mark in the
conductor score.
Conductor score is a file where all instruments files are called
\version "2.20.0"
\include "01_fluteI.ly"
\include "03_oboe.ly"
\include "04_clarinetI.ly"
\include "06_bassclarinet.ly"
\inc
Thank you all.
Il giorno ven 14 feb 2020 alle 15:44 Noeck ha
scritto:
> Hi,
>
> as others said, font-name overwrites all of font-family, font-series and
> font-shape. You can set the font family like this:
>
> \version "2.19.84"
>
> \paper {
> % define a font ‘arial’ from the font called ‘Aria
Hello all,
If I write:
\version “2.18.2”
...
\header {
…
title = \markup \override #'(font-name . "Arial Black")
\fontsize #+3 { \bold "TITLE" }
subtitle = \markup \raise #1.0 \fontsize #-3 { \italic { "A
Medley for Orchestra" \null}}
…}
Output is :
*TIT
Hello all,
If I have a page of a score with only 3-4 staves ( generally is a problem
of the last page of a score) how is possible to fill automatically all the
page so that the space between the staves result the same?
Thank you in advance.
Regards
MB
Perfect, thank you.
Il giorno mar 11 feb 2020 alle 21:53 Kevin Barry ha
scritto:
> On Sun, Feb 09, 2020 at 09:01:48AM +0100, Marco Bagolin wrote:
> > Thank you all,
> > all solutions are good, but I don't know why the copyright field on the
> > first page does not app
Thank you all,
all solutions are good, but I don't know why the copyright field on the
first page does not appear.
My code is the following:
\version "2.18.2"
\paper {
print-first-page-number = ##t
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup = \markup {
-06 10:02 pm, Marco Bagolin wrote:
> > Hello all,
> > I don’t know how to personalize the page numbers of a score.
> >
> > I would like to see at the left bottom of every score page the number
> > in
> > the following format:
> >
> > n - Title of sco
Hello all,
I don’t know how to personalize the page numbers of a score.
I would like to see at the left bottom of every score page the number in
the following format:
n - Title of score
Example:
1 - My Song
2 - My song
...
Please help me.
Thanks in advance.
Regards
Marco B.
Amazing, ty all
Il giorno lun 3 feb 2020 alle 10:19 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> ha scritto:
> Hi Marco, hi Kevin,
>
> If you want to stick to the image, I'd modified Kevin's coding as:
>
> {
> \override TextSpanner.bound-details
Sorry but I'm not very practical
Now do you see the attachment?
--
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Good morning,
I am a drum student and I would like to learn to write the exercises with
lilypond (2.19.83) as you can see in the attached image.
Can anyone help me.
Thanks and happy new year 2020 to all
--
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Hello everybody,
I'm a drummer and I should write the exercises.
At the same height I should write two exercises separated by a space how
can I do?
Examples of drums are welcome
Thank you all
***
www.marcobaumgartner.com
On Sat, Jul 6, 2019 at 4:14 AM Marco Baumgartner
wrote:
>
> Hi Kieren,
>
> oh my!
> Guess what? I'm running 2.19.83 now! Thank you so much!
> And: Ligatures working like they should!
>
> The question on how to install an unstable version
ating my new chord-symbol-font. Of course, I'll
keep you all informed about it.
As for now (and for me): Problem solved!
Thanks to you all for helping me out.
Nice!
Cheers, Marco
PS: Attached screenshot of the output of standard font and one of my
own testing font (otf) with ligatures insta
mpiled it from source, right?
And actually do what it says in
http://lilypond.org/doc/v2.19/Documentation/contributor/compiling.html ?
That's pretty awkward to me. There isn't a pre-packed installable version
of 2.19? Or an easier way?
Cheers, Marco
***
www.marcobaumgartner.com
***
www
in the standard-repository in this updated version,
so I've installed the generic package "2.18.2" from lilypond.org.
***
www.marcobaumgartner.com
On Fri, Jul 5, 2019 at 12:35 PM Marco Baumgartner
wrote:
> Thanks Aaron for your help!
>
>
> \version "2.18.2&qu
Hi Tyler,
it was from apt package. Which version would you recommend? I need to
re-install anyway. I'm on Debian Linux, but I'm not a very skilled user.
Normally I install everything with apt-get install - only when I really
have to, I do (or try) otherwise.
Marco
***
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er unstable version. Now I can't re-install
2.18.2 from Debian repository as it's missing. Let me figure this out. I'll
let you know,
when I'm back with a running version and tested the above code.
***
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On Thu, Jul 4, 2019 at 7:33 PM Aaron Hill w
Thanks, Aaron.
I really feel like creating a whole new font.
The problem I'm facing right now is: I can use my self-made otf fonts as
markup.
If I use the same font as ChordNames, it seems like ChordNames is dictating
what's a valid entry and what isn't.
That's the minor issue (I still think, disp
f I use my own font -
that's just that? That would be awesome.
***
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On Wed, Jul 3, 2019 at 11:54 PM Aaron Hill wrote:
> On 2019-07-03 10:40 am, Marco Baumgartner wrote:
> > One thought though: As far as I understand it: displaying chords within
> >
***
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On Wed, Jul 3, 2019 at 7:40 PM Marco Baumgartner
wrote:
> Thank you, Elaine.
> I'm on the road, but I'll gladly check it out later!
>
> One thought though: As far as I understand it: displaying chords within
> Lilypond is not done with/by a &
mpletely out? :-)
On Wed, Jul 3, 2019, 19:26 Flaming Hakama by Elaine <
ela...@flaminghakama.com> wrote:
> - Forwarded message --
>> From: Marco Baumgartner
>> To: lilypond-user@gnu.org
>> Date: Wed, 3 Jul 2019 14:27:27 +0200
>> Subject: Jazz Chor
quot;embed"/use the font in lilypond)
- what font-format
- what encoding (unicode doesn't allow ligatures as far as I know. So
latin1?)
Thanks a lot for some hints and tips!
Have a good time,
Marco
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quot;embed"/use the font in lilypond)
- what font-format
- what encoding (unicode doesn't allow ligatures as far as I know. So
latin1?)
Thanks a lot for some hints and tips!
Have a good time,
Marco
***
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Thank you all :-)
2018-04-12 22:48 GMT+02:00 Urs Liska :
>
>
> Am 12.04.2018 um 20:45 schrieb Mark Stephen Mrotek:
>
> Marco,
>
>
>
> Got the 3’s on each group – see attached.
>
>
>
>
> Rather than manually counting beamlets you can set beam sub
16
bes8:16 } d4 \tuplet 3/2 { c,8:16 ees?8:16 aes8:16 } c4|
}
But final output is not the same of the imagine.
Il giorno gio 12 apr 2018 alle 08:30 Malte Meyn ha
scritto:
>
>
> Am 12.04.2018 um 07:13 schrieb Marco Bagolin:
> > Hi all,
> > please someone can help me?
>
&g
I am trying, but I don't find the correct sintax...
Il giorno gio 12 apr 2018 alle 14:56 Malte Meyn ha
scritto:
>
>
> Am 12.04.2018 um 11:24 schrieb Marco Bagolin:
> > I solved the second question using your proposal of code.
> >
> > I did not solved the fi
Thomas amazing example, this language is so deep and fascinating.
Thanks to everybody for the help
Marco
On 19/09/2017 22:51, Thomas Morley wrote:
2017-09-19 22:47 GMT+02:00 David Kastrup :
Thomas Morley writes:
I tried to get something helpful from FingeringColumn, but I didn't
foun
David this is great!
Thank you
On 19/09/2017 21:51, David Kastrup wrote:
Marco Bianchi writes:
Hi,
I'm trying to have all the fingerings aligned to the left as in the picture.
Is there a way to move independently every single fingering inside the chord?
My workaround (see the code) it&
Thank you Mark,
I've studied that part but I still don't understand how can I move only
the "3" to the left when it is inside a chord.
I need to choose independently the position of the fingers for every
note of the chord.
Can you show me the code?
Thank you very much,
Mar
Hi,
I'm trying to have all the fingerings aligned to the left as in the picture.
Is there a way to move independently every single fingering inside the
chord?
My workaround (see the code) it's not perfect and uses an hidden note in
a second voice.
Thank you very much,
have a nice
September 14, 2017 11:58 PM
> To: Mark Stephen Mrotek
> Cc: 'Marco B.' ; lilypond-user@gnu.org
> Subject: Re: Acciaccatura at the beginning
>
> "Mark Stephen Mrotek" writes:
>
> > Marco,
> >
> >
> >
> > To make the staves
Thank you David, I've found it
Marco
Il giorno gio 14 set 2017 alle ore 19:06 David Kastrup ha
scritto:
> "Marco B." writes:
>
> > Hi to everybody,
> > I'm a new user trying to learn this wonderful program.
> > I'm making a transcription
ther }
>>
>>
}
Thank you very much,
best regards,
Marco
--
*Marco Bianchi*
+39 3403513686
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this result.
I am not so expert at the moment.
Hope someone can help me.
Thank you all in advance.
MB
File_000.jpeg
<https://drive.google.com/file/d/0B_0yykq9LeDPbnhNMGpnazlBdEk/view?usp=drive_web>
2017-05-02 17:27 GMT+02:00 Jacques Menu Muzhic :
> Hello Marco,
>
> You minimal
k you all in advance.
Regards
Marco B.
Inviato da iPhone
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m/file/d/0B_0yykq9LeDPQWt3TlVhMWE3SXlCZjQ4RzZjMm9qU09MbElN/view?usp=drivesdk>
Thank you all in advance.
Regards
Marco B.
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Hello people!
I have a question. Is there any software for converting a Midi to sheet?
This software will haveto be for free.
Thank You!
Marco Oros
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Hi everybody,
I'm currently working on a free tutorial about notation typesetting with
LilyPond for classical guitar. I was wondering if it would be violating the
licence if I show the nice LilyPond Logo on top of my tutorial?
cheers
Hello!
I have one question. Can I entered a half flat and half sharps to the
Lilypond?
Thank You!
Marco Oros
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amazing! Thank you!
Il 10/giu/2015 09:37 "Nathan Ho" ha scritto:
> On Tue, Jun 9, 2015 at 11:11 PM, Marco Bagolin
> wrote:
>
>> Hello all.
>> I must to format titles.
>>
>> I write the following code:
>>
>> \header {
>>
>>
d "TITLE"}
composer = \markup \override #'(font-name . "Book Antiqua") \bold
{"COMPOSER"}
arranger = \markup \override #'(font-name . "Book Antiqua") \italic
{"Arranged by MARCO BAGOLIN"}
tagline = ""
}
But what I wrote is
Amazing! Thank you all for the help!
bests
Marco B.
Il 09/giu/2015 09:28 "Pierre Perol-Schneider" <
pierre.schneider.pa...@gmail.com> ha scritto:
> Hi Marco,
> Hi Nathan,
>
> Here's how I'd do:
>
> \version "2.18.2"
>
> {
> s1
>
Hello all.
How can I obtain what you can see in What_I_want.png file?
My best result is in myresult.png file.
The code I wrote is the following:
\tempo \markup {\column {\line { \tiny {"''Do You Want to smile?''"}} \line
{"Moderate - rhytmic, but expressive"}}}
But I want to obtain the formattati
Only another question...
How is possible to modify the copyright lines text interspacing?
I don't know what is the command.
Thank you in advance to all for the help.
Regards
Marco B.
2015-05-24 21:11 GMT+02:00 Klaus Blum :
> Hi Marco,
>
>
Is it possible to use more of one line to write the copyright on the first
page?
for example:
(C) 2015 - Marco Bagolin
All Rights Reserved
- This is my personal copy -
I tried to use the following code:
*copyright = \markup{ \line {(C) 2015 - Marco
Bagolin
I would like to get the notes grouped in the file as "original.png", but my
best result is what you can see in the file "myresult.png" with the
following code:
\tuplet 3/2 {b[[( d b]} a b)]
What is my mistake? I can't see where I wrong.
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How is possible to center perfectly dynamics symbols between the staves of a
piano staff?
Thank you in advance to all for the your answers.
Best regards
Marco
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eral.ly" to generate the pdf output file.
(sorry for my english)
Thank you in advance to all for the answers.
Regards
Marco B.
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Hi!
I have one question.
I would like to write something for trumpet and clarinet and I know,
that this musical instruments are tunned in various pitches, they can't
use C-key, as for example notation for piano.
So, It means, that I must write c-major song in as-major for clarinet,
or it is aut
OK, I just found a reply. Ofcourse, this was note to fill bar in 3/4.
Do You know, I am blind person and in one software It was used, but It
is a mistake in this software ( I don't should say name of It).
So, this is half dotted note, for example c2. .
Thank You, Marco
Hello!
I have a question. How can I entered a three-beat notes in 3/4 bar?
It can be entered, as whole notes?
Or, exists something, like three-beat notes, or how It calls in musical
terminology in English language? I am from Slovakia and English is my
secound language.
Thank You, Marco Oros
Hi!
I have question. How to write manuals for organ in Lilypond?
Thank You, Marco Oros.
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Hi!
I have one question.
It is possible to type to the lilypond notations the registration marks
for Harpsichord, or organ?
Thank You.
Marco Oros
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ned with the trill symbol and "Half
8va(opt.)" font is bigger than the others.
I tried some ways, but I don't understand where is my mistake.
Please, can anyone help me?
Thank you in advance at all
Regards
Marco B.
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nt is bigger than the others. I tried some ways, but I don't
understand where is my mistake.
Please, can anyone help me?
Thank you in advance at all
Regards
Marco B.
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can I learn to use Lilypond for write music using Contemporary
Music Notation?
Thank you in advance for all your answer and help.
Regards
Marco Bagolin
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Hello,
I can't find the way to reproduce the examples attached (the slur in volta
2 and the bend).
I tried to search in the site and in the manuals but I did not find a
solution.
Someone can help me ?
Thank you in advance.
MB
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Hello,
I can't find in the manuals and tutorials
how to add lyrics after n measures.
I want that lyrics start at the 4th measure.
(after a little intro)
How can I do it?
I tried many ways but lyrics start always
with the first measure.
Thank you
MB
__
Is it possible to have a PDF output without
"Music Engraving by Lilypond..." text?
Thank you
MB
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I think I have spotted the root of the problem:
https://bugs.busybox.net/show_bug.cgi?id=4111
The bottom line is to force your os using an alternative tail than that of
busybox (e.g. coreutils') until they fix the problem.
An alternative remedy (worked for me) is to use tail +n rather than tail
p to
correct this issue, with your help, if you think that it is feasible.
Anyway, thanks for making your effort available for free. I am also an open
souce developer and, believe me, I do value these contributions.
Thanks!
Marco
On Friday 10 December 2010, Phil Holmes wrote:
> Pleas
say that I think this problem deserves more
consideration.
Thank you!
Marco
On Friday 10 December 2010, you wrote:
> - Original Message -----
> From: "Marco Correia"
> To:
> Sent: Friday, December 10, 2010 12:35 AM
> Subject: Odd output
>
> > Hi,
> >
with stems up and
down). There is no indication that f is there.
Is this supposed to/ how do I fix it?
Thanks!
Marco
--
Marco Correia
--
--
Marco Correia
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th of the instrument name.
Is there a way to specify the *total* maximum width of a fragment?
Thanks,
Marco
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{\relative c'' {
a8 a16 a a8 a a a
a8 a16 a a8 a a a
}}
>>
}
In the first bar (the original one) there is a tie-collision, which I can
solve only changing the tie in the upper voice into a slur (second bar).
Best regards,
Marco
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the c notehead (as in the fourth
last bar), but \override Script #'Y-offset does not seem to work.
Best regards,
Marco
\version "2.11.52"
{\time 6/8 \relative c'' {
% tie and articulation collision
f4.-> ~ f4.
% strange position for the tie
e4.-> ~ e4.
d4.->
Thanks Marc,
That works beautifully! I'll also keep in mind what Mats said about
naming these two macros. Any suggestions of unreserved names?
Sorry for asking such silly questions, but I'm a newbie with Lilypond...
On 15 May 2008, at 10:24, Marc Hohl wrote:
Hi Marco,
have a lo
and can't seem to find any reference in the
manual (except using the \parenthesize with drums and percussion) for
creating ghost notes. Is it possible to render ghost notes on a bass clef
stave?
Hope someone can help!
Thanks and regards,
Marco.
--
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ay to
declare the dynamic mark at the beginning of a complete section without the
need to reapet it?
Thanks.
Marco
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I'm creating MIDI files for my choir. How can I set different volume levels
for each section, to make one be in evidence among the others?
Thank you very much.
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for solution I have never succeeded.
Please help me (I'm a beginner of both Lilypond and Linux),
Marco.
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Hi all.
Is it possible to engrave, with Lilypond, something similar to "Canone 1 a 2"
http://assioma5.altervista.org/05_Apparati/Cancrizzante.html,
that is a mirrored clef and key accidentals at the end of the score?
Marco
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Hi all.
I was not using Lilypond since 1.8.x, and I have to say that Lilypond
2.4.x is great! Thanks to the authors.
Anyway, when using \partcombine, is it possible to get the text scripts
(e.g., c-\markup{rall.}) printed only once (as rehearsal marks)?
Best regards,
--
Marco
Tudo para divulgação de sites e homepages. Cadastramento em mecanismos de busca,
email marketing, publicidade online, campanhas online, cadastro de sites, sites
de busca, torne seu site um sucesso:
http://www.gueb.de/divulgueseusite
Tudo para divulgar seu site: Cadastramento em ferramentas de b
. I
have not found a mention of this in lilypond.ps (at least in section Page
layout).
Cheers,
Marco
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documented, it is accepted by lilypond-book (and I have the
image as wanted), but then latex gives me "Undefined symbol
\lilypondepswidth".
Is it possible to obtain the image (png, if possible) directly with
ly2dvi?
--
Marco
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hat the extra note destroys
> the rhythm.
>
> /Mats
Good. Only a thing: not c4/2 but c1*1/2 (lily 1.6.7).
Thanks again,
Marco
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Thanks. I will try it as soon as possible. However, it is a little
complicated. All the scores I have seen (marching bands scores, above all)
have that short tie. The same for slurs starting before the first
alternative and ending on the second. I think it should be
automatic. Will it be?
Marco
I think it should be automatic, but is there
a way to put a slur sign as wanted?
-
Marco
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Hi.
If have such a score:
\repeat volta 2 {d1 c} \alternative {{~c d c}{~c}}
I would like that the ~c in the second alternative was tied to the last c
before alternatives and not to the last c in the first alternative. How to
produce it?
--
Marco
Hi.
The problem is at measure 12: c' or bes' are one beat too
long.
--
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Hi.
Changing a time signature, say from 2/4 to 6/8, it is common to find, over
the last bar of the previous time
| |
| |
*|=*|.
saying that the previous quarter note shoud have the same (time) duration
of the following quarter dotted note. How to reproduce with Lilypond?
--
Marco
Futhermore, how to produce
From Segno to Coda Coda
--|| |
--|| |
--|| (blank space)|
--|| |
--|| |
(I hope it is clear enough).
Marco
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No more lines broken, but, for example, the entire last subsection is sent
to the next page. It is also unuseful to insert \nopagebreak[4]:
...
\end{lilypond}
\nopagebreak[4]
\subsection{...}
Marco
> On Thu, 30 Jan 2003, Mats Bengtsson wrote:
> One way to do this is to set interscore
d, or latex, to keep each section in one
page, automatically detecting the right interscoreline into the lilypond
blocks?
--
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re is too much right placed.
--
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Hi.
The code
\begin{lilypond}
...
\end{lilypond}
in a .tex file gives a score with staves center aligned. With
lilypond-book 1.6.4 (and with ly2dvi 1.6.4 or 1.6.5), the staves were
right aligned. Moreover, they produce an Overfull hbox. What is happened?
-
Marco
I have, for example,
(lily-265840193.tex (/usr/local/texmf/tex/lilypond/lilyponddefs.tex)
Overfull \hbox (17.62363pt too wide) in paragraph at lines 441--512
[][]
)
What is happening?
--
Marco
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http
nea.dvi)
dvips -ta4 -tlandscape enea.dvi
(my gv cannot view enea.ps but...)
pstops -pa4 "2:0L@.71(21cm,14.85cm)+1L@.71(21cm,0)" enea.ps enea.a5.ps
my gv CAN view and print fine enea.a5.ps
Bye
--
Marco
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On Sat, 15 Jun 2002, Jan Nieuwenhuizen wrote:
> Rune Zedeler <[EMAIL PROTECTED]> writes:
>
> > Marco Caliari wrote:
> >
> >> \header{instrument="Instruments in Bb"}
> >
> > \header { instrument = "Instruments in B$\\flat$"
On Sat, 15 Jun 2002, Jan Nieuwenhuizen wrote:
> Rune Zedeler <[EMAIL PROTECTED]> writes:
>
> > Marco Caliari wrote:
> >
> >> \header{instrument="Instruments in Bb"}
> >
> > \header { instrument = "Instruments in B$\\flat$"
Hi.
How can I put the flat symbol (or sharp) in the header? For example, I
want to write
\header{instrument="Instruments in Bb"}
where "Bb" means "B flat".
Bye
--
Marco
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Are there commands to produce, e.g., Allegro, Adagio, Largo at wanted
positions?
-
Marco
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Are there commands to produce, e.g., Allegro, Adagio, Largo at wanted
positions?
-
Marco
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